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Biography, Carl Oscar Borg, N.A. (American, Born Sweden 1879-1947) Carl Oscar Borg was considered "a major American artist," though he was born in Grinstad, Sweden on March 3, 1879. Borg worked as a seaman and studied art in London before emigrating to New York City in 1902. He moved to California in 1903 and through the patronage of Mrs. Phoebe Hearst, was able to return to Europe for further study in Paris and Rome. Upon his return he taught at the California Art Institute in Los Angeles, and from 1918 to 1924 lived in Santa Barbara where he taught at the School of Arts. The interval years 1924 to 1935 were spent traveling to San Francisco, Los Angeles and the Grand Canyon. The subjects of his paintings included Hopi and Navajo Indians, cowboys, historical scenes, and California landscapes, seascapes and missions. He made three trips to Sweden in the 1930s, and when war broke out in Europe he was forced to remain there for the duration of the war. While in Sweden he had considerable fame and financial success in selling his paintings of Indians and desert scenes to art collectors. After World War II ended, he returned to Santa Barbara where he died on May 8, 1947. Awards: gold medal, St. Louis Exposition, 1904; first prize, Los Angeles Painters Club, 1909; silver medal, Versailles, 1914; first prize, California Art Club, 1915; silver medal, PPIE, 1915; gold and silver medals, Panama-California Exposition, San Diego, 1915; silver medal, Societe des Artistes Francais, 1920; silver medal, Pacific Southwest Exposition, 1928; and others. Major collectors: Los Angeles County Museum of Art; Montclair Art Museum, New Jersey; California State Library; Seattle Art Museum; Library of Congress; de Young Museum; Lowie Museum, University of California, Berkeley; Mills College, Oakland; Oakland Museum; Los Angeles Public Library; Santa Barbara Museum; National Museum of American Art; Bibliotheque Nationale, Paris; Henry Art Gallery, University of Washington, Seattle; Gothenburg Ethological Museum, Sweden; Phoenix Museum
Landscape painter. Born in Norway on June 1, 1856. Jonnevold came to the U.S. in the 1880s and is known to have painted in the Northwest before moving to California in 1887. Settling in San Francisco, he maintained a studio at 1617 California Street. He was a self-taught painter except for brief study in the galleries of Paris in 1908. While in France, he was influenced by the Barbizon painters and their dark palette. Returning to California, he continued to paint the beauty of northern California in the Barbizon style. Often working in late afternoon when shadow prevails, he produced hundreds of attractive tree and meadow scenes which he exhibited in local galleries. By the time of the stock market crash in 1929, Jonnevold was poverty stricken and living alone at his small studio at 560 Kearny Street. In that year he was sentenced to two months in jail for aiming a gun at his landlord. Jonnevold disappeared from San Francisco about 1930. A letter at the Oakland Museum gives his date of death as June 9, 1955 but no location. His works have gained renewed respect in recent years and are highly sought after by collectors. Exhibitions: Calif. State Fair, 1899-1902 (awards); Mechanics' Inst. (SF), 1897; SFAA, 1908-12; Alaska-Yukon Expo (Seattle), 1909 (bronze medal); Kanst Gallery (LA), 1915. In: Oakland Museum; CHS; De Young Museum. Source: Edan Hughes,
Born in Rockford, Illinois on Jan. 1, 1868, Hobart moved to California with his family when he was a small boy. He studied art in San Francisco at the School of Design under Stanton and Cadenasso, and privately with William Keith. He then spent three years at the ASL in NYC under Blum and Bridgman and completed his art training in Paris. The turning point in his career came in 1915 at the PPIE. During the exposition Hobart was awarded a silver medal and received praise from local art critics for his development of color monotype prints. When the Oakland Civic Art Gallery opened in 1916, an entire room was devoted to his monotypes. In that year Hobart left the Monterey Peninsula and established a studio in San Francisco. From his studio came portraits of Carl Oscar Borg, Mrs. Leo Lentelli, and Gottardo Piazzoni. Often compared to Cézanne, he is nationally known for his Impressionist portraits and landscapes. Exhibitions: California Society of Etchers; Del Monte Gallery (Monterey), 1912-13; California Artists, Golden Gate Park Museum, 1915; Panama-Calif. Exposition (San Diego), 1915; Los Angeles County Museum of Art, 1915, 1918; Pennsylvania Academy of the Fine Arts, 1915; Kennedy Gallery (NYC), 1916; NY Architectural League, 1916; National Academy of Design, 1916; Calif. Liberty Fair, 1918 (1st prize); San Francisco Art Association, 1918 (prize), 1921 (1st prize), 1922 (gold medal); Western Ass'n of Art Museum Directors, 1922; Bohemian Club, 1922, 1923 (solo), 1929; Golden Gate International Exhibition, 1939; Oakland Museum, 1981. Work in Permanent Collections: San Francisco Museum of Art; CHS; Bohemian Club; De Young Museum; Mills College (Oakland); Oakland Museum; Salinas High School; Nevada Museum (Reno); Monterey Peninsula Museum.