Antiquarian Art Co.
All Items : Archives : Fine Art : Pre 1920 item #1104550 (stock #470)
A fine antique oil on canvase by Mauritz Frederik Hendrik De Haas picturing a sailing ship in the moonlight signed lower left in excellent condition measuring approx. 24 x 36 inches framed in a period frame. One of the most famous 19th-century marine and landscape painters, especially of Long Island, Mauritz De Haas was born in Rotterdam, Holland where he studied at the Academy of Fine Arts. He also studied at The Hague, a pupil of Louis Meyer, and then specialized in watercolor in London. In 1859, at the age of twenty seven he immigrated to the United States and set up a studio in New York. In his adopted homeland, he first became known for his European views and then for his scenes painted along the Northeast Coast. Among the latter were views of Long Island: Orient, Montauk, Peconic, Westhampton, Bridgehampton, and Southampton, as well as points along the Long Island Sound. He painted Civil War naval scenes for Admiral Farragut. A brother, William Frederick De Haas, was also a distinguished artist. De Haas felt a special affinity for Long Island because it resembled his native Holland in its terrain and ever-changing effects of light and atmosphere. He was determined to capture the full range of these effects, from bright sunshine reflected on the rippling waves of Long Island Sound to the cool moonlight shining on the beach at Southampton. According to one contemporary critic, he succeeded: "His pencil is equal facile whether portraying a storm on the coast, moonlight effects at sea, or brilliancy of the sunset hour." In painting moonlight scenes, the same source claimed, de Haas had "few equals."
All Items : Archives : Fine Art : Pre 1940 item #1026152 (stock #372)
Antiquarian Art Co.
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A beautiful original oil painting of a Hawaiian landscape oil on art board signed lower right measuring 12 x 16 inches framed in a quality 22k gold leaf frame.

Biography

Born in Hilo, Hawaii on May 15, 1861. During 1885 Hitchcock was a pupil of Virgil Williams at the School of Design in San Francisco. After returning to the Islands, he studied for four years with Jules Tavernier. He continued at the NAD for one year and in Paris at Académie Julian (1891-93). He had studios in Hilo and later Honolulu where he was a leader in the budding art scene. He made extended trips to the mainland and always spent time with old friends in San Francisco. Hitchcock died in war-torn Honolulu on Jan. 1, 1943. He is today one of Hawaii's most revered early artists. Member: Kilohana Art League; Salmagundi Club (NYC); Honolulu AA. Exh: Paris Salon, 1893; Gump's (SF); Alaska-Yukon Expo (Seattle), 1907; St Francis Hotel (SF), 1912 (solo); Panama-Calif. Expo (San Diego), 1915; Honolulu Academy of Arts, 1936 (retrospective); GGIE, 1939; NY World's Fair, 1939. In: Honolulu Academy of Arts; Boston Museum; Oakland Museum; Bishop Museum (Honolulu). Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Fine Art : Drawings : Pre 1700 item #1273396 (stock #667)
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Engravings of annual jousting contest on river Seine in Paris by Jacques Callot in 1630. On the left, the Nesles tower. On the right, the Louvre and the tour du Bois. Etching Dimensions: unframed: 6 1/2 x 13 3/8" (16.51 x 33.97 cm.)
All Items : Archives : Fine Art : Pre 1950 item #1056806 (stock #390)
Original oil on canvas of cattle in a landscape signed lower left in excellent condition measuring 32 x 36 inches. Provenance: The Closson Art Galleries Cincinnati Ohio

Biography

Thomas Corwin Lindsay, born in Cincinnati, Ohio, was a well-known painter of landscapes, animal subjects and occasional portraits. He studied in Dusseldorf, Germany, in the 1860s, but lived and worked most of his life in his native city where he opened a studio in 1856 or 1857. He taught several pupils from his studio, and was a founding member of the Cincinnati Art Club, which became the Men's Art Club. Most of his landscapes were painted in Pennsylvania, up-state New York, the White Mountains of New Hampshire or other Eastern states. He exhibited at the Cincinnati Industrial Exposition, from 1870-83; Pogue's, in 1875; and the Art Institute of Chicago, Illinois, in 1896. His work is in the collection of the Cincinnati Art Museum. Jim Lawrence, a relative of the artist, provides the following: According to the U.S. Census for 1900, Thomas Corwin Lindsay was born on July 1838 in Ohio and not 1839 as so often is recorded. In 1900, he was living in Cincinnati with his wife and son and working as an artist. His parents Thomas Lindsay and Elizabeth Lawrence were both born in Pennsylvania, his father in Cumberland County and his mother in Philadelphia.

