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Nels Hagerup (1864-1922) was born in Christiania, Norway in 1864 into a family that included the composer Edward Hagerup Grieg. Nels Hagerup studied at the Christiania Art School, Royal Academy in Berlin, and in Copenhagen with Carl Locher. After sailing to the West Coast as a merchant seaman in 1882, he settled in Portland, Oregon. There he was an instructor of drawing at the Bishop Scott Academy (now called Hill Academy) and was a founder of the Portland Art Association. About 1892 he moved to San Francisco where he remained. He worked there as a stevedore on the waterfront and later established a home and studio in the Sunset District at 1224 46th Avenue within walking distance of the ocean. Hagerup painted nearly 6,000 oils of sand dunes, ships and marine scenes. One of his more important works is the 16' x 18' mural in the Assembly Room of the San Francisco Merchants' Exchange Building. Hagerup was a master of atmospheric seascapes. He died of a heart attack in his studio on March 13, 1922. Exhibited: Lewis & Clark Expo (Portland), 1905 (gold medal); Alaska-Yukon Expo (Seattle), 1909 (gold medal); California Historical Society, 1963 (retrospective). Works held: California Historical Society; San Bruno (CA) Public Library.
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Fred Wagner was born in Valley Forge, Pennsylvania in 1864. He received a scholarship to study art at the Pennsylvania Academy of the Fine Arts under Thomas Eakins and in 1884 was made chief Demonstrator of Anatomy there. In 1885, Wagner left the Academy to make a painting tour of San Antonio, Texas, and then went on to Los Angeles, California, where he painted a number of landscapes and portraits. He returned to Philadelphia as an illustrator for the Philadelphia Press until 1902, and then moved to Norristown, Pennsylvania to paint full time. In 1912, Wagner opened a Philadelphia studio and taught classes in outdoor painting at Addingham, and later, at the Pennsylvania Academy's summer school in Chester Springs. His reputation grew, and he took on additional classes at his studio in the Fuller Building. In 1913, Wagner exhibited in the now famous Armory Show in New York City. He exhibited frequently at the Pennsylvania Academy's annual exhibitions, and in 1914, was awarded the Fellowship Prize. He was awarded Honorable Mentions from the Pittsburgh International, the Philadelphia Art Club, and the Carnegie Institute in 1922. His paintings are in the collections of the Cleveland Museum; St. Louis Museum, MO; Fort Wayne Museum, IN; Kalamazoo Museum, MI; Rochester Museum, NY; Worcester Art Museum, MA, and the Reading Museum, PA. Fred Wagner died in Philadelphia in 1940.
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William ADAM 1846 - 1931 William Constable Adam (1846-1931) was born in Tweedmouth, England on August 29, 1846. He studied under Delecluse in Paris, Brydall and Greenlees in Glasgow, and in Buenos Aires before immigrating to Boston in 1893. After moving to California in 1898, he soon settled in Pacific Grove on the Monterey Peninsula. Known as "Professor" Adam, he gave art lessons in his rose-covered cottage at 450 Central Avenue. With a bright and colorful palette of both oil and watercolor, he specialized in views of the Monterey area such as sand dunes, cottage and garden scenes, and the local flora. Adam died in Pacific Grove on October 17, 1931. Member: Boston Art Club; Lowell (MA) Art Club; Glasgow Art Club. Exhibited: Royal Scottish Academy; California State Fairs (medals); Del Monte Art Gallery (Monterey), 1907-12; Berkeley Art Ass'n, 1908; Sorosis Club, 1913; California Artists, Golden Gate Park Museum, 1916; Rabjohn & Morcom Gallery (San Francisco), 1916. Works held: City of Monterey Collection; Santa Cruz City Museum; Silverado Museum (St Helena, CA); Shasta State Historical Monument.
