Van Zandt, born in New Scotland, Albany County, New York in 1814, was a well-known painter of the horses of wealthy New Yorkers, including Leland Stanford. The Stanford Museum has a half dozen of T.K. Van Zandt's work in its collection. In 1859 he was awarded a silver medallion for "Best Animal Painting in Oil" by the New York State Agricultural Society. His son, William Garrett Van Zandt, was also known for his equine subjects. A second son, Bleecker (1855-1915) was a sculptor. Thomas Kirby Van Zandt died in 1886.
A landscape painter and printmaker, he was born in San Francisco, California on July 29, 1884. Todhunter was a pupil of John Stanton and Arthur Mathews at the Mark Hopkins Institute, and Gottardo Piazzoni and Frank Van Sloun at the California School of Fine Arts, followed by study at the Art Students League in New York City. He began his career as an illustrator for Overland Monthly and later worked for the San Francisco Chronicle, San Francisco Call, and Washington (DC) Times. He worked in New York as a commercial artist until 1912, when he returned to San Francisco to become art director for the H. K. McCann Company, a job he was to keep until his retirement in 1949. Todhunter's work includes etchings, lithographs, and landscapes of Marin County and the San Francisco Bay area. He died in his native city on February 11, 1963. Member: Bohemian Club; SWA; AAPL; Marin Society of Artists; SFAA; Calif. Society of Etchers. Exh: Bohemian Club, 1922-63; SFAA from 1922; OGlE, 1939; Society for Sanity in Art, 1940s.
Michele Cascella (1892-1989) Michele Cascella was a very congenial and humane person, as well as a tenacious worker. The techniques Michele used were pastels, pencil and pen and ink drawings, oils, watercolors, ceramics, lithography and textiles. His most frequent subjects were the landscapes of Abruzzi, locations all over Italy, Portofino, Paris, London, New York, California, Mexico, Hawaii, Tuscany, flowers, portraits and still life. Michele himself said that Henry Rousseau and Picasso had the greatest impact on the art world, while Van Gogh, Utrillo and Raoual Dufy most influenced his own work. He is referred to as an Italian Impressionist, post-impressionist and neo-impressionist. Also primitivism and crepuscular landscape artist are used to describe his work. Michele’s works are preserved at: The Basilio Cascella Civic Museum in Pescara The Pinacoteca Comunale M. Cascella in Ortona The Risorgimento Museum and the Historical Collections in Milan The Victoria and Albert Museum in London The National Modern Art Gallery in Turin Banca Nazionale del Lavoro in Rome The Museum of the Jeu-de-Paume in France The National Gallery of Luxembourg The House Museum of Gabriele D’Annunzio in Pescara The De Saisset Art Gallery of Santa Clara University in California, Permanent Collection The Modern Art Gallery in Brussels, The National Modern Art Gallery in Rome.
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David Cox was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of impressionism.
Born in San Francisco to a family of artists, Cuneo studied at the Mark Hopkins Institute with Arthur Mathews, before attending the Academie Colarossi in Paris from 1911-1913. Upon his return to California, Cuneo’s works were well received at the Panama Pacific International Exhibition in 1915, and was involved in every major art exhibition in the San Francisco area from 1916-1939. Also during these years Cuneo was the subject of numerous one-man shows, including those in Rome, Los Angeles, London, and Paris. Called “the Painter of San Francisco,” at the inaugural exhibition of the San Francisco Museum of Art in 1935, Cuneo had the most number of paintings displayed by any early California artist. In that same exhibition, his painting California Hills won the Museum’s Purchase Prize award. A pure impressionist early in his career, Cuneo’s style constantly evolved throughout his life, as he was always seeking and assimilating new methods of representation.
Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
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Born in 1936 in Yugoslavia, Stupar chose France as his permanent home in 1964 after completing his studies at the Beaux-Arts of Belgrade. Today we find that the art of Marko Stupar is totally integrated into the School of Paris. Although his work continues to be very personal, the graphic nature of his Slavic background is now uniquely combined with the subtlety found in Bonnard.Stupar has participated in juried exhibitions since 1966 when he won the Silver Medal at the Center of Diffusion of the Cote-d’Azur. He regularly participates in the Salon d’Automne, the Salon National des Beaux-Arts, the Salon des Artistes Français, and the Salon Comparaison. Among his other honors, Stupar has won both the Silver and Gold medals of the prestigious Salon des Artistes Français. One-man exhibitions of Stupar’s work have been held in cities all over the world including Paris, Geneva, Lyon, Osaka, Dusseldorf, Strasbourg, Zagreb, Annecy, Havre, New York, Philadelphia, Dallas, and Houston.
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Born in Denver, CO on Aug. 7, 1897, Curtis was a resident of Seattle before moving to Los Angeles in 1914. He was inspired to become an artist by his teacher Rob Wagner at Manual Arts High School. After working as a bank teller and serving in WWI, he soon was able to support himself as an illustrator. He served as official artist of the U.S. Antarctica Expedition in 1939-40 and again in 1957. About 1960 he changed his residence from Los Angeles to Twenty Nine Palms, California, with summers in Moose, Wyoming. An avid mountain climber, his studio in the Grand Tetons was a rustic log cabin. In 1972 he moved to Carson City, Nevada, where he remained until his demise on March 17, 1989. He is best known for his landscapes of the High Sierra, Grand Tetons, and Antarctica. His works won dozens of medals and prizes from the early 1920s in southern California shows. Member: Carmel Art Association; Artland Club. Exh: California Art Club, 1923-27; Laguna Beach Art Association, 1924; California State Fair, 1926; Cannell & Chaffin Gallery (Los Angeles), 1926; Ebell Club (Los Angeles), 1926; Painters & Sculptors of Los Angeles, 1926-31; National Academy of Design, 1930; Toledo Museum, 1931; American Painters & Sculptors, Los Angeles County Museum of Art, 1931, 1937 (solo), 1946 (solo); Oakland Art Gallery, 1932; Tuesday Afternoon Club (Glendale), 1934; Golden Gate International Exhibition, 1939; California Palace Legion of
Richard DeTreville was born in Beaufort, South Carolina on November 17, 1864 into a prominent, old family of French ancestry. His grandfather fought with George Washington in the Revolutionary War and at the time of his birth during the Civil War, his father was Lt Governor of South Carolina. Little is known about his art training; he was possibly self-taught. In 1892 he moved to California and settled in Stockton where he established a small newspaper called Det's Magazine. Shortly after 1910 he moved from Stockton to San Francisco where he worked as a cartoonist for the Park Presidio News. In his studio on Clement Street he exhibited his paintings as well as in local department stores and art galleries. His works were handled locally by Schussler Brothers and Sanborn & Vail. The last few years of his life were spent across the bay in Alameda where he died on February 25, 1929. DeTreville worked in oil and, on rare occasions, in watercolor. He was known to be an excellent portraitist although his portraits are rare. The most prolific of early California painters, his thousands of small landscapes are invariably of the San Francisco Bay area, Yosemite, Lake Tahoe, and northern California. He sometimes signed his works "DeT". Member: American Art Bureau. Exhibited: White House Department Store (San Francisco), 1926 (250 oils). Works held: California Historical Society; Oakland Museum; Alameda Historical Society.