Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Pre 1960 item #1298956 (stock #703)
Oil on paper abstract composition by Harold Christopher Davies, signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image, 22"W x 18"H. Overall framed size 33" W x 27" H.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1920 item #1388306 (stock #858)
HENRI VAN DER HECHT BELGIAN SCHOOL 1841-1901 “MOUNTAIN LANDSCAPE WITH CATTLE AND DROVER” OIL ON PANEL, SIGNED Henri (or Hendrick in Flemish) van der Hecht was born in Brussels in 1841. The son of the celebrated landscape painter, Guillaume van der Hecht he initially took art lessons from his father before enrolling at the Brussels Academy. Here under the guidance of the celebrated painter Jan Portaels he learned the technical skill required to be a painter in the realist tradition. Enamored with landscape painting he became one of the first to embrace the principals of ‘plein-air’ painting and chose to settle in Tervuren for the opportunities that the countryside gave him. Here, van der Hecht met a number of other artists of a similar mind set, painters who were influenced by the Barbizon school artists of France. A keen painter of the effects of sunlight, this particular skill is evident in all of his paintings. In 1868 he helped co-found the influential Societe Libre des Beaux Arts with Joseph Coosemans and Edouard Huberti amongst others. This group was dedicated in its efforts to provide a free exhibition space to those artists refused exhibitions by the establishment of Belgium. Although they painted in a variety of styles and subjects, many of them adhered to the ideals of color palette favored by the French landscape painter Gustave Courbet. By 1872 he had left the Society probably as a result of his acceptance to show at the Society International des Aquafortistes, an interesting exhibition venue established by Felicien Rops. By the late 1880’s he had become one of the most revered landscape painters of his day and was given a commission by the local government of Brabant to create a series of murals. After a distinguished career, Henri vander Hecht died in Brussels in 1901; his paintings however, can still be seen at the museums of Antwerp, Brussels and Ixelles in Belgium. Lit; E. Benefit P. Piron Arto
All Items : Fine Art : Sculpture : Bronze : Pre 1930 item #1202821 (stock #600)
By Adolf Muller Crefeld (German 1863-1934) bronze art deco statue of a dancer a beautiful form with great patina a beautiful marble base. measuring overall approx. 14 inches tall. excellent condition. Berlin. Literature:
 “Bronzes, sculptors and founders” by H. Berman, Abage. 
“The dictionary of sculptors in bronze” by James Mackay. Antique collectors club. 

All Items : Antiques : Furnishings : Furniture : American : Federal : Pre 1837 VR item #1363684 (stock #811)
Fine Early 19th Century New England area Hepplewhite style Federal sideboard. Mahogany veneer with what appears to be chestnut secondary wood. Exquisite gilt brass rosette pulls, notched cross banding inlay, reeded columns with turned legs, and a unique & quite large bin like center drawer flanked by a cabinet door to the left and a large drawer to the right, as well as 3 standard drawers. An exceptional and timeless sideboard, in traditional early American taste.
All Items : Fine Art : Prints : Engravings : Pre 1900 item #1389084 (stock #860)
Ruins of the Amphitheater Colissaeus also known as the Flavian Amphitheatre is an oval amphitheatre in the centre of the city of Rome, Italy. An 18th Century German engraving by Georg Christoph Kilian (1709-1781). Pictured are the Colosseum ruins commissioned around A.D. 70-72 by Emperor Vespasian of the Flavian dynasty. The image is titled in both Latin and German below. Image size 12" x 10", presented with custom matte and in a gilt wood frame.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1920 item #1387501 (stock #855)
Original oil painting on panel by Georg Wolf c.1920. Georg Wolf was born in Niederhausbergen in 1882 he studied at the Academy of Strasbourg before graduating around 1900. He immediately commenced his career as a professional painter and chose to work primarily in oil paints. His subjects were usually rural scenes and were nearly always populated with farm animals and farm laborers about their tasks. Many of his works reflect the influence of Heinrich Zugel and as with Zugel himself, frequently depicted cattle. His work enjoyed immense popularity in the 1920’s and 1930’s when it was well reviewed by the critics of the day. Georg Wolf died in the town of Uelzen in 1962. Signed lower left old gallery label on verso. In excellent condition. A beautiful painting.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Paintings : Pre 1910 item #1346450 (stock #789)
Beautiful original antique portrait of a elegant Young Woman with her Jewelry. Watercolor and gouache signed lower right. Matted and framed image size 5" x 7" overall 12 x 15.
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1378118 (stock #820)
An original Victorian Era illustration of a woman in her boudoir. Signed lower right. Presented matted and in a gilt wood frame. Image size: 6.5" x 9.5"; Overall: 12"x15". Excellent antique condition.
All Items : Fine Art : Paintings : Oil : Pre 1940 item #1084411 (stock #416)
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A fine original oil on canvas board of a southwestern Native American homestead with an Adobe house with a figure at the door and a pottery kiln in the front yard. Measuring approx. 12 x 16 framed in a 24k hand carved frame. A fine investment quality artwork by this highly Acclaimed artist

