Original Oil on paper monotype Fauvist Nude in a Landscape by Harold Christopher Davies signed HD monogram lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 7"L x 5"W.
The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.
David Cox Original oil painting 1844 signed lower right titled on reverse Manorbier Castle South Wales. Oil on board measuring approx. 30 x 40 inches. Biography
David Cox was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of impressionism.
Fine original oil painting on canvas signed lower left J.B.Smith dated 1876 titled on the reverse on "Vale of Heath Wales" provenance Richard Green Gallery London. Measuring 18 x 14 inches. In excellent condition a couple of minor touchups.
John Brandon Smith fl. 1848 - 1888 was a London landscape painter who exhibited from 1859 to 1884 at the Royal Academy. From 1860 to 1874 he exhibited at The British Institute and also at the Royal Society of Artists, Suffolk Street. Titles at the Royal Academy included View in Surrey 1860, On the Lledr, 1867 and Caldron Linn, Perthshire, 1874. He is most commonly known for his pictures of rivers and waterfalls.
Winter Landscape Oil on canvas by Fred Wagner 24" L x 36"W. overall framed size 27 x 33. Signed lower right. Wagner exhibited at the Pennsylvania Academy over 35 times from 1906-1940, winning prizes in 1914 and 1922. Wagner exhibited at the Carnegie 14 times from 1898 - 1925. He showed two works at the Armory Show, and exhibited 11 times at the Corcoran between 1907 - 1935. He had a special exhibit of 100 pastels, at the Corcoran in April 1924. Wagner exhibited at the National Academy of Design in 1884, 1907, 1925 and 1928.
Pair of Roosters finely cast and intricately detailed life like made of solid sterling silver. Weighing 82 Troy ounces approx. 4 lbs. Measuring 12" L x 7"T x 7"W. Made in Peru.
Original pencil drawing a portrait of a man by Balthasar Klossowski de Rola, signed monogram lower right. Best known as Balthus, a French painter in the second half of the 20th century, famous for his somewhat disturbing paintings of pubescent girls and for his association with some of the greats in modern art, including Pablo Picasso and Salvador Dali. Balthus painted figures and landscapes in a more traditional style than his cubist and surrealist contemporaries, and throughout his career was supported primarily by other artists and dealers. He claimed to be a count, but he was also known to be a prankster who fabricated biographical details while keeping his real life story a mystery. Image site measures 8 x 10 Inches overall paper 11 x 17 inches. Minor staining top left. Provenance a private collection and sold at Sotheby's lot 7767, Impressionist and Modern Art, New York, Thursday, February 21, 2002
A FINE ORIGINAL LITHOGRAPH SIGNED IN PENCIL LOWER RIGHT AND INITIALED IN THE PRINT AND DATED 1945. FULL MARGINS ON PAPER WITH MADE IN FRANCE WATERMARK FROM AND EDITION OF 250. 9 5/8 X 15 3/4 INCHES 14 X 18 INCHES OVERALL PAPER SIZE. ARCHIVAL MATTE AND FRAMING IN VERY GOOD CONDITION SOME MINOR LIGHT FADING AROUND MATTED AREA A PAPER SCUFF IN THE LEFT MARGIN NOT AFFECTING THE IMAGE. EXAMPLE WOULD MAKE A NICE ADDITION TO ANY COLLECTION.
John Steuart Curry: November 14, 1897 -1946
John Steuart Curry was born and raised on his family farm in northeast Kansas, and though his life and career would take him to many different locales, his heart and indeed his work never left the land of his birth. Studying art originally at home as a boy in Kansas, and later in Kansas City, Chicago, and briefly in Paris, Curry’s enthusiasm for painting developed and grew in the 1910s and 20s. Working originally illustrating magazines and books, his “Baptism in Kansas,” painted in 1928 and purchased in 1931 by Gertrude Vanderbilt Whitney gained him not only recognition but the funds to make a career in painting. By this time, he has settled in Connecticut and begun to continue painting in the “regionalist” style, depicting and glorifying images of the United States Midwest. In 1936, he was named the “artist in residence” at the University of Wisconsin, and continued to produce works and gain regional acclaim for the next decade. At the very end of his life the works of his and other Regionalist painters were beginning to recede into obscurity as Abstract and other modern forms of art rose to national prominence. Curry died of a heart attack in 1946, at the age of 49.
Norman Lindsay original etching signed and titled numbered 20 0f 20 in pencil. A humorous court scene of a the king flirting with a lady and the expression of the jealous queen. An exquisite rich impression image measuring 23 x 30 cm on full sheet of laid paper in excellent condition some age yellowing and faint window matt line.
Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze.
A large body of his work is housed in his former home at Faulconbridge, New South Wales, now the Norman Lindsay Gallery and Museum, and many works reside in private and corporate collections. His art continues to climb in value today. In 2002, a record price was attained for his oil painting Spring's Innocence, which sold to the National Gallery of Victoria for A$333,900.
A Beautiful work of art by this highly regarded California painter Patricia K. Jones. Oil on canvas signed lower right measuring 8 x 10 inches framed in a quality gallery frame overall size 14 x 16 inches in excellent condition. A nice addition to any collection.
Patricia is especially drawn to the familiar objects and sights that we usually take for granted. In her paintings, she strives to translate the essence of the everyday, the ordinary and the overlooked into works of art. This approach has allowed her to reach out to a wide audience, and today her paintings can be found in private collections in the U.S. and Europe.
