Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1940 item #1053165 (stock #387)
A beautiful classic nude by Yves Diey oil on canvas signed lower right measuring approx. 36 x 38.
All Items : Fine Art : Sculpture : Bronze : Pre 1930 item #1202821 (stock #600)
By Adolf Muller Crefeld (German 1863-1934) bronze art deco statue of a dancer a beautiful form with great patina a beautiful marble base. measuring overall approx. 14 inches tall. excellent condition. Berlin. Literature:
 “Bronzes, sculptors and founders” by H. Berman, Abage. 
“The dictionary of sculptors in bronze” by James Mackay. Antique collectors club. 

All Items : Fine Art : Paintings : Oil : Pre 1960 item #1298956 (stock #703)
Oil on paper abstract composition by Harold Christopher Davies, signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image, 22"W x 18"H. Overall framed size 33" W x 27" H.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1333167 (stock #756)
Original antique oil painting of a woman playing guitar in a garden. A 19th century Italian oil on canvas measuring 20 x 30 inches. Presented in a quality hand carved gold leafed frame.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1339800 (stock #771)
Herman Rose Gansevoort st pier New York oil on canvas signed lower left measuring 10 3/8” x 20 3/4” in excellent condition.

Known for small scale, modernist urban views of New York City, he depicted the city as a jumble of architecture in varying sombre colors in a mood reminiscent of 19th century Romanticism. He had a highly original technique, which was covering a drawing with small dabs of paint and pushing spots of warm and cool color over one another, which dried into a kind of low relief. It took him about a decade, from 1929 to 1939, to arrive at this style and method that seemed right for him. He decided to paint what he saw without consciousness as to style or composition and with spiritual commitment, devoting himself to divinity in nature, separated from the modern world. By the 1960s, he was doing horizontal work in brighter hues that gave the viewer the impression of being swept along a street or urban path.

All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1960 item #1172909 (stock #568)
A fine original oil on Canvas signed lower right and on verso titled Polombaro Italy. A beautiful painting a fine example of this renowned artist work. Measuring approx. 20 x 24 in a quality hand carved 24k gold leaf frame.

Biography, Rene Genis was a 20th century French painter renowned for his landscapes and still lifes and for his palette of very transparent blues and greens. Genis studied at the École des Beaux-Arts in Bordeaux, then at the École des Arts Decoratifs in Paris. Starting in 1959 he had numerous one-man exhibitions in Paris and New York. In the summer of 2002 he had a one-artist exhibition at Galerie 26 on the Place des Vosges, Paris. This still life by Genis entitled "L'Artichaut" was done in 1951 in Fauvist greens, yellows, reds and purples. His work can be seen in museums in Aix-en-Provence, Bordeaux, Lyon and at the Musée Municipal d'Art Moderne in Paris.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1141768 (stock #514)
Original Clark Hobart impressionist landscape with cottage and figures. Oil on board signed lower right measuring approximately 8 x 7.5.

Born in Rockford, Illinois on Jan. 1, 1868, Hobart moved to California with his family when he was a small boy. He studied art in San Francisco at the School of Design under Stanton and Cadenasso, and privately with William Keith. He then spent three years at the ASL in NYC under Blum and Bridgman and completed his art training in Paris. The turning point in his career came in 1915 at the PPIE. During the exposition Hobart was awarded a silver medal and received praise from local art critics for his development of color monotype prints. When the Oakland Civic Art Gallery opened in 1916, an entire room was devoted to his monotypes. In that year Hobart left the Monterey Peninsula and established a studio in San Francisco. From his studio came portraits of Carl Oscar Borg, Mrs. Leo Lentelli, and Gottardo Piazzoni. Often compared to Cézanne, he is nationally known for his Impressionist portraits and landscapes. Exhibitions: California Society of Etchers; Del Monte Gallery (Monterey), 1912-13; California Artists, Golden Gate Park Museum, 1915; Panama-Calif. Exposition (San Diego), 1915; Los Angeles County Museum of Art, 1915, 1918; Pennsylvania Academy of the Fine Arts, 1915; Kennedy Gallery (NYC), 1916; NY Architectural League, 1916; National Academy of Design, 1916; Calif. Liberty Fair, 1918 (1st prize); San Francisco Art Association, 1918 (prize), 1921 (1st prize), 1922 (gold medal); Western Ass'n of Art Museum Directors, 1922; Bohemian Club, 1922, 1923 (solo), 1929; Golden Gate International Exhibition, 1939; Oakland Museum, 1981. Work in Permanent Collections: San Francisco Museum of Art; CHS; Bohemian Club; De Young Museum; Mills College (Oakland); Oakland Museum; Salinas High School; Nevada Museum (Reno); Monterey Peninsula Museum.

