Antiquarian Art Co.
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1269310 (stock #657)
Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival matte at top. An exqusite example of this important artists work.
All Items : Fine Art : Prints : Serigraphs : Contemporary item #1302354 (stock #716)
Original Screen print By Tom Christopher Artist proof 1/1 titled "Jump Start". Tom Christopher is an American artist known for his expressionist urban paintings, mostly of New York City. Christopher began as a commercial artist, and has become a notable artist with worldwide galleries and exhibitions. Measuring 31" x 40".
All Items : Fine Art : Prints : Photographs : Pre 1920 item #1448132 (stock #895)
An original antique photograph of Auguste Rodin's marble statue of cupid. Taken by Rodin's personal photographer Henri Manuel signed by him and dedicated and signed by Auguste Rodin in 1913 with the inscription "With Homage and Respect to Madame E Henry Harryman. Mrs Harryman commissioned a marble bust of her husband by Auguste Rodin and this photograph was given as a gift to her. François Auguste René Rodin (12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture Henri Manuel (24 April 1874, Paris – 11 September 1947, Neuilly-sur-Seine) was a Parisian photographer who served as the official photographer of the French government from 1914 to 1944. In 1900, Manuel opened a portrait studio in Paris with his brother Gaston, which specialised in portrait photography.[2] Manuel quickly became renowned as a photographer of people from the worlds of politics, art and sports, as well as a photographer of art and architecture. Provenance the photograph has the blind stamp of the Metropolitan Museum of Modern Art on the bottom right. Presented re mated in a archival matte and presented in a quality gallery frame overall size 13 x 17".
All Items : Fine Art : Prints : Etchings : Pre 1950 item #1453729 (stock #902)
Vintage original etching "The Four Horsemen" by Edward Borein etching on paper signed lower right. Presented matted and framed provenance from The Old Print Shop New York City label on verso. This etching is in the Galvin catalogue number 32 titled the Four Horsemen #2 The overall framed size is 16" tall x 18"wide the image is aproximately 10" x 12". A fine impression. Biography Edward (John Edward) Borein (1872 - 1945) Born in San Leandro, California, Edward Borein became one of the most popular artists of western scene painting, equally adept at ink drawing, watercolor, and etching. He was raised in San Leandro, a western cow town, in a family where his father was a county politician. Edward had many childhood memories of herded cattle and their cowboys, which he began sketching at the age of five. He was educated in the Oakland, California schools, and at the age of 17 began working on a ranch near Oakland and then drifted and sketched as a working cowboy throughout the Southwest, Mexico, and Guatemala. It was said that he practiced his art on anything he could find from bunkhouse walls to scraps of paper. At age 19, he enrolled at the San Francisco Art School, his only formal art training, and there he met Jimmy Swinnerton and Maynard Dixon who encouraged him in his art career. The first person to purchase his work was Charles Lummis, editor of The Land and Sunshine magazine in California, and the two became life-long friends. Borein and Lucille Maxwell were married in the Lummis home. Borein, a typical westerner in dress and manner, also became close friends with Charles Russell, actor Will Rogers, and President Theodore Roosevelt. Borein often traveled north to visit Russell in Great Falls, Montana and to travel among Indian tribes. In 1899, Borein visited Arizona while returning from Mexico. By 1902, he was a successful illustrator in San Francisco for the San Francisco Call, and in 1907 to enhance his illustration skills, went to New York to learn etching techniques. There he enrolled in the Art Students League and was a student of Child Hassam. In the theatre district, he opened a studio that became a gathering place for 'lonesome' westerners such as Charles Russell, Will Rogers, Olaf Seltzer and Oscar Borg. But Borein did not feel at home in New York, so he moved to Santa Barbara, California in 1921. This was a final move. He and his wife built a Hopi-style home, and he taught at the Santa Barbara School of the Arts until his death, and also turned increasingly from oil to watercolor painting. "On occasion Borein would decorate place cards for dinners with small watercolor skeches of cowboys, vaqueros, Indians and Bucking horses". (Santa Fe Auction) From his studio, which again attracted many of his friends, he depicted Indians, cowboys, and California ranch life and was financially successful.
