Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.
Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze... The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico. In addition to the fertile production of sculptural pieces Juárez Castañeda's work includes drawing, construction of monuments and to a lease degree but with the same qualities, panting. In these regards, Berta Taracen, whose opinion is acknowledged in the artistic space says: "His historical-humanistic tendency, in agreement with the society it serves, does not resign to topical and futuristic categories, but enhances the message and content of perfect technics, considering that technology, in the widest sense of the word, is the central problem of this age and praxis of the actions of modern man; having as a result a Juárez who is characteristically a Mexican artist, who makes of his technics and craftsmanship part of the historical and spiritual order without rendering them obsolete". A highlighted part of his work and probably the most widespread is constituted by his pieces, in different materials, on bullfight subjects; magical and sometimes cryptical world which he deeply knows, due to his experience as a bullfighter while he was a young man. Along his already broad trajectory, Heriberto Juárez has been chosen to represent Mexican Art in shows, exhibitions and events of the highest world level. He has been granted scholarships to enrich his already vast knowledge of technics and artistic avant gard concepts. He has been selected to construct important monuments in the national and international ambits as well...
Known for small scale, modernist urban views of New York City, he depicted the city as a jumble of architecture in varying sombre colors in a mood reminiscent of 19th century Romanticism. He had a highly original technique, which was covering a drawing with small dabs of paint and pushing spots of warm and cool color over one another, which dried into a kind of low relief. It took him about a decade, from 1929 to 1939, to arrive at this style and method that seemed right for him. He decided to paint what he saw without consciousness as to style or composition and with spiritual commitment, devoting himself to divinity in nature, separated from the modern world. By the 1960s, he was doing horizontal work in brighter hues that gave the viewer the impression of being swept along a street or urban path.
Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.
Bell was born in Seattle, WA in 1906, and he later moved to Staten Island, NY. It was in New York City where he found the inspiration for his work, the city and its people, focusing on daily life subjects. He studied at the Art Institute of Chicago and the Art Students League with John Sloan. Exhibition venues include the Corcoran Gallery, Museum of Modern Art and the Tacoma Art Museum.
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