Antiquarian Art Co.
All Items : Fine Art : Paintings : Watercolor : Pre 1940 item #1410590 (stock #912)
Vintage original watercolor of Sail Boats initaled lower r. L. F. Waldon c.1940. A Fine Addition to any Collection. Measuring overall framed size 10.5 x 12.5"
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #1410543 (stock #911)
Original vintage c.1930 American impressionist oil painting on panel of a Fall Landscape signed lower right by A Watts. Measuring 18ʺW × 2ʺD × 15ʺH
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1970 item #1410540 (stock #910)
Original French oil painting a portrait of Pascale Ogier French actress playing guitar Paris at age 17. Painted by her grandmother Marie Louise Ogier a well know talented French painter born 1912 exhibited in several Paris galleries in numerous private and public collections. About Pascale Pascale Ogier was born as Pascale Marguerite Cécile Claude Colette Nicolas in Paris, France on 26 October 1958.[1] she was the daughter of actress Bulle Ogier and musician Gilles Nicolas. Ogier also chose an acting career, first with appearances on stage. In 1982, she and her mother co-wrote the screenplay and starred in director Jacques Rivette's film Le Pont du Nord. For her performance in director Éric Rohmer's film Full Moon in Paris, Ogier was nominated for a César Award for Best Actress at the 10th César Awards and won the Volpi Cup for Best Actress at the 41st Venice International Film Festival. Shortly afterwards, at age 25 — on the day before she was to celebrate her 26th birthday — Ogier died of a heart attack probably caused by a heart murmur condition she had since age 12 combined with drug use. Ogier is buried in the Père Lachaise Cemetery in Paris. In 1986, the film Down by Law is dedicated to her
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1410538 (stock #909)
Vintage large oil painting on canvas of a figurative Nude Female nude signed lower right Lois Gross c. 1950 painted before her marriage to Dr. Douglas G. Smiley. Measuring 32" x 50" In excellent vintage condition. LOIS GROSS SMILEY (American, born 1925, died 2019) Lois Gross Smiley was an abstract expressionist who specialized in landscape, still life and figural painting in oils and pastels. Born and raised in New York City, Smiley’s artistic training coincided with the emergence of the New York abstract expressionist and gestural abstraction painting movement. Born in New York City in 1925, Smiley attended the prestigious Dalton School in New York’s upper east side, where she studied under two prominent artists: the well-known Mexican painter Rufino Tamayo and the abstract expressionist Vaclav Vytlacil. Tamayo, who is considered a figural abstractionist, also taught Helen Frankenthaler at Dalton. Vaclav Vytlacil co-founded the American Abstract Artist Group, the predecessor of the New York School and Abstract Expressionism that contributed to the development and acceptance of abstract art in the United States. After Dalton School, Smiley went on to major in painting at Sarah Lawrence College where she received her Bachelor of Art degree in 1946. While at Sarah Lawrence, she studied drawing and painting and art history with Kurt Roesch a German born expressionist who showed and was represented by the prominent Curt Valentin gallery. In Manhattan Smiley also studied etching and engraving with Stanley William Hayter at his famed atelier 17 and Japanese woodblock printing with Bill Paden. Smiley’s work can be described as combining Cubist-inspired spatial concerns with an expressionistic approach to line and color. She worked in oils, pastels and watercolor and said of her work “Although my paintings seem abstract, each has a subject that derives from nature, felt and observed. I hope to arrive at an essence strong enough to evoke a shared recognition with the viewer.” In addition to painting, Smiley worked at the Hudson River Museum, Yonkers as the Assistant Curator of Exhibitions from 1970-1973. She taught drawing and painting in her New York studios from 1964-1990. In 1960 and 1976, Smiley received awards for watercolors she exhibited at the National Association of Women Artists held at the National Academy, New York City. She had her first solo exhibition in 1962 at the Riverdale Neighborhood House, New York and another at the Carlton Gallery, New York in 1976. In 1972, she participated in the Hudson River Museum juried group show and in 1978 she was invited to participate in the Bronx Museum of Arts “Arte, Arte, Kunst” exhibition. Smiley was a member of the National Art