Antiquarian Art Co.
All Items : Archives : Fine Art : Pre 1970 item #1022261 (stock #333)
"Village Du Moyen Age" An original oil painting on canvas signed lower right by this highly regarded abstract modernist artist. Provenance the Dalzel Hatfield gallery exhibited in a 1960s exhibit at the famed L.A. Ambassador Hotel. In very fine condition measuring approx. 25 x 35 inches. Biography, Jun Dobashi was born in Tokyo in 1910. He studied at the art academy there in 1933 but was in Paris in 1938-39. Dobashi returned once more to France to stay from 1953 to 1969, which is why he is usually perceived as a Franco-Japanese artist. Jun Dobashi's work is abstract and close to European Informel Art. Not just a painter, Dobashi also earned a reputation as a lithographer. His work was first exhibited in Paris in 1954. Dobashi was awarded the Prix du Dôme séléctionné in 1956. Between 1960-69 Dobashi's work was exhibited regularly at the Fricker Gallery. In 1961, Jun Dobashi was given a solo show at the Redfern Gallery in London. Between 1956-60 Dobashi showed work regularly at the Salon du Mai and was presented as representative of the École de Paris at an exhibition mounted by the Galerie Charpentier in 1960. Jun Dobashi died in Tokyo in 1975.
All Items : Archives : Fine Art : Pre 1950 item #986898 (stock #298)
Claude Buck self portrait of the artist c.1940 oil on board 16 x 20 inches. Provenance: the wife of the artist Leslie Buck. Biography. A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of hyperrealist* portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their Society for Sanity in Art* movement whose headquarters were in Chicago. Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows. In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design* where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money. In New York, he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States.
All Items : Archives : Fine Art : Pre 1920 item #988836 (stock #307)
A fine original oil painting of a race horse named Bagotstown by famed english sporting art painter George Paice 1854-1925. oil on canvas signed lower right and titled Bagotstown 1911. Measuring 14 x 18 in fine condition relined and cleaned. A fine example of equestrian art. Artist Biography: George Paice - Exhibited 1881 - 1897 Sporting, horse and dog painter who lived at 83 Warwick Street Pimlico in 1881 and 47 Croydon Grove, West Croydon, Surrey in 1885. He was the father of artist Phillip Stuart Paice. Exhibited 7 paintings at the Royal Academy and 4 at the Royal Society of British Artists. Most of his works still remain in private collections.
All Items : Archives : Fine Art : Pre 1960 item #491459 (stock #143)
A beautiful seascape at sunset with incredible tonality and use of light. Oil on board signed lower right and stamped on reverse all rights reserved painted by Robert wood and includes an additional painting a study of a flower. Measuring 8x10 inches framed in a one of a kind custom hand carved and gilt frame measuring overall 14x16 inches in excellent condition some roughness on the edges. A fine example of this remarkable American Artists work.

Biography

A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohion, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

All Items : Archives : Fine Art : Pre 1970 item #1150153 (stock #522)
An fine Equestrian portrait of a thoroughbred and original oil painting on canvas laid on archival art board signed lower right Thad Leland measuring 16 x 20 inches in good vintage condition framed in a quality wood frame overall 24 x 28 in.

Thad Emory Leland by John Hovard 
 ◦ The paintings of Thad Leland reflect his enduring association with the horse including the cultural spectacle of the Peruvian Paso, polo horses and racing thoroughbreds. Working in pastels, oils, acrylics, and watercolors, Thad Leland left a beautiful legacy of the spirit and tradition of the horse, its cultural harness and how man interacts with this spirit. 
It all started for Leland when he was a boy in Michigan, exercising the fine horses of Detroit millionaires. He went home and sketched these horses, which began the lifelong journey to recreate the spirit and beauty of the horse. 
Thad Emory Leland was born in Detroit, Michigan, in 1914 and passed away in Pebble Beach, California, in 1987. He studied art at the Cranbrook Academy of Art in Michigan, received a B.A. in fine art from the University of Michigan where he studied with Sarkis Sarkisian and John Carroll. 
Before the war, he exhibited throughout Wisconsin and Michigan, and was awarded a mural commission for the New York World's Fair. After World War II he received a masters degree in fine art from Stanford University. In the early 60s, his diligence to study equestrians continued with his painting and sketching of polo events at Pebble Beach, thoroughbred racing at Bay Meadows and Golden Gate tracks, and western riding events at the Salinas Rodeo and Monterey County Fair. He became sought after for commissioned portraiture.

