Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1139311 (stock #504)
A beautiful California impressionist landscape oil on board signed lower left Gile, Bold brush work and beautiful palette a true gem by this highly regarded American artist. In excellent condition Measuring 10 x 12.5 framed in a quality hand carved 24k gold frame 17.5 x 20.5 inches overall Appraised by John Moran at $10,000 to 15,000. a fine investment quality painting. Biography

Selden Connor Gile was an important member of the early northern California school of art, he was a founding member of the artist group that called themselves the Society of Six. He was born in Stow, Maine on March 20, 1877, and after attending business college in Maine, Gile moved to California in 1901. He was a payroll master in Lincoln and in Oakland after 1905 for Gladding McBean Company. His art studies were under Perham Nahl, Frank Van Sloun, Spencer Macky, William H. Clapp, and at the California College of Arts and Crafts. Prior to 1914, he painted in the manner of classical California landscape painters such as William Keith. After that time he assumed the palette and style of Impressionism-Fauvism, but remained an "individualist" in his mode of expressing the California scene. During the 1920s, he became the dominant figure in a group of painters known as the Society of Six. The Six were active in the San Francisco Bay area and exhibited regularly at the Oakland Art Gallery. In 1927 Gile moved across the Golden Gate to Tiburon and, shortly thereafter, to a houseboat in Belvedere. He died in San Rafael, California on June 8, 1947.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1406058 (stock #889)
Beautiful original 19th Century Horse portrait by American artist Dan W. Smith ( 1865-1934) entitled "Marquis" of a white horse. Pastel on paper, dry mounted to board for conservation. Signed and dated 1899 lower right. Presented in original, antique distressed silver-gilt wood frame. Image: 22 H x 28" W; framed under glass: 26" H x 33" W.
All Items : Antiques : Regional Art : Ancient World : Greek : Pre 1900 item #1311420 (stock #732)
Classic Greek pottery Hydria form jar hand painted classical figures. A grand tour example c.1890 of the finest quality. Measuring 14" x 13". In excellent antique condition.
All Items : Fine Art : Paintings : Oil : Pre 1920 item #1378078 (stock #818)
Antique still life oil painting, C.1910-1920, in a gold arts and crafts movement frame. Original oil on canvas board depicting two bunches of grapes on a brick wall. Visible image measures: 11.75"W x 19.5"H, overall dimensions: 19.75" W x 27.5" H x 1.75" D.
All Items : Antiques : Furnishings : Furniture : English : Early : Pre 1900 item #1269061 (stock #655)
Beautiful English walnut lowboy with elaborate decorative inlay. Three herringbone inlaid, cross-banded drawers with brass hardware, and a compass rose inlaid top over elegant Queen Anne legs. 33" L x 22" W x 30" H Please inquire about shipping costs.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1409581 (stock #901)
Original Vintage C.1900 Impressionist Oil Painting European Village Scene Signed indistinctly lower right by an accomplished artist. A fine painting in the original c. 1900 vintage frame. The painting measures 14 x 17 overall framed size 17 ½” by 21 ½. In good condition some wear to the frame.
All Items : Traditional Collectibles : Books : Pre 1900 item #1412934 (stock #921)
Rare Antique Book The Anatomy of the Horse by George Stubbs 1899 Published by Gibbings and Company, Limited,in London in 1899, from the original copper plates of the 18 images. The book is large, measuring 17 3/8" by 11 1/2" and has 147+ pages. The paper is quite heavy, the Plates of horse anatomy are fine and clear, the binding is red cloth with green-gray spine and gold lettering. This is a rare edition, with few ever available on the market. Minor foxing and in very good condition for age. Sir Alfred Munnings stated ' This is the most unique thing of its type ever compiled'. A lifetimes ambition for Stubbs himself, in 1756 he rented a farmhouse in the village of Horkstow, Lincolnshire, and spent 18 months dissecting horses, assisted by his common-law wife, Mary Spencer. He moved to London in about 1759 and in 1766 published The anatomy of the Horse. The original drawings are now in the collection of the Royal Academy. This book includes a particular description of the bones, cartilages, muscles, fascias, ligaments, nerves, arteries, veins and glands
All Items : Fine Art : Paintings : Pre 1910 item #1346450 (stock #789)
Beautiful original antique portrait of a elegant Young Woman with her Jewelry. Watercolor and gouache signed lower right. Matted and framed image size 5" x 7" overall 12 x 15.
All Items : Fine Art : Paintings : Watercolor : Pre 1940 item #1402098 (stock #879)
Original watercolor of a Neoclassic Architectural New York Hotel Banquet Room by Daniel MacMasters (1893-1981). Unsigned, from a collection of his works. MacMorris: a renowned portrait painter, muralist, illustrator, decorator and designer. His New York City studio was above Carnegie Hall. He studied with Joseph Pennell, Robert Henri, and George Bridgeman. He exhibited at the Durand-Ruel Galleries in New York. French mat and gold wood frame. Image, 20"H x 28"L. Shipped without glass for safe arrival.
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1408859 (stock #891)
Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and he aimed to produce popular, commercially successful prints on many subjects. The most notable aspect of Solis’ work is his skillful absorption and re-interpretation of other artist’s styles, particularly Albrecht Dürer, Peter Flötner, Sebald Beham and many others of French, German, and Italian origin. Solis’ woodcuts illustrating Ovid were especially influential, though partly borrowing from earlier illustrations by the French artist Bernard Salomon
All Items : Fine Art : Sculpture : Bronze : Pre 1930 item #1059438 (stock #395)
Harriet W. Frishmuth (American, 1880-1980), titled Crest of the Wave, signed and dated 1925 on bronze base and with QFHL stamp and Gorham Co Founders foundry mark on bronze base; ht. 21.5, wd. 5, dp. 5 in. In excellent condition with a beautiful original patina.

Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.

All Items : Fine Art : Paintings : Oil : N. America : Pre 1910 item #1154899 (stock #538)
William Keith original oil painting wooded landscape with cattle by a lake. Oil on panel signed lower right canvas measuring Approx 14 x 22 a magnificent example of this famed California and American artists work. William Keith rivalled Thomas Hill as the most accomplished and successful landscape painter working in California during the 19th century. After two years spent studying art in Düsseldorf, Paris and Boston, Keith returned to California in 1872 as a sophisticated painter whose work drew on several prevailing styles popular in the cultural centers of the world. Many of his paintings reflect the influence of the "Hudson River School" and depict sublime mountain scenery à la Church or Bierstadt. But at the same time as he was painting alpine panoramas, Keith also focused on the more intimate landscapes of the French Barbizon movement that had come to the forefront of Parisian art appreciation during the 1860s. Barbizon painters adopted a more natural and impressionistic style than that of the academic painters; their works often communicate a rougher and stronger presence of nature than sweeter, more sentimental academic landscapes. Major works of the English painter John Constable, exhibited at Paris Salons of the 1820s, influenced the Barbizon painters in the direction of this stronger style. Works held: Los Angeles County Museum of Art; Metropolitan Museum; Crocker Museum (Sacramento); Art Institute of Chicago; Oakland Museum; Stanford University; Boston Museum; De Young Museum San Francisco; California State Capitol.
All Items : Fine Art : Prints : Etchings : Pre 1940 item #1175006 (stock #573)
Pablo Picasso (Spanish, 1881–1973) Oath of the Women from Lysistrata Bloch 267-272. Original pencil signed etching from the deluxe edition of 100 signed etchings. Printed by Roger Lacourière (French, 1892–1966) Date: 1934 Medium: Etching Dimensions: plate: 8 11/16 x 5 3/4 in. (22.1 x 14.6 cm) sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.3 cm) Condition is very good some minor staining and foxing very slight minor surface creasing.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #643333 (stock #270)
Jessie Arms Botke oil painting on board view of Death Valley California. A almost surealist feeling depicted in this painting a great example of this creative artists work in a plein air painting painted on site in Death Valley. This painting is pictured in the Jessie Arms Botke Book "Birds Boughs and Blossoms" a copy of the book is included in the purchase of this painting. Provenance the estate of the artist. Measuring approx. 10 x 12 inches framed in a hand carved 18k gold leaf frame.
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1940 item #1402278 (stock #888)
Beautiful Original Vintage Gouache painting of a floral arrangement signed lower right Phyllis M. Moore and dated 1943. Presented matted and framed the painting measures 9 x 12" overall framed size 15 x 19".
All Items : Fine Art : Drawings : Pen : Pre 1970 item #1409662 (stock #904)
Vintage modernist mixed media portrait of a monkey against a striped background, executed in pen & ink and cut paper. Presented matted and in a minimalist wood frame. Image size: 4 x 5.5”, overall framed dimensions: 10.5 x 13”. Howard Warshaw (1920-1977) was born and educated in New York City. In 1941, he returned to New York for two years to receive his formal training at the Art Students League and the National Academy. Shortly thereafter, he moved to Southern California, where he lived and worked for the remainder of his life. For a short time he taught at Jepson Art Institute; there he met and became friends with Rico Lebrun and Eugene Berman. These two pioneering artists were to have a profound impact on the young Warshaw. In 1957, Warshaw became a professor at the University of California, Santa Barbara. Lebrun and Berman became his unofficial teachers for several years—by their friendship and constructive review of his work, they left an influence that would stay with Warshaw for the remainder of his career. In a 1977 Memoriam his fellow professors wrote, “the paintings and drawings of Warshaw's early period, in the surrealist manner, though distinctly his own, clearly reflect the neoromantic influence of Berman. His friendship with Lebrun quickened an interest in cubism which was to last throughout his life, though the element of surrealism in his work never quite disappeared.” The artist died in Santa Barbara, California in 1977.
All Items : Antiques : Decorative Art : Ceramics : German : Porcelain : Pre 1900 item #1339191 (stock #766)
Offered is an exquisite antique German Dresden porcelain urn with finely painted details with gold trim and ram head handles. Dimensions 8.0ʺW × 7.0ʺD × 15.0ʺH Condition Excellent
All Items : Vintage Arts : Decorative Art : Metals : Copper : Pre 1920 item #511595 (stock #166)
Dirk Van Erp hand hammered copper arts and crafts era vase circa 1910. A fine example of this extremely sought after artists work featuring a rounded form with a rich reddish brown patina the windmill stamp trade mark on bottom. In excellent condition some wear and minor scratches and one very minor ding. Measures approx. 8 inches tall and 7 inches wide. This piece would make a fine addition to any collection.