Association, The National Association of Women Artists, and the Cambridge and Concord Art Associations. In 1951, Lois Gross married Dr. Douglas G. Smiley by whom she had two daughters. She moved to Wellesley, Massachusetts in 1991 after her husband died to be near her daughter. She quickly became part of the New England art community, teaching drawing at the Cambridge Art Association and the Concord Art Association, where she also exhibited. She showed at the Danforth Museum Framingham, Ma where she received the directors’ award for best in show. In 1993, she held a solo exhibition at the Harvard Neighbors Gallery in Cambridge and from 1987-1996; she showed many exhibitions at Douglas Parker’s “On the Vineyard Gallery.” Smiley maintained a studio in Wellesley. She showed and was represented by the Art In Giving Gallery, where 50% of the sales of her paintings went to help fight childhood cancer. In an interview, Smiley spoke of the importance of using the finest quality materials in her work. She used linen canvas, which she stretched herself and made her own frames and also made her own pastel sticks. Many of her paintings are in private and corporate collections
All Items : Fine Art : Drawings : Pre 1950 item #1409894 (stock #907)
Vintage 1940s, WPA style expressionist drawing of a blacksmith at his anvil by Harold Christopher Davies. Signed lower right w/ estate stamp and on verso. Provenance: From the estate of the artist and Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, Oakland Art Gallery, Birmingham Museum, Southampton Museum, University of Long Island Museum, Parrish Art Museum, Hoover Gallery (San Francisco), Haggin Museum and Huntsville Museum. Image size: 3.5" x 4", overall framed dimensions: 8 x 8".
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1990 item #1409893 (stock #906)
Original oil on paper titled "Western Hills Series #56" and signed lower right by Katherine Chang Liu, 1988. Liu an internationally renowned painter and teacher. Born in China, Liu received a full scholarship to UC Berkeley. Her work has been featured in 26 books and over 70 magazine articles. She is listed in "Who’s Who in American Art" and "Who’s Who in American Women." Her work can be found in many private and corporate art collections. This painting was in the corporate collection of Clorox corp. inventory number is on the side. Image, 24"L x 13"H . overall framed size 35.5ʺW × 2ʺD × 24.5ʺH
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1409892 (stock #905)
Original antique watercolor floral botanical painting of a flowering bulb 19th century c.1850. This lovely original watercolor is from a mid 19th century botanical watercolor album. While little is known about the work, it was clearly done by a highly skilled artist. The paper is Whatman watermarked and dated. . Presented matted with archival materials and framed. less DETAILS Dimensions13ʺW × 1ʺD × 16ʺH PeriodLate 19th Century ConditionVery Good Condition, Original Condition Unaltered, No Imperfections Good antique condition
All Items : Fine Art : Drawings : Pen : Pre 1970 item #1409662 (stock #904)
Vintage modernist mixed media portrait of a monkey against a striped background, executed in pen & ink and cut paper. Presented matted and in a minimalist wood frame. Image size: 4 x 5.5”, overall framed dimensions: 10.5 x 13”. Howard Warshaw (1920-1977) was born and educated in New York City. In 1941, he returned to New York for two years to receive his formal training at the Art Students League and the National Academy. Shortly thereafter, he moved to Southern California, where he lived and worked for the remainder of his life. For a short time he taught at Jepson Art Institute; there he met and became friends with Rico Lebrun and Eugene Berman. These two pioneering artists were to have a profound impact on the young Warshaw. In 1957, Warshaw became a professor at the University of California, Santa Barbara. Lebrun and Berman became his unofficial teachers for several years—by their friendship and constructive review of his work, they left an influence that would stay with Warshaw for the remainder of his career. In a 1977 Memoriam his fellow professors wrote, “the paintings and drawings of Warshaw's early period, in the surrealist manner, though distinctly his own, clearly reflect the neoromantic influence of Berman. His friendship with Lebrun quickened an interest in cubism which was to last throughout his life, though the element of surrealism in his work never quite disappeared.” The artist died in Santa Barbara, California in 1977.