All Items : Archives : Fine Art : Pre 1940 item #1089944 (stock #423)
A original oil painting of the The Copenhagen (København) was a Danish sailtraining vessel rigged as a five-masted steel auxiliary barque(1921–1929). It was, according to Alan Villiers, the largest and finest sailing vessel in the world at the time it vanished. Oil on canvas signed lower right indistinctly and titled measuring 17 X 25 image framed size approx. 23 X 31. In good antique condition some age cracking. A nice historical decorative painting.
All Items : Archives : Fine Art : Pre 1900 item #1165508 (stock #559)
A fine Original Drawing with color by Alexandre Gabriel Decamps 1803-1860. A north African scene of a mosque and minaret signed with monogram lower right. In good antique condition some minor restored edge tears 1 cm each paper discoloration with age. Image measuring approx. 9.5 x 12.5 framed in a quality antique frame overall size 17 x 19.

Biography Decamps, Alexandre Gabriel 1803-60, French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail. His Good Samaritan and Night Patrol at Smyrna are in the Metropolitan Museum New York.

All Items : Archives : Fine Art : Pre 1900 item #522745 (stock #185)
A beautiful antique American portrait of a young girl circa. 1890 framed in a spectacular period frame. Oil painted on an oval canvas measuring 16x20 inches and overall framed size approx. 26 x 30 inches. The painting is signed lower right C. T. Webb and titled with the Childs name on the reverse. In very good condition some minor touch ups and the frame has some touch ups to the gold leaf liner. Overall a very fine and decorative antique painting.
All Items : Archives : Fine Art : Pre 1980 item #1053162 (stock #386)
A fine impressionist painting of a soccer game goal save initialed lower right A.P. Oil on canvas measuring Approx. 36 x 40 in excellent condition framed in a quality gilt frame. Provenance: the estate of the artist. Biography SIMONPIETRI, Alfred H. (1916-2001). Painter. Born in Puerto Rico on June 20, 1916. While serving in the Army during World War Two, Simonpietri was in a plane crash. After the war he settled into a home in the Sunset District of San Francisco where he remained until his demise on December 2, 2001. A talented artist, he created hundreds of paintings, mostly nudes and still lifes. Biography provided courtesy of Edan Hughes Author Artists in California 1850-1940
All Items : Archives : Fine Art : Pre 1940 item #1140997 (stock #508)
An original conte crayon drawing of a male nude by Couse framed in a quality 24k gold leaf frame. Provenance the estate of the artist with estate stamp on the reverse. Eanger Irving Couse (1866–1936) was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Couse/Sharp Historic Site, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties. In 1911 Couse was elected to the National Academy of Design.[3] He also became active in the Taos art colony. In 1915, Couse was one of the six founding members of the Taos Society of Artists, and was elected first president. Another founding member was the artist J. H. Sharp, who adapted a chapel near Couse's house as a studio. Later Sharp built a combined house and studio on the land. The adjacent properties are recognized jointly as the Couse/Sharp Historic Site, and are preserved and operated by the Couse Foundation. Among Couse's works in public galleries are Elkfoot (National Gallery, Washington); The Forest Camp (Brooklyn Museum of Art); The Tom-Tom Maker (Lotos Club, New York); Medicine Fires (Montclair Gallery, New Jersey); and Shapanagons, a Chippewa Chief (Detroit Museum of Art).
All Items : Archives : Fine Art : Pre 1930 item #513291 (stock #178)
Antiquarian Art Co.
This item is currently being auctioned
Classical romantic allegorical painting by James Korn oil on canvas signed and dated Los Angeles 1928 lower left. A beautiful painting by listed California artist James Korn born 1873 at Braila Romania died in Los Angeles in 1961. James Korn is listed in Hughes artists in California he worked in Hollywood as artists. The painting is nicely framed has an old varnish that gives a antique look to the painting but if preferred it could be cleaned one minor touch up in the canvas. Overall a very nice decorative painting would be a nice addition to any interior.
All Items : Archives : Fine Art : Pre 1900 item #444235 (stock #002)
Cattle By a Stream by Gregory Hollyer A charming antique painting of a group of cattle watering by a lake. Oil on wood panel signed lower left measuring 6x10 inches framed in a fine ornate gold leafed antique frame measuring overall approximately 11x15 inches. The condition is excellent. This painting would make a fine addition to any collection. Exhibition Label on reverse reads. Gregory Hollyer, Born London 1871 the son of W.P. Hollyer the celebrated painter of Scottish cattle and sheep and brother if Eva Hollyer the well known figure painter. Hollyer a pupil of Eugene Verboeckhoven in Brussels and Emile Van Marcke in Paris. His pictures appear in many of the principal exhibitions in the United States and foreign salons. Received gold medal of the first class, Liverpool 1889 and medal Hamburg 1905.
All Items : Archives : Fine Art : Pre 1950 item #444766 (stock #017)
Clyde Leon Keller oil painting titled Evening Sky Sauvies Island Oregon 1947. A beautiful oil on Canvas signed lower right and titled on reverse with artists label and signature. Measuring 20x24 inches framed in a quality gallery frame overall size 29x33 inches. A charming and beautiful painting by this highly acclaimed Oregon and California impressionist painter.

