Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : N. America : Pre 1910 item #1154899 (stock #538)
William Keith original oil painting wooded landscape with cattle by a lake. Oil on panel signed lower right canvas measuring Approx 14 x 22 a magnificent example of this famed California and American artists work. William Keith rivalled Thomas Hill as the most accomplished and successful landscape painter working in California during the 19th century. After two years spent studying art in Düsseldorf, Paris and Boston, Keith returned to California in 1872 as a sophisticated painter whose work drew on several prevailing styles popular in the cultural centers of the world. Many of his paintings reflect the influence of the "Hudson River School" and depict sublime mountain scenery à la Church or Bierstadt. But at the same time as he was painting alpine panoramas, Keith also focused on the more intimate landscapes of the French Barbizon movement that had come to the forefront of Parisian art appreciation during the 1860s. Barbizon painters adopted a more natural and impressionistic style than that of the academic painters; their works often communicate a rougher and stronger presence of nature than sweeter, more sentimental academic landscapes. Major works of the English painter John Constable, exhibited at Paris Salons of the 1820s, influenced the Barbizon painters in the direction of this stronger style. Works held: Los Angeles County Museum of Art; Metropolitan Museum; Crocker Museum (Sacramento); Art Institute of Chicago; Oakland Museum; Stanford University; Boston Museum; De Young Museum San Francisco; California State Capitol.
All Items : Fine Art : Drawings : Pre 1900 item #1324008 (stock #743)
Antique French pencil drawing of a woman. This original portrait comes from an artists portfolio dated 1847. Presented in an exquisite French mat with finest quality 24k gold leaf frame. Image 14"L x 11"W. Framed size 23" L x 19" W
All Items : Fine Art : Paintings : Oil : Europe : Dutch : Pre 1700 item #986812 (stock #295)
Antiquarian Art Co.
$15,000.00
A fine 17th century Dutch landscape by Solomon Van Ruisdael oil on oak panel 19 x 25.5 inches signed lower right. The scene is from a area near old Haarlem where he often painted pictured is a ferryboat in the distance and an angler and woman by a cottage in the foreground. An exquisite old master painting. Biography, (1600/03-1670) Salomon van Ruysdael was called De Goyer until he and his brother Isaack changed their name to Ruysdael, after the castle near their father's birthplace, Blaricum. Salomons nephew Jacob was the only member of the family to write the new name with an 'i': Ruisdael. Salomon lived in Haarlem, but probably travelled throughout the Netherlands. He painted townscapes of various Dutch cities. Who taught Salomon van Ruysdael the art of landscape painting is no longer known. His early work is clearly influenced by Esaias van de Velde. Van Ruysdael mainly painted riverscapes. In the 1630s he and Jan van Goyen developed a new, monochrome style. Inquires welcome.
All Items : Fine Art : Paintings : Acrylic : Contemporary item #1302356 (stock #717)
Antiquarian Art Co.
Price on Request
Original Acrylic on Canvas titled "Vertigo" measuring 30" x 24" signed verso. Tom Christopher is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions.
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1409430 (stock #896)
Original antique watercolor floral botanical painting of a tulip 19th century c.1850. This lovely original watercolor is from a mid 19th century botanical watercolor album. While little is known about the work, it was clearly done by a highly skilled artist. The paper is Whatman watermarked and dated. . Presented matted with archival materials and framed.
All Items : Fine Art : Drawings : Pre 1800 item #1192359 (stock #596)
Antiquarian Art Co.
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A beautiful original 18th century drawing of a woman gazing upward Attributed to Francois Boucher measuring 24.5 x 31 cm. on wove paper mounted at corners to matte board. A beautiful drawing would be a fine addition to any collection.

Biography

François Boucher (September 29, 1703 - May 30, 1770) was a French painter, a proponent of Rococo taste, known for his idyllic and voluptuous paintings on classical themes, decorative allegories representing the arts or pastoral occupations, and intended as a sort of two-dimensional furniture. He also painted several portraits of his illustrious patroness, Madame de Pompadour. Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style. At the young age of 17, Boucher was apprenticed by his father to François Lemoyne, however after only 3 months he went to work for the engraver Jean-François Cars. Within 3 years Boucher had already won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until 4 years later. On his return from studying in Italy in 1731, he was admitted to the Royal Academy of Painting and Sculpture as a historical painter, and became a faculty member in 1734.

All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1900 item #1413611 (stock #922)
Original English antique oil painting portrait of a Champion Horse in its stable by John Charles Tunnard. Oil on canvas signed lower right. Tunnard lived at Sandy, Bedfordshire, and was born in 1875; he painted equestrian subjects throughout East Anglia. His paintings of the Shuttleworth family's horses hang at Old Warden Park, Bedfordshire. Canvas measures 18 x 22" overall framed size 20.5 x 24.5".
All Items : Fine Art : Paintings : Oil : Pre 1900 item #1172912 (stock #569)
David Cox Original oil painting 1844 signed lower right titled on reverse Manorbier Castle South Wales. Oil on board measuring approx. 30 x 40 inches. Biography

David Cox was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of impressionism.

