Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1990 item #1101197 (stock #452)
Claude Lacaze original oil painting on canvas of cubist nudes signed lower left. measuring Approximately 26 x 40 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #1154696 (stock #537)
A fine Khymer period bronze Buddha fragment with traces of original gold gilding. Mounted to museum stand measuring overall 13 inches the Buddha 10 inches. A museum quality example would be a fine addition to any collection.
All Items : Fine Art : Sculpture : Bronze : Pre 2000 item #1131872 (stock #496)
A fine original modernist bronze by Heriberto Juárez signed edition # 6 of 100 measuring overall approximately 11 inches tall in excellent condition a beautiful work of art by this Mexican master. Biography

Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze... The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico. In addition to the fertile production of sculptural pieces Juárez Castañeda's work includes drawing, construction of monuments and to a lease degree but with the same qualities, panting. In these regards, Berta Taracen, whose opinion is acknowledged in the artistic space says: "His historical-humanistic tendency, in agreement with the society it serves, does not resign to topical and futuristic categories, but enhances the message and content of perfect technics, considering that technology, in the widest sense of the word, is the central problem of this age and praxis of the actions of modern man; having as a result a Juárez who is characteristically a Mexican artist, who makes of his technics and craftsmanship part of the historical and spiritual order without rendering them obsolete". A highlighted part of his work and probably the most widespread is constituted by his pieces, in different materials, on bullfight subjects; magical and sometimes cryptical world which he deeply knows, due to his experience as a bullfighter while he was a young man. Along his already broad trajectory, Heriberto Juárez has been chosen to represent Mexican Art in shows, exhibitions and events of the highest world level. He has been granted scholarships to enrich his already vast knowledge of technics and artistic avant gard concepts. He has been selected to construct important monuments in the national and international ambits as well...

All Items : Fine Art : Paintings : Pre 1900 item #1267247 (stock #649)
Cattle by a Stream by Leopold Rivers signed lower right and dated 1862. The Victorian artist Leopold Rivers was born in London in the mid-19th century. A landscape and watercolor painter and designer, he was the son and pupil of the well-known British artist William Joseph Rivers, who had also exhibited from 1843 to 1855 at the Royal Academy and British Institute. Known for his romantic and atmospheric landscapes depicting the country life in the counties and shires around London, Leopold also found success in his artistic career. He exhibited widely, hanging 188 paintings at the Royal Society of British Artists, where he was honored with a membership. He exhibited 55 paintings at the Royal Academy Sulfolk Street Gallery from 1873. He was a member of the Royal Society of British Artists, Sulfolk Street in 1890 and at the Royal Academy from 1873 to 1904, and at the Royal Institute of Painters of Watercolors.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1339800 (stock #771)
Herman Rose Gansevoort st pier New York oil on canvas signed lower left measuring 10 3/8” x 20 3/4” in excellent condition.

Known for small scale, modernist urban views of New York City, he depicted the city as a jumble of architecture in varying sombre colors in a mood reminiscent of 19th century Romanticism. He had a highly original technique, which was covering a drawing with small dabs of paint and pushing spots of warm and cool color over one another, which dried into a kind of low relief. It took him about a decade, from 1929 to 1939, to arrive at this style and method that seemed right for him. He decided to paint what he saw without consciousness as to style or composition and with spiritual commitment, devoting himself to divinity in nature, separated from the modern world. By the 1960s, he was doing horizontal work in brighter hues that gave the viewer the impression of being swept along a street or urban path.

All Items : Antiques : Furnishings : Furniture : American : Early : Pre 1800 item #1107037 (stock #472)
An exquisite Queen Anne period elaborately carved side chair in excellent condition all original a fine example of early furniture making.
All Items : Antiques : Furnishings : Pre 1900 item #1282291 (stock #674)
A beautiful 19th century Italian Chinoiserie Bombe Chest of drawers. Beautiful form and quality antique construction. All original with original label.
All Items : Fine Art : Sculpture : Bronze : Pre 1930 item #1059438 (stock #395)
Harriet W. Frishmuth (American, 1880-1980), titled Crest of the Wave, signed and dated 1925 on bronze base and with QFHL stamp and Gorham Co Founders foundry mark on bronze base; ht. 21.5, wd. 5, dp. 5 in. In excellent condition with a beautiful original patina.

Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.

