Antiquarian Art Co.
All Items : Vintage Arts : Regional Art : Asian : Chinese : Paintings : Pre 1950 item #1378119 (stock #821)
Vintage Chinese watercolor of a horse in the manner of Xu Beihong circa 1930s. Presented matted and in a gilt fauxbois frame. Image size: 5.75" x 8.5". overall 13.75ʺW × 0.5ʺD × 14.75ʺH Wear commensurate with age, some minor staining on edges. Xu Beihong (1895-1953) was a Chinese painter born in Yixing, Jiangsu province. He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1347414 (stock #790)
Original antique watercolor of a English Church c.1866 by Herman Axel Haig signed lower right on mount under decorative matte. Axel Herman Haig (1835-1921), born in Sweden. Haig, along with Francis Seymour Haden and others, founded the Royal Academy of Painters-Etchers and Engravers. In 1866 Haig produced a series of watercolour illustrations that were "an immediate sensation. Haig's works can be found in private and museum collections world wide. Image 14"L x 10"W. Matted and framed overall size 18 x 22 inches.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #1269049 (stock #653)
This image of the Buddha is in a naturalistic style most probably prompted by colonial influences. It has been carved in wood, lacquered and gilded and inset with glass fragments backed with coloured foil (known as hman-zi- shwei-cha) and overlaid thayo work, a process whereby thin, rolled strands of lacquer and ash putty are applied in patterns. The image is in the Mandalay style and shows the Buddha seated in vajrasana, with his right hand gesturing to the earth in the bhumisparsa mudra position. It is probably the most characteristic form of religious sculpture in Burma (Lowry, 1974). The posture, known as 'calling the earth to witness', represents the moment when the Buddha was seated in meditation under the Bodhi tree during the evening before his enlightenment. Mara asked him to name anyone who would give evidence that he had given alms, and the Buddha motioned to the earth with his right hand and said that the earth would bear witness to that - in a previous incarnation when he was known as Vessantara, he had given alms to such an extent that the earth had begun to quake. The image shows the Buddha seated on a low platform or socle and dressed in ample robes with naturalistic folds and pleating. Earlier images of the Buddha across Southeast Asia tended to show the monastic robes in a much more schematic way. The eyes have been inlaid with a white material, usually described as mother-of-pearl, with black pupils probably painted on with black lacquer. The cranial protuberance (unisha) is rounded and the head decorated with tight curls in low relief. Unusually, the curls are arrayed in a pattern on the back of the head, rather than being in a more typical, somewhat random manner. The image has been lacquered with black lacquer and then gilded. Overall, the image is very sculptural and decorative: the naturalistic flow of the robes, and the refinement of the face, are particularly pleasing.37"T x 32"W x 24"D. In good antique condition some minor losses and age cracking.
All Items : Fine Art : Prints : Engravings : Pre 1800 item #1262832 (stock #638)
Rare decorative celestial map by Matthaus Seutter, published in Augsburg circa 1730. The map includes two maps of the Northern & Southern Skies. A diagram in the upper right corner showing the monthly orbit and illumination of the moon, while another in the upper left represents day and night on the earth with quotations from Genesis. Five additional diagrams along the bottom represent the monthly orbit and illumination of the moon, the different planetary hypotheses of Tycho Brahe, Corpernicus, Ptolemy, and the annual orbit of the sun and the seasons.
All Items : Antiques : Regional Art : Asian : Chinese : Pre 1920 item #1251330 (stock #629)
A fine Chinese jade hand mirror inlaid with semi precious stone decorations of coral turquoise amethyst and multi color jade. Beveled thick glass mirror mounted in gilt silver mount. Measuring approx. 11 inches long.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1920 item #1262525 (stock #638)
Carmel Cottage Garden by William Constable Adam (1846-1931), signed lower center. Known as "Professor" Adam, he specialized in views of the Monterey area such as sand dunes, cottage and garden scenes. He was born in England and studied in Paris. Moved to California in 1894 to Pacific Grove Monterey. Member of the Boston Art Club; Glasgow Art Club His work is in the Silverado Museum St Helena, Santa Cruz Museum; and Monterey museum Ca. Canvas size 16"L x 20"W. in the original arts & crafts era frame.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1930 item #986901 (stock #299)
Vicente Puig portrait of a ballerina Rosina oil on board Signed upper left circa 1927. A beautiful painting by a highly acclaimed Spanish artist.
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1232543 (stock #617)
Olmec Jade Mask Pendant Origin: Mexico, Circa: 1200 BC to 900 BC, Dimensions: 3 5/8 high x 2.5 wide, Collection: Pre-Columbian, Olmec, Medium: Jade.
All Items : Fine Art : Paintings : Contemporary item #1319224 (stock #738)
Antiquarian Art Co.
Inquire for Price
Modernist landscape Marsh series #1 by Ernest Garthwaite. Acrylic on paper measuring 22"w x 30"H.

