Antiquarian Art Co.
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1378118 (stock #820)
An original Victorian Era illustration of a woman in her boudoir. Signed lower right. Presented matted and in a gilt wood frame. Image size: 6.5" x 9.5"; Overall: 12"x15". Excellent antique condition.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Prints : Engravings : Pre 1900 item #1389084 (stock #860)
Ruins of the Amphitheater Colissaeus also known as the Flavian Amphitheatre is an oval amphitheatre in the centre of the city of Rome, Italy. An 18th Century German engraving by Georg Christoph Kilian (1709-1781). Pictured are the Colosseum ruins commissioned around A.D. 70-72 by Emperor Vespasian of the Flavian dynasty. The image is titled in both Latin and German below. Image size 12" x 10", presented with custom matte and in a gilt wood frame.
All Items : Antiques : Furnishings : Furniture : American : Federal : Pre 1837 VR item #1179277 (stock #578)
A fine American federal period carved shield back side chair circa 1830 of the finest quality in excellent condition.
All Items : Fine Art : Paintings : Pre 1910 item #1346450 (stock #789)
Beautiful original antique portrait of a elegant Young Woman with her Jewelry. Watercolor and gouache signed lower right. Matted and framed image size 5" x 7" overall 12 x 15.
All Items : Fine Art : Paintings : Oil : N. America : Pre 1910 item #1154899 (stock #538)
William Keith original oil painting wooded landscape with cattle by a lake. Oil on panel signed lower right canvas measuring Approx 14 x 22 a magnificent example of this famed California and American artists work. William Keith rivalled Thomas Hill as the most accomplished and successful landscape painter working in California during the 19th century. After two years spent studying art in Düsseldorf, Paris and Boston, Keith returned to California in 1872 as a sophisticated painter whose work drew on several prevailing styles popular in the cultural centers of the world. Many of his paintings reflect the influence of the "Hudson River School" and depict sublime mountain scenery à la Church or Bierstadt. But at the same time as he was painting alpine panoramas, Keith also focused on the more intimate landscapes of the French Barbizon movement that had come to the forefront of Parisian art appreciation during the 1860s. Barbizon painters adopted a more natural and impressionistic style than that of the academic painters; their works often communicate a rougher and stronger presence of nature than sweeter, more sentimental academic landscapes. Major works of the English painter John Constable, exhibited at Paris Salons of the 1820s, influenced the Barbizon painters in the direction of this stronger style. Works held: Los Angeles County Museum of Art; Metropolitan Museum; Crocker Museum (Sacramento); Art Institute of Chicago; Oakland Museum; Stanford University; Boston Museum; De Young Museum San Francisco; California State Capitol.
All Items : Vintage Arts : Regional Art : Asian : Japanese : Netsuke and Related : Pre 1950 item #1059489 (stock #398)
A fine Carved Ivory Netsuke of a man carrying the moon on his back signed Giyoku Seki a masterful piece. Measuring 2.5 inches 5.5 centimeters.
All Items : Fine Art : Drawings : Pre 1800 item #1192359 (stock #596)
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A beautiful original 18th century drawing of a woman gazing upward Attributed to Francois Boucher measuring 24.5 x 31 cm. on wove paper mounted at corners to matte board. A beautiful drawing would be a fine addition to any collection.

Biography

François Boucher (September 29, 1703 - May 30, 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, and intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Madame de Pompadour. Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style. At the young age of 17, Boucher was apprenticed by his father to François Lemoyne, however after only 3 months he went to work for the engraver Jean-François Cars. Within 3 years Boucher had already won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until 4 years later. On his return from studying in Italy in 1731, he was admitted to the Royal Academy of Painting and Sculpture as a historical painter, and became a faculty member in 1734.