All Items : Fine Art : Paintings : Acrylic : Contemporary item #1339197 (stock #268)
Antiquarian Art Co.
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Original acrylic painting on canvas of the Manhattan skyline by Tom Christopher. Signed on verso from his Brill Building project series Times Square 2014. Measuring 30 x 48 x 2 inches.

Tom Christopher (born 1952 is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions. Christopher is known for his New York City urban paintings. Most of the work is painted using small-batch, handmade acrylic paint. Pencil lines from the initial exploratory sketch stage often remain on the white canvass. His typical images include cabbies, delivery men, skylines, and chaotic New York City scenes. His work is usually done with acrylic paint in an expressionist style.

All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1269310 (stock #657)
Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival matte at top. An exqusite example of this important artists work.
All Items : Fine Art : Prints : Etchings : Pre 1970 item #1397473 (stock #874)
Lovely modernist nude etching of a reclining woman entitled, "Joseph Had a Dream" by Ruth Weisberg. Dated 1967 and signed lower right. Presented in cream colored matting and a carved gilt wood frame. Image size: 14 x 18", overall dimensions: 20 x 26". Ruth Weisberg, an artist and professor, is the former Dean of Fine Arts at the University of Southern California since 1995. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.
All Items : Fine Art : Paintings : Oil : Pre 1940 item #1084411 (stock #416)
Antiquarian Art Co.
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A fine original oil on canvas board of a southwestern Native American homestead with an Adobe house with a figure at the door and a pottery kiln in the front yard. Measuring approx. 12 x 16 framed in a 24k hand carved frame. A fine investment quality artwork by this highly Acclaimed artist

Biography

Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt". Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to many more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, but it was not until the 1940s that he received much recognition. He painted in the Southwest nearly every summer between 1912 and 1926 and focused on the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and did sketches, many which he later converted into large canvases such as "Lower Falls of the Yellowstone"(1915) and "Grand Canyon of the Yellowstone" (1911). His style was realistic, and his palette invariably had the Southwestern hues of soft pinks, reds, yellows and purples. In fact, his critics who knew little of the Southwest accused him of fabricating the colors. Many of his works are at the Gilcrease Museum in Tulsa, Oklahoma. In March, 1999, the Historical Center of Cody, Wyoming held an exhibition of his field sketches and finished works depicting his experiences near Cody, Wyoming in the early part of the century, between 1910 and 1921. These years, many which he spent painting in the Carter Mountain vicinity, were considered crucial to his artistic development because he was exposed to western landscape. His companion during these travels was Cody taxidermist Will Richard who stirred his interest in wildlife.