All Items : Fine Art : Prints : Lithographs : Pre 1900 item #1389967 (stock #871)
Pair of original hand colored horse lithographs from "Professor Low's Illustrations of the Breeds of the Domestic Animals London, 1840" . Drawn by Mr. Nicholson, R.S.A. from a painting by Mr. Shiels, R.S.A. Drawn on stone & printed by Fairland. Published by Longman, Orme, Brown , Green & Longmans, Paternoster Row, London 1840. Presented framed and matted in quality vintage burl wood frames. Measuring 12.5 x 17 inches, matte window 10" x 13" overall framed size 18" x 24" Low was a professor of agriculture at Edinburgh University who also set up an agricultural museum in Edinburgh with the assistance of a grant from Earl Spencer. William Shiels, member of the Royal Scottish Academy, was commissioned to produce a series of paintings of all the significant breeds then of economic significance in Great Britain. These paintings were then used as the basis for the present work with the addition of Low's text. Shiels' work is appreciated today for its faithfulness to the actual appearance of the animals, as opposed to idealized versions meant to please their owners, which were common at the time. William Nicholson, also a Royal Scottish Academy member, made the drawings after Shiels' paintings to convert them to prints.
All Items : Fine Art : Prints : Etchings : Pre 1990 item #1298438 (stock #696)
Original etching Gothic Interior Suffolk England by Valerie Thornton, British 1931-1991. Signed lower right. Thornton a painter and printmaker. In the1960s she lived in New York working at Pratt Graphics Art Center. Member Royal Society of Painters-Etchers and Engravers. Her work is in the collections of the Royal Academy, Victoria and Albert Museum, British Museum, Tate Gallery, Fitzwilliam Museum, Metropolitan Museum of Art, Museum of Modern Art, New York Public Library. Image 26"L x 16.5"W. Framed 38" L x 28" W
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1408859 (stock #891)
Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and he aimed to produce popular, commercially successful prints on many subjects. The most notable aspect of Solis’ work is his skillful absorption and re-interpretation of other artist’s styles, particularly Albrecht Dürer, Peter Flötner, Sebald Beham and many others of French, German, and Italian origin. Solis’ woodcuts illustrating Ovid were especially influential, though partly borrowing from earlier illustrations by the French artist Bernard Salomon
All Items : Fine Art : Prints : Pre 1900 item #1421901 (stock #941)
Pair of original antique botanical Fern lithographs prints circa 1867. Edward J. Lowe’s Ferns: British and Exotic. this print was published in London by Groombridge & Sons in 1867. This work was one of the earliest works to concentrate solely on the subject of the fern. Lowe used his botanical expertise and money to produce this work. He hired A. F. Lydon as the artist for the work and Benjamin Fawcett created the lithograph plates. Presented archival matted and framed. overall size 12.5" x 15.5".
All Items : Fine Art : Prints : Lithographs : Pre 1910 item #1412401 (stock #918)
Original antique hand colored Lithograph of parrots from Mathew's The Birds of Australia. . Presented archival matted and framed. Overall framed size 13ʺW × 1ʺD × 16ʺH in excellent condition. This impeccable, hand-colored lithograph is from the first edition of Gregory Macalister Mathew's The Birds of Australia. The work was published in London by Witherby & Co. c. 1910. The artists that contributed to the work included J. G. Keulemans, Gronvold, R. Green, Goodchild, and Lodge. This work was the first major work on Australian birds since John Gould's and illustrated 100 further species than his work. It is also one of the last important natural history works to be illustrated with hand-colored lithographs. The edition was limited to 225 copies.
