Catalog: Sold Items (421)

Original gouache and watercolor "Sail Boats at Sunset" signed lower right by Renowned American artist Edmund Darch Lewis. Lewis exhibited at the Pennsylvania Academy of the Fine Arts (1854-69) and was elected an associate of the Academy in 1859. He also showed at the National Academy of Design in New York (1860), the Boston Athenaeum (1858-69), and the Brooklyn Art Association (1862-70). Beautifully Framed and Matted. Image 8.5"L x 19.5W. framed size 16" L x 27" W.

A Charming Japanese Ivory okimono study of a Man a boy and a turtle. Approx. 5 inches tall in very good condition one small age crack on the back of the base.

A fine antique Chinese export porcelain bowl circa from the late 18th to early 19th century. Featuring Hand painted decorations of Mandarin figures with a floral sprig in the center of the bowl. In excellent condition with no chips or cracks etc. measuring approx. 9 inches in diameter and 4 inches tall or 23 x 10 cm. A fine example would be a nice addition to any collection.

Japanese Satsuma pottery vase with cobalt blue background and beautifully hand painted with the finest detailed images of flowering branches and nesting birds. Artist signed on bottom in excellent condition measuring approx. 5 in. tall 4 in. wide or 13 x 11 cm. An exquisite example of this sought after art form.

Original Watercolor painting Modernist Seascape by Harold Christopher Davies, signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery, the Haggin Museum, and the Huntsville Museum. Image 13.5"L x 17"W. Framed 21.5" L x 25" W.

Original Dutch old master style antique watercolor and ink painting of wrestlers signed lower righ.t Langelaan Dr J.J. Langelaan (1851-1919) Amsterdam Holland studied at the Royal Academy Amsterdam Netherlands. Image 9"L x 7"W. Framed overall size 14.5" L x 12.5" W.

Lovely modernist nude etching of a reclining woman entitled, "Joseph Had a Dream" by Ruth Weisberg. Dated 1967 and signed lower right. Presented in cream colored matting and a carved gilt wood frame. Image size: 14 x 18", overall dimensions: 20 x 26". Ruth Weisberg, an artist and professor, is the former Dean of Fine Arts at the University of Southern California since 1995. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.

A beautiful ethereal Laguna beach seascape at sunset with incredible tonality and use of light. Oil on board signed lower left and dated 1956 measuring 12 x 16 inches and framed in a quality gallery frame measuring overall 20 x 24 inches in excellent condition. A fine example of this remarkable American Artists work.

Biography

A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohion, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

Antique bronze south east Asian opium weights in the form of birds or roosters. Complete collection numbering 9 weights in tapering sizes the largest 5 inches tall. I good condition with a great patina.

Frank Montague Moore Carmel or Monterey evening nocturne oil on board signed lower right F.M. Moore. A beautiful painting with a amazing sense of light. In excellent condition measuring 12 x 16 inches approx. overall size 19 x 23 inches. A fine painting by this highly acclaimed artists would be a nice addition to any collection.

Biography

Born in Taunton, England on Nov. 24, 1877. Moore studied at the Liverpool Art School and Royal Institute. In 1903 he immigrated to America and further studied with Henry Ward Ranger. By 1910 he was an established artist in NYC; in that year moved to Hawaii where he was purchasing agent for Hawaii Plantations and later served as director of the Honolulu Academy of Arts. In 1928 he sailed for California and worked briefly in Pasadena where he painted the Picture Bridge, a series of 41 murals in the Huntington Hotel. After a few months in San Francisco, he settled on the Monterey Peninsula. There he specialized in poetic depictions of the coast and other local scenery. Moore died in Carmel, CA on March 5, 1967. Member: Salmagundi Club; NY WC Club; AFA; Pasadena Society of Artists. Exh: Calif. WC Society, 1928; Nicholson Gallery (Pasadena), 1928; CGA; PAFA; St Louis Museum; GGIE, 1939; LACMA, 1942; Salmagundi Club, 1943; Santa Cruz, 1944; Society for Sanity in Art, CPLH, 1944 (1st prize and Logan medal); Carmel AA, 1945-46; NAD. In: Orange Co. (CA) Museum; USMC Headquarters (SF); Auckland (NZ) Museum; Honolulu Academy of Art. Source: Edan Hughes, "Artists in California, 1786-1940"

Fine pair of antique gilt bronze candle holders featuring a male and female figure each holding a urn with flowering buds ending in a candle holder. Measuring 13.5 inches tall in excellent condition.