Biography

Ernest Garthwaite was born in Saskatoon, Saskatchewan in 1940. He studied at Loras College in Iowa, receiving his Bachelor of Arts in 1961, and at the University of Notre Dame in Indiana, receiving his Master of Arts in 1962. He subsequently studied in Europe (including in Italy, Germany, and France) and at the University of Wisconsin in 1964 and the Art Students' League of New York in 1966. Garthwaite's work is represented in over 75 collections, including the Medicine Hat Museum and Art Gallery, New Rochelle Public Library, Art Gallery of Windsor, Bank of Montreal, Concordia University (Montreal), Marymount College (New York), Whyte Museum of the Canadian Rockies (Banff), and York College of the City University of New York.

All Items : Fine Art : Paintings : Oil : Europe : Pre 1920 item #1388306 (stock #858)
HENRI VAN DER HECHT BELGIAN SCHOOL 1841-1901 “MOUNTAIN LANDSCAPE WITH CATTLE AND DROVER” OIL ON PANEL, SIGNED Henri (or Hendrick in Flemish) van der Hecht was born in Brussels in 1841. The son of the celebrated landscape painter, Guillaume van der Hecht he initially took art lessons from his father before enrolling at the Brussels Academy. Here under the guidance of the celebrated painter Jan Portaels he learned the technical skill required to be a painter in the realist tradition. Enamored with landscape painting he became one of the first to embrace the principals of ‘plein-air’ painting and chose to settle in Tervuren for the opportunities that the countryside gave him. Here, van der Hecht met a number of other artists of a similar mind set, painters who were influenced by the Barbizon school artists of France. A keen painter of the effects of sunlight, this particular skill is evident in all of his paintings. In 1868 he helped co-found the influential Societe Libre des Beaux Arts with Joseph Coosemans and Edouard Huberti amongst others. This group was dedicated in its efforts to provide a free exhibition space to those artists refused exhibitions by the establishment of Belgium. Although they painted in a variety of styles and subjects, many of them adhered to the ideals of color palette favored by the French landscape painter Gustave Courbet. By 1872 he had left the Society probably as a result of his acceptance to show at the Society International des Aquafortistes, an interesting exhibition venue established by Felicien Rops. By the late 1880’s he had become one of the most revered landscape painters of his day and was given a commission by the local government of Brabant to create a series of murals. After a distinguished career, Henri vander Hecht died in Brussels in 1901; his paintings however, can still be seen at the museums of Antwerp, Brussels and Ixelles in Belgium. Lit; E. Benefit P. Piron Arto
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Drawings : Pre 1900 item #1321009 (stock #739)
Original antique Hudson river school pencil drawing of a horses and barnyard scene, 1899. Image, 15"L x 11"H. Matted, unframed.
All Items : Antiques : Regional Art : Pre AD 1000 item #1154662 (stock #536)
Hung-shan Culture and made about 5,500 to 5,000 years ago in the late Neolithic period. Neolithic inhabitants of eastern China believed in a mystical bird that brought the life of heavenly spirits to humanity. As a result, they carved images of this mystical bird from fine jade as a means of communication between people and the gods. Jade carved figure of a bird. Measuring approx. 8 x 6 x 2 inches. Fine aged surface and form a museum quality piece 7 day return privilege on purchase. Provenance , From The Late Phillip Kirkeby Collection. http://www.scu.edu/desaisset/collection/kirkeby.html
All Items : Antiques : Regional Art : Asian : Chinese : Textiles : Pre 1920 item #1320022 (stock #738)
A beautiful Chinese antique embroidered silk robe with forbidden stich and fine detailed images of flowers incects robins egg blue background silk with embossed cloud and wan (swastica) symbol of buddist prosperity. A beautiful robe from a prominent Boston estate measuring approx 45" across widest point 42" L. In good conndition wear to the edges of sleaves and light food stain on front can by easily cleaned and restored to make an exqusite robe for wear or display.
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre AD 1000 item #1190473 (stock #592)
A finely modeled Tang Dynasty (AD 618 - 906) pottery horse head with traces of original polychrome. Comes with a beautifully designed walnut display case with acrylic cover. Horse measures approx. 10 inches tall some loses to the left ear, A fine antique decorative piece.
All Items : Fine Art : Sculpture : Bronze : Pre 1950 item #1227968 (stock #612)
Carl Milles Danish (1875-1955) Leaping Deer bronze sculpture. A fine example of this artists work. In excellent condition measuring 13 inches tall cast at Lrasmussen foundry Copenhagen. Carl Milles dominated the Swedish art world. He received many public commissions in Sweden and abroad. He was a monumental sculptor who received many public art commissions at a time when many cities expanded and were modernised.
All Items : Antiques : Decorative Art : Folk Art : Pre 1910 item #553987 (stock #208)
Antique American running horse gold gilt copper body weathervane, a beautiful example with great lines and form in typical antique condition with some wear denting and bullet holes. Mounted on a black painted wood display stand measuring approx. overall length 29 inches. A fine piece would make a great decorative accent piece for any interior antique or modern.
All Items : Fine Art : Prints : Etchings : Pre 1700 item #1334035 (stock #759)
Etching by Adriaen van Ostade (1610-1685) Village Romance (B., Holl., G. 11) etching, circa 1667, on laid paper, a good impression of the 12 state (of twelve), with small margins, in very good condition P. 158 x 128 mm., S. 162 x 133 mm. Image 6.25"H x 5"W. Presented Matted framed.