All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1413612 (stock #923)
Beautiful antique original Italian watercolor landscape painting of a waterfall and castle ruins by Vincent Blatter signed lower left. Presented matted and framed. Vincent Blatter (1843 - 1913) was active/lived in Italy. Vincent Blatter is known for painting landscapes. Overall framed size 15 x 20" excellent condition.
All Items : Fine Art : Paintings : Pre 1950 item #1361951 (stock #809)
Impressionist nude female oil painting on canvas c.1920s. Presented in a Dutch impressionist parcel gilt wood frame. Canvas measuring 20 x 24 in excellent vintage condition.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1443429 (stock #975)
A beautiful vintage original Albert Pennoyer (1888-1957) pastel painting on paper signed lower right depicting a Spanish courtyard scene. Presented framed in a quality vintage real gold leaf classic arts and crafts era frame. Measurements Image 23.5” X 17.5” overall framed size.34” X 28” Biography Albert Sheldon Pennoyer (1888-1957) Painter, pastelist. Born in Oakland, CA on April 5, 1888, the son of a prosperous dry goods merchant who founded a store called Taft and Pennoyer. The Pennoyer family moved to nearby Berkeley while Sheldon was a child. After one year at UC, he sailed to Paris to study architecture at Ecole des Beaux Arts. He soon opted to become a painter instead and studied art at Academies Julian and Grand Chaumière under Ménard and Lucien Simon. At the outbreak of WWI, he left Europe and returned to his home in Berkeley. About 1919 he moved permanently to NYC but spent much time at his mother's home in Litchfield, CT. Although he had a studio in NYC during his last 38 years, he made many painting trips to California and had a studio shack on his brother's property at Lake Tahoe. He was the author of This Was California (1938) and Locomotives in Our Lives (1954). Pennoyer died in an auto accident in Madrid, Spain on Aug. 17, 1957. Working in pastel, gouache and oil, he painted coastals, portraits, landscapes, railroad subjects, and scenes from his travels in Spain, Portugal, Central America, and the U.S. Member: AFA; SFAA; American WC Society; Century Club; NAC; Allied Artists of America; AAPL; Oakland AA. Exh: Schussler Galleries (SF), 1914; PPIE, 1915; Calif. Artists, Golden Gate Park Museum, 1915; Oakland Art Gallery, 1916; Doll & Richards Gallery (Boston), 1917 (1st solo); LACMA, 1918, 1919 (solos); Macbeth Gallery (NYC), 1926; San Francisco Art Association, 1919-30; Vickery, Atkins & Torrey (SF), 1930; CPLH, 1958 (memorial). In: Oakland Museum; CPLH; Henry Ford Museum (Dearborn, Ml); MM; De Young Museum; Society of Calif. Pioneers; Santa Barbara Museum; Smithsonian Inst.; West Point Military Academy; CHS
All Items : Fine Art : Paintings : Pre 1950 item #1049378 (stock #379)
Original N.C. Wyeth oil painting on art board title "Lumber" commissioned by Coca Cola company in 1943 for a series of posters in American industry. Signed lower right measuring 21 x 31 inches in excellent condition. A fine addition to any collection of American Art.

Biography

N. (Newell) C. (Convers) Wyeth (October 22, 1882-October 19, 1945), is one of the most celebrated illustrators in the history of art. He grew up on a farm in New England, and studied at the Massachusetts Normal Arts School where he attended classes taught by illustrators Eric Pape and Charles W. Reed. During 1902-04 he studied with the great illustrator Howard Pyle in Wilmington, Delaware. Wyeth accepted a commission from Scribner's and the Saturday Evening Post to paint western scenes, and traveled in the west to gain first hand knowledge of subjects. He worked as a ranch hand in Colorado and rode mail routes in New Mexico and Arizona. In 1906, Wyeth and Carolyn Brenneman Bockius were married in the Wilmington Unitarian church, and they made their home in nearby Chadds Ford, Pennsylvania. The focus of his painting soon shifted to the land and people of the region in which he lived. In 1911, Wyeth won a commission from Charles Scribner's Sons to illustrate a new edition of R. L. Stevenson's Treasure Island, a work that made him famous. He provided illustrations for dozens of other classic books, including Kidnapped (1913), The Black Arrow (1916), The Legends of Robin Hood (1917), The Last of the Mohicans (1919), and The Yearling (1939).