Antique Japanese tall Bronze vase with ornate dragon handles and floral and bird motif. In excellent condition measuring 9" x 17".

An ancient panel relief depicting Buddha and Bodhisattva gathered around him. The sculpture is deeply carved from a single block of schist. Measuring 24 x 13 x 3 cm. in antique condition. Such schist friezes such as this were some the walls of Buddhist shrines, together making up large story panels telling tales from the Buddha's life. These stories would have been read, either casually or ceremonially by Monks and lay Buddhists alike. So-called Gandharan Sculpture was produced in parts of modern-day India, Pakistan and Afghanistan from the first century A.D. In the second century BC these areas were ruled by the Graeco-Bactrians, the farthest flung people of the Greek World, who brought with them the beautiful Hellenistic Greek Artistic tradition. This tradition became incorporated into the art of the region, resulting in a kind of "Graeco-Buddhist" Art from the 1st to the 3rd Centuries A.D., persisting for centuries later.

James E. Stuart Yosemite Valley indian camp with El Capitan and Bridal veil falls A fine original oil painting on canvas 20 x 24 inches painted 1914 by in excellent all original condition in a quality gallery frame. James Everett Stuart 1852 - 1941 Eight year old James Everett Stuart arrived in California with his parents in 1860. He attended school in San Francisco and studied art with Thomas Hill and William Keith. His early work reflected the mood and mystery of the French Barbizon school. He painted plein air throughout the west and Alaska. He held a special fascination with Yellowstone. Prior to his death at age 88, he maintained a studio in San Francisco near Union Square for nearly thirty years. He was a member of the Bohemian Club, and many of his paintings were hung on the walls of fellow member's homes. His work also adorned the walls of the White House. His work has been exhibited by the historical societies of Oregon, Washington, and Montana.

A fine Japanese Ivory netsuke of a Noh Drama character artist signed measuring approx. 2.5 inches 6 cm. tall in excellent condition.

A fine original watercolor by James David Smillie of a street view in Nice France signed lower right and titled and dated Nice Feb. 1893 lower left. On the reverse is an exhibit label from a exhibit at the American Watercolor Society. A fine example of this important American Artist. Measuring approx 8 x 12 image and framed in a fine gold leafed period frame overall 16 x 20. Provenance Hirschel Adler Gallery New York

Biography

A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie (1807-1885). At age 14, he did a set of plates illustrating John Milton's epic poem, Paradise Lost. He had a job as a bank note engraver, and then he and his father had a business, collaborating as engravers with a specialty of bank-notes. They also did the engravings for the 1857 Mexican Boundary Survey Report. James David Smillie helped organize the New York Etching Club, and he was the U.S. representative to supply examples of American etchers' work to the Painters-Etchers Society of London. Although he continued working with etching, drypoint, aquatint and lithography, in 1865, he began doing landscape painting and was especially interested in mountain scenery. Smillie traveled in California in the Sierra Nevada Mountains, in Colorado in the Rocky Mountains, and in the eastern United States in the Catskills and Adirondacks. From these trips he did illustrations that were published in 1872 in the magazine Picturesque America. In 1881, Smillie got married, and the couple had two sons. By 1884, he was in France, and spent much time there doing prints of landscapes, figures, portraits and cityscapes. Between 1888 and 1896, he produced a set of drypoint floral still-life prints. James David Smillie founded the American Watercolor Society and served as president and treasurer. He also taught classes at the National Academy of Design in 1868 and from 1894 to 1903.