Biography

Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt". Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to many more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, but it was not until the 1940s that he received much recognition. He painted in the Southwest nearly every summer between 1912 and 1926 and focused on the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and did sketches, many which he later converted into large canvases such as "Lower Falls of the Yellowstone"(1915) and "Grand Canyon of the Yellowstone" (1911). His style was realistic, and his palette invariably had the Southwestern hues of soft pinks, reds, yellows and purples. In fact, his critics who knew little of the Southwest accused him of fabricating the colors. Many of his works are at the Gilcrease Museum in Tulsa, Oklahoma. In March, 1999, the Historical Center of Cody, Wyoming held an exhibition of his field sketches and finished works depicting his experiences near Cody, Wyoming in the early part of the century, between 1910 and 1921. These years, many which he spent painting in the Carter Mountain vicinity, were considered crucial to his artistic development because he was exposed to western landscape. His companion during these travels was Cody taxidermist Will Richard who stirred his interest in wildlife.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1980 item #1402099 (stock #880)
A beautiful colorful abstract oil painting by Ken Stabler signed on verso and dated 1961. Presented ready to hang with a thin wood ebony color frame. Canvas size 20 x 24 inches overall 20.5 x 24.5 inches. In excellent vintage condition.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1960 item #1086153 (stock #417)
Claude Lacaze original oil on panel cubist nudes by the sea signed lower left. measuring Approximately 20 x 30 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Fine Art : Paintings : Oil : Pre 1970 item #1090611 (stock #426)
An Aboriginal art dot painting Dreaming by Nancy Campbell Napanangka. She is a Warlpiri speaker from Anmatyerre, who lives at Napperby Station.The painting is the Dreamtime story about watering holes and animal life and villages. Measuring approx. 40 x 48 inches a large painting purchased in the 1970s from a prominent gallery in Austrailia. A chance to own an original work from this highly regarded Australian Aboriginal artist. Contact for shipping cost and information. If within contenential US ups ground shipping is recommentd any other the painting would have to be removed from stretcher bar and rolled up for shipping. A beautiful decorative painting a true investment quality work.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1388304 (stock #857)
Late 19th - Early 20th Century portrait of a young girl, in blue dress with against a tan background. Oil on canvas, dry mounted to board presented in a silver wood frame. Image size: 11" x 14", overall dimensions: 15.5" x 18". Unsigned, but from a collection of paintings signed Isabelle Nowell, believed to be Isabelle Grant Nowell, an artist and practical design student of MIT in 1874-5
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1232543 (stock #617)
Olmec Jade Mask Pendant Origin: Mexico, Circa: 1200 BC to 900 BC, Dimensions: 3 5/8 high x 2.5 wide, Collection: Pre-Columbian, Olmec, Medium: Jade.
All Items : Fine Art : Prints : Lithographs : Pre 1960 item #554994 (stock #211)
A rare color lithograph by Wayne Thiebaud titled Coronado signed, numbered 5 of 15 and dated 1956. overall sheet size 16 x25 12.5 x 21.5 inches. A beautiful colorful modernist image of sail boats off the San Diego coast with the old Coranado Hotel in the left of the image. A very scarce print in excellent condition some slight discoloration from a previous matte.

Biography

A painter of pop-art realism combined with a great respect for traditional methods and subject matter, Wayne Thiebaud is one of the most prominent of the Bay Area painters in California in the latter part of the 20th century. His reputation spread far beyond his own state. In his painting, he focuses on the commonplace in a way that suggests irony and objective distance from his subjects. He also makes a point of keeping an independent distance from the New York art scene. He was born in Mesa, Arizona, in 1920, and for one summer during his high school years he apprenticed at the Walt Disney Studio and then studied at an Los Angeles trade school the next summer. He earned a degree from Sacramento State College in 1941. From 1938 to 1949, he worked as a cartoonist and designer in California and New York and served as an artist in the United States Army. In 1950, at the age of thirty, he enrolled in Sacramento State where he earned a Master's Degree in 1952 and began teaching at Sacramento City College. In 1960, he became assistant professor at the University of California, Davis, where he remained through the 1970s and influenced numerous artist students. However, he did not have much following among Conceptualists because of his adherence to basically traditional disciplines, emphasis on hard work rather than creativity, and love of realism. On a leave of absence, he spent time in New York City where he became friends with Willem De Kooning and Franz Kline and was much influenced by these abstractionists as well as Pop Artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes. Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York. In 1960, he had his first one-man shows in San Francisco at the Museum of Art and New York at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 New York Sidney Janis Gallery exhibition officially launching Pop Art, brought him national recognition although he disclaimed being anything other than a painter of illusionistic form. In 1963, he turned increasingly to figure painting, wooden and rigid with each detail sharply emphasized; in 1967 his work was shown at the Biennale Internationale, and in 1985, he was elected to the American Academy and Institute of Arts and Letters.

All Items : Fine Art : Paintings : Oil : Europe : Russian : Pre 1960 item #1388303 (stock #856)
Russian oil painting of a fantastical seascape with a castle overlooking a ship in the bay with figures scattered through the foreground. Signed on verso in cyrillic. Vintage to contemporary oil on canvas presented in a baroque style wood frame in an antique tone gold. Canvas size 16" x 19.5" overall framed size 25ʺW × 3ʺD × 21ʺH. In excellent vintage condition.
All Items : Fine Art : Paintings : Oil : Pre 1900 item #1378076 (stock #816)
19th Century pastoral landscape oil on canvas. Golden age, old master influenced painting depicting a shepherd with his sheep and a cottage. Signed Wayland, lower right. Wax Relined and presented in an intentionally distressed gold wood frame. Image size, 16 x 20 overall framed size 24.5ʺW × 2.5ʺD × 20.5ʺH.