All Items : Fine Art : Paintings : Watercolor : Pre 1950 item #1355191 (stock #790)
DESCRIPTION Original c.1950 mid century vintage abstract mixed media collage by Harold Christopher Davies (1891 - 1976) signed upper left, estate stamp on verso. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist's works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist's work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1930 item #1387420 (stock #834)
Original impressionist oil on panel by Paul Hagemans. He was born in Antwerp in 1884, the son of the celebrated landscape painter Maurice Hagemans. He received early artistic instruction from his father but at the age of fifteen enrolled at the Academy of Antwerp. Here he was fortunate enough to be tutored by one of the most important landscape painters of nineteenth century Belgium, Isidore Verheyden as well as receiving classes in figure painting from Herman Richir. Graduating in 1906 he established a studio in Antwerp and commenced painting the portraits, figure pieces, landscapes and still-lifes for which he is now celebrated. His early career was spent painting a number of large murals as well as designing stained-glass windows for both ecclesiastical and secular purposes. Although much in demand during this early part of his career it was not until after WWI that his work was fully appreciated by the public and critics of Belgium. By the early 1920’s he had fully developed his unique style of painting, one that utilized a thick impasto and a ‘Luministe’ color palette. Hagemans was to exhibit his work at all of the major Belgian art institutions as well as private galleries too numerous to list. Measuring 24 x 28 in excellent condition.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #1154546 (stock #535)
An antique bronze head of the Buddha Thailand Sukhothai style early 19th century. A serene face with elogated ears and a top unisa flame. in good antique condition measuring approx. 13.5 inches tall with mounted stand the Buddha it self overall approx. 12 inches,
All Items : Fine Art : Paintings : Acrylic : Contemporary item #1296575 (stock #690)
Antiquarian Art Co.
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Original Acrylic on Canvas titled Day and Night in Equal Parts measuring 30" x 40" signed verso. Tom Christopher is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1960 item #1086153 (stock #417)
Claude Lacaze original oil on panel cubist nudes by the sea signed lower left. measuring Approximately 20 x 30 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1356240 (stock #796)
Original 1950s vintage "Portrait of a Woman" oil on canvas presented in a gilt wood frame. Canvas measuring 20"W x 26"L overall framed size 25" x 31"L
All Items : Fine Art : Paintings : Pre 1800 item #1248582 (stock #624)
Oil painting Madonna of the Finch after Raphael. An 18th century old master copy of the great masterpiece by Raphael. Presented in a fine hand carved 24K gold leafed antique frame. Image 25.5"L x 18.5"W. Overall framed size 34 x 28".
All Items : Fine Art : Paintings : Oil : Pre 1960 item #1378077 (stock #817)
Oil painting on canvas of a nude female figure signed A Brook lower right- Alexander Brook (1898 – 1980) . Image size 22"x 30", overall dimensions 26.5" x34.5". Lightly textured. In Good Condition. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Brook received awards at the Art Institute of Chicago (1929), the Pennsylvania Academy (1931), the Guggenheim Fellowship (1931), and the San Francisco Art Association (1938).
All Items : Fine Art : Paintings : Oil : Europe : Dutch : Pre 1900 item #1179274 (stock #577)
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Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition. Biography

Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche. Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen. Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1117356 (stock #488)
A beautiful Early California Impressionist view of Monterey bay and fishing dory's by Francis August Todhunter oil on canvas signed lower right and dated 1919. Image Measuring approx. 18 x 22. A fine example of this artist work.

A landscape painter and printmaker, he was born in San Francisco, California on July 29, 1884. Todhunter was a pupil of John Stanton and Arthur Mathews at the Mark Hopkins Institute, and Gottardo Piazzoni and Frank Van Sloun at the California School of Fine Arts, followed by study at the Art Students League in New York City. He began his career as an illustrator for Overland Monthly and later worked for the San Francisco Chronicle, San Francisco Call, and Washington (DC) Times. He worked in New York as a commercial artist until 1912, when he returned to San Francisco to become art director for the H. K. McCann Company, a job he was to keep until his retirement in 1949. Todhunter's work includes etchings, lithographs, and landscapes of Marin County and the San Francisco Bay area. He died in his native city on February 11, 1963. Member: Bohemian Club; SWA; AAPL; Marin Society of Artists; SFAA; Calif. Society of Etchers. Exh: Bohemian Club, 1922-63; SFAA from 1922; OGlE, 1939; Society for Sanity in Art, 1940s.