Bourcieria Torquata An original John Gould Hummingbird lithograph published in 1861 Beautifully hand colored with watercolor and added iridesence. Hallmandel and Walto printers London in good antique condition some age toning and light foxing. Slightly trimmed measuring approx. 14 x 21 overall size. A fine example of this important work one of the finest images. A Monograph of the Trochilidae, or Family of Humming-Birds Written by John Gould
Published by John Gould (London, England)
5 volumes and supplement, 1861-1887 John Gould (1804-1881) was a British ornithologist, artist, and successful businessman. Sometimes referred to as the "English Audubon," Gould had an illustrious career in which he served as official taxidermist to King George IV and established himself as Queen Victoria's favorite illustrator of birds. Gould was so devoted to the study of birds that he asked for his epitaph to read: "Here lies John Gould, the Bird Man." Though he chronicled a wide variety of bird species, from partridges to toucans, spanning all corners of the globe from Great Britain to Australia, Gould had a particular interest in hummingbirds. He developed a personal collection of 1500 mounted and 3000 unmounted specimens, containing at least 300 different species of hummingbird. A Monograph of the Trochilidae represents Gould's stunning effort to create a comprehensive guide to all the varieties of hummingbird with a high degree of accuracy, detail, and beauty.Gould's five volumes on the hummingbird contain 360 hand-colored lithographic illustrations. Gould would draw rough pencil or watercolor sketches of hummingbird specimens, which then served as guides for a team of artists (including his wife, Elizabeth). Gould also worked with lithographers, who used pure gold and silver leaf (applied underneath the watercolor) to achieve a lifelike illustration of the hummingbird's iridescent feathers.

Chinese porcelain vase hand painted with the Three Sages of Happiness design motif. Tong Zhi period 1862-1874 in excellent condition measuring approx. 9 inches tall comes in a fitted silk lined box.

Original oil on canvas c.1932 "Portrait Schooner Danmark" By Christian Pedersen (1870-1950) renowned marine artist. The Danish Navy Schooner Danmark was visiting NY Worlds Fair in 1939. At the outbreak of World War II she was ordered to remain in US waters to avoid capture by the Germans. Loaned by Denmark she was used to train more than 5,000 US navy sailors. Returning to the US she was given a place of honor leading the NY 1964 Worlds Fair parade of tall ships. Canvas size 25"W x 17.5"H. framed 32.5" W x 24.5" H.

A masterpiece of Georgian furniture this beautifully crafted table utilizes the best of form and proportion with exquisite hand carving. The tripod birdcage stand features a fluted column ornately carved legs ending in ball and claw feet. The table top is of pie crust form carved from a single piece of solid mahogany. The table measuring approx. 30 inches accros and 20 inches tall, is in excellent antique condition it has been refinished at some time in the early 20th century. I believe this piece is of Irish origin.

Gorham Sterling Sliver tea set 2 1/4 pint a elegant regency style. Consisting of a Teapot creamer and sugar bow. Marked sterling and hall marked in excellent condition

Thomas L Hunt American impressionist view of Gloucester harbor Mass. Oil on canvas board signed lower right. This painting was exhibited at the Laguna Beach Museum of Art impressionist show in 1986 . Measuring 14 x 17 framed in the original American Impressionist frame. In excellent condition.

Biography

Thomas L. Hunt was born in London, Ontario, Canada on February 11, 1882. He studied with his father John Powell Hunt and with Hugh H. Breckenridge. He resided in Laguna Beach, Hollywood and San Bernadino, California and maintained a studio in Laguna Beach, California. He was a founding member of the Laguna Beach Art Assn. and he was a member of the California Art Club and San Diego Art Guild. Examples of his paintings can be found in the Kansas City Museum, the Bowers Museum in Santa Ana, California and the Laguna Beach Museum of Art, Laguna Beach, California. He won First Prize at the California State Exposition in 1923, First Prize at the Laguna Beach Art Assn. in 1927 and 1935, and awards at the Pasadena Art Institute, 1933 and at the San Diego Fine Arts Guild in 1933. Thomas Hunt painted in Canada, Northern and Southern California and New England. Drawn to the seaside, he sought his preferred subject matter -- wharves and boats. He also painted beach scenes with crashing waves over rocks, cottages, snowy hillsides and village scenes. Known for his use of pure color, he creates paintings intended to sparkle and vibrate with scintilating light effects. His viewpoint and treatment of his subject matter is highly distinctive. A "Los Angeles Times" critic in 1931 summed up, "One is impressed, in fact, by the poetry of nature he has felt". Thomas Lorraine Hunt died in Santa Ana, California on April 17, 1938.

German faience stein or tankard 18th century with hand painted Chinoisorie decoration in blue on a white body tin glaze. Mounted with a pewter lid and thumb lift engraved with initals and dated 1795. An exquisite example measuring 11 1/4 inches tall and 4 1/4 in diameter. In excellent antique condition one minor repaired chip on the bottom near base( see photo). A rare and fine addition to any collection.

