Antiquarian Art Co.
All Items : Fine Art : Mixed Media : Two Dimensional : Pre 1990 item #1298559 (stock #698)
Mixed Media Titled Power of Classical Thought" By Richard Hall signed lower right dated 1988. "Hall born in 1952 in Bradford, England. Master of Fine Sussex University. Living in United States he works in painting and sculpture. Hall's works in corporate and public collectors, including the Trump Plaza (New York), Christies Contemporary Art (New York), Hyatt Wiakalea (Hawaii). Partial list of exhibitions, Los Angeles Artexpo, New York Artexpo, Tokyo Art Show, Miami Art Show. Image 30"L x 22"W. Framed size 39" L x 30" W.
All Items : Fine Art : Paintings : Acrylic : Contemporary item #1296575 (stock #690)
Antiquarian Art Co.
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Original Acrylic on Canvas titled Day and Night in Equal Parts measuring 30" x 40" signed verso. Tom Christopher is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions.
All Items : Vintage Arts : Regional Art : Asian : Chinese : Pre 1950 item #1359143 (stock #803)
Vintage natural green Jade carved pendant with panel of boy with plum blossoms and fruit on verso. Measuring 6 x 4 cm or 2.5 1 1/8. In excellent condition.
All Items : Fine Art : Drawings : Contemporary item #1416423 (stock #931)
Modern charcoal drawing of a cosmic abstract. Signed indistinctly lower right and dated 2003. Presented in a minimalist blonde wood frame. Image size: 22 x 30”, overall dimensions: 27 x 34”.
All Items : Antiques : Furnishings : Furniture : American : Pre 1837 VR item #1142213 (stock #515)
This attractively proportioned games table is a form famously produced in the Salem, Massachusetts area at the beginning of the 19th Century. The serpentine form with ovolo corners, coupled with richly carved foliate and reeded legs, is a motif used by those cabinetmakers and carvers associated with the successful workshop of Samuel Field McIntire (1757-1811). The hinged serpentine top has a serpentine front and sides with outset ovolo corners. The top rests above a conforming apron with a vibrantly grained mahogany panel. Richly carved and turned legs flank each corner of the apron and the proper right rear leg, swings out to support the flyleaf top. The legs terminating in ornate gilt brass casters.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1410538 (stock #909)
Vintage large oil painting on canvas of a figurative Nude Female nude signed lower right Lois Gross c. 1950 painted before her marriage to Dr. Douglas G. Smiley. Measuring 32" x 50" In excellent vintage condition. LOIS GROSS SMILEY (American, born 1925, died 2019) Lois Gross Smiley was an abstract expressionist who specialized in landscape, still life and figural painting in oils and pastels. Born and raised in New York City, Smiley’s artistic training coincided with the emergence of the New York abstract expressionist and gestural abstraction painting movement. Born in New York City in 1925, Smiley attended the prestigious Dalton School in New York’s upper east side, where she studied under two prominent artists: the well-known Mexican painter Rufino Tamayo and the abstract expressionist Vaclav Vytlacil. Tamayo, who is considered a figural abstractionist, also taught Helen Frankenthaler at Dalton. Vaclav Vytlacil co-founded the American Abstract Artist Group, the predecessor of the New York School and Abstract Expressionism that contributed to the development and acceptance of abstract art in the United States. After Dalton School, Smiley went on to major in painting at Sarah Lawrence College where she received her Bachelor of Art degree in 1946. While at Sarah Lawrence, she studied drawing and painting and art history with Kurt Roesch a German born expressionist who showed and was represented by the prominent Curt Valentin gallery. In Manhattan Smiley also studied etching and engraving with Stanley William Hayter at his famed atelier 17 and Japanese woodblock printing with Bill Paden. Smiley’s work can be described as combining Cubist-inspired spatial concerns with an expressionistic approach to line and color. She worked in oils, pastels and watercolor and said of her work “Although my paintings seem abstract, each has a subject that derives from nature, felt and observed. I hope to arrive at an essence strong enough to evoke a shared recognition with the viewer.” In addition to painting, Smiley worked at the Hudson River Museum, Yonkers as the Assistant Curator of Exhibitions from 1970-1973. She taught drawing and painting in her New York studios from 1964-1990. In 1960 and 1976, Smiley received awards for watercolors she exhibited at the National Association of Women Artists held at the National Academy, New York City. She had her first solo exhibition in 1962 at the Riverdale Neighborhood House, New York and another at the Carlton Gallery, New York in 1976. In 1972, she participated in the Hudson River Museum juried group show and in 1978 she was invited to participate in the Bronx Museum of Arts “Arte, Arte, Kunst” exhibition. Smiley was a member of the National Art Association, The National Association of Women Artists, and the Cambridge and Concord Art Associations. In 1951, Lois Gross married Dr. Douglas G. Smiley by whom she had two daughters. She moved to Wellesley, Massachusetts in 1991 after her husband died to be near her daughter. She quickly became part of the New England art community, teaching drawing at the Cambridge Art Association and the Concord Art Association, where she also exhibited. She showed at the Danforth Museum Framingham, Ma where she received the directors’ award for best in show. In 1993, she held a solo exhibition at the Harvard Neighbors Gallery in Cambridge and from 1987-1996; she showed many exhibitions at Douglas Parker’s “On the Vineyard Gallery.” Smiley maintained a studio in Wellesley. She showed and was represented by the Art In Giving Gallery, where 50% of the sales of her paintings went to help fight childhood cancer. In an interview, Smiley spoke of the importance of using the finest quality materials in her work. She used linen canvas, which she stretched herself and made her own frames and also made her own pastel sticks. Many of her paintings are in private and corporate collections
All Items : Fine Art : Drawings : Pre 1900 item #1324008 (stock #743)
Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1940 item #1402278 (stock #888)
Beautiful Original Vintage Gouache painting of a floral arrangement signed lower right Phyllis M. Moore and dated 1943. Presented matted and framed the painting measures 9 x 12" overall framed size 15 x 19".
