Antiquarian Art Co.
All Items : Fine Art : Prints : Engravings : Pre 1900 item #1389084 (stock #860)
Ruins of the Amphitheater Colissaeus also known as the Flavian Amphitheatre is an oval amphitheatre in the centre of the city of Rome, Italy. An 18th Century German engraving by Georg Christoph Kilian (1709-1781). Pictured are the Colosseum ruins commissioned around A.D. 70-72 by Emperor Vespasian of the Flavian dynasty. The image is titled in both Latin and German below. Image size 12" x 10", presented with custom matte and in a gilt wood frame.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1053159 (stock #385)
A fine antique American landscape painting of a Indian Camp in the Rockies school of Albert Bierstadt oil on canvas measuring 38 x 50.
All Items : Fine Art : Drawings : Pre 1900 item #1324381 (stock #748)
Original French master drawing of a Shepherd boy titled and dated 1847 on verso. Measuring 11 x 12 inches in excellent condition.
All Items : Fine Art : Drawings : Pre 1800 item #1192359 (stock #596)
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A beautiful original 18th century drawing of a woman gazing upward Attributed to Francois Boucher measuring 24.5 x 31 cm. on wove paper mounted at corners to matte board. A beautiful drawing would be a fine addition to any collection.

Biography

François Boucher (September 29, 1703 - May 30, 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, and intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Madame de Pompadour. Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style. At the young age of 17, Boucher was apprenticed by his father to François Lemoyne, however after only 3 months he went to work for the engraver Jean-François Cars. Within 3 years Boucher had already won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until 4 years later. On his return from studying in Italy in 1731, he was admitted to the Royal Academy of Painting and Sculpture as a historical painter, and became a faculty member in 1734.

All Items : Fine Art : Paintings : Pre 1910 item #1346450 (stock #789)
Beautiful original antique portrait of a elegant Young Woman with her Jewelry. Watercolor and gouache signed lower right. Matted and framed image size 5" x 7" overall 12 x 15.
All Items : Fine Art : Paintings : Oil : Pre 1920 item #1378078 (stock #818)
Antique still life oil painting, C.1910-1920, in a gold arts and crafts movement frame. Original oil on canvas board depicting two bunches of grapes on a brick wall. Visible image measures: 11.75"W x 19.5"H, overall dimensions: 19.75" W x 27.5" H x 1.75" D.
All Items : Fine Art : Paintings : Oil : Pre 1970 item #1090611 (stock #426)
An Aboriginal art dot painting Dreaming by Nancy Campbell Napanangka. She is a Warlpiri speaker from Anmatyerre, who lives at Napperby Station.The painting is the Dreamtime story about watering holes and animal life and villages. Measuring approx. 40 x 48 inches a large painting purchased in the 1970s from a prominent gallery in Austrailia. A chance to own an original work from this highly regarded Australian Aboriginal artist. Contact for shipping cost and information. If within contenential US ups ground shipping is recommentd any other the painting would have to be removed from stretcher bar and rolled up for shipping. A beautiful decorative painting a true investment quality work.
All Items : Fine Art : Paintings : Watercolor : Pre 1970 item #1350328 (stock #794)
Watercolor landscape titled "Forest Morning Sun" by Maureen Saul, signed lower left. Image, 20"L x 12"H. Matted and framed. DETAILS Overall Dimensions 30.0ʺW × 1.0ʺD × 20.0ʺH Condition Excellent
All Items : Fine Art : Paintings : Oil : Pre 1950 item #1110563 (stock #482)
A fine original Early California Landscape By Carl Jonnevold oil on canvas signed lower right in original frame and in excellent condition measuring approx. 12 x 16