All Items : Archives : Fine Art : Pre 1900 item #1324010 (stock #744.00)
Original French watercolor painting. A botanical floral study of bluebells from a French porfolio of artwork dating from 1847. Image 7"w. x 10"L. Presented in an exquisite French mat and gilt wood frame measuring overall 20" L x 17" W.
All Items : Archives : Fine Art : Paintings : Pre 1970 item #1150259 (stock #525)
Claude Lacaze Original painting cubist nudes oil on canvas in excellent condition measuring approx. 14 x 20 Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Archives : Fine Art : Pre 1950 item #580284 (stock #246)
Clyde Scott California impressionist seascape oil on board signed lower right measuring 12 x 16 inches framed in a one of a kind custom hand carved Bill Earl frame overall size 19x23 inches. A beautiful seascape with bold color and light showing the true mastery of this acclaimed artist’s talent. This painting is in excellent condition and ready to hang.

Biography

Born in Bedford, IA on Jan. 24, 1884. Scott studied at the Boston Art School and with Richard Andrews, Edward Kingsbury, and E. Felton Brown. From 1910 he worked in San Francisco for the Commercial Art Company while living across the bay in Mill Valley. Settling in Los Angeles about 1930, he was a special-effects artist at 20th Century Fox Studios from 1933 until retirement in 1950. He died in Los Angeles on Oct. 6, 1959. A skilled painter, his works include desert landscapes of the area around Palm Springs. Exh: PPIE, 1915 (bronze medal); Oakland Art Gallery, 1928, 1929, 1932, 1939; Wilshire Gallery (LA), 1929; Calif. State Fair, 1931 (3rd prize); Calif. Art Club, 1935-41; Painters & Sculptors (LA), 1935-52; Academy of Western Painters (LA), 1935-38; Hollywood Riviera Club, 1936 (1st prize); LACMA, 1937; Gardena High School, 1939 (1st prize); Laguna Beach AA, 1939 (1st prize); GGIE, 1939; Pomona College, 1939; SWA, 1940s; Ebell Club (LA), 1941, 1944; Chaffey College, 1944; CPLH, 1945; Hollywood Woman’s Club, 1949. In: Haggin Museum (Stockton); Gardena (CA) High School; Chaffey College; Santa Monica Municipal Collection; Clearwater High School. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Fine Art : Pre 1930 item #1024515 (stock #358)
Beautiful Egyptian street scene an Original oil painting on board signed lower right measuring approx. 20 x 24 in excellent condition. Biography LEONID GECHTOFF, 1883-1941 

Leonid Gechtoff was born in Odessa, Russia, in 1883, an only child of parents already in their forties and not particularly well off financially.  After his art school training in Russia, where he probably first met his close life-long friend David Burliuk, he and his parents fled from their homeland when he was in his twenties, rather than have him face possible conscription into the army. Cairo proved to be a haven for several years and Gechtoff painted many city and genre scenes of Egypt in his heavily impastoed style, bringing him acclaim in the Orientalist-enamored European art world as well.

Gechtoff always felt most influenced by the work of Vincent van Gogh, however, and this led him to travel to Holland where Dutch-born van Gogh painted in his early years, though not in the colorful later style Gechtoff most admired. There he established good connections which led to gallery shows in Amsterdam, and at one he met his future Russian-born wife Etya while she was on vacation from her pre-medical studies in Germany. Her family was well-to-do and supportive of the young couple, so they were able to wed and settle in Holland initially for about a year, around 1917. Several Alpine landscapes indicate painting trips in more mountainous parts of Europe too. Both Leonid and his wife were fluent in several languages.

The Gechtoffs soon moved to Indonesia, then a major South Pacific colony under Dutch control, hoping that the warmer climate would be better for Etya's health. The lush volcanic landscapes were strongly appealing to the artist as well. They lived in Java for about two years, in 1918 and 1919, and enjoyed traveling and collecting throughout the region during painting trips.