Biography

Clyde Leon Keller was born in Salem, Oregon on February 22, 1872. He studied at Willamette College and for a while was a cartoonist for the Oregon Statesman in his native city. He studied art in Munich with Bridges and with Knowles in Boston. From 1896 to 1906, Keller lived in San Francisco where he studied painting with Ernst W. Christmas while working as a cartoonist for the Examiner. Keller lost many of his early art works in the earthquake and fire of 1906. Returning to Oregon, he established an art store in Portland, where he was known as "Keller, the Art Man." He continued to make sketching trips to California. He died in Cannon Beach, Oregon on August 7, 1962. During his career he did about 4,500 paintings which won more than 250 prizes. Both Presidents Hoover and Roosevelt were among his prestigious customers. He was a member of the Oregon Society of Artists. On December 9, 1929, the Society incorporated, with Clyde Leon Keller, as Vice President. The Society met at his art studio on SW Washington Street near 13th Avenue for many years. He later became the third president of the Society, and did much to see that the control of the Society was kept in the artists' hands. Keller exhibited at the Great Crystal Palace, New York City, in 1924; Meier and Frank, Portland, 1937; Oregon-California Artists, 1946-47. Clyde Leon Keller's paintings maybe seen at the Elk's Club, Liberty Theater and Press Club, all in Portland, Oregon.

All Items : Archives : Fine Art : Pre 2000 item #1103013 (stock #462)
A fine Cliff Fragua original sculpture "Spirt Woman" hand carved from a marble stone measuring approx. 15 inches tall.

Native American sculptor Cliff Fragua, of Jemez Pueblo, New Mexico, IACA Artist of the Year for 2005, has learned the secret of stone through his cultural and ancestral teachings. "My connection with the stone involves spirituality and reverence for the spirit that dwells within. It has been on this earth much longer than man and for this reason the stone becomes the teacher, it is simply what my ancestors believe. I am the mediator between the stone and the tools: the stone and the viewer." "I visualize what the stone wants to become and I strive to help it emerge." Cliff Fragua's sculptures are featured in such public locations as the Albuquerque Sunport International Airport, the National Statuary Hall in Washington DC and in permanent collections throughout the country.

