Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.
Born in Denver, CO on Aug. 7, 1897, Curtis was a resident of Seattle before moving to Los Angeles in 1914. He was inspired to become an artist by his teacher Rob Wagner at Manual Arts High School. After working as a bank teller and serving in WWI, he soon was able to support himself as an illustrator. He served as official artist of the U.S. Antarctica Expedition in 1939-40 and again in 1957. About 1960 he changed his residence from Los Angeles to Twenty Nine Palms, California, with summers in Moose, Wyoming. An avid mountain climber, his studio in the Grand Tetons was a rustic log cabin. In 1972 he moved to Carson City, Nevada, where he remained until his demise on March 17, 1989. He is best known for his landscapes of the High Sierra, Grand Tetons, and Antarctica. His works won dozens of medals and prizes from the early 1920s in southern California shows. Member: Carmel Art Association; Artland Club. Exh: California Art Club, 1923-27; Laguna Beach Art Association, 1924; California State Fair, 1926; Cannell & Chaffin Gallery (Los Angeles), 1926; Ebell Club (Los Angeles), 1926; Painters & Sculptors of Los Angeles, 1926-31; National Academy of Design, 1930; Toledo Museum, 1931; American Painters & Sculptors, Los Angeles County Museum of Art, 1931, 1937 (solo), 1946 (solo); Oakland Art Gallery, 1932; Tuesday Afternoon Club (Glendale), 1934; Golden Gate International Exhibition, 1939; California Palace Legion of
Born in Rockford, Illinois on Jan. 1, 1868, Hobart moved to California with his family when he was a small boy. He studied art in San Francisco at the School of Design under Stanton and Cadenasso, and privately with William Keith. He then spent three years at the ASL in NYC under Blum and Bridgman and completed his art training in Paris. The turning point in his career came in 1915 at the PPIE. During the exposition Hobart was awarded a silver medal and received praise from local art critics for his development of color monotype prints. When the Oakland Civic Art Gallery opened in 1916, an entire room was devoted to his monotypes. In that year Hobart left the Monterey Peninsula and established a studio in San Francisco. From his studio came portraits of Carl Oscar Borg, Mrs. Leo Lentelli, and Gottardo Piazzoni. Often compared to Cézanne, he is nationally known for his Impressionist portraits and landscapes. Exhibitions: California Society of Etchers; Del Monte Gallery (Monterey), 1912-13; California Artists, Golden Gate Park Museum, 1915; Panama-Calif. Exposition (San Diego), 1915; Los Angeles County Museum of Art, 1915, 1918; Pennsylvania Academy of the Fine Arts, 1915; Kennedy Gallery (NYC), 1916; NY Architectural League, 1916; National Academy of Design, 1916; Calif. Liberty Fair, 1918 (1st prize); San Francisco Art Association, 1918 (prize), 1921 (1st prize), 1922 (gold medal); Western Ass'n of Art Museum Directors, 1922; Bohemian Club, 1922, 1923 (solo), 1929; Golden Gate International Exhibition, 1939; Oakland Museum, 1981. Work in Permanent Collections: San Francisco Museum of Art; CHS; Bohemian Club; De Young Museum; Mills College (Oakland); Oakland Museum; Salinas High School; Nevada Museum (Reno); Monterey Peninsula Museum.