Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1837 VR item #1449151 (stock #897)
A beautiful pair of original 19th century antique oil paintings in the manner of George Henry Harlow renowned British portrait painter, 1787-1819]. Both Oil on canvas framed in later vintage gold frames. Both paintings have been professionally restored relined cleaned and re varnished. DIMENSIONS 8.5ʺW × 1.5ʺD × 10.5ʺH
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1900 item #1413611 (stock #922)
Original English antique oil painting portrait of a Champion Horse in its stable by John Charles Tunnard. Oil on canvas signed lower right. Tunnard lived at Sandy, Bedfordshire, and was born in 1875; he painted equestrian subjects throughout East Anglia. His paintings of the Shuttleworth family's horses hang at Old Warden Park, Bedfordshire. Canvas measures 18 x 22" overall framed size 20.5 x 24.5".
All Items : Fine Art : Prints : Lithographs : Pre 1900 item #1389967 (stock #871)
Pair of original hand colored horse lithographs from "Professor Low's Illustrations of the Breeds of the Domestic Animals London, 1840" . Drawn by Mr. Nicholson, R.S.A. from a painting by Mr. Shiels, R.S.A. Drawn on stone & printed by Fairland. Published by Longman, Orme, Brown , Green & Longmans, Paternoster Row, London 1840. Presented framed and matted in quality vintage burl wood frames. Measuring 12.5 x 17 inches, matte window 10" x 13" overall framed size 18" x 24" Low was a professor of agriculture at Edinburgh University who also set up an agricultural museum in Edinburgh with the assistance of a grant from Earl Spencer. William Shiels, member of the Royal Scottish Academy, was commissioned to produce a series of paintings of all the significant breeds then of economic significance in Great Britain. These paintings were then used as the basis for the present work with the addition of Low's text. Shiels' work is appreciated today for its faithfulness to the actual appearance of the animals, as opposed to idealized versions meant to please their owners, which were common at the time. William Nicholson, also a Royal Scottish Academy member, made the drawings after Shiels' paintings to convert them to prints.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1443429 (stock #975)
A beautiful vintage original Albert Pennoyer (1888-1957) pastel painting on paper signed lower right depicting a Spanish courtyard scene. Presented framed in a quality vintage real gold leaf classic arts and crafts era frame. Measurements Image 23.5” X 17.5” overall framed size.34” X 28” Biography Albert Sheldon Pennoyer (1888-1957) Painter, pastelist. Born in Oakland, CA on April 5, 1888, the son of a prosperous dry goods merchant who founded a store called Taft and Pennoyer. The Pennoyer family moved to nearby Berkeley while Sheldon was a child. After one year at UC, he sailed to Paris to study architecture at Ecole des Beaux Arts. He soon opted to become a painter instead and studied art at Academies Julian and Grand Chaumière under Ménard and Lucien Simon. At the outbreak of WWI, he left Europe and returned to his home in Berkeley. About 1919 he moved permanently to NYC but spent much time at his mother's home in Litchfield, CT. Although he had a studio in NYC during his last 38 years, he made many painting trips to California and had a studio shack on his brother's property at Lake Tahoe. He was the author of This Was California (1938) and Locomotives in Our Lives (1954). Pennoyer died in an auto accident in Madrid, Spain on Aug. 17, 1957. Working in pastel, gouache and oil, he painted coastals, portraits, landscapes, railroad subjects, and scenes from his travels in Spain, Portugal, Central America, and the U.S. Member: AFA; SFAA; American WC Society; Century Club; NAC; Allied Artists of America; AAPL; Oakland AA. Exh: Schussler Galleries (SF), 1914; PPIE, 1915; Calif. Artists, Golden Gate Park Museum, 1915; Oakland Art Gallery, 1916; Doll & Richards Gallery (Boston), 1917 (1st solo); LACMA, 1918, 1919 (solos); Macbeth Gallery (NYC), 1926; San Francisco Art Association, 1919-30; Vickery, Atkins & Torrey (SF), 1930; CPLH, 1958 (memorial). In: Oakland Museum; CPLH; Henry Ford Museum (Dearborn, Ml); MM; De Young Museum; Society of Calif. Pioneers; Santa Barbara Museum; Smithsonian Inst.; West Point Military Academy; CHS
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1447594 (stock #893)
Original Antique American Hudson River School luminist landscape 19th century oil painting on artist academy panel. Presented framed in a quality burl wood gallery frame. Panel measures 12 x 18 overall framed size 16 x 22". Provenance the W. Graham Arader Galleries label on verso. The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism. The paintings typically depict the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains Luminism is an American landscape painting style of the 1850s to 1870s, characterized by effects of light in landscape, through the use of aerial perspective and the concealment of visible brushstrokes. Luminist landscapes emphasize tranquility, and often depict calm, reflective water and a soft, hazy sky.