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1267327 (stock #651)
Winter Landscape Oil on canvas by Fred Wagner 24" L x 36"W. overall framed size 27 x 33. Signed lower right. Wagner exhibited at the Pennsylvania Academy over 35 times from 1906-1940, winning prizes in 1914 and 1922. Wagner exhibited at the Carnegie 14 times from 1898 - 1925. He showed two works at the Armory Show, and exhibited 11 times at the Corcoran between 1907 - 1935. He had a special exhibit of 100 pastels, at the Corcoran in April 1924. Wagner exhibited at the National Academy of Design in 1884, 1907, 1925 and 1928.
All Items : Fine Art : Paintings : Oil : Pre 1950 item #1357852 (stock #800)
Post impressionist oil painting of a partial nude in blue tones. Reminiscent of Picasso's Blue Period. Signed lower right and presented in original dark wood frame with white insert. Masonite panel measures 20 x 30 inches.
All Items : Fine Art : Paintings : Watercolor : Pre 1800 item #1414505 (stock #929)
An Original antique watercolor painting o af bird an ornithological study by Carl Linnaeus c. 1776. With notations and information. Presented matted and framed in archival materials. This is a wonderful, expertly drawn, original watercolor is from a German ornithological manuscript. Each watercolor is on chain-linked, watermarked paper. The titled Vogel in Beschreibungen und Abbildungen nach dem XII. vollstandigen Natur-system des Ritters Carl von Linne und nach der ausfuhrlichen Erklarung des Herrn Prof. Phil. Ludw. Statius Muller. This roughly translates to Birds in descriptions & illustrations after the natural system of Carl Linnaeus as translated by Philipp Muller. A rare and beautiful art work both decorative and historical . Please view our other original individual paintings from this antique journal like framed for Hanging in groupings
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #1289657 (stock #687)
Everett Lloyd Bryant landscape oil painting on canvas signed lower right. Measuring 28"L x 36"W. Everett Lloyd Bryant studied at the Pennsylvania Academy of the Fine Arts with Thomas Anschutz, William Merritt Chase, and Hugh Breckenridge. A member of the Baltimore Watercolor Society, Philadelphia Watercolor Club, and California Watercolor Society, Bryant exhibited at the Salons of the Societe Nationale des Beaux-Arts in Paris (1895), the Pennsylvania Academy of the Fine Arts (1904-24), Art Institute of Chicago, Panama-Pacific Expo (1915), Corcoran Gallery (1916-23), Arlington Galleries, NYC (1918), LA Art Association (1934), Golden Gate Expo, SF (1939), California Watercolor Society (1939) Baltimore Museum of Art (1946), and the Society of Independent Artists. His work is in the collection of the Pennsylvania Academy of the Fine Arts, Baltimore Museum of Art, St. Paul Art Institute and Los Angeles County Museum of Art. Provenance great grandson of the artist. Condition: Excellent original antique condition.
All Items : Fine Art : Prints : Engravings : Pre 1837 VR item #1409660 (stock #903)
Original antique Curtis floral botanical hand colored etching c1804. Presented in archival matte and framed in a contemporary classic frame. Overall size 13 x 16 inches. William Curtis began publication of the Botanical Magazine in February 1787 and it continued almost without interruption for 160 years. These Curtis prints are particularly prized for their lavish, beautifully hand colored large illustrations principally by Sydenham Teak Edwards, James Sowerby and William Kilburn. Even now, after all this time of living with Curtis prints, we are still left in awe by their beauty. Each single measures approximately 5 ½ inches wide by 9 inches long. Please view our other Curtis botanical prints compatible with each other for decorative grouping.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1930 item #986901 (stock #299)
Vicente Puig portrait of a ballerina Rosina oil on board Signed upper left circa 1927. A beautiful painting by a highly acclaimed Spanish artist.
