Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche. Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen. Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.
Selden Connor Gile was an important member of the early northern California school of art, he was a founding member of the artist group that called themselves the Society of Six. He was born in Stow, Maine on March 20, 1877, and after attending business college in Maine, Gile moved to California in 1901. He was a payroll master in Lincoln and in Oakland after 1905 for Gladding McBean Company. His art studies were under Perham Nahl, Frank Van Sloun, Spencer Macky, William H. Clapp, and at the California College of Arts and Crafts. Prior to 1914, he painted in the manner of classical California landscape painters such as William Keith. After that time he assumed the palette and style of Impressionism-Fauvism, but remained an "individualist" in his mode of expressing the California scene. During the 1920s, he became the dominant figure in a group of painters known as the Society of Six. The Six were active in the San Francisco Bay area and exhibited regularly at the Oakland Art Gallery. In 1927 Gile moved across the Golden Gate to Tiburon and, shortly thereafter, to a houseboat in Belvedere. He died in San Rafael, California on June 8, 1947.
Biography, Rene Genis was a 20th century French painter renowned for his landscapes and still lifes and for his palette of very transparent blues and greens. Genis studied at the École des Beaux-Arts in Bordeaux, then at the École des Arts Decoratifs in Paris. Starting in 1959 he had numerous one-man exhibitions in Paris and New York. In the summer of 2002 he had a one-artist exhibition at Galerie 26 on the Place des Vosges, Paris. This still life by Genis entitled "L'Artichaut" was done in 1951 in Fauvist greens, yellows, reds and purples. His work can be seen in museums in Aix-en-Provence, Bordeaux, Lyon and at the Musée Municipal d'Art Moderne in Paris.
Alexander Dzigurski traveled widely in the United States , painting in the Rocky Mountains, Grand Tetons, Glacier National Park, New England and along the coasts. Dzigurski started his career in his native Yugoslavia by decorating the interior of churches, which he continued in the U.S. after he and his family had fled from Tito's communist regime via Italy. By 1952 he could afford to travel and paint landscapes, settling in California. He Studied at the School of Art, Belgrade and the Academy of Art, Munich, Germany. He was a member of various organizations including: Fine Art Institute of Los Angeles; American Artists Professional League; and Society of Western Artists. His work has been exhibited in the following museums: Belgrade Art Museum, Yugoslavia; Ford Museum, Detroit; and Boston Museum of Fine Arts.
Born in Denver, CO on Aug. 7, 1897, Curtis was a resident of Seattle before moving to Los Angeles in 1914. He was inspired to become an artist by his teacher Rob Wagner at Manual Arts High School. After working as a bank teller and serving in WWI, he soon was able to support himself as an illustrator. He served as official artist of the U.S. Antarctica Expedition in 1939-40 and again in 1957. About 1960 he changed his residence from Los Angeles to Twenty Nine Palms, California, with summers in Moose, Wyoming. An avid mountain climber, his studio in the Grand Tetons was a rustic log cabin. In 1972 he moved to Carson City, Nevada, where he remained until his demise on March 17, 1989. He is best known for his landscapes of the High Sierra, Grand Tetons, and Antarctica. His works won dozens of medals and prizes from the early 1920s in southern California shows. Member: Carmel Art Association; Artland Club. Exh: California Art Club, 1923-27; Laguna Beach Art Association, 1924; California State Fair, 1926; Cannell & Chaffin Gallery (Los Angeles), 1926; Ebell Club (Los Angeles), 1926; Painters & Sculptors of Los Angeles, 1926-31; National Academy of Design, 1930; Toledo Museum, 1931; American Painters & Sculptors, Los Angeles County Museum of Art, 1931, 1937 (solo), 1946 (solo); Oakland Art Gallery, 1932; Tuesday Afternoon Club (Glendale), 1934; Golden Gate International Exhibition, 1939; California Palace Legion of
Born in Utica, New York, Arthur Davies gained a reputation for ethereal figure paintings, ones that expressed lightness and mysticism. He was also a principal organizer of the 1913 Armory Show that revolutionized American art by introducing modernism to the viewing public. He attended the Chicago Academy of Design and from 1879 to 1882, traveled in the West, to Colorado and Mexico City where he worked as a drafting civil engineer. He briefly attended the Chicago Art Institute, and in 1885 moved to New York City where he studied at the Art Students League and Gotham Art Students League. He supported himself as a billboard painter, engineering draftsman, and magazine illustrator. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He particularly studied the Dutch realist painters, the Maris brothers. He settled in Congers, New York and from there traveled extensively throughout the United States. He developed a style that combined the visionary with Symbolism with elements of Tonalism, Art Nouveau, and Cubism and became increasingly interested in expressing a feeling of lightness in figural compositions. He also did printmaking, having begun in the 1880s and producing some two-hundred graphic works between 1916 and his death in 1928.
Landscape painter,BIOGRAPHY Landscape painter, Alexis Matthew Podchernikoff was born in Vladimir, Russia in 1886 into a family of artists. Podchernikoff first studied art with his grandfather Dmitri Zolotarieff and later with Ilya Repin and Verestchagin. In Moscow he was awarded a gold medal and his work "My Beloved Russian Woods" was purchased by the Royal Art Commission. He emigrated to the U.S. in 1905 after the Russo-Japanese War and settled in San Francisco. In February of 1901, he married fellow-painter Ida Working. In 1913 an art dealer from Santa Barbara convinced Podchernikoff to move there. A painting of his Santa Barbara studio appeared on the front cover of Literary Digest, March 10, 1928. Although he spent the last 20 years of his life in Southern California he returned often to San Francisco to paint scenes of Marin and the northern coast. He is well-known in California for his landscapes done in the manner of Corot. His last years were spent in Pasadena where he died on Oct. 31, 1933 of tuberculosis. Works held: Oakland Museum; Royal Art Commission, Moscow.was born in Vladimir, Russia in 1886 into a family of artists. Podchernikoff first studied art with his grandfather Dmitri Zolotarieff and later with Ilya Repin and Verestchagin. In Moscow he was awarded a gold medal and his work "My Beloved Russian Woods" was purchased by the Royal Art Commission. He emigrated to the U.S. in 1905 after the Russo-Japanese War and settled in San Francisco. In February of 1901, he married fellow-painter Ida Working. In 1913 an art dealer from Santa Barbara convinced Podchernikoff to move there. A painting of his Santa Barbara studio appeared on the front cover of Literary Digest, March 10, 1928. Although he spent the last 20 years of his life in Southern California he returned often to San Francisco to paint scenes of Marin and the northern coast. He is well-known in California for his landscapes done in the manner of Corot. His last years were spent in Pasadena where he died on Oct. 31, 1933 of tuberculosis. Works held: Oakland Museum; Royal Art Commission, Moscow.