All Items : Fine Art : Prints : Engravings : Pre 1837 VR item #1409660 (stock #903)
Original antique Curtis floral botanical hand colored etching c1804. Presented in archival matte and framed in a contemporary classic frame. Overall size 13 x 16 inches. William Curtis began publication of the Botanical Magazine in February 1787 and it continued almost without interruption for 160 years. These Curtis prints are particularly prized for their lavish, beautifully hand colored large illustrations principally by Sydenham Teak Edwards, James Sowerby and William Kilburn. Even now, after all this time of living with Curtis prints, we are still left in awe by their beauty. Each single measures approximately 5 ½ inches wide by 9 inches long. Please view our other Curtis botanical prints compatible with each other for decorative grouping.
All Items : Fine Art : Prints : Lithographs : Pre 1960 item #554994 (stock #211)
A rare color lithograph by Wayne Thiebaud titled Coronado signed, numbered 5 of 15 and dated 1956. overall sheet size 16 x25 12.5 x 21.5 inches. A beautiful colorful modernist image of sail boats off the San Diego coast with the old Coranado Hotel in the left of the image. A very scarce print in excellent condition some slight discoloration from a previous matte.

Biography

A painter of pop-art realism combined with a great respect for traditional methods and subject matter, Wayne Thiebaud is one of the most prominent of the Bay Area painters in California in the latter part of the 20th century. His reputation spread far beyond his own state. In his painting, he focuses on the commonplace in a way that suggests irony and objective distance from his subjects. He also makes a point of keeping an independent distance from the New York art scene. He was born in Mesa, Arizona, in 1920, and for one summer during his high school years he apprenticed at the Walt Disney Studio and then studied at an Los Angeles trade school the next summer. He earned a degree from Sacramento State College in 1941. From 1938 to 1949, he worked as a cartoonist and designer in California and New York and served as an artist in the United States Army. In 1950, at the age of thirty, he enrolled in Sacramento State where he earned a Master's Degree in 1952 and began teaching at Sacramento City College. In 1960, he became assistant professor at the University of California, Davis, where he remained through the 1970s and influenced numerous artist students. However, he did not have much following among Conceptualists because of his adherence to basically traditional disciplines, emphasis on hard work rather than creativity, and love of realism. On a leave of absence, he spent time in New York City where he became friends with Willem De Kooning and Franz Kline and was much influenced by these abstractionists as well as Pop Artists Robert Rauschenberg and Jasper Johns. During this time, he began a series of very small paintings based on images of food displayed in windows, and he focused on their basic shapes. Returning to California, he pursued this subject matter and style, isolating triangles, circles, squares, etc. He also co-founded the Artists Cooperative gallery, now Artists Contemporary Gallery, and other cooperatives including Pond Farm, having been exposed to the concept of cooperatives in New York. In 1960, he had his first one-man shows in San Francisco at the Museum of Art and New York at the Staempfli and Tanager galleries. These shows received little notice, but two years later, a 1962 New York Sidney Janis Gallery exhibition officially launching Pop Art, brought him national recognition although he disclaimed being anything other than a painter of illusionistic form. In 1963, he turned increasingly to figure painting, wooden and rigid with each detail sharply emphasized; in 1967 his work was shown at the Biennale Internationale, and in 1985, he was elected to the American Academy and Institute of Arts and Letters.

All Items : Fine Art : Prints : Etchings : Pre 1920 item #1090612 (stock #427)
The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.
All Items : Fine Art : Prints : Etchings : Pre 1940 item #1175006 (stock #573)
Pablo Picasso (Spanish, 1881–1973) Oath of the Women from Lysistrata Bloch 267-272. Original pencil signed etching from the deluxe edition of 100 signed etchings. Printed by Roger Lacourière (French, 1892–1966) Date: 1934 Medium: Etching Dimensions: plate: 8 11/16 x 5 3/4 in. (22.1 x 14.6 cm) sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.3 cm) Condition is very good some minor staining and foxing very slight minor surface creasing.