Born in Taunton, England on Nov. 24, 1877. Moore studied at the Liverpool Art School and Royal Institute. In 1903 he immigrated to America and further studied with Henry Ward Ranger. By 1910 he was an established artist in NYC; in that year moved to Hawaii where he was purchasing agent for Hawaii Plantations and later served as director of the Honolulu Academy of Arts. In 1928 he sailed for California and worked briefly in Pasadena where he painted the Picture Bridge, a series of 41 murals in the Huntington Hotel. After a few months in San Francisco, he settled on the Monterey Peninsula. There he specialized in poetic depictions of the coast and other local scenery. Moore died in Carmel, CA on March 5, 1967. Member: Salmagundi Club; NY WC Club; AFA; Pasadena Society of Artists. Exh: Calif. WC Society, 1928; Nicholson Gallery (Pasadena), 1928; CGA; PAFA; St Louis Museum; GGIE, 1939; LACMA, 1942; Salmagundi Club, 1943; Santa Cruz, 1944; Society for Sanity in Art, CPLH, 1944 (1st prize and Logan medal); Carmel AA, 1945-46; NAD. In: Orange Co. (CA) Museum; USMC Headquarters (SF); Auckland (NZ) Museum; Honolulu Academy of Art. Source: Edan Hughes, "Artists in California, 1786-1940"
Francois (Frank) J. Girardin (Painter) [1856-1945] Born in Louisville, Kentucky, Frank Girardin began his art instruction in 1870 under Frank Noble and later Frank Duveneck at the Cincinnati Art Academy. A semi-pro baseball player in Cincinnati, he was best known for his beautiful landscapes of both Indiana and California. An extremely active participant in the development of the Art Association of Richmond and original member of the local Sketch Club, he served on the Board of Directors of Art Association for several years. He was considered ranked next to the late John E. Bundy in talent and skill by the former Art Association Director, Mrs. Ella Bond Johnston. It was during his time in Indiana, that he received the most recognition for his work. In 1903, he won first prize for his painting, “Lingering Snow” at the Cincinnati Art Club Show. This would be one of numerous prizes and awards the he would receive during his time in Indiana, including the coveted Mary T. R. Foulke Prize. In 1910, Girardin moved to Redondo Beach, California where he continued to paint the local landscape. Although living in Californian, he never forgot his friends in Richmond, continuing to participate in the annual exhibition by Indiana artists. Many California residents referred to him as “The Beech Tree Painter”. Indiana public schools and libraries, including the Richmond Community Schools, Morrison-Reeves Library, and the Fayette County Public Library, purchased or acquired works. His paintings are in the San Diego Art Museum and the Richmond Art Museum.
courtesy ask art
Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI
Suzanne Demarest 1900-1985 American born studied in Nice Cannes and British Royal Academy. A 6 x12 inch painting by Demarest sold at Skinners In Boston for $1800. This is a fine impressionist painting would be a great decorative piece for any interior.
A beautiful oil of an early California landscape of wild flowers lupine and poppies. Oil painting on canvas board signed lower right measuring approx. 12 x 16 inches. Framed in a contemporary gallery frame overall 20x24 inches. In excellent condition a fine early piece would be a fine addition to any collection.
Born in Oakland, California, Ramona Froyland, known as Mona, was a painter of still lifes, portraits, landscapes, marines and later in her life, Madonnas. Her parents were Mabel and Manuel Valencia, both artists who gave Ramona her early instruction. She later attended the California School of Fine Art and the Art Institute of Chicago. Ramona Valencia was a paternal descendant of General Gabriel Valencia, the first governor of Sonora, Mexico under Spanish rule, and the great granddaughter of a man who arrived in California in 1774 and became administrator of the Presidio in San Francisco where the family received many land grants. When she was six years old, in 1906, she and her family moved to San Jose because of the destruction of the San Francisco earthquake and fire. However, the family kept close ties to San Francisco where her father kept his studio. Beginning in the 1960s, Ramona Valencia taught art classes to children and adults from her studio in Castro Valley, California, and she died there on September 22, 1988. She was a member of the Hayward art Association and exhibited at Alameda County Fairs.
george h. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of new england. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in milwaukee, wisconsin on july 2, 1858, and lived in chicago and then in 1889, settled in bronxville, new york. Gay was a pupil of paul brown and henry elkins in chicago. He is known to have exhibited at the national academy of design in 1890; boston art club, 1890-1900; and boston art club, 1897. Shortly before his death in 1931, george gay's address in 1929 was known to be 100 kraft ave., bronxville, ny.
A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohion, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.
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Born in Hilo, Hawaii on May 15, 1861. During 1885 Hitchcock was a pupil of Virgil Williams at the School of Design in San Francisco. After returning to the Islands, he studied for four years with Jules Tavernier. He continued at the NAD for one year and in Paris at Académie Julian (1891-93). He had studios in Hilo and later Honolulu where he was a leader in the budding art scene. He made extended trips to the mainland and always spent time with old friends in San Francisco. Hitchcock died in war-torn Honolulu on Jan. 1, 1943. He is today one of Hawaii's most revered early artists. Member: Kilohana Art League; Salmagundi Club (NYC); Honolulu AA. Exh: Paris Salon, 1893; Gump's (SF); Alaska-Yukon Expo (Seattle), 1907; St Francis Hotel (SF), 1912 (solo); Panama-Calif. Expo (San Diego), 1915; Honolulu Academy of Arts, 1936 (retrospective); GGIE, 1939; NY World's Fair, 1939. In: Honolulu Academy of Arts; Boston Museum; Oakland Museum; Bishop Museum (Honolulu). Source: Edan Hughes, "Artists in California, 1786-1940"
Biography Decamps, Alexandre Gabriel 1803-60, French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail. His Good Samaritan and Night Patrol at Smyrna are in the Metropolitan Museum New York.
Native American sculptor Cliff Fragua, of Jemez Pueblo, New Mexico, IACA Artist of the Year for 2005, has learned the secret of stone through his cultural and ancestral teachings. "My connection with the stone involves spirituality and reverence for the spirit that dwells within. It has been on this earth much longer than man and for this reason the stone becomes the teacher, it is simply what my ancestors believe. I am the mediator between the stone and the tools: the stone and the viewer." "I visualize what the stone wants to become and I strive to help it emerge." Cliff Fragua's sculptures are featured in such public locations as the Albuquerque Sunport International Airport, the National Statuary Hall in Washington DC and in permanent collections throughout the country.