Original antique carved sandstone seated Buddha circa 1500-1700, carved in meditation with crossed legs and arms in the "Bhumisparsa Mudra", set in an arched recess, with two monkey bodhisattvas at his side. Presented displayed on modern wood stand. Dimensions 16.5" W x 22.75" H x 5.25" D - measurements including stand.

An original oil painting on canvas signed lower right Baxter and dated 1868. A beautiful portrait of two women. Measuring approx. 30 x 40 inches. Biography

Charles Baxter (March 1809 - 10 January 1879) was an English portrait and subject painter, known especially for his portraits of pretty young women. Baxter was born in Little Britain, London in 1809, the son of a book clasp maker, and started his career apprenticed to a bookbinder. However, he gave up this business to commence life as a professional painter, chiefly of miniatures and portraits. In 1834 he made the acquaintance of George Clint, from whom he received some valuable instruction, and in the same year exhibited for the first time at the Royal Academy. In 1839 he joined the Clipstone Street Society, and studied there along with Paul Falconer Poole, William Müller, Edward Duncan (1804-1882), Joseph John Jenkins (1811-1885), Francis William Topham (1808-18), and others, who afterwards became distinguished in the profession. He became a member of the Society of British Artists in 1842, and contributed to its exhibitions many of the poetic and rustic subjects and fancy portraits upon which his reputation chiefly rests. His female heads are especially characterised by refinement of expression and purity of colour.

Harriet Whitney Frishmuth (American, 1880 to 1980), Playdays: A Fountain, modeled 1925, bronze with greenish brown patina. Signed and dated on base: HARRIET W FRISHMUTH 1925. Foundry mark: GORHAM CO FOUNDERS QFED. 25 inches tall. An Exquisite piece.

Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.

Exquisite Japanese scalloped rim bowl finely decorated with scenes of demons and dragons artist signed in excellent condition no chips or cracks or restorations a fine example of Japanese Satsuma wear. Measuring 7 x 3.5 inches approx.

Original painting Seven Angels tempera and oil on embossed gold paper. By Carlo Facchinetti Italian (1870-1951). Signed and titled with artists address in Florence Italy on verso. image 7" in diameter. Presented in an Italian carved 24k gold leafed frame.

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A beautiful antique carved stone statue of a Hindu deity 10 - 11th century. Of a red sandstone measuring approx. 18.5 inches tall. A fine example would be a nice addition to any collection.

Chinese carved malachite study of a foo dog or temple guardian. A beautiful grained gem quality stone Measuring 2 x 1 3/8 inches in excellent condition a fine addition to any collection.

An original oil depicting a Brigantine Ship sailing ship off the coast with other vessels and a lighthouse. Oil in board signed lower left in an original arts and crafts era frame. Measuring approx. 10 x 16 inches in excellent condition. A fine example of this artists work. Biography C. Myron Clark (1858-1925) was a painter of mountain landscapes in oil and watercolor, as well as ships (USS Constitution, 1906; Frigate in Tow). He worked mostly in Massachusetts, though his oil landscape of Mounts Skihist and Lilovet was painted north of Vancouver, British Columbia, Canada in 1921. His work is in the collection of the Peabody Museum in Salem, Massachusetts. A FINE EXAMPLE AND NICE ADDITION TO ANY COLLECTION.

A fine antique Japanese Ivory Netsuke of a Buddha and a Shishi or Foo lion by his side. Meiji era circa 1890 in very nice condition some wear and a very nice patina. Measuring 4 centimeters or 1 3/4 inches tall. A very fine example.

Impressionist oil painting of an Italian coastal village signed lower right "Luigi Bertolingrande" (1912-1965), a highly regarded 20th-century Italian Impressionist artist. Oil on canvas laid on masonite board in excellent condition. Unframed.

A fine antique Chinese gilt bronze censer or planter with intricate design foo dog feet and a angelic figure with clouds measuring approx. 12 inches tall and 12 inches wide.

Mettlach stein number 1786, the St. Florian stein, is one of the most beautiful and skillfully crafted, etched and glazed steins produced by Villeroy & Boch during its "Golden Era", with artistry attributed to Otto Hupp. In excellent condition no damage or repairs

Pair of Roosters finely cast and intricately detailed life like made of solid sterling silver. Weighing 82 Troy ounces approx. 4 lbs. Measuring 12" L x 7"T x 7"W. Made in Peru.