All Items : Fine Art : Paintings : Pre 1930 item #968602 (stock #293)
A beautiful original oil painting a view of Windsor Castle c.1920. Oil on canvas signed lower left with two exhibit labels on the reverse from New York exhibitions c.1930 the artists Santa Barbara address and shipping label as well. In very fine all original condition in original frame measuring approx. 25 x 32inches framed 32.5 x 39.5 . A fine museum quality painting would be a fine addition to any collection. BIOGRAPHY A resident and distinguished impressionist painter of both the East and West Coasts, Colin Campbell Cooper earned an international reputation with his depictions of landscapes, florals, portraits, gardens, interiors and figures. He was especially noted for street scenes and skyscrapers of New York and Philadelphia, and his impressionist palette was inspired by Childe Hassam, whom he met in New York beginning in the 1890s. In the later part of his life, he focused on West Coast subject matter and espoused "The California Style" of watercolor painting, a bold, aggressive new oil-painting look to a medium that had traditionally been used more modestly. He was born in Philadelphia to an upper class family where the father was a surgeon, and he, the son, was encouraged by his educated family to pursue art. He was also inspired by the art he saw at the 1876 Philadelphia Exposition. He studied at the Pennsylvania Academy of the Fine Arts with Thomas Eakins and in Paris at the Academies Julian, Vitti, and Delecluse. During that time, he traveled throughout Europe and painted picturesque architectural scenes, which gained him widespread recognition. Sadly many of these paintings were lost in a fire of 1896. From 1895 to 1898, he was instructor of watercolor at the Drexel Institute in Philadelphia and then moved to New York City from where he and his artist wife, Emma Lampert, traveled throughout the world in search of subject matter. They first went to California in 1915, spending the winter in Los Angeles and in 1921, settled in Santa Barbara, where he served as Dean of Painting at the Santa Barbara Community School of Arts. He was a member of numerous associations including the California Art Club, Salmagundi Club, and the National Academy of Design. His work is in many museums including the Cincinnati Art Museum, the St. Louis Museum, and the Oakland Museum. Cooper died in Santa Barbara. Sources: Edan Hughes, Artists in California, 1786-1940
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1910 item #1445048 (stock #978)
Beautiful original antique oil painting of a mountain sunset and waterfall by William Keith c.1890 oil on artist panel signed lower left. Presented in a quality contemporary gallery frame 16.5ʺW × 3ʺD × 19ʺH. Good antique condition very fine age craquelure very minor touch ups.. Biography: A native of Scotland, William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters." His romanticized views of nature found much favor among the culturally aspiring citizens of San Francisco and hung in many foyers and dining rooms in their elegant homes. He completed thousands of paintings and drawings, and many of them were lost in his studio in the fire of 1906. His early works are dramatic mountainscapes in a realistic style adopted from the Dusseldorf School of Germany. The paintings of the last two decades of his life are looser and obviously influenced by his exposure in France to the Barbizon School of landscape painters, who were the first colony of painters to complete paintings "en plein air," or directly from nature rather than in studios. A forerunner of Impressionism, this style also included Tonalism espoused by Barbizon painter Camille Corot [1796-1875] and also apparent in Keith's later works, which are darker, smaller, and much more intimate with emphasis on mood. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. By the early 1900s, Keith was likely one of the wealthiest artists in the United States and certainly earned the most money of any California-based artist. People from all over the world sought out his studio where it was said that he would specially select a painting for a client from behind a black velvet curtain, order everyone to be quiet, part the curtains, and set the work on a easel, flooded in light. It was unthinkable not to buy a painting on these occasions. Many of his paintings were shown in New York at the Macbeth Gallery, and in 1898, he had a special exhibition in New York. Keith died April 13, 1911, and his work is in most of the institutions representing major California artists
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1408859 (stock #891)
Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and he aimed to produce popular, commercially successful prints on many subjects. The most notable aspect of Solis’ work is his skillful absorption and re-interpretation of other artist’s styles, particularly Albrecht Dürer, Peter Flötner, Sebald Beham and many others of French, German, and Italian origin. Solis’ woodcuts illustrating Ovid were especially influential, though partly borrowing from earlier illustrations by the French artist Bernard Salomon
All Items : Antiques : Decorative Art : Ceramics : Low Countries : Pottery : Pre 1837 VR item #1022554 (stock #343)
A fine rare Pennsylvania German folk art brides box c. 1830 in very good antique condition with all original antique paint. Old german script reads, "SCHAU ES NUR AN WIE DU WILLST EX IST DES VATERS EBENBILD". ROUGHLY TRANSLATES TO "SEE IT THE WAY YOU WANT IT IS YOUR FATHER'S LIKENESS. Measuring approx. 19 x 12 x 7 inches a Museum quality American folk art piece.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1298976 (stock #705)
Original Antique 19th century Italian oil painting on canvas. Titled "Lake Como" and initialed SPH. lower right. Canvas 14"L x 20"W. Overall framed size 20" L x 26" W.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1940 item #1414504 (stock #928)
Beautiful large original vintage Italian impressionist oil painting of Naples Harbor at sunset. Oil on canvas signed lower left G. Mariani. Canvas measures 24 x 36 inches. Artist Biography G. Mariani (Italian, 20th C.-), came from a family of artists who had been painting the beautiful cities and surrounding country life in and around their home of Naples, Italy, for many years. His father was the well known Italian landscape & cityscape painter Mario Mariani (Italian, 1907-) and he also had a brother, V. Mariani (Italian, 20th C.-) who was also an accomplished painter. G. Mariani loves to paint the water, the small harbors and particularly his home area of the Bay of Naples. He is well known for his coastal & seascapes views and fishing villages/marine scenes and for sunset skies which he often painted, as well as interior scenes of Italian country life. He was represented by his father Mario out of his art studio & gallery in Naples, where Mario not only represented his own work, but that of his two sons, as well as other represented artists. less DETAILS Tear Sheet Dimensions42ʺW × 2ʺD × 30ʺH