All Items : Fine Art : Drawings : Pre 1950 item #1356072 (stock #795)
Vintage charcoal drawing of a female nude, presented matted and in a 19th C carved antique-gold frame. Image size: 24" x 18". less Dimensions 28.5ʺW × 2.0ʺD × 34.5ʺH Condition Excellent
All Items : Fine Art : Paintings : Oil : Pre 1920 item #1091573 (stock #431)
A fine original oil on canvas by Alexis Podchernikoff of Mt. Tamalpais from Mill valley California. A beautiful scene with lupine wildflowers and cows in the distance. Signed lower left and on reverse dated 1915. In excellent all original condition in the original art nouveau frame the painting measures approx. 20 x 30 inches. A fine example of this artists work.

BIOGRAPHY

Landscape painter,BIOGRAPHY Landscape painter, Alexis Matthew Podchernikoff was born in Vladimir, Russia in 1886 into a family of artists. Podchernikoff first studied art with his grandfather Dmitri Zolotarieff and later with Ilya Repin and Verestchagin. In Moscow he was awarded a gold medal and his work "My Beloved Russian Woods" was purchased by the Royal Art Commission. He emigrated to the U.S. in 1905 after the Russo-Japanese War and settled in San Francisco. In February of 1901, he married fellow-painter Ida Working. In 1913 an art dealer from Santa Barbara convinced Podchernikoff to move there. A painting of his Santa Barbara studio appeared on the front cover of Literary Digest, March 10, 1928. Although he spent the last 20 years of his life in Southern California he returned often to San Francisco to paint scenes of Marin and the northern coast. He is well-known in California for his landscapes done in the manner of Corot. His last years were spent in Pasadena where he died on Oct. 31, 1933 of tuberculosis. Works held: Oakland Museum; Royal Art Commission, Moscow.was born in Vladimir, Russia in 1886 into a family of artists. Podchernikoff first studied art with his grandfather Dmitri Zolotarieff and later with Ilya Repin and Verestchagin. In Moscow he was awarded a gold medal and his work "My Beloved Russian Woods" was purchased by the Royal Art Commission. He emigrated to the U.S. in 1905 after the Russo-Japanese War and settled in San Francisco. In February of 1901, he married fellow-painter Ida Working. In 1913 an art dealer from Santa Barbara convinced Podchernikoff to move there. A painting of his Santa Barbara studio appeared on the front cover of Literary Digest, March 10, 1928. Although he spent the last 20 years of his life in Southern California he returned often to San Francisco to paint scenes of Marin and the northern coast. He is well-known in California for his landscapes done in the manner of Corot. His last years were spent in Pasadena where he died on Oct. 31, 1933 of tuberculosis. Works held: Oakland Museum; Royal Art Commission, Moscow.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #1324205 (stock #746)
Original American Impressionist oil on panel of the harbor at Edgartown Martha"s Vineyard Mass. Signed lower left A Bonine. Measuring 28 x 36 inches.
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1232543 (stock #617)
Olmec Jade Mask Pendant Origin: Mexico, Circa: 1200 BC to 900 BC, Dimensions: 3 5/8 high x 2.5 wide, Collection: Pre-Columbian, Olmec, Medium: Jade.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1800 item #1113948 (stock #487)
Jean Baptiste Oudry original paintings on board of Hunting dogs signed and dated on reverse Oudry 1730 and each dog is named. Oudry accompanied Louis XV hunts and sketched on sight and later painted larger oils from these sketches. each measuring 16.5 x 21.5 cm.

Biography

Louis XV, king of France, often called Jean-Baptiste Oudry to Versailles to paint the royal hounds--in the king's presence. "Monsieur Oudry had acquired such a habit of conversing with high-ranking persons and of working in their presence that he painted as calmly at the court as he would in his own studio," marveled a contemporary. Though his father was a painter and art dealer, Oudry's first serious training came from portrait painter Nicolas de Largillière. By about 1720, the young man was concentrating on animals, hunts, and landscapes. He became a member of the Académie de Peinture et de Sculpture in 1719 and a professor there in 1743. From 1726 Oudry had great success designing tapestries. In 1734 he was named director of the Beauvais tapestry manufactory, which he re-established by bringing in artists like François Boucher. Two years later, he became director of the Gobelins manufactory. Supervising all tapestry production gave Oudry considerable influence on French decorative arts. He also had a large studio and was literally overwhelmed by commissions. His clients included Czar Peter the Great of Russia and the Queen of Sweden. Oudry's work was marked by attention to detail combined with freedom of execution. A master of chiaroscuro, he maintained a lifelong interest in light and reflections.