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RODERIC O’CONOR An exact contemporary of Charles Gruppe, O’Conor is listed as both Irish and Irish-American (by Bénézit, in error). His place of birth was Roscommon, Ireland (on 17 October 1860). Regarded as Ireland’s most progressive painter of his time, O’Conor was close to both Gauguin and Armand Seguin in the Pont-Aven region, and he was wealthy enough to purchase paintings by Cézanne, Gauguin, Renoir, Manet, and others. O’Conor studied art in Dublin (1879-83), Antwerp (1883), then in Paris under Carolus-Duran and at the Académie Julian. He was working in Grèz-sur-Loing in the 1880s (Jacobs, 1985, p. 33), and began exhibiting his works at the Salon des Indépendants in 1890. Later he would take part in the Salon d’Automne. O’Conor first came to Brittany in 1890, and two years later he executed Yellow Landscape at Pont-Aven (Barnet Shine Collection, London). At Pont-Aven, O’Conor also did engravings. The Irishman befriended Gauguin there, also in 1892. The latter tried to persuade his “drinking buddy” O’Conor to accompany him to Tahiti. The Irish painter was certainly as avant-garde as Gauguin. Breton Peasant Knitting, already post-impressionistic, was painted in 1893, and The Farm at Lezaven, Finistère (National Gallery of Ireland), a year later. According to tradition, O’Conor inspired the character of Clutton, the failed artist in Somerset Maugham’s Of Human Bondage. The letters between Seguin and O’Conor were published in 1989, as Une vie de bohème. In the introduction, Denys Sutton describes how O’Conor served as Seguin’s “father confessor.” O’Conor’s friend Clive Bell (in Old Friends, 1956, p. 163), pointed out that O’Conor “seems to have known . . . most of the more interesting French painters of his generation — the Nabis for instance.” O’Conor’s use of bold color anticipates the Fauves and the German Expressionists. His knowledge of avant-garde painting had a direct impact on the formalist critics Roger Fry and Clive Bell. O’Conor influenced both Robert Vonnoh and Edward Potthast in Grèz, and he oriented Alden Brooks (1840-1931) to Vincent van Gogh’s innovative techniques. Brooks stated that O’Conor was “considered by all the one genius of the crowd.” (Hill, 1987, p. 14). He died at Neuil-sur-Layon on 18 March 1940.
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Painter, illustrator. Born in Cincinnati, OH on Feb. 14, 1889. Baldwin moved to southern California in 1911 and had homes in Montrose and Carlsbad. He studied painting locally with Jean Mannheim, Paul Lauritz, and George Demont Otis. While on the staff of the Southwest Museum from 1933-41, he illustrated the books Gypsum Cave and Navajo Weaving. Baldwin died in Oceanside, CA on July 3, 1961. Member: Painters & Sculptors of LA; Carlsbad-Oceanside Art Club. Exh: Eagle Rock Artists, 1931. In: Southwest Museum (LA). Eagle Rock Sentinel, 10-2-1931; CA&A; AAA 1933; Sam; SCA; AAW; WWAA 1938-62; WWPC 1951.
$850.00
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Biography
Alexander Dzigurski traveled widely in the United States , painting in the Rocky Mountains, Grand Tetons, Glacier National Park, New England and along the coasts. Dzigurski started his career in his native Yugoslavia by decorating the interior of churches, which he continued in the U.S. after he and his family had fled from Tito's communist regime via Italy. By 1952 he could afford to travel and paint landscapes, settling in California. He Studied at the School of Art, Belgrade and the Academy of Art, Munich, Germany. He was a member of various organizations including: Fine Art Institute of Los Angeles; American Artists Professional League; and Society of Western Artists. His work has been exhibited in the following museums: Belgrade Art Museum, Yugoslavia; Ford Museum, Detroit; and Boston Museum of Fine Arts.
$800.00
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Charles Henry Harmon (1859-1936) was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill Cemetery. Exhibited: Mark Hopkins Institute, 1897-98; Gump's (San Francisco), 1899; Berkeley League of Fine Arts; California Artists, Golden Gate Park Museum, 1915; Stanford Art Gallery, 1923; Rosicrucian Art Gallery, 1949 and Triton Museum, 1971 (retrospectives). Works held: San Jose Civic Auditorium; Clarke Museum (Eureka); California State Library; Denver Public Library; Santa Fe Railway. Source : Edan Hughes Artists in California.
