Antiquarian Art Co.
All Items : Vintage Arts : Decorative Art : Metals : Copper : Pre 1920 item #511595 (stock #166)
Dirk Van Erp hand hammered copper arts and crafts era vase circa 1910. A fine example of this extremely sought after artists work featuring a rounded form with a rich reddish brown patina the windmill stamp trade mark on bottom. In excellent condition some wear and minor scratches and one very minor ding. Measures approx. 8 inches tall and 7 inches wide. This piece would make a fine addition to any collection.
All Items : Fine Art : Paintings : Pre 1950 item #1049378 (stock #379)
Original N.C. Wyeth oil painting on art board title "Lumber" commissioned by Coca Cola company in 1943 for a series of posters in American industry. Signed lower right measuring 21 x 31 inches in excellent condition. A fine addition to any collection of American Art.

Biography

N. (Newell) C. (Convers) Wyeth (October 22, 1882-October 19, 1945), is one of the most celebrated illustrators in the history of art. He grew up on a farm in New England, and studied at the Massachusetts Normal Arts School where he attended classes taught by illustrators Eric Pape and Charles W. Reed. During 1902-04 he studied with the great illustrator Howard Pyle in Wilmington, Delaware. Wyeth accepted a commission from Scribner's and the Saturday Evening Post to paint western scenes, and traveled in the west to gain first hand knowledge of subjects. He worked as a ranch hand in Colorado and rode mail routes in New Mexico and Arizona. In 1906, Wyeth and Carolyn Brenneman Bockius were married in the Wilmington Unitarian church, and they made their home in nearby Chadds Ford, Pennsylvania. The focus of his painting soon shifted to the land and people of the region in which he lived. In 1911, Wyeth won a commission from Charles Scribner's Sons to illustrate a new edition of R. L. Stevenson's Treasure Island, a work that made him famous. He provided illustrations for dozens of other classic books, including Kidnapped (1913), The Black Arrow (1916), The Legends of Robin Hood (1917), The Last of the Mohicans (1919), and The Yearling (1939).