All Items : Fine Art : Prints : Etchings : Pre 1990 item #1298438 (stock #696)
Original etching Gothic Interior Suffolk England by Valerie Thornton, British 1931-1991. Signed lower right. Thornton a painter and printmaker. In the1960s she lived in New York working at Pratt Graphics Art Center. Member Royal Society of Painters-Etchers and Engravers. Her work is in the collections of the Royal Academy, Victoria and Albert Museum, British Museum, Tate Gallery, Fitzwilliam Museum, Metropolitan Museum of Art, Museum of Modern Art, New York Public Library. Image 26"L x 16.5"W. Framed 38" L x 28" W
All Items : Fine Art : Drawings : Pre 1900 item #1366082 (stock #813)
Masterful pen and ink drawing titled "The Butterfly Catcher" by well-listed academic artist Jehan Georges Vibert (French, 1840 – 1902). Signed lower right. Housed in a gilt and gesso wood frame under glass and a single layer of white matting with a gilt fillet. Visible image measures 5.5" W x 7.5" H overall paper measures 8"W x10" H. Minor yellowing, commensurate with age. Vibert was known for his genre scenes, often of cardinals and clergy. He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot. Vibert debuted at the Salon of 1863 with La Sieste (The Siesta) and Repentir (Repentance). During the Franco-Prussian War, Vibert became a sharpshooter and was wounded at the battle of Malmaison in October 1870. He was awarded the Légion d’Honneur and became a Chevalier de la Légion d’Honneur in recognition of his sacrifice. He became an Officier of the Légion d’Honneur in 1882. Vibert submitted work to the Salon until 1899. The popularity of his works spread, notably in America, and fetched high prices including commissions from John Jacob Astor IV and William Vanderbilt. A large collection of works by Vibert was amassed by the heiress May Louise Maytag on behalf of then bishop of Miami Coleman Carroll, who greatly fancied them. This large cache was then donated to the Florida seminary St. John Vianney College in Miami. At this location the extremely impressive collection has had a somewhat checkered conservation history, as well as exhibition history due to the discomfiture of later bishops with the seeming anti-clericalism of the paintings (lighthearted debaucheries, etc.). less DETAILS Dimensions 14.75ʺW × 2.0ʺD × 16.5ʺH
All Items : Fine Art : Paintings : Watercolor : Pre 1837 VR item #1409577 (stock #899)
Original antique watercolor painting of a Bird an ornithological study by Carl Linnaeus c. 1776. With notations and information. Presented matted and framed in archival materials. . This is a wonderful, expertly drawn, original watercolor is from a German ornithological manuscript. Each watercolor is on chain-linked, watermarked paper. The titled Vogel in Beschreibungen und Abbildungen nach dem XII. vollstandigen Natur-system des Ritters Carl von Linne und nach der ausfuhrlichen Erklarung des Herrn Prof. Phil. Ludw. Statius Muller. This roughly translates to Birds in descriptions & illustrations after the natural system of Carl Linnaeus as translated by Philipp Muller. 16ʺW × 1ʺD × 13ʺH
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1980 item #1402099 (stock #880)
A beautiful colorful abstract oil painting by Ken Stabler signed on verso and dated 1961. Presented ready to hang with a thin wood ebony color frame. Canvas size 20 x 24 inches overall 20.5 x 24.5 inches. In excellent vintage condition.
All Items : Antiques : Decorative Art : Metals : Silver : Sterling : Pre 1920 item #1007808 (stock #325)
An exquisite sterling overlay cranberry glass pitcher awarded as a trophy for the Motor Boat Club of America. Measuring 13.5 inches tall in excellent condition.
All Items : Fine Art : Paintings : Oil : Pre 1960 item #1298956 (stock #703)
Oil on paper abstract composition by Harold Christopher Davies, signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image, 22"W x 18"H. Overall framed size 33" W x 27" H.
All Items : Fine Art : Drawings : Charcoal : Pre 1940 item #1416810 (stock #934)
Original Vintage Art Nouveau Drawing of a Lady by Charles Sheldon c.1930. Presented matted and framed. Acquired with a group of art from the estate of the artist. Charles Gates Sheldon (b. 1889 / d. 1960) Charles Sheldon was born in Worcester, Massachusetts in 1894. He spent most of his life in Springfield. In high school, he contributed to the artwork in the yearbook. Sheldon studied at the Arts Students League. He then studied under Alphonse Mucha in Paris. He started working for Ladies Home Journal doing artwork of hats, gloves and fashion work. Sheldon moved into advertising doing creative advertising for clients such as, Fiberloid hair brushes, Fox Shoe Company, La Vogue lingerie and Gainsbourough. The ads had many stars features such a Zigfeld Follies. By 1921, Sheldon was working for high fashion companies. In 1924 and 1925, Sheldon created cover art for the Christmas issue of Colliers and a Halloween issue cover for Saturday Evening Post. By the late 1930's, magazines started to moving towards photography for their covers. However, Sheldon continued to produce his his delicate, dreamy, pastel portraits for the Breck Shampoo Company. Sheldon retired in the late 1950's. In 1960, he died at his home is Springfield. When his home was torn down in 1978, a hidden room was found full of "artwork by his contemporary illustrators such as J.C. Leyendecker, Howard Chandler Christy, Maxfield Parrish, and Charles Dana Gibson".
All Items : Fine Art : Paintings : Pre 1910 item #1346450 (stock #789)
Beautiful original antique portrait of a elegant Young Woman with her Jewelry. Watercolor and gouache signed lower right. Matted and framed image size 5" x 7" overall 12 x 15.