All Items : Antiques : Furnishings : Furniture : English : Georgian : Pre 1900 item #1378068 (stock #814)
Antique English, 19th Century Georgian chest of drawers with a shelved gallery. Diminutive in scale, this dresser is made primarily of a figured yew wood with mahogany cross banding and an interior composed of pine, resting on bracket feet and original brass pulls. Very good antique condition with some age separation on sides and minor restorations. Exceptionally unique piece of early 19th century furniture.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #1324205 (stock #746)
Original American Impressionist oil on panel of the harbor at Edgartown Martha"s Vineyard Mass. Signed lower left A Bonine. Measuring 28 x 36 inches.
All Items : Antiques : Regional Art : Asian : Chinese : Lacquer : Pre 1900 item #1226472 (stock #610)
A fine antique Chinese export tea caddy with original compartment containers in excellent condition one foot in back replaced. measuring approx. 9 x 7 x 5 inches.
All Items : Fine Art : Mixed Media : Two Dimensional : Pre 1990 item #1298559 (stock #698)
Mixed Media Titled Power of Classical Thought" By Richard Hall signed lower right dated 1988. "Hall born in 1952 in Bradford, England. Master of Fine Sussex University. Living in United States he works in painting and sculpture. Hall's works in corporate and public collectors, including the Trump Plaza (New York), Christies Contemporary Art (New York), Hyatt Wiakalea (Hawaii). Partial list of exhibitions, Los Angeles Artexpo, New York Artexpo, Tokyo Art Show, Miami Art Show. Image 30"L x 22"W. Framed size 39" L x 30" W.
All Items : Fine Art : Prints : Etchings : Pre 1990 item #1298438 (stock #696)
Original etching Gothic Interior Suffolk England by Valerie Thornton, British 1931-1991. Signed lower right. Thornton a painter and printmaker. In the1960s she lived in New York working at Pratt Graphics Art Center. Member Royal Society of Painters-Etchers and Engravers. Her work is in the collections of the Royal Academy, Victoria and Albert Museum, British Museum, Tate Gallery, Fitzwilliam Museum, Metropolitan Museum of Art, Museum of Modern Art, New York Public Library. Image 26"L x 16.5"W. Framed 38" L x 28" W
All Items : Fine Art : Drawings : Pre 1900 item #1324008 (stock #743)
Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1437858 (stock #971)
Impressionist oil painting of a Mother Child Titled "Family Outing" at Mast Cove Kennebunkport Maine by Harry Barton. Oil on 24 x 30 panel signed lower left and with estate of the artists stamp on verso. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end of his life
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1910 item #1447996 (stock #894)
Beautiful original antique American Impressionist oil painting portrait of a woman by Charles Frederick Keller (1852 - 1928). Oil on canvas signed lower right presented in a quality gold gallery frame. Keller was active/lived in New York, Wisconsin. Charles Keller is known for Animal, figure, genre and landscape painting. A painting by Keller recently sold at auction for $4,938 at :Pook & Pook Inc. Decorative Arts Jan. 20 2020 Measures overall framed size 21.5" W x 24.0" H x 2.5" d. canvas is 15" W x 18.0" H. In excellent antique condition.