All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1940 item #1402278 (stock #888)
Beautiful Original Vintage Gouache painting of a floral arrangement signed lower right Phyllis M. Moore and dated 1943. Presented matted and framed the painting measures 9 x 12" overall framed size 15 x 19".
All Items : Vintage Arts : Regional Art : Asian : Chinese : Pre 1950 item #1359143 (stock #803)
Vintage natural green Jade carved pendant with panel of boy with plum blossoms and fruit on verso. Measuring 6 x 4 cm or 2.5 1 1/8. In excellent condition.
All Items : Fine Art : Prints : Engravings : Pre 1700 item #1378482 (stock #826)
16th Century engraving "Saturn" by Adriaen Collaert (c. 1560 – 29 June 1618), from the series Septem Planetæ (The seven planets). Plate size: 8" x 11.5" Saturn; sitting on a cloud he holds a youth with a scythe between his legs; below a female figure labelled "Conscientia" holds a book and points upwards standing besides an elderly man on a chair; on the ground is a flask, spectacles atop an hour-glass and a fire in a cart; beyond is a church and a monk takes the hand of a crippled figure with no feet; plate 7 (ages of man: old age); on full sheet; after Maarten de Vos. 1581. The year he was born at Antwerp is not known, but this is determined to be between 1555 and 1565. According to the RKD in 1580 he became wijnmeester of the Guild of St. Luke. The title wijnmeester was reserved for sons of members, and he was the son of Jan Collaert I and Anna van der Heijden. He married Justa Galle, the daughter of the man he worked for, Philip Galle. He also worked for Gerard de Jode (where he made prints after Maerten de Vos), Eduard Hoeswinckel and Hans van Luyck. After having learnt the principles of the art in his own country, he visited Italy for improvement, where he passed some years. On his return to Flanders, he engraved a great number of plates, executed in a neatly finished style, but with a certain degree of dryness. His drawing is correct, and his heads expressive. He sometimes marked his plates with a cipher. From 1593-94 he took on pupils and from 1589 he worked for the Plantijn Moretus Museum. He died at Antwerp in 1618.
All Items : Antiques : Furnishings : Furniture : American : Federal : Pre 1837 VR item #1363684 (stock #811)
Fine Early 19th Century New England area Hepplewhite style Federal sideboard. Mahogany veneer with what appears to be chestnut secondary wood. Exquisite gilt brass rosette pulls, notched cross banding inlay, reeded columns with turned legs, and a unique & quite large bin like center drawer flanked by a cabinet door to the left and a large drawer to the right, as well as 3 standard drawers. An exceptional and timeless sideboard, in traditional early American taste.
All Items : Fine Art : Paintings : Oil : Europe : Italian : Pre 1940 item #1362386 (stock #810)
A beautiful vibrant original oil painting of Sail Boats c. 1940 oil on canvas signed faintly lower right. Heavy impasto and bold application of paint with dramatic color make this piece an extraordinary work of art. Canvas size 16 x 20 overall framed size 21.5 x 25.5. In very good vintage condition.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1250591 (stock #625)
Oil on canvas Taos Pueblo by Thadeus Welch painted in 1898. A Rare glimpse into time a historical painting of the Taos Pueblo oil on canvas measuring 18 x 24 inches in excellent all original condition. Welch studied art with Virgil Williams and was an apprentice in the studio of J. W. Ogilvy in exchange for art lessons. While there, he made the acquaintance of a wealthy patroness who financed a four-year scholarship for further study in Europe. In 1874 he sailed for Munich where he entered the Royal Academy under Dietz, Piloty, and Leibl. While in Munich he became close friends with Frank Duveneck (who painted his portrait), William Merritt. Chase, and John Twachtman. Leaving Germany, he spent nearly four years in Paris where he continued studying while living on a houseboat on the Seine. Member: Bohemian Club; San Francisco Art Association. Exhibited: Munich Academy, 1876 (bronze medal); Paris Salon, 1880. Works held: Oakland Museum; San Diego Museum; Frye Museum (Seattle); California Historical Society.
All Items : Fine Art : Prints : Engravings : Pre 1800 item #1402018 (stock #877)
Portrait of a woman with a book after a painting by H Goltius by Cornelis Ploos Van Amstel. Signed and dated on verso 1770. Image size: 8" x 10". overall framed size 13 x 16 ". A rare example of early color printing Van Amstel was a pioneer in using color ink on early prints. Biography Van Amstel an avid art collector and a pupil of Norbert van Bloemen and Jacobus Buys. He later became a member of the Amsterdam artist society Arte et Amicitia (De Kunstkrans). He was known as a collector and copyist of 17th-century artists. His pupils were Christina Chalon, William V, Prince of Orange, Elisabeth van Woensel, and Hermanus Petrous Schouten .
All Items : Fine Art : Paintings : Oil : Pre 1950 item #1357852 (stock #800)
Post impressionist oil painting of a partial nude in blue tones. Reminiscent of Picasso's Blue Period. Signed lower right and presented in original dark wood frame with white insert. Masonite panel measures 20 x 30 inches.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1262525 (stock #638)
Carmel Cottage Garden by William Constable Adam (1846-1931), signed lower center. Known as "Professor" Adam, he specialized in views of the Monterey area such as sand dunes, cottage and garden scenes. He was born in England and studied in Paris. Moved to California in 1894 to Pacific Grove Monterey. Member of the Boston Art Club; Glasgow Art Club His work is in the Silverado Museum St Helena, Santa Cruz Museum; and Monterey museum Ca. Canvas size 16"L x 20"W. in the original arts & crafts era frame.
All Items : Fine Art : Paintings : Oil : N. America : Pre 1980 item #1402017 (stock #875)
A original abstract expressionist oil painting on canvas signed lower left dated 1984 and on verso by Ken Stabler. Canvas size22 x 28" overall framed size 23 x 29 presented in a gallery frame ready to hang. A beautiful detailed painting in soft pastel colors
All Items : Fine Art : Paintings : Pre 1950 item #1361951 (stock #809)
Impressionist nude female oil painting on canvas c.1920s. Presented in a Dutch impressionist parcel gilt wood frame. Canvas measuring 20 x 24 in excellent vintage condition.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1294728 (stock #688)
Original Oil on paper monotype Fauvist Nude in a Landscape by Harold Christopher Davies signed HD monogram lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 7"L x 5"W.
All Items : Antiques : Furnishings : Furniture : Asian : Chinese : Pre 1900 item #689241 (stock #271)
An exqusite example of antique Chinese furniture with intricate carving and elegant proportions and design. All hand made with the extremly rare and sought after huang hua li wood. In excellent condition.
All Items : Fine Art : Sculpture : Bronze : Pre 1950 item #1227968 (stock #612)
Carl Milles Danish (1875-1955) Leaping Deer bronze sculpture. A fine example of this artists work. In excellent condition measuring 13 inches tall cast at Lrasmussen foundry Copenhagen. Carl Milles dominated the Swedish art world. He received many public commissions in Sweden and abroad. He was a monumental sculptor who received many public art commissions at a time when many cities expanded and were modernised.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1139311 (stock #504)
A beautiful California impressionist landscape oil on board signed lower left Gile, Bold brush work and beautiful palette a true gem by this highly regarded American artist. In excellent condition Measuring 10 x 12.5 framed in a quality hand carved 24k gold frame 17.5 x 20.5 inches overall Appraised by John Moran at $10,000 to 15,000. a fine investment quality painting. Biography