All Items : Antiques : Decorative Art : Ceramics : Low Countries : Pottery : Pre 1837 VR item #1022554 (stock #343)
A fine rare Pennsylvania German folk art brides box c. 1830 in very good antique condition with all original antique paint. Old german script reads, "SCHAU ES NUR AN WIE DU WILLST EX IST DES VATERS EBENBILD". ROUGHLY TRANSLATES TO "SEE IT THE WAY YOU WANT IT IS YOUR FATHER'S LIKENESS. Measuring approx. 19 x 12 x 7 inches a Museum quality American folk art piece.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1088545 (stock #420)
A fine Carl Oscar Borg impressionist plein air painting of a southwest landscape. Oil on canvas board signed lower left. Measuring 7 x 9 inches framed size 13 x 16 in good condition the signature is slightly rubbed but can still be read. A fine example of this artists work.

Biography, Carl Oscar Borg, N.A. (American, Born Sweden 1879-1947) Carl Oscar Borg was considered "a major American artist," though he was born in Grinstad, Sweden on March 3, 1879. Borg worked as a seaman and studied art in London before emigrating to New York City in 1902. He moved to California in 1903 and through the patronage of Mrs. Phoebe Hearst, was able to return to Europe for further study in Paris and Rome. Upon his return he taught at the California Art Institute in Los Angeles, and from 1918 to 1924 lived in Santa Barbara where he taught at the School of Arts. The interval years 1924 to 1935 were spent traveling to San Francisco, Los Angeles and the Grand Canyon. The subjects of his paintings included Hopi and Navajo Indians, cowboys, historical scenes, and California landscapes, seascapes and missions. He made three trips to Sweden in the 1930s, and when war broke out in Europe he was forced to remain there for the duration of the war. While in Sweden he had considerable fame and financial success in selling his paintings of Indians and desert scenes to art collectors. After World War II ended, he returned to Santa Barbara where he died on May 8, 1947. Awards: gold medal, St. Louis Exposition, 1904; first prize, Los Angeles Painters Club, 1909; silver medal, Versailles, 1914; first prize, California Art Club, 1915; silver medal, PPIE, 1915; gold and silver medals, Panama-California Exposition, San Diego, 1915; silver medal, Societe des Artistes Francais, 1920; silver medal, Pacific Southwest Exposition, 1928; and others. Major collectors: Los Angeles County Museum of Art; Montclair Art Museum, New Jersey; California State Library; Seattle Art Museum; Library of Congress; de Young Museum; Lowie Museum, University of California, Berkeley; Mills College, Oakland; Oakland Museum; Los Angeles Public Library; Santa Barbara Museum; National Museum of American Art; Bibliotheque Nationale, Paris; Henry Art Gallery, University of Washington, Seattle; Gothenburg Ethological Museum, Sweden; Phoenix Museum

All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1409430 (stock #896)
Original antique watercolor floral botanical painting of a tulip 19th century c.1850. This lovely original watercolor is from a mid 19th century botanical watercolor album. While little is known about the work, it was clearly done by a highly skilled artist. The paper is Whatman watermarked and dated. . Presented matted with archival materials and framed.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1960 item #1086153 (stock #417)
Claude Lacaze original oil on panel cubist nudes by the sea signed lower left. measuring Approximately 20 x 30 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Antiques : Furnishings : Furniture : American : Federal : Pre 1837 VR item #1378066 (stock #813)
Antique American flame mahogany bow front chest of drawers. Boston area circa 1820. The top with roundel ovolu corners conforms to the swollen front of the chest and rests on turned and rope pilasters terminating in turned baluster legs. Four drawers with cockbeaded edges and fine mahogany veneer. Pine secondary wood. Original, striking gilt brass pulls and wonderful mellow patina, appears to retain original finish. Minor wear commensurate with age.
All Items : Fine Art : Drawings : Pre 1940 item #1273406 (stock #668)
Antiquarian Art Co.
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Original drawing a portrait of a man possibly a self portrait by Balthasar Klossowski de Rola, signed monogram lower right. Best known as Balthus, a French painter in the second half of the 20th century, famous for his somewhat disturbing paintings of pubescent girls and for his association with some of the greats in modern art, including Pablo Picasso and Salvador Dali. Balthus painted figures and landscapes in a more traditional style than his cubist and surrealist contemporaries, and throughout his career was supported primarily by other artists and dealers. He claimed to be a count, but he was also known to be a prankster who fabricated biographical details while keeping his real life story a mystery. Image site measures 8 x 10 Inches overall paper 11 x 17 inches. Minor staining top left. Provenance a private collection and Sotheby's lot 7767, Impressionist and Modern Art, New York, Thursday, February 21, 2002
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1269310 (stock #657)
Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival matte at top. An exqusite example of this important artists work.
All Items : Antiques : Furnishings : Lighting : Lamps : Pre 1900 item #1321562 (stock #741)
A pair of Italian silverplate baroque altar prickets later fitted as table lamps. Baluster stems with paw feet and putti motif. The bases are three-sided. Wired for U.S. electrical standards with dimmer switches, 40-100W bulbs recommended. Silk shades, 20"L x 14.5"W x 13"H. Overall height of lamps with harps, 48"H. Minor tarnish.