By 1920 they were living in Manila, and in early 1921 they planned a visit to see two of Etya's brothers in Pennsylvania later that year.  Once in America, the Gechtoffs found themselves persuaded to stay and settle in Philadelphia, with both becoming US citizens.  Leonid's major patron and benefactor was either a member of the family of Dutch-born philanthropist Edward Bok or Bok himself. Along with inclusion in various group exhibitions, his work was featured in a solo show at the Philadelphia Art Alliance in the early 1930's.

Gechtoff had achieved substantial success throughout the 1920's from his landscape paintings near his home in Philadelphia, and had also purchased a summer home on Cape May, New Jersey, where he painted many coastal scenes.  Unfortunately, he made large investments in the stock market in the latter years of the decade, and these disappeared almost overnight in the Wall Street Crash of 1929. The family now included young Sonia, born in 1926, and soon her sister, born in 1933.

With their fortunes in decline, like so many artists in the Depression of the 1930's, they sold the Cape May house but still were able find suitable rentals at the shore for their summer sojourns, and otherwise still lived in downtown apartments in Philadelphia. Gechtoff's works began to depict wintry landscapes along with his bright rocky seascapes and still lifes.

Gechtoff continued vigorously painting in his vivid and distinctive style, a blending of post-Impressionism and expressionism, until his health became a problem in 1940, with the stress of high blood pressure and complications. He died in 1941 at the age of 58. His widow later moved to San Francisco and ran an influential exhibition space in San Francisco called the East-West Gallery, while daughter Sonia became a well-known artist currently living in New York City. 
Gechtoff is listed in the Archives of American Artists, part of the Smithsonian Institution.
All Items : Archives : Fine Art : Pre 1940 item #702636 (stock #273)
F Grayson Sayer California impressionist landscape near Palm Springs Ca. Oil on canvas board signed lower left corner in excellent condition measuring 8x10 inches framed in a quality gallery frame overall size approx. 16x18 inches.

Biography

Landscape painter, illustrator. Born in Medoc, MO on January 9, 1879, Sayre worked in the lead and zinc mines and manufactured leather goods before settling on an art career. He remained a self-taught artist except for two months with J. Laurie Wallace in Omaha. His first creative job as an artist was an employee of and engraving company in Houston, TX. Ill with diphtheria, he moved to California in 1917. Traveling to California by train, he was enchanted with the Southwest desert and vowed to return which he did in 1919. For three years he lived in Arizona working for a mining company as a bookkeeper while painting in his leisure. Upon returning to California in 1922, he held his first art exhibition of 64 watercolors in San Francisco; later that year he exhibited at the Los Angeles County Museum of Art. In that year he moved to Los Angeles and two years later built a home and studio in Glendale where he remained for the rest of his life. Sayre is one of California’s best known painters of the deserts and the Southwest. Member: Pallete & Chisel Club of Chicago; Painters & Sculptors of Los Angeles (cofounder and President, 1929) Exhibited: Bohemian Club, 1922; Glendale Chamber of Commerce, 1922 (solo); Glendale Public Library, 1962 (retrospective) Works Held: Los Angeles County Museum of Art (Source: Hughes, Edan Milton, "Artists in California: 1786-1940," San Francisco: Hughes Publishing Company, 1989.)