Selden Connor Gile was an important member of the early northern California school of art, he was a founding member of the artist group that called themselves the Society of Six. He was born in Stow, Maine on March 20, 1877, and after attending business college in Maine, Gile moved to California in 1901. He was a payroll master in Lincoln and in Oakland after 1905 for Gladding McBean Company. His art studies were under Perham Nahl, Frank Van Sloun, Spencer Macky, William H. Clapp, and at the California College of Arts and Crafts. Prior to 1914, he painted in the manner of classical California landscape painters such as William Keith. After that time he assumed the palette and style of Impressionism-Fauvism, but remained an "individualist" in his mode of expressing the California scene. During the 1920s, he became the dominant figure in a group of painters known as the Society of Six. The Six were active in the San Francisco Bay area and exhibited regularly at the Oakland Art Gallery. In 1927 Gile moved across the Golden Gate to Tiburon and, shortly thereafter, to a houseboat in Belvedere. He died in San Rafael, California on June 8, 1947.

All Items : Vintage Arts : Instruments and Implements : Musical : String : Pre 1970 item #1098416 (stock #447)
A vintage 1965 Fender Mustang guitar all original in very good condition with original case. Some minor scratches and wear. Plays great sounds great a classic instrument.
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre 1492 item #1284981 (stock #681)
A fine Mayan Jade classic period pectoral chest ornament plaque. From a Stanford collection measuring 11.5" x 7".
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1117361 (stock #489)
A Beautiful and important historic original oil painting by Leland Curtis from the Antarctica Expedition of 1939 - 40. The scene is of Adelaide Island at Marguerite Bay. Oil on canvas signed lower right and noted from the Antarctic Exp. A historical and beautiful painting.

Biography

Born in Denver, CO on Aug. 7, 1897, Curtis was a resident of Seattle before moving to Los Angeles in 1914. He was inspired to become an artist by his teacher Rob Wagner at Manual Arts High School. After working as a bank teller and serving in WWI, he soon was able to support himself as an illustrator. He served as official artist of the U.S. Antarctica Expedition in 1939-40 and again in 1957. About 1960 he changed his residence from Los Angeles to Twenty Nine Palms, California, with summers in Moose, Wyoming. An avid mountain climber, his studio in the Grand Tetons was a rustic log cabin. In 1972 he moved to Carson City, Nevada, where he remained until his demise on March 17, 1989. He is best known for his landscapes of the High Sierra, Grand Tetons, and Antarctica. His works won dozens of medals and prizes from the early 1920s in southern California shows. Member: Carmel Art Association; Artland Club. Exh: California Art Club, 1923-27; Laguna Beach Art Association, 1924; California State Fair, 1926; Cannell & Chaffin Gallery (Los Angeles), 1926; Ebell Club (Los Angeles), 1926; Painters & Sculptors of Los Angeles, 1926-31; National Academy of Design, 1930; Toledo Museum, 1931; American Painters & Sculptors, Los Angeles County Museum of Art, 1931, 1937 (solo), 1946 (solo); Oakland Art Gallery, 1932; Tuesday Afternoon Club (Glendale), 1934; Golden Gate International Exhibition, 1939; California Palace Legion of