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1413992 (stock #927)
Original antique watercolor painting of Adam and Eve cast from Paradise by Joseph Boggs Beale. Original artwork for his magic lantern work. Acquired from the Artist original estate collection. Presented matted and framed. Famed magic lantern slide artist Joseph Boggs Beale was born in Philadelphia, Pennsylvania, on December 10, 1841. He was the eldest child of Louise Boggs McCord (1815-1887) and Dr. Steven Thomas Beale (1814-1899), a prominent dentist and founder of the Pennsylvania Association of Dental Surgeons. Beale demonstrated an aptitude for drawing while attending the prestigious Philadelphia's Central High School and later the Pennsylvania Academy of Fine Arts. In 1862, the twenty-year-old Beale returned to Central High School as a professor of writing and drawing, winning the position over realist painter Thomas Eakins. During the Civil War, Beale served with the Company D, 2nd Regiment, Blue Reserves of Philadelphia. He was quickly appointed to regimental artist and created battle sketches for various publications. After the war, he became an illustrator for numerous magazines including, Harper's, Frank Leslie's Weekly, and the Daily Graphic. Beale lived in Chicago for several years with his wife, Mary Louise Taffart, before returning to Philadelphia in the early 1870s. Much of the artist's work was lost in the Great Chicago Fire of 1871. After Beale's return to Philadelphia, the prosperous glass slide dealer Caspar W. Briggs & Sons hired the talented illustrator to produce original slide designs for early projectors, known as magic lanterns. Illustrated glass slides were placed inside these machines and the image was projected onto a screen as a form of entertainment. Beale created 1,804 black and white paintings during his time at Caspar W. Briggs & Sons. The artist used a range of dark paints on charcoal gray paper, highlighted with Chinese opaque watercolors. The result, luminous and detailed illustrations with dramatic color contrast. Many of Beale's paintings chronicle American history from Native American folklore, colonization, the federal period, Civil War, to Victorian life. His illustrations also capture, Biblical and popular narrative stories. By the time of his death on February 26, 1926, Beale had become renowned for his realistic magic lantern paintings. Several years after the artist's death, a large quantity of his work was discovered in the home of a glass slide producer from Germantown, Pennsylvania. Since then, Beale's paintings have been dispersed into public and private collections.
All Items : Antiques : Regional Art : Asian : Chinese : Pre 1920 item #1251330 (stock #629)
A fine Chinese jade hand mirror inlaid with semi precious stone decorations of coral turquoise amethyst and multi color jade. Beveled thick glass mirror mounted in gilt silver mount. Measuring approx. 11 inches long.
All Items : Fine Art : Paintings : Pre 1950 item #1356536 (stock #797)
Antiquarian Art Co.
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Original Oil French Cathedral by Jules Pages oil on canvas signed lower left. Measuring 20 x 24 in excellent condition.

Biography

A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he maintained close ties to his native city of San Francisco and was influential in introducing that painting style to Northern California. He was born in San Francisco, California on May 16, 1867 and was raised in the artistic milieu of his father's engraving business, where he worked as an apprentice. In 1888 he sailed to Paris to study at Academie Julian under Jules Lefebvre, Benjamin Constant, and Fleury. After returning to San Francisco, he worked as an illustrator for the Examiner and Call newspapers. Upon returning to Paris in 1902, he began teaching night classes at the Academie Julian and served as its director. Pages gained international recognition while in France and was made a Chevalier of the Legion of Honor in 1910. In 1915 he exhibited at the Panama Pacific International Exposition and was a member of the International Jury of Awards. Although he remained in France for forty years, he returned to his native city often to visit and exhibit. At the outbreak of World War II, Pages returned to San Francisco and died there on May 22, 1946. He was a member of the Bohemian Club; International Society of Sculptors & Painters in Paris. He exhibited at the Paris Salon, 1895 with honorable mention, and won Gold Medals there in 1899 and 1905. He also exhibited at the Steckel Gallery in Los Angeles in 1909; at the Bohemian Club, 1924, solo exhibition; the California Palace of Legion of Honor, 1946 memorial exhibition.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1416422 (stock #930)
Original vintage oil painting portrait of a nude woman reading signed lower left by Wanda Stella Variable. Oil on canvas measuring 24 x 30" with a thin wood frame. Best known for her still life, portraiture, and landscape, Wanda Varriale was born in New York City on October 2, 1923 and died on March 17, 1997 in Teaneck, New Jersey. Varriale was married and lived in Teaneck for most of her adult life. She studied at the Arts Students League in New York under nationally known painters Louis Bouche, Julian Levi, Sidney Dickinson, Joseph Hirsch, Bruce Dorfman, Richard Mayhew, and Vincent Malta. She also studied with Helen Wolfe at her New York studio. One critic has said of her work: "Varriale's still life is notable for it's grace and for the arresting quality of it's clean and vivid colors. The outstanding characteristic of her portraits is the relaxed and easy atmosphere in which