All Items : Archives : Fine Art : Paintings : Pre 1970 item #1053478 (stock #389)
A beautiful abstract composition oil on paper by Harold Christopher Davies singed lower center and on reverse. a well listed California modernist Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 24 x 20 inchesA fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
All Items : Archives : Fine Art : Pre 1930 item #1302238 (stock #715)
Original Antique Watercolor British Portrait of "The Cutty Sark" signed lower right John Whitlock image 13"L x 18"W. Overall framed size 20" L x 24" W. Provenance imported from England by J Assenheim NY.
All Items : Archives : Fine Art : Pre 1950 item #1267037 (stock #648)
Original Painting by Zhāng Shūqí (Chinese: 张书旗; 1901-1957) a Chinese painter from Zhejiang, noted for painting flowers and birds. He studied at Shanghai under Liu Haisu. For a time he taught at the National Center University. From 1942 to 1946, he lived in the United States. After that, he returned to China for a time, but ultimately settled in the US.His works are in the Gallery of Victoria Museum, the Ashmolean Museum and Stanford Museum. Image 9.5"L x 12"W. framed in a gilt bamboo frame 16" L x 19" W. Provenance a Stanford collection estate stamped lower right. Please view our other catalog offerings.
All Items : Archives : Fine Art : Contemporary item #541123 (stock #191)
Heinie Hartwig Grand Grand Canyon at Sunset oil on board signed lower right titled on reverse measuring 24x30 inches. This is a beautiful work of art by this highly acclaimed western painter. The condition is excellent the frame is a fine quality gallery frame. Hartwig is know for his scenes of Indian life in the old west. Hartwigs paintings are in major public and private collections a similar size painting by Hartwig sold for $12,300 at a western painting auction. Biography Heinie Hartwig became a painter of primarily western subjects although he also does landscapes and still lifes. The tone of his work is primarily romantic. He started painting in 1970, working on his art in the evenings, and a year later quit his job and began painting for a living. He had grown up in the Santa Clara Valley of California, and left for three years to spend time traveling through Europe with the Army. He was in Germany as the Berlin Wall went up and persuaded his wife, Eva, to leave East Germany to marry him. Returning to Santa Clara, he worked pouring concrete, and spent a lot of time running marathons. In 1964 he held the record for long distance running in Northern California. By 1991, he was in "Who's Who in American Art". Hartwig taught himself to paint by studying the "Old Masters." He was attracted to the charm and romance of classic art. He has managed to capture the light, color and style of those great artists. Though most of his work has a western theme, Hartwig is a versatile painter. Many of his paintings are landscapes and still lifes. Heinie Harwig's work has been compared to Albert Bierstadt and John Constable for its romanticism, European feel and composition.
All Items : Archives : Fine Art : Pre 1930 item #491559 (stock #144)
A beautiful painting by this highly recognized early California painter depicting a wooded landscape with cows and oaks. Done in a impressionist style oil on board signed lower left. Measuring approx. 10x12 inches framed in a one of a kind custom carved and gilt frame 16.5 x 19 inches overall. A fine example would make a nice addition to any collection.

Biography

Carl Henrik Jonnevold (1856-1955) was born in Norway on June 1, 1856. He immigrated to the United States in the 1880s and is known to have painted in the Northwest before moving to California in 1887. Settling in San Francisco, he maintained a studio at 1617 California Street. He was a self-taught painter except for brief study in the galleries of Paris in 1908. While in France, he was greatly influenced by the Barbizon painters and their dark palette. Returning to California, he continued to paint the beauty of northern California in the Barbizon style. Often working in late afternoon when shadow prevails, he produced hundreds of attractive tree and meadow scenes which he exhibited in local galleries. By the time of the stock market crash in 1929, Jonnevold was poverty stricken and living alone at his small studio at 560 Kearny Street. In that year he was sentenced to two months in jail for aiming a gun at his landlord. Jonnevold disappeared from San Francisco about 1930. A letter at the Oakland Museum gives his date of death as June 9, 1955 but does not state where. Member: San Francisco Art Ass'n. Exhibited: Alaska-Yukon Expo (Seattle), 1909 (bronze medal); California State Fairs (premiums). Works held: Oakland Museum; California Historical Society; De Young Museum. Courtesy Edan Hughes

All Items : Archives : Fine Art : Pre 1940 item #989005 (stock #312)
A beautiful oil on board by Harold Christopher Davies of a a California impressionist landscape from his early days before he became a abstract modernist. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 7 inches framed in a quality gallery frame overall size 9.5 x 12.5 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
All Items : Archives : Fine Art : Pre 1930 item #1059442 (stock #396)
Harriet Whitney Frishmuth (American, 1880 to 1980), Playdays: A Fountain, modeled 1925, bronze with greenish brown patina. Signed and dated on base: HARRIET W FRISHMUTH 1925. Foundry mark: GORHAM CO FOUNDERS QFED. 25 inches tall. An Exquisite piece.

Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.

All Items : Archives : Fine Art : Pre 2000 item #1302218 (stock #714)
Vintage abstract painting of boats in a harbor by award winning artist Audrey Salkind. Salkind graduated from the Moore College of Art and Design in Philladelphia and continued her studies in Maryland as well. She has exhibited extensively throughout the Mid Atlantic and NY.
All Items : Archives : Fine Art : Pre 1900 item #1284742 (stock #679)
A fine antique oil painting of Flowers in a Vase oil on panel signed lower left by Caroline Noette dated 1874. In original antique gilt wood and gesso frame. Painting 8 x 10 inches frame 13.5 x 15.5 inches. In excellent original antique condition.