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$8,500.00
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Harriet Whitney Frishmuth was born on September 17, 1880 in Philadelphia, Pennsylvania. A student of such renowned artists as Auguste Rodin and Gutzon Borglum, Frishmuth's reputation and career grew steadily throughout the first several decades of the twentieth century, with exhibitions at the National Academy of Design, the Academy of Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939-1940) and the National Association of Women Painters and Sculptors. Her favorite models were dancers, especially Desha Delteil - immortalized in Frishmuth's most famous work, The Vine - a model particularly popular with artists for her ability to hold difficult poses for long periods of time. The final exhibits of Frishmuth's work took place in New York City in 1929, but she remained active in the art world for many years following. Frishmuth passed away in 1980 at the age of 99. A proponent of the Beaux Arts style - Frishmuth was exceptionally critical of modern art, often calling it "spiritless" - her works can now be seen in some of the world's leading museums and collections, including the Metropolitan Museum of Art in New York City, the Dallas Museum of Art, and Ohio University's Kennedy Museum of Art.
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$795.00
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$1295.00
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biography
Born in New York City in 1836, Ransome Holdredge came to California via the Isthmus of Panama in 1858 and worked as a draftsman at the Mare Island Naval Yard. His paintings of the 1860s and early 1870s were signed "Holdridge" and were done in the realistic style of the Hudson River School. During this period he maintained a studio in San Francisco's Donahoe-Kelly Bank Bldg and exhibited locally. In 1874 he and Hiram Bloomer held a joint sale of their paintings to finance European studies. He left in that year and spent about two years studying in France. His obituary states that he was a field artist for Scribner's publications and was with Major Reno's troops at the time of the Custer massacre in 1876. After his studies in France, he returned to San Francisco with a distinctly different style. Paintings done after that time show the influence of the Barbizon School and were signed "Holdredge." His works were in great demand during his lifetime, received rave reviews by the local press, and were often considered superior to those done by William Keith. Holdredge traveled extensively throughout the Northwest, Southwest, the Rockies and western Canada, often living for long periods of time among the various Indian tribes. Due to his malnutrition and alcoholism, his paintings done during the latter part of his life were not of good quality. Like his friend Jules Tavernier, he made considerable money as an artist but did not manage his money well. He died penniless at the Alameda County (CA) Infirmary in April 1899 and was buried at public expense. ASSOCIATIONS San Francisco Art Association (cofounder) Bohemian Club EXHIBITIONS California State Fair, 1881-83 Mechanics' Institute (SF), 1868, 1880, 1886 COLLECTIONS Bohemian Club Oakland Museum Society of California Pioneers Orange County Museum California Historical Society Nevada Museum (Reno) Bancroft Library (UC Berkeley) Crocker Museum (Sacramento) Oregon Historical Society Source: Edan Hughes,
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A beautiful oil of an early California landscape of wild flowers lupine and poppies. Oil painting on canvas board signed lower right measuring approx. 12 x 16 inches. Framed in a contemporary gallery frame overall 20x24 inches. In excellent condition a fine early piece would be a fine addition to any collection.
Biography
Born in Oakland, California, Ramona Froyland, known as Mona, was a painter of still lifes, portraits, landscapes, marines and later in her life, Madonnas. Her parents were Mabel and Manuel Valencia, both artists who gave Ramona her early instruction. She later attended the California School of Fine Art and the Art Institute of Chicago. Ramona Valencia was a paternal descendant of General Gabriel Valencia, the first governor of Sonora, Mexico under Spanish rule, and the great granddaughter of a man who arrived in California in 1774 and became administrator of the Presidio in San Francisco where the family received many land grants. When she was six years old, in 1906, she and her family moved to San Jose because of the destruction of the San Francisco earthquake and fire. However, the family kept close ties to San Francisco where her father kept his studio. Beginning in the 1960s, Ramona Valencia taught art classes to children and adults from her studio in Castro Valley, California, and she died there on September 22, 1988. She was a member of the Hayward art Association and exhibited at Alameda County Fairs.