they seem to have been done. There is no stiffness or undue reserve in her subjects; they do not appear to be posing and are neither strained nor idealized, but completely natural." As well as giving private lessons, she taught art the Studio 5 Art Center/Gallery in Teaneck. Varriale was a Life Member of the Art Students League, the Fellow of American Artists Professional League of New York, the Catherine Lorillard Wolfe Art Club, the Bergen County Artists Guild (Trustee and Program Chairperson), the Salute to Women in the Arts, and the Portrait Society of New Jersey. She was the recipient of more than forty awards including the Gold Medal for oils with the Catherine Lorillard Wolfe Art Club of New York (the Heydenryk Frame Award and the Robert Simmons Brush Award), an Honorable Mention with the Knickerbocker Artists of New York, and a Best In Show with the Bergen County Artists Guild. Varriale exhibited at the Bergen Community Museum (three person show) 1978 and (Bergen County Artists Guild Tri-state Exhibitions) 1975 and 1977, the Jersey City Museum (New Jersey Award-winner Show) 1970, the Montclair Art Museum 1964, the Newark Museum (American Artists Professional League 1968, the Hammond Museum of New York, the American Artists Professional League of New York (Grand Central Galleries) 1977 and (Lever House) 1967, 1968, 1970, 1971, 1973, the New Jersey Painters and Sculptors 1971, the Knickerbocker Artists Annual 1971, the National Arts Club Annual 1968, 1969, the Allied Artists of America Annual 1967, the Catherine Lorillard Wolfe Art Club (National Academy of Design and National Arts Club) 1962 through 1977, and the A.C.A. Galleries, New York City Annual Competition for a First New York Show 1957, 1958, 1959. Solo exhibitions were at the La Galleria, Abraham & Strauss, the Bergen County Players Theater, the Upper Saddle River Theater, the Unitarian Church, Paramus, the Tenafly Library, the Teaneck Theater, and the Englewood Hospital. Regional exhibitions at the Hunterdon Art Center, the Edward Williams College, AAPL the Caldwell College, AAPL, the Art Centre of the Oranges, the Ringwood Manor Art Association, the Portrait Society of New Jersey, and the Ridgewood Art Association
All Items : Fine Art : Drawings : Pre 1910 item #1413793 (stock #926)
Original pastel drawing of Venice by Joseph Pennel signed lower left c.1900. Presented matted and framed Dimensions18ʺW × 1ʺD × 16ʺH. Artist Biography Born in Philadelphia, Pennell graduated from Germantown Friends. He studied art first at the School of Industrial Art (now the Philadelphia College of Art), and later at the Pennsylvania Academy of Fine Arts. Both as a friend and biographer of James Abbott McNeill Whistler, Pennell worked as either a writer or illustrator on more than one hundred books. Pennell frequently collaborated on art and travel books with his wife, Elizabeth Robins Pennell. For publications such as Century, McClure's, and Harper's, Pennell traveled the world, producing etchings, pen-and-ink drawings, and lithographs of cathedrals, plazas, street scenes, and palaces. He also made panoramic views of major construction and engineering projects, such as the Panama Canal and the locks at Niagara Falls. During World War I, he created a number of important poster designs as a part of Charles Dana Gibson's Division of Pictorial Publicity of the Committee on Public Information, which was organized when the United States entered the war in 1917. Pennell characterized the relationship of government to the arts at the time: "When the United States wished to make public its wants, whether of men or money, it found that art–as the European countries had found–was the best medium." Therese Thau Heyman Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998)
All Items : Fine Art : Prints : Lithographs : Pre 1910 item #1410933 (stock #913)
An original colorful African butterfly specimens chromolithograph from Adalbert Seitz's "The Macrolepidoptera of the World." The work was published in 909. Framed and matted in contemporary gallery frame. Image: 9" x 11", overall 13" x 16".
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1378118 (stock #820)
An original Victorian Era illustration of a woman in her boudoir. Signed lower right. Presented matted and in a gilt wood frame. Image size: 6.5" x 9.5"; Overall: 13"x17". Excellent antique condition.
All Items : Vintage Arts : Instruments and Implements : Musical : String : Pre 1970 item #1098416 (stock #447)
A vintage 1965 Fender Mustang guitar all original in very good condition with original case. Some minor scratches and wear. Plays great sounds great a classic instrument.
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1408859 (stock #891)
Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and he aimed to produce popular, commercially successful prints on many subjects. The most notable aspect of Solis’ work is his skillful absorption and re-interpretation of other artist’s styles, particularly Albrecht Dürer, Peter Flötner, Sebald Beham and many others of French, German, and Italian origin. Solis’ woodcuts illustrating Ovid were especially influential, though partly borrowing from earlier illustrations by the French artist Bernard Salomon
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1227049 (stock #611)
American Victorian Oil painting on canvas Portrait of a Young Girl with blue eyes. by Toby Edward Rosenthal (1848-1917) Signed lower left dated 1864. Rosenthal, a portrait and historical genre painter of international reputation. Works held, De Young Museum San Francisco, Art Institute Chicago, Oakland Museum, Crocker Museum Sacramento. Image, 43"L x 33.5"W.