Biography

Landscape painter. Born in Norway on June 1, 1856. Jonnevold came to the U.S. in the 1880s and is known to have painted in the Northwest before moving to California in 1887. Settling in San Francisco, he maintained a studio at 1617 California Street. He was a self-taught painter except for brief study in the galleries of Paris in 1908. While in France, he was influenced by the Barbizon painters and their dark palette. Returning to California, he continued to paint the beauty of northern California in the Barbizon style. Often working in late afternoon when shadow prevails, he produced hundreds of attractive tree and meadow scenes which he exhibited in local galleries. By the time of the stock market crash in 1929, Jonnevold was poverty stricken and living alone at his small studio at 560 Kearny Street. In that year he was sentenced to two months in jail for aiming a gun at his landlord. Jonnevold disappeared from San Francisco about 1930. A letter at the Oakland Museum gives his date of death as June 9, 1955 but no location. His works have gained renewed respect in recent years and are highly sought after by collectors. Exhibitions: Calif. State Fair, 1899-1902 (awards); Mechanics' Inst. (SF), 1897; SFAA, 1908-12; Alaska-Yukon Expo (Seattle), 1909 (bronze medal); Kanst Gallery (LA), 1915. In: Oakland Museum; CHS; De Young Museum. Source: Edan Hughes,

All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1940 item #1402278 (stock #888)
Beautiful Original Vintage Gouache painting of a floral arrangement signed lower right Phyllis M. Moore and dated 1943. Presented matted and framed the painting measures 9 x 12" overall framed size 15 x 19".
All Items : Fine Art : Paintings : Pre 1950 item #1356536 (stock #797)
Antiquarian Art Co.
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Original Oil French Cathedral by Jules Pages oil on canvas signed lower left. Measuring 20 x 24 in excellent condition.

Biography

A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he maintained close ties to his native city of San Francisco and was influential in introducing that painting style to Northern California. He was born in San Francisco, California on May 16, 1867 and was raised in the artistic milieu of his father's engraving business, where he worked as an apprentice. In 1888 he sailed to Paris to study at Academie Julian under Jules Lefebvre, Benjamin Constant, and Fleury. After returning to San Francisco, he worked as an illustrator for the Examiner and Call newspapers. Upon returning to Paris in 1902, he began teaching night classes at the Academie Julian and served as its director. Pages gained international recognition while in France and was made a Chevalier of the Legion of Honor in 1910. In 1915 he exhibited at the Panama Pacific International Exposition and was a member of the International Jury of Awards. Although he remained in France for forty years, he returned to his native city often to visit and exhibit. At the outbreak of World War II, Pages returned to San Francisco and died there on May 22, 1946. He was a member of the Bohemian Club; International Society of Sculptors & Painters in Paris. He exhibited at the Paris Salon, 1895 with honorable mention, and won Gold Medals there in 1899 and 1905. He also exhibited at the Steckel Gallery in Los Angeles in 1909; at the Bohemian Club, 1924, solo exhibition; the California Palace of Legion of Honor, 1946 memorial exhibition.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1356240 (stock #796)
Original 1950s vintage "Portrait of a Woman" oil on canvas presented in a gilt wood frame. Canvas measuring 20"W x 26"L overall framed size 25" x 31"L
All Items : Fine Art : Prints : Engravings : Pre 1700 item #1378482 (stock #826)
16th Century engraving "Saturn" by Adriaen Collaert (c. 1560 – 29 June 1618), from the series Septem Planetæ (The seven planets). Plate size: 8" x 11.5" Saturn; sitting on a cloud he holds a youth with a scythe between his legs; below a female figure labelled "Conscientia" holds a book and points upwards standing besides an elderly man on a chair; on the ground is a flask, spectacles atop an hour-glass and a fire in a cart; beyond is a church and a monk takes the hand of a crippled figure with no feet; plate 7 (ages of man: old age); on full sheet; after Maarten de Vos. 1581. The year he was born at Antwerp is not known, but this is determined to be between 1555 and 1565. According to the RKD in 1580 he became wijnmeester of the Guild of St. Luke. The title wijnmeester was reserved for sons of members, and he was the son of Jan Collaert I and Anna van der Heijden. He married Justa Galle, the daughter of the man he worked for, Philip Galle. He also worked for Gerard de Jode (where he made prints after Maerten de Vos), Eduard Hoeswinckel and Hans van Luyck. After having learnt the principles of the art in his own country, he visited Italy for improvement, where he passed some years. On his return to Flanders, he engraved a great number of plates, executed in a neatly finished style, but with a certain degree of dryness. His drawing is correct, and his heads expressive. He sometimes marked his plates with a cipher. From 1593-94 he took on pupils and from 1589 he worked for the Plantijn Moretus Museum. He died at Antwerp in 1618.
All Items : Fine Art : Sculpture : Bronze : Pre 2000 item #1131872 (stock #496)
A fine original modernist bronze by Heriberto Juárez signed edition # 6 of 100 measuring overall approximately 11 inches tall in excellent condition a beautiful work of art by this Mexican master. Biography

Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze... The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico. In addition to the fertile production of sculptural pieces Juárez Castañeda's work includes drawing, construction of monuments and to a lease degree but with the same qualities, panting. In these regards, Berta Taracen, whose opinion is acknowledged in the artistic space says: "His historical-humanistic tendency, in agreement with the society it serves, does not resign to topical and futuristic categories, but enhances the message and content of perfect technics, considering that technology, in the widest sense of the word, is the central problem of this age and praxis of the actions of modern man; having as a result a Juárez who is characteristically a Mexican artist, who makes of his technics and craftsmanship part of the historical and spiritual order without rendering them obsolete". A highlighted part of his work and probably the most widespread is constituted by his pieces, in different materials, on bullfight subjects; magical and sometimes cryptical world which he deeply knows, due to his experience as a bullfighter while he was a young man. Along his already broad trajectory, Heriberto Juárez has been chosen to represent Mexican Art in shows, exhibitions and events of the highest world level. He has been granted scholarships to enrich his already vast knowledge of technics and artistic avant gard concepts. He has been selected to construct important monuments in the national and international ambits as well...

All Items : Fine Art : Paintings : Watercolor : Pre 1920 item #1103922 (stock #467)
Leon Baskt original pencil watercolor and gouache on paper signed lower right and dated 1911. This image was used for a cover of a Russian theater ballet presentation for La peri with Natasha Trouhanova as the Peri. Measuring approx 21 x 33 cm or 8 x 13 inches. In good condition some light fading of watercolor with a collectors stamp lower left image otherwise in excellent condition. Provenance Library of Art and Archeology France.
All Items : Fine Art : Paintings : Watercolor : Pre 1950 item #1355191 (stock #790)
DESCRIPTION Original c.1950 mid century vintage abstract mixed media collage by Harold Christopher Davies (1891 - 1976) signed upper left, estate stamp on verso. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist's works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist's work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art.
All Items : Fine Art : Paintings : Oil : Pre 1940 item #1084411 (stock #416)
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A fine original oil on canvas board of a southwestern Native American homestead with an Adobe house with a figure at the door and a pottery kiln in the front yard. Measuring approx. 12 x 16 framed in a 24k hand carved frame. A fine investment quality artwork by this highly Acclaimed artist

Biography

Born near Falling Waters, West Virginia on a plantation a year after the Civil War, and raised in Baltimore, William Leigh became one of the foremost painters of the American West with a career of seventy-five years. Some people referred to him as the "Sagebrush Rembrandt". Trips to the Southwest began in 1906 when he made an agreement with William Simpson, Santa Fe Railway advertising manager, to paint the Grand Canyon in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to many more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, but it was not until the 1940s that he received much recognition. He painted in the Southwest nearly every summer between 1912 and 1926 and focused on the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and did sketches, many which he later converted into large canvases such as "Lower Falls of the Yellowstone"(1915) and "Grand Canyon of the Yellowstone" (1911). His style was realistic, and his palette invariably had the Southwestern hues of soft pinks, reds, yellows and purples. In fact, his critics who knew little of the Southwest accused him of fabricating the colors. Many of his works are at the Gilcrease Museum in Tulsa, Oklahoma. In March, 1999, the Historical Center of Cody, Wyoming held an exhibition of his field sketches and finished works depicting his experiences near Cody, Wyoming in the early part of the century, between 1910 and 1921. These years, many which he spent painting in the Carter Mountain vicinity, were considered crucial to his artistic development because he was exposed to western landscape. His companion during these travels was Cody taxidermist Will Richard who stirred his interest in wildlife.

All Items : Fine Art : Paintings : Oil : Pre 1950 item #1357852 (stock #800)
Post impressionist oil painting of a partial nude in blue tones. Reminiscent of Picasso's Blue Period. Signed lower right and presented in original dark wood frame with white insert. Masonite panel measures 20 x 30 inches.