All Items : Vintage Arts : Instruments and Implements : Musical : String : Pre 1980 item #1027839 (stock #374)
One of the rarest colors ever on an American Standard Stratocaster "Razz Berry", which made its only appearance in the Oct 1 88 price list, and was dropped by the time the '89 price list was printed. Also noteworthy, this finish wasn't available on the American Standard Strat, only the "Plus" model, but was fairly common on the HM Strat from this era. The Plus model first appeared in 1987, within a year of the first American Standards, the earliest was Nov '86. Many people incorrectly identify these as 1984 models due to the "E4xxxxx" serial numbers. The fact is, the only American Strats being produced in '84, '85, and most of '86 were the USA Vintage Series, which had the serial number on the neck plate. Any "E4" serial number you come across is an late '86 at best, but most are '87 and '88, and even a few '89's. The Plus was a souped up American Standard, with an $849 retail price that was $200 higher. It has a bunch of upgraded parts, most notably a trio of gold Lace Sensor pickups, which produce almost no hum and are non-magnetic which means no magnetic string pull and, thus, longer sustain. Another innovation is the TBX (Tone Bass Expander) control for the middle/neck pickups which looks like a regular tone knob but underneath the guard it's a stacked pot - with a center detent, it works like a tone control from "5" to "1", and TBX from "6" to "10". You'll notice the headstock which has the bold silver logo of the era but...no string trees, which aren't necessary due to the staggered height Sperzel tuners. The Sperzels are excellent tuners and unlike vintage tuners you don't need to wrap the string around the tree. Just insert the string through the tuner post and cut it as close as you want - once you screw down the back it's locked into place and usually tunes to pitch in around 1/4th revolution of the post. Another innovative feature is the "tilt adjust" neck, in use since the early 70's, with access through the neck plate. With an Allen wrench you can adjust the neck angle; a great improvement removing the neck repeatedly until you find a shim with the perfect thickness. In place of the stock nut this model used an Wilkinson roller nut (later models used an LSR with bearings) which reduces friction over the nut and helps maintain tuning stability. This model is outfitted with the Schaller locking strap pins, which made their debut with the '83 Strat Elite. Although not used in 1988, later models also included a "Tremsetter" inside the trem cavity, which is a spring-loaded device that prevents de-tuning if you break a string. About this guitar: Extremely clean - a true closet classic that looks like it was played for a month or two and then put away. The frets are as clean as the day they left the factory. There are no buckle scratches and no major flaws anywhere. I would rate it around an easy 9.5 since it's amazingly clean. Also, at 7.6 lbs., it's definitely on the light side for an American Standard era ('86 - '99). If you're a collector of different colored Strats, the most rare are Tanqueray Tonic, Graffiti Yellow, and Razz Berry this would be a valuable Stratocaster in any condition due to the rarity. Includes case and trem arm
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1990 item #1101197 (stock #452)
Claude Lacaze original oil painting on canvas of cubist nudes signed lower left. measuring Approximately 26 x 40 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1298976 (stock #705)
Original Antique 19th century Italian oil painting on canvas. Titled "Lake Como" and initialed SPH. lower right. Canvas 14"L x 20"W. Overall framed size 20" L x 26" W.
All Items : Antiques : Decorative Art : Folk Art : Pre 1910 item #553987 (stock #208)
Antique American running horse gold gilt copper body weathervane, a beautiful example with great lines and form in typical antique condition with some wear denting and bullet holes. Mounted on a black painted wood display stand measuring approx. overall length 29 inches. A fine piece would make a great decorative accent piece for any interior antique or modern.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #1154696 (stock #537)
A fine Khymer period bronze Buddha fragment with traces of original gold gilding. Mounted to museum stand measuring overall 13 inches the Buddha 10 inches. A museum quality example would be a fine addition to any collection.
All Items : Antiques : Furnishings : Furniture : Asian : Chinese : Pre 1900 item #498925 (stock #149)
Chinese Chinosserie lacquer decorated wedding cabinet circa 1860. An exquisite example with a red background color and 24k gold and black decorations of landscapes with pagoda and people and various design elements. Two doors opening to an interior with two drawers and two shelves. Overall measurements art 80.5 inches tall 45 inches wide and 21 deep. The condition is excellent only some very minor touch ups a beautifully decorative and functional piece of furniture.
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1900 item #1132090 (stock #499)
Antique bronze south east Asian opium weights in the form of birds or roosters. Complete collection numbering 9 weights in tapering sizes the largest 5 inches tall. I good condition with a great patina.
All Items : Fine Art : Paintings : Oil : Pre 1910 item #446012 (stock #032)
A nude slave girl on a bear skin rug orientalist manner oil by A. Goldwhite a listed artist. This stunningly beautiful painting is c. 1900 oil on board framed in a quality period gold leafed frame. Signed lower right A. Goldwhite measuring approximately 18 x 24 inches framed size 24 x30 inches the condition is excellent. A quality painting would be a fine addition to any collection.
All Items : Fine Art : Paintings : Watercolor : Pre 1910 item #1328122 (stock #751)
Original 19th-century watercolor illustration of Adam and Eve cast from the Garden of Eden. Image, 14"L x 14"H. Matted; unframed.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1227049 (stock #611)
American Victorian Oil painting on canvas Portrait of a Young Girl with blue eyes. by Toby Edward Rosenthal (1848-1917) Signed lower left dated 1864. Rosenthal, a portrait and historical genre painter of international reputation. Works held, De Young Museum San Francisco, Art Institute Chicago, Oakland Museum, Crocker Museum Sacramento. Image, 43"L x 33.5"W.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1117356 (stock #488)
A beautiful Early California Impressionist view of Monterey bay and fishing dory's by Francis August Todhunter oil on canvas signed lower right and dated 1919. Image Measuring approx. 18 x 22. A fine example of this artist work.