Education and Background:
Bohemian House of Fine Arts: Carmel, California ,2001-2004 Russian Impressionism, 2003 Landscape Painting - Tuscany, Italy ,Academy of Russian Realism: St. Petersburg, Russia, 2002 Landscape Painting en Plein Air, California Academy of Painters: Provence, France, 2001 Painting in the Lavender Fields, Sauveterre-de-Bearn, France, 1999 Painting the Colors of Southwest France, Pacific Art League and Palo Alto Art Center: Palo Alto
1995-2002 Plein Air Oil Painting, Figure Drawing,Still Life and Portrait Painting, Scottsdale Artists School, Scottsdale, Arizona
2006, 2008 Workshops in Still Life Painting, Stanford University : Florence, Italy, 1995 Drawing in the Renaissance City
Stanford University: MBA - 1976 Member, Oil Painters of America
Member, American Impressionist Society
Original oil Floral with Chinese Hibiscus on art panel signed lower right W. Revell dated 1888. Measuring 7 x 9 inches
Impressionist Mediterranean View Oil on canvas signed lower right measuring 24 x 30. Lucien Pissarro was born on February 20, 1863, in Paris, the eldest son of the Impressionist Camille Pissarro. The family fled the Franco-Prussian War in 1870. They went to London, but returned to Louveciennes in 1871, then to Pontoise. His association with the artist friends of his father, Cézanne, Manet, and Monet, and art lessons from his father furthered Pissarro's interest and talent for painting. Lucien Pissarro started his career first as a landscape painter.
Ralph Curtis "girl with a fan" oil on board provenance Hirschl Adler Galleies the artists estate. Measuring approx. 9 x 12 in excellent condition a fine addition to any collection.
Biography, Born in Boston in 1854, the son of Daniel Sargent Curtis and Ariana Wormeley Randolf Curtis. Educated at Harvard College where he and a friend were cofounders of the "Lampoon". Curtis owed his artistic start to his parents who bought the Palazzo Barbaro on the Grand Canal, Venice. This soon became a meeting place for English and American artists including Henry James and Isabella Stewart Gardener. After graduation Curtis went to Europe to join his family and eventually took up residence in Paris, where he studied at the Academe Julian under Gustave Boulanger and Jules-Joseph Lefebvre. Curtis became close friends with his distant cousin John Singer Sargent.
Much like Sargent he documented the attractive scenes of modern day life that could be found all around him in Venice. He was a master of the effects of light on water, much like his French counterparts and had an illustrator's accuracy for draftsmanship, honed by Parisian training. He was known for landscapes, portraits [famous people], Venice, interiors, rivers, cities and coast.In 1880 Curtis and Sargent went to Holland to paint together after which Curtis returned to his parents home, the Palazzo Barbaro in Venice, the crossroads of art and society.He won honorable mention in the 1889 Expo. Curtis remained abroad after completing his training in Paris, spending his summers in Venice. He died in 1922.
Vintage abstract painting of boats in a harbor by award winning artist Audrey Salkind. Salkind graduated from the Moore College of Art and Design in Philladelphia and continued her studies in Maryland as well. She has exhibited extensively throughout the Mid Atlantic and NY.
Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition.
Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche.
Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen.
Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.
Original Painting by Zhāng Shūqí (Chinese: 张书旗; 1901-1957) a Chinese painter from Zhejiang, noted for painting flowers and birds. He studied at Shanghai under Liu Haisu. For a time he taught at the National Center University. From 1942 to 1946, he lived in the United States. After that, he returned to China for a time, but ultimately settled in the US.His works are in the Gallery of Victoria Museum, the Ashmolean Museum and Stanford Museum. Image 9.5"L x 12"W. framed in a gilt bamboo frame 16" L x 19" W. Provenance a Stanford collection estate stamped lower right.
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Richard Bonington original oil on canvas of a old English town view signed very faintly lower right measuring approx. 9 x 12 inches framed in a contemporary gallery frame. Provenance: British Consulate San Francisco.
Richard Parkes Bonington was born in the town of Arnold, 4 miles from Nottingham in England. His father was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at age 11.
In 1817, Bonington's family moved to Calais, France where his father had set up a lace factory.
At this time, Bonington started taking lessons from the painter François Louis Thomas Francia, who trained him in English watercolour painting.
In 1818, the family moved to Paris to open a lace retail outlet. It was Paris where he first met Eugène Delacroix, who he became friends with. He worked for a time producing copies of Dutch and Flemish landscapes in the Louvre. In 1820, he started attending the École des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros.
It was around this time that Bonington started going on sketching tours in the suburbs of Paris and the surrounding countryside. His first paintings were exhibited at the Paris Salon in 1822. He also began to work in lithography, illustrating Baron Taylor’s "Voyages pittoresques dans l'ancienne France" and his own architectural series Restes et Fragmens". In 1824, he won a gold medal at the Paris Salon along with John Constable and Anthony Vandyke Copley Fielding.
Bonington died of tuberculosis on 23 September 1828 at 29 Tottenham Street in London, only 25 years old.
Winter Landscape Pastel by Fred Wagner image size 20" L x 26"W. overall framed size 27 x 33. Signed lower right. Wagner exhibited at the Pennsylvania Academy over 35 times from 1906-1940, winning prizes in 1914 and 1922. Wagner exhibited at the Carnegie 14 times from 1898 - 1925. He showed two works at the Armory Show, and exhibited 11 times at the Corcoran between 1907 - 1935. He had a special exhibit of 100 pastels, at the Corcoran in April 1924. Wagner exhibited at the National Academy of Design in 1884, 1907, 1925 and 1928.