All Items : Antiques : Furnishings : Furniture : English : Early : Pre 1900 item #1269061 (stock #655)
Beautiful English walnut lowboy with elaborate decorative inlay. Three herringbone inlaid, cross-banded drawers with brass hardware, and a compass rose inlaid top over elegant Queen Anne legs. 33" L x 22" W x 30" H Please inquire about shipping costs.
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pottery : Pre 1492 item #1025753 (stock #367)
A fine authentic pre Columbian Jaguar vessel in good all original condition measuring approx. 13 inches tall a museum quality example.
All Items : Fine Art : Paintings : Oil : N. America : Pre 1920 item #1389447 (stock #865)
Late 19th - Early 20th Century portrait of a young girl, in blue dress with against a tan background. Oil on canvas, dry mounted to board presented in a silver wood frame. Image size: 11" x 14", overall dimensions: 15.5" x 18". Unsigned, but from a collection of paintings signed Isabelle Nowell, believed to be Isabelle Grant Nowell, an artist and practical design student of MIT in 1874-5. A beautiful painting in good antique condition minor touch ups in the background area.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre 1900 item #1311420 (stock #732)
Classic Greek pottery Hydria form jar hand painted classical figures. A grand tour example c.1890 of the finest quality. Measuring 14" x 13". In excellent antique condition.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #1269049 (stock #653)
This image of the Buddha is in a naturalistic style most probably prompted by colonial influences. It has been carved in wood, lacquered and gilded and inset with glass fragments backed with coloured foil (known as hman-zi- shwei-cha) and overlaid thayo work, a process whereby thin, rolled strands of lacquer and ash putty are applied in patterns. The image is in the Mandalay style and shows the Buddha seated in vajrasana, with his right hand gesturing to the earth in the bhumisparsa mudra position. It is probably the most characteristic form of religious sculpture in Burma (Lowry, 1974). The posture, known as 'calling the earth to witness', represents the moment when the Buddha was seated in meditation under the Bodhi tree during the evening before his enlightenment. Mara asked him to name anyone who would give evidence that he had given alms, and the Buddha motioned to the earth with his right hand and said that the earth would bear witness to that - in a previous incarnation when he was known as Vessantara, he had given alms to such an extent that the earth had begun to quake. The image shows the Buddha seated on a low platform or socle and dressed in ample robes with naturalistic folds and pleating. Earlier images of the Buddha across Southeast Asia tended to show the monastic robes in a much more schematic way. The eyes have been inlaid with a white material, usually described as mother-of-pearl, with black pupils probably painted on with black lacquer. The cranial protuberance (unisha) is rounded and the head decorated with tight curls in low relief. Unusually, the curls are arrayed in a pattern on the back of the head, rather than being in a more typical, somewhat random manner. The image has been lacquered with black lacquer and then gilded. Overall, the image is very sculptural and decorative: the naturalistic flow of the robes, and the refinement of the face, are particularly pleasing.37"T x 32"W x 24"D. In good antique condition some minor losses and age cracking.
All Items : Fine Art : Paintings : Pre 1940 item #1120972 (stock #493)
An original oil painting on board by Cecil C. Bell signed lower center and on reverse. Measuring 22 x 30 inches. The painting of a New York nocturne featuring a Westside cowboy of the The New York central line. West Side Cowboys were employed by the City to ride in front of street-level freight trains and wave pedestrians out of the way. This was the City’s stopgap measure to stop the carnage on what was known as “Death Avenue.” The Cowboys were phased out after the High Line was built, raising train traffic to the third story of industrial buildings.

Biography

Bell was born in Seattle, WA in 1906, and he later moved to Staten Island, NY. It was in New York City where he found the inspiration for his work, the city and its people, focusing on daily life subjects. He studied at the Art Institute of Chicago and the Art Students League with John Sloan. Exhibition venues include the Corcoran Gallery, Museum of Modern Art and the Tacoma Art Museum.

All Items : Antiques : Decorative Art : Metals : Bronze : Pre 1920 item #1202829 (stock #601)
Tiffany Studios Indian pattern patinated bronze desk set consisting of a ink well letter holder stamp box and blotter paper ends. In all original excellent condition beautiful Tiffany quality excellent brown with green highlights patina. A fine set would be a nice addition to any collection.
All Items : Fine Art : Prints : Etchings : Pre 1970 item #1397473 (stock #874)
Lovely modernist nude etching of a reclining woman entitled, "Joseph Had a Dream" by Ruth Weisberg. Dated 1967 and signed lower right. Presented in cream colored matting and a carved gilt wood frame. Image size: 14 x 18", overall dimensions: 20 x 26". Ruth Weisberg, an artist and professor, is the former Dean of Fine Arts at the University of Southern California since 1995. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.
All Items : Fine Art : Paintings : Acrylic : Contemporary item #1296575 (stock #690)
Antiquarian Art Co.
Price on Request
Original Acrylic on Canvas titled Day and Night in Equal Parts measuring 30" x 40" signed verso. Tom Christopher is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions.
All Items : Antiques : Furnishings : Furniture : English : Georgian : Pre 1900 item #1321558 (stock #740)
English 19th century burl walnut highboy in 18th C Georgian style. Elegant queen Anne carved legs on the base. Cross banded drawers and pullout lined folding shelf or press. Hand made brass pulls dove tail construction some 20th century refurbishing to drawer runners.