All Items : Fine Art : Paintings : Pre 1950 item #1361951 (stock #809)
Impressionist nude female oil painting on canvas c.1920s. Presented in a Dutch impressionist parcel gilt wood frame. Canvas measuring 20 x 24 in excellent vintage condition.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1427492 (stock #961)
Vintage American Impressionist Oil Painting Girl Flowers on the Beach by Barton. Oil on 20 x 24" panel signed lower left presented in a quality gallery frame. Harry Lang Barton, artist and illustrator May 12, 1908 - August 12, 2001 Born in Cleveland and raised in Seattle, Harry Barton spent his life doing the thing he truly loved--painting. Whether in the Pacific Northwest around Seattle, Hood Canal, and Puget Sound, or in the Art Students League, Central Park, and the parks and beaches of Long Island, or in Pennsylvania and New England (he often summered in Rockport, Massachusetts, and Kennebunkport, Maine), Harry's life was art. Harry's career as an artist embraced almost every medium and a great many genres: from charcoal and pen and ink to watercolor, tempura, and oil; from his early work in Seattle as a silk-screen artist and an illustrator for the Sterling Theatres and the telephone company, to his New York work as an illustrator of Western pulp fiction, detective and mystery novels, and movie and fashion advertisements, and finally to his extensive activity as a portrait and landscape painter. In the spring of 1945, he decided to study for the summer at the Art Students League in New York with Frank Reilly, and in the fall of that year he was offered work in New York as an illustrator for Gale Phillips Associates. Moving his family from Seattle, he--along with his wife Pauline and his daughters Joan and Linda--took up residence in Bayside, Queens, and soon moved to the Auburndale area of Flushing, where he had his own freelance studio and where he lived the rest of his life. Over the years his illustrations were featured in The Saturday Evening Post, Argosy, Boy's Life, Down East, and American Artist, as well as on movie billboards for Metro-Goldwyn-Mayer and in fashion advertising for Lord & Taylor and Gertz department stores. But his main body of work as an illustrator can be found in hard-cover and paperback novels published by such major firms as Dell, Ace Books, Dial Press, and Farrar Straus & Giroux. Harry's paintings and sketches were exhibited in the Philadelphia Museum of Art; in the Salmagundi Club, Lord & Taylor, the Smith Gallery, and Illustration House in New York in the Blue Heron Gallery in Wellfleet, Cape Cod; in the Schaff Gallery in Cincinnati; and in Mast Cove Gallery in Kennebunkport. He received a number of prizes for his work, and his paintings are held in private collections in the United States, Canada, and Europe. Harry was a member of the American Artists Professional League, the Salmagundi Club, and the Art Students League of New York, where he kept on working throughout his life, studying with--in addition to Frank Reilly--Samuel Edmund Oppenheini, William Draper, and Everett Raymond Kintsler. Harry loved the Art Students League and was very proud of being a Life Member. His Saturday jaunts to the League continued right up to the time when the League closed for the summer three months before he died. He was fortunate in being able to do what he enjoyed most to the very end
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1421428 (stock #938)
Original antique English watercolor titled "Fox Gloves by Stream" signed by Joseph Poole Addey (1852-1922), dated 1889. Addey was an especially gifted watercolorist. Born in Dublin, he studied at the Royal Dublin Society School of Design and the Cork School of Art. He began exhibiting at the RHA in 1877, and over the next forty years showed over 130 paintings. Image size: 19x29”, overall dimensions: 29.5 x 38.5”. less
All Items : Fine Art : Paintings : Oil : Pre 1900 item #1378076 (stock #816)
19th Century pastoral landscape oil on canvas. Golden age, old master influenced painting depicting a shepherd with his sheep and a cottage. Signed Wayland, lower right. Wax Relined and presented in an intentionally distressed gold wood frame. Image size, 16 x 20 overall framed size 24.5ʺW × 2.5ʺD × 20.5ʺH.