A landscape painter and printmaker, he was born in San Francisco, California on July 29, 1884. Todhunter was a pupil of John Stanton and Arthur Mathews at the Mark Hopkins Institute, and Gottardo Piazzoni and Frank Van Sloun at the California School of Fine Arts, followed by study at the Art Students League in New York City. He began his career as an illustrator for Overland Monthly and later worked for the San Francisco Chronicle, San Francisco Call, and Washington (DC) Times. He worked in New York as a commercial artist until 1912, when he returned to San Francisco to become art director for the H. K. McCann Company, a job he was to keep until his retirement in 1949. Todhunter's work includes etchings, lithographs, and landscapes of Marin County and the San Francisco Bay area. He died in his native city on February 11, 1963. Member: Bohemian Club; SWA; AAPL; Marin Society of Artists; SFAA; Calif. Society of Etchers. Exh: Bohemian Club, 1922-63; SFAA from 1922; OGlE, 1939; Society for Sanity in Art, 1940s.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #643333 (stock #270)
Jessie Arms Botke oil painting on board view of Death Valley California. A almost surealist feeling depicted in this painting a great example of this creative artists work in a plein air painting painted on site in Death Valley. This painting is pictured in the Jessie Arms Botke Book "Birds Boughs and Blossoms" a copy of the book is included in the purchase of this painting. Provenance the estate of the artist. Measuring approx. 10 x 12 inches framed in a hand carved 18k gold leaf frame.
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1837 VR item #1089907 (stock #421)
Antiquarian Art Co.
Price on Request
Richard Bonington original oil on canvas of a old English town view signed very faintly lower right measuring approx. 9 x 12 inches framed in a contemporary gallery frame. Provenance: British Consulate San Francisco.

Biography

Richard Parkes Bonington was born in the town of Arnold, 4 miles from Nottingham in England. His father was successively a gaoler, a drawing master and lace-maker, and his mother a teacher. Bonington learned watercolour painting from his father and exhibited paintings at the Liverpool Academy at age 11. In 1817, Bonington's family moved to Calais, France where his father had set up a lace factory. At this time, Bonington started taking lessons from the painter François Louis Thomas Francia, who trained him in English watercolour painting. In 1818, the family moved to Paris to open a lace retail outlet. It was Paris where he first met Eugène Delacroix, who he became friends with. He worked for a time producing copies of Dutch and Flemish landscapes in the Louvre. In 1820, he started attending the École des Beaux-Arts in Paris, where he studied under Antoine-Jean, Baron Gros. It was around this time that Bonington started going on sketching tours in the suburbs of Paris and the surrounding countryside. His first paintings were exhibited at the Paris Salon in 1822. He also began to work in lithography, illustrating Baron Taylor’s "Voyages pittoresques dans l'ancienne France" and his own architectural series Restes et Fragmens". In 1824, he won a gold medal at the Paris Salon along with John Constable and Anthony Vandyke Copley Fielding. Bonington died of tuberculosis on 23 September 1828 at 29 Tottenham Street in London, only 25 years old.

All Items : Fine Art : Paintings : Oil : Europe : Italian : Pre 1900 item #1340864 (stock #776)
A beautiful antique Italian Neapolitan gouache painting grand tour era 19th century. Depicting the bay of Naples in the Moonlight with a couple on a bridge Mt. Vesuvius Erupting in the distance. Image 6"L x 9"W. Matted and framed overall size 13" L x 16" W.
All Items : Fine Art : Drawings : Pencil : Pre 1900 item #1189388 (stock #583)
A original Camille Pissarro pencil drawing figural drawing sketches initialed lower left and signed and dated 1890 lower right, Framed in a quality hand carved silver gilt framed image measuring approx 8 x 11 inches. In good condition some wrinkling of the paper and a small puncture in the top edge, Provenance Mackay Gallery London and Bonhams San Francisco.

Camille Pissarro (10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. Pissarro is the only artist to have shown his work at all eight Paris Impressionist exhibitions, from 1874 to 1886. As a stylistic forerunner of Impressionism, he is today considered a "father figure not only to the Impressionists" but to all four of the major Post-Impressionists, including Georges Seurat, Paul Cézanne, Vincent van Gogh and Paul Gauguin.[2]

All Items : Fine Art : Prints : Lithographs : Pre 1970 item #1271086 (stock #662)
Lithograph titled Bodhisattva Figure by Chen Yi Ming signed lower right numbered 27/28 dated 5/20/85. Matted unframed Image 9"L x 6"W matted overall 16" x 20".