All Items : Fine Art : Paintings : Pre 1900 item #1267247 (stock #649)
Cattle by a Stream by Leopold Rivers signed lower right and dated 1862. The Victorian artist Leopold Rivers was born in London in the mid-19th century. A landscape and watercolor painter and designer, he was the son and pupil of the well-known British artist William Joseph Rivers, who had also exhibited from 1843 to 1855 at the Royal Academy and British Institute. Known for his romantic and atmospheric landscapes depicting the country life in the counties and shires around London, Leopold also found success in his artistic career. He exhibited widely, hanging 188 paintings at the Royal Society of British Artists, where he was honored with a membership. He exhibited 55 paintings at the Royal Academy Sulfolk Street Gallery from 1873. He was a member of the Royal Society of British Artists, Sulfolk Street in 1890 and at the Royal Academy from 1873 to 1904, and at the Royal Institute of Painters of Watercolors.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1267327 (stock #651)
Winter Landscape Oil on canvas by Fred Wagner 24" L x 36"W. overall framed size 27 x 33. Signed lower right. Wagner exhibited at the Pennsylvania Academy over 35 times from 1906-1940, winning prizes in 1914 and 1922. Wagner exhibited at the Carnegie 14 times from 1898 - 1925. He showed two works at the Armory Show, and exhibited 11 times at the Corcoran between 1907 - 1935. He had a special exhibit of 100 pastels, at the Corcoran in April 1924. Wagner exhibited at the National Academy of Design in 1884, 1907, 1925 and 1928.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1940 item #1301845 (stock #710)
Original oil on canvas "Still Life Flowers" signed lower right and dated 1939 by Willem Paerels (1878-1962) Born Delft Holland. Studied in Brussels and exhibited in both Paris and Brussels. Member of the Brabant Fauvism and In the 1940s and 50s Paerels taught at the Academy in Leuven Belgium. Canvas 15"L x 12.5"W overall framed size 22" L x 19" W.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1305964 (stock #727)
Oil painting by jules Dupré of cattle and a cottage in a landscape. Oil on mahogany panel measuring 27.5 x 32.5 Inches. signed lower right. Dupre (1811-1889), French painter, was one of the chief members of the Barbizon school of landscape painters. Dupré's color is sonorous and resonant; the subjects for which he showed marked preference are dramatic sunset effects and stormy skies and seas. Among his chief works are the Morning and Evening at the Louvre, and the early Crossing the Bridge in the Wallace Collection.
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1800 item #1131879 (stock #497)
A beautiful 17th century portrait of a woman holding a pearl necklace. Circle of Sir Peter Lely. Oil on canvas laid down measuring approx. 14 x 16 framed in a modern classica frame. a beautiful antique painting would enhance any interior decor.
All Items : Fine Art : Drawings : Pre 1900 item #1366082 (stock #813)
Masterful pen and ink drawing titled "The Butterfly Catcher" by well-listed academic artist Jehan Georges Vibert (French, 1840 – 1902). Signed lower right. Housed in a gilt and gesso wood frame under glass and a single layer of white matting with a gilt fillet. Visible image measures 5.5" W x 7.5" H overall paper measures 8"W x10" H. Minor yellowing, commensurate with age. Vibert was known for his genre scenes, often of cardinals and clergy. He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot. Vibert debuted at the Salon of 1863 with La Sieste (The Siesta) and Repentir (Repentance). During the Franco-Prussian War, Vibert became a sharpshooter and was wounded at the battle of Malmaison in October 1870. He was awarded the Légion d’Honneur and became a Chevalier de la Légion d’Honneur in recognition of his sacrifice. He became an Officier of the Légion d’Honneur in 1882. Vibert submitted work to the Salon until 1899. The popularity of his works spread, notably in America, and fetched high prices including commissions from John Jacob Astor IV and William Vanderbilt. A large collection of works by Vibert was amassed by the heiress May Louise Maytag on behalf of then bishop of Miami Coleman Carroll, who greatly fancied them. This large cache was then donated to the Florida seminary St. John Vianney College in Miami. At this location the extremely impressive collection has had a somewhat checkered conservation history, as well as exhibition history due to the discomfiture of later bishops with the seeming anti-clericalism of the paintings (lighthearted debaucheries, etc.). less DETAILS Dimensions 14.75ʺW × 2.0ʺD × 16.5ʺH
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1053159 (stock #385)
A fine antique American landscape painting of a Indian Camp in the Rockies school of Albert Bierstadt oil on canvas measuring 38 x 50.