All Items : Archives : Fine Art : Pre 1950 item #580281 (stock #245)
Vivyan Seward view of Half Dome from Yosemite valley oil on canvas signed lower right measuring approx. 18x14 inches framed in a quality gallery frame 20x24 inches overall size. A beautiful impressionist painting with figures in the foreground and a hint of valley fog. In excellent condition ready to hang.

Biography

Born in Northwood, England on June 18, 1902. "Vic" Seward came to the U.S. as a child. He studied at the AIC before moving to Los Angeles in the 1920s. He worked there as an illustrator for the Examiner until moving to San Francisco where he established a studio. His work appeared in Popular Mechanics and World Book Encyclopedia. In his leisure he painted oils and watercolors of landscapes and seascapes. He died in San Francisco on Sept. 9, 1993. Exh: Berkeley Coop Gallery, 1970s; Visitacion Valley Arts Festival (SF), 1987 (1st prize); Press Club (SF), 1987. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Fine Art : Pre 1980 item #553613 (stock #203)
A fine western bronze of two cow girls by Edward Fraughton born 1939 a Utah artist is a highly regarded sculptor of western bronzes. This example of two charming western girls is finely detailed and in excellent condition. Measuring approx. 12.5 inches tall signed and numbered 8 of 30 and dated 1971. A bronze by Fraughton sold at for 10,350 at Altermann Galleries on 10/23/04. A fine example would be a nice addition to any collection of western or Utah art.
All Items : Archives : Fine Art : Pre 1960 item #486526 (stock #119)
Original oil peacocks and birds in a park like setting painted at Botke’s aviary in Santa Paula California. Original oil on board measuring 12 x 16 inches framed in a fine hand made gold leaf frame overall approx. 20 x 24. Provenance: the estate of the artists and Karges gallery estate stamped signed and numbered and titled and labeled on the reverse. A fine painting by this renowned artist.

Biography

The paintings of Jessie Arms Botke are a unique and wonder-filled world all their own. Most often, they are pictures of birds, a large variety including white peacocks, blue peacocks, cockatoos, ducks, swans, geese, pheasants, and toucans, among others. The birds are shown in natural settings accompanied by carefully painted flora, with studiously observed renditions of leaves and flowers. Far from being mere pictures of birds and plants, her paintings are richly adorned with an abundance of minutely rendered detail: every petal, every leaf and every feather becomes an important element of the whole pictorial scheme.1 Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI Literature AAA 1929, 1933; Ben; Fld; YAMP; AAW; WWA; SCA; WAA; Sam; WWAA 1936-66; So. Calif, Artists, 1890-1940; Women of the West.21 American Impressionism California School, Fleischer Museum (cat.)2 Hughes, Edan Milton, Artists in California 1786-1940, Hughes Publishing Company

All Items : Archives : Fine Art : Pre 1930 item #1060464 (stock #401)
A beautiful original oil on canvas board by Renowned Laguna artist signed lower right and dated measuring 20 x 24 framed in a quality 24k gold leaf frame by Sean Speck of Los Angeles.

Biography>Born in Ravenna, Ohio, Anna Althea Hills was a prominent California landscape painter who was also remembered as a civic leader in Laguna Beach. In addition to painting in her native state, she was active in Arizona. She was raised in Olivet, Michigan, and attended Olivet College. She studied at the Art Institute of Chicago, Cooper Union in New York, and privately with Arthur Dow. After further study at the Academie Julian in Paris and traveling throughout Europe for four years, she moved to Laguna Beach in 1913 and was painting in Arizona as early as 1914. The landscape of the West inspired her to adopt a light, colorful Impressionist palette. In spite of a severe spinal injury, she took adventurous painting trips into remote mountain areas. She also supervised a Sunday School for ten years, and was a six-year president of the Laguna Beach Art Association and helped raise funds to build the existing museum. Her early works of genre and interiors were much darker than her later California landscapes and marine scenes. She combined watercolor and oil and painted in a decorative style. Sources: Edan Hughes, Artists in California, 1786-1940