All Items : Antiques : Furnishings : Pre 1900 item #1282291 (stock #674)
A beautiful 19th century Italian Chinoiserie Bombe Chest of drawers. Beautiful form and quality antique construction. All original with original label.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1970 item #1410540 (stock #910)
Antiquarian Art Co.
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Original French oil painting a portrait of Pascale Ogier French actress playing guitar Paris at age 17. Painted by her grandmother Marie Louise Ogier a well know talented French painter born 1912 exhibited in several Paris galleries in numerous private and public collections. About Pascale Pascale Ogier was born as Pascale Marguerite Cécile Claude Colette Nicolas in Paris, France on 26 October 1958.[1] she was the daughter of actress Bulle Ogier and musician Gilles Nicolas. Ogier also chose an acting career, first with appearances on stage. In 1982, she and her mother co-wrote the screenplay and starred in director Jacques Rivette's film Le Pont du Nord. For her performance in director Éric Rohmer's film Full Moon in Paris, Ogier was nominated for a César Award for Best Actress at the 10th César Awards and won the Volpi Cup for Best Actress at the 41st Venice International Film Festival. Shortly afterwards, at age 25 — on the day before she was to celebrate her 26th birthday — Ogier died of a heart attack probably caused by a heart murmur condition she had since age 12 combined with drug use. Ogier is buried in the Père Lachaise Cemetery in Paris. In 1986, the film Down by Law is dedicated to her
All Items : Fine Art : Sculpture : Bronze : Pre 1950 item #1228159 (stock #615)
Ju Ming Taichi series bronze standing approx. 8 inches tall from an edition of 4 Signed by the artist. In excellent condition. Ju Ming’s Taichi Series has established an eminent position in the international art scene. Indeed, since his Nativist Series of the mid 1970s, Ju has opened up new directions for Taiwan’s modern sculptures. For decades, with the principle of “art as self-cultivation” in mind, he has made several artistic climaxes in the form and content of sculptural art. He explored his own unique artistic language while preserving the values of traditional cultural symbols of China in the modern abstract movement.
All Items : Fine Art : Prints : Woodcuts : Pre 1910 item #1389265 (stock #861)
Beautiful Embossed Japanese woodblock print from an antique nursery catalog showing available types of iris. Circa 1900. Presented matted and framed. Image size: 7" x 10"; overall dimensions: 15" x 18". Excellent condition some light age yellowing
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1409581 (stock #901)
Original Vintage C.1900 Impressionist Oil Painting European Village Scene Signed indistinctly lower right by an accomplished artist. A fine painting in the original c. 1900 vintage frame. The painting measures 14 x 17 overall framed size 17 ½” by 21 ½. In good condition some wear to the frame.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1294728 (stock #688)
Original Oil on paper monotype Fauvist Nude in a Landscape by Harold Christopher Davies signed HD monogram lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 7"L x 5"W.
All Items : Fine Art : Drawings : Pre 1900 item #1409579 (stock #900)
An original masterful antique French landscape drawing of a cottage and tree from a portfolio dating from 1847. Presented matted and framed overall framed size 13 x 16. A fine antique accent piece for any interior
All Items : Fine Art : Paintings : Oil : Pre 1910 item #446012 (stock #032)
A nude slave girl on a bear skin rug orientalist manner oil by A. Goldwhite a listed artist. This stunningly beautiful painting is c. 1900 oil on board framed in a quality period gold leafed frame. Signed lower right A. Goldwhite measuring approximately 18 x 24 inches framed size 24 x30 inches the condition is excellent. A quality painting would be a fine addition to any collection.
All Items : Antiques : Furnishings : Furniture : American : Federal : Pre 1837 VR item #1179277 (stock #578)
A fine American federal period carved shield back side chair circa 1830 of the finest quality in excellent condition.
All Items : Fine Art : Paintings : Pre 1950 item #1361951 (stock #809)
Impressionist nude female oil painting on canvas c.1920s. Presented in a Dutch impressionist parcel gilt wood frame. Canvas measuring 20 x 24 in excellent vintage condition.
All Items : Antiques : Regional Art : Asian : Chinese : Lacquer : Pre 1900 item #1226472 (stock #610)
A fine antique Chinese export tea caddy with original compartment containers in excellent condition one foot in back replaced. measuring approx. 9 x 7 x 5 inches.
All Items : Fine Art : Prints : Etchings : Pre 1920 item #1090612 (stock #427)
The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.
All Items : Fine Art : Paintings : Oil : Europe : Dutch : Pre 1900 item #1179274 (stock #577)
Antiquarian Art Co.
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Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition. Biography

Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche. Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen. Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.

All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1900 item #1250989 (stock #627)
A fine antique portrait of a Race horse in a stable with a dog. Signed lower center indistinctly measuring 16" x 20" oil on canvas.