Impressionist Mediterranean View Oil on canvas signed lower right measuring 24 x 30. Lucien Pissarro was born on February 20, 1863, in Paris, the eldest son of the Impressionist Camille Pissarro. The family fled the Franco-Prussian War in 1870. They went to London, but returned to Louveciennes in 1871, then to Pontoise. His association with the artist friends of his father, Cézanne, Manet, and Monet, and art lessons from his father furthered Pissarro's interest and talent for painting. Lucien Pissarro started his career first as a landscape painter.
EMILE BAES "SUR LA PLAGE" oil on board, signed lower right in excellent condition.
BELGUIM, C.1935 21.25 X 29 INCHES
Émile Baes was born in Brussels in either 1879 or 1889. He studied with J. Stallaert at l’Académie des Beaux-Arts de Bruxelles. He completed his education with Bonnet and Cabanel in Paris.
Baes worked as a painter, illustrator, and writer. He was known for his diverse subject matter including historical paintings, portraits, nudes and landscapes. Most noteworthy among his subject matter are femme fatale figures including Salomé, Messaline, and Cleopatra. The writings of Flaubert and the style and composition of Symbolism influenced the development of his work.
Baes’ work exemplifies the Orientaliste compositional elements found in late nineteenth and early twentieth century Parisian work. In 1903 and 1904 he exhibited at the Salon de Bruxelles. Between 1928 and 1933 Baes exhibited at the Salon d’Automne in Paris. He exhibited at the Salon des Artistes Français from 1929 to 1938 and the Salon des Tuileries between 1933 and 1939. Baes wrote Les dieux sadiques, Princesesse d’ Amour.
Baes died in Paris in 1954.
A beautiful abstract composition oil on paper by Harold Christopher Davies singed lower center and on reverse. a well listed California modernist Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 24 x 20 inchesA fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
An original antique oil painting of a Dutch or Flemish tavern scene after David Teniers painted late 18th century. Canvas size 9"L x 11"W. Framed size 12.5" L x 14.5" W.
David Teniers the Younger (15 December 1610 – 25 April 1690) was a Flemish artist born in Antwerp, the son of David Teniers the Elder. His son David Teniers III and his grandson David Teniers IV were also painters.
Claude Lacaze Original painting cubist nudes oil on canvas in excellent condition measuring approx. 14 x 20
Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.
Rare decorative celestial map by Matthaus Seutter, published in Augsburg circa 1730. The map includes two maps of the Northern & Southern Skies. A diagram in the upper right corner showing the monthly orbit and illumination of the moon, while another in the upper left represents day and night on the earth with quotations from Genesis. Five additional diagrams along the bottom represent the monthly orbit and illumination of the moon, the different planetary hypotheses of Tycho Brahe, Corpernicus, Ptolemy, and the annual orbit of the sun and the seasons.
Herman Rose Gansevoort st pier New York oil on canvas signed lower left measuring 10 3/8” x 20 3/4” in excellent condition.
Known for small scale, modernist urban views of New York City, he depicted the city as a jumble of architecture in varying sombre colors in a mood reminiscent of 19th century Romanticism. He had a highly original technique, which was covering a drawing with small dabs of paint and pushing spots of warm and cool color over one another, which dried into a kind of low relief.
It took him about a decade, from 1929 to 1939, to arrive at this style and method that seemed right for him. He decided to paint what he saw without consciousness as to style or composition and with spiritual commitment, devoting himself to divinity in nature, separated from the modern world.
By the 1960s, he was doing horizontal work in brighter hues that gave the viewer the impression of being swept along a street or urban path.
Cattle by a Stream by Leopold Rivers signed lower right and dated 1862. The Victorian artist Leopold Rivers was born in London in the mid-19th century. A landscape and watercolor painter and designer, he was the son and pupil of the well-known British artist William Joseph Rivers, who had also exhibited from 1843 to 1855 at the Royal Academy and British Institute. Known for his romantic and atmospheric landscapes depicting the country life in the counties and shires around London, Leopold also found success in his artistic career. He exhibited widely, hanging 188 paintings at the Royal Society of British Artists, where he was honored with a membership. He exhibited 55 paintings at the Royal Academy Sulfolk Street Gallery from 1873. He was a member of the Royal Society of British Artists, Sulfolk Street in 1890 and at the Royal Academy from 1873 to 1904, and at the Royal Institute of Painters of Watercolors.
A fine antique American landscape painting of a Indian Camp in the Rockies school of Albert Bierstadt oil on canvas measuring 38 x 50.
An original oil painting on board by Cecil C. Bell signed lower center and on reverse. Measuring 22 x 30 inches. The painting of a New York nocturne featuring a Westside cowboy of the The New York central line. West Side Cowboys were employed by the City to ride in front of street-level freight trains and wave pedestrians out of the way. This was the City’s stopgap measure to stop the carnage on what was known as “Death Avenue.” The Cowboys were phased out after the High Line was built, raising train traffic to the third story of industrial buildings.
Bell was born in Seattle, WA in 1906, and he later moved to Staten Island, NY. It was in New York City where he found the inspiration for his work, the city and its people, focusing on daily life subjects.
He studied at the Art Institute of Chicago and the Art Students League with John Sloan. Exhibition venues include the Corcoran Gallery, Museum of Modern Art and the Tacoma Art Museum.
Oil painting Madonna of the Finch after Raphael. An 18th century old master copy of the great masterpiece by Raphael. Presented in a fine hand carved 24K gold leafed antique frame. Image 25.5"L x 18.5"W. Overall framed size 34 x 28".
Original antique Hudson river school pencil drawing of a horses and barnyard scene, 1899. Image, 15"L x 11"H. Matted, unframed.
Claude Lacaze original oil painting on canvas of cubist nudes signed lower left. measuring Approximately 26 x 40 inches in excellent condition.
Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote.
He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty.
At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights.
Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.
A fine antique portrait of a Race horse in a stable with a dog. Signed lower center indistinctly measuring 16" x 20" oil on canvas.
By Adolf Muller Crefeld (German 1863-1934) bronze art deco statue of a dancer a beautiful form with great patina a beautiful marble base. measuring overall approx. 14 inches tall. excellent condition.
“Bronzes, sculptors and founders” by H. Berman, Abage.
“The dictionary of sculptors in bronze” by James Mackay. Antique collectors club.
Original hand-painted folding room screen by Sergio Bustamante. Signed lower right. Four panels each panel measuring 79"L x 20"W. A Surrealist image of tropical birds and landscape. Sergio Bustamante is an internationally recognized Mexican artist and sculptor.
Lithograph titled Bodhisattva Figure by Chen Yi Ming signed lower right numbered 27/28 dated 5/20/85. Matted unframed Image 9"L x 6"W matted overall 16" x 20".
Beautiful antique Italian bronze sculpture of a woman by Professor Antonio Garella (1864 - 1919) . Signed on right shoulder Prof. Garella.