All Items : Fine Art : Prints : Engravings : Pre 1837 VR item #1409660 (stock #903)
Original antique Curtis floral botanical hand colored etching c1804. Presented in archival matte and framed in a contemporary classic frame. Overall size 13 x 16 inches. William Curtis began publication of the Botanical Magazine in February 1787 and it continued almost without interruption for 160 years. These Curtis prints are particularly prized for their lavish, beautifully hand colored large illustrations principally by Sydenham Teak Edwards, James Sowerby and William Kilburn. Even now, after all this time of living with Curtis prints, we are still left in awe by their beauty. Each single measures approximately 5 ½ inches wide by 9 inches long. Please view our other Curtis botanical prints compatible with each other for decorative grouping.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1409583 (stock #902)
Original vintage mid century modern cubist still life oil painting with guitar and bust with books and grapes. Oil on canvas board initialed Lower right side. Canvas measuring 20 x 24”.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1409581 (stock #901)
Original Vintage C.1900 Impressionist Oil Painting European Village Scene Signed indistinctly lower right by an accomplished artist. A fine painting in the original c. 1900 vintage frame. The painting measures 14 x 17 overall framed size 17 ½” by 21 ½. In good condition some wear to the frame.
All Items : Fine Art : Drawings : Pre 1900 item #1409579 (stock #900)
An original masterful antique French landscape drawing of a cottage and tree from a portfolio dating from 1847. Presented matted and framed overall framed size 13 x 16. A fine antique accent piece for any interior
All Items : Fine Art : Paintings : Watercolor : Pre 1837 VR item #1409577 (stock #899)
Original antique watercolor painting of a Bird an ornithological study by Carl Linnaeus c. 1776. With notations and information. Presented matted and framed in archival materials. . This is a wonderful, expertly drawn, original watercolor is from a German ornithological manuscript. Each watercolor is on chain-linked, watermarked paper. The titled Vogel in Beschreibungen und Abbildungen nach dem XII. vollstandigen Natur-system des Ritters Carl von Linne und nach der ausfuhrlichen Erklarung des Herrn Prof. Phil. Ludw. Statius Muller. This roughly translates to Birds in descriptions & illustrations after the natural system of Carl Linnaeus as translated by Philipp Muller. 16ʺW × 1ʺD × 13ʺH
All Items : Fine Art : Drawings : Pen : Pre 1900 item #1409576 (stock #898)
Original antique 19th century pen and ink drawing of Venice Italy. A view of Santa Maria della Salute commonly known simply as the Salute, is a Roman Catholic church and minor basilica located at Punta della Dogana in the Dorsoduro sestiere of the city of Venice, Italy. It stands on the narrow finger of Punta della Dogana, between the Grand Canal and the Giudecca Canal. Presented archival matted and framed. Measuring overall 11 x 13"
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1910 item #1409523 (stock #897)
An original antique American folk art oil painting oil on canvas signed lower left by Owen Lunnon a late 19th early 20th century American painter known for floral paintings. Presented framed in the original antique birds eye maple frame with lemon gold liner. measuring overall 23ʺW × 1ʺD × 18ʺH in good antique condition.
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1409430 (stock #896)
Original antique watercolor floral botanical painting of a tulip 19th century c.1850. This lovely original watercolor is from a mid 19th century botanical watercolor album. While little is known about the work, it was clearly done by a highly skilled artist. The paper is Whatman watermarked and dated. . Presented matted with archival materials and framed.
All Items : Fine Art : Drawings : Pre 1900 item #1409429 (stock #875)
An original masterful antique French landscape drawing of a cottage and tree from a portfolio dating from 1847. Presented matted and framed overall framed size 13 x 16. A fine antique accent piece for any interior.
All Items : Fine Art : Prints : Engravings : Pre 1837 VR item #1408868 (stock #895)
Antique map Islands of the Atlantic. This map was originally published by Baldwin and Cradock and copyrighted and published 1836 Society for the Diffusion of Useful Knowledge or S.D.U.K. map of the Islands of Atlantic Ocean. Essentially sixteen inset maps on one sheet, the map covers the Azores or Western Isles, Faeroe Isles, Madeira Isles, Canary Islands, Princes Island, Anno Bon, Fernando Po, St. Thomas, Ascension Island, St. Helena, Tristan da Cunha Isles, Cape de Verde Isles, Bermuda Isles, Trinidade Isles, Fernando Noronha and the Falkland Islands. Each inset also notes whether the Islands are in English, Spanish, Portuguese, Danish, American, Brazilian or French possession.