Catalog: Sold Items: Fine Art (179)

A fine vintage photo of a Chinese Imperial temple photo by famed Jewish photographer Sam Sanzetti signed lower right a fine rich print measuring 12 x 17 inches. in good vintage condition,

Biography

Sioma Lifshitz arrived in Shanghai on a freighter from Vladivostock in 1922. The 20 years old energetic Russian jew had no money but lot’s of dreams and soon started to work in a photography studio under the name of Sam Sanzetti. It took him 5 years to open in own studio in 1927, becoming one of the most famous photographer in Shanghai. The studio was first located on 73 Nanking Road (today 73 Nanjing Dong Lu), near the Bund and just behind the Palace hotel (today Swatch Art Peace Hotel). Construction on the Cathay Hotel (today Peace Hotel) was on-going at that time very and the opening in 1929 certainly also helped his business. The central position in the business center allowed him to become the photographer of the rich and famous in Shanghai, surely meeting with other successful business people of the time. His office later moved to 39 Peking Road (today Beijing Dong Lu) as reported in 1938 Shanghai Dollar Directory. Some of his photographs clearly remind of the calendar ads from the Carl Crowe company located very close on 81 JinKe lu and both men hanging around in similar circles probably worked with each other at some point. Sam Sanzetti left Shanghai in 1957 to immigrate to Israel leaving a Chinese wife and a stepdaughter behind and remade his life in his new country. He had fun memories of Shanghai as explained in an interview with an Israeli Newspaper years later. However he was never able to come back to Shanghai before his death in 1986.

A fine Original Drawing with color by Alexandre Gabriel Decamps 1803-1860. A north African scene of a mosque and minaret signed with monogram lower right. In good antique condition some minor restored edge tears 1 cm each paper discoloration with age. Image measuring approx. 9.5 x 12.5 framed in a quality antique frame overall size 17 x 19.

Biography Decamps, Alexandre Gabriel 1803-60, French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail. His Good Samaritan and Night Patrol at Smyrna are in the Metropolitan Museum New York.

A original oil painting of the The Copenhagen (København) was a Danish sailtraining vessel rigged as a five-masted steel auxiliary barque(1921–1929). It was, according to Alan Villiers, the largest and finest sailing vessel in the world at the time it vanished. Oil on canvas signed lower right indistinctly and titled measuring 17 X 25 image framed size approx. 23 X 31. In good antique condition some age cracking. A nice historical decorative painting.

A charming oil on copper panel of young street boys playing dice with a dog and another eating scraps. Measuring 8x10 inches framed in a quality antique frame 13 x 14 overall size. A charming painting would enhance any collection.

A beautiful abstract composition oil on paper by Harold Christopher Davies singed lower center and on reverse. a well listed California modernist Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 24 x 20 inchesA fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

A beautiful impressionist painting of a seated nude initialed lower right A.P. Oil on canvas in excellent condition framed in a quality gilt frame. Provenance: the estate of the artist.

Biography

SIMONPIETRI, Alfred H. (1916-2001). Painter. Born in Puerto Rico on June 20, 1916. While serving in the Army during World War Two, Simonpietri was in a plane crash. After the war he settled into a home in the Sunset District of San Francisco where he remained until his demise on December 2, 2001. A talented artist, he created hundreds of paintings, mostly nudes and still lifes. Biography provided courtesy of Edan Hughes Author Artists in California 1850-1940

An original oil depicting a Brigantine Ship sailing ship off the coast with other vessels and a lighthouse. Oil in board signed lower left in an original arts and crafts era frame. Measuring approx. 10 x 16 inches in excellent condition. A fine example of this artists work. Biography C. Myron Clark (1858-1925) was a painter of mountain landscapes in oil and watercolor, as well as ships (USS Constitution, 1906; Frigate in Tow). He worked mostly in Massachusetts, though his oil landscape of Mounts Skihist and Lilovet was painted north of Vancouver, British Columbia, Canada in 1921. His work is in the collection of the Peabody Museum in Salem, Massachusetts. A FINE EXAMPLE AND NICE ADDITION TO ANY COLLECTION.

A beautiful quality original watercolor marine painting of ships off the coast and braking waves by george howell gay signed lower right. Painted on a heavy watercolor paper laid on matte board measuring approx. 14 x24 inches framed in a quality gold leafed frame. In very good condition no tears or creases some areas of age discoloration and fading typical with watercolors of this age please view pictures.

biography

george h. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of new england. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in milwaukee, wisconsin on july 2, 1858, and lived in chicago and then in 1889, settled in bronxville, new york. Gay was a pupil of paul brown and henry elkins in chicago. He is known to have exhibited at the national academy of design in 1890; boston art club, 1890-1900; and boston art club, 1897. Shortly before his death in 1931, george gay's address in 1929 was known to be 100 kraft ave., bronxville, ny.

A fine figural nude bronze by Hans Dietzsch-Sachsenhausen signed and dated 1921. measuring 17 inches tall in excellent condition. Sachsenhausen (1810-1926) a noted German sculpture with many important public statuary in city centers in Germany and other Countries.

Impressionist oil painting of an Italian coastal village signed lower right "Luigi Bertolingrande" (1912-1965), a highly regarded 20th-century Italian Impressionist artist. Oil on canvas laid on masonite board in excellent condition. Unframed.

A fine original oil painting on board 18 x 26 inches signed lower left J.W. Curtis and dated 1893. A scene of the Australian blue mountains and the famous three sisters mountain. excellent condition. A fine example of this important Australian artists work. Known for his paintings in black and white which he exhibited at the Victorian Academy of Arts, in the 1880s.

Biography

James Waltham Curtis (1839-1901) was an eminent Australian colonial artist whose work lives on as a tribute to Australia’s early days of European settlement. His approach is of technical, poetic and historical interest, emphasizing man’s battle with a primeval landscape and nature, his picturesque landscapes being fine examples of the late 19th century period which preceded the Heidelberg School. Curtis was an English painter and illustrator who it is believed, came to Australia during the Gold Rush. Curtis’ work plays an important part in the preservation of Australian history and is an excellent reminder of how life was in the latter part of the 19th century.

The Three Sisters

The Sisters were formed by erosion. The soft sandstone of the Blue Mountains is easily eroded over time by wind, rain and rivers and the cliffs surrounding the Jamison Valley are being slowly broken up. [edit]Aboriginal legends The commonly told legend of the Three Sisters is that three sisters (Meehni', 'Wimlah' and Gunnedoo') lived in the Jamison Valley as members of the Katoomba tribe). They fell in love with three men from a neighbouring tribe (the Nepean tribe), but marriage was forbidden by tribal law. The brothers were not happy to accept this law and so decided to use force to capture the three sisters. A major tribal battle ensued, and the sisters were turned to stone by an elder to protect them, but he was killed in the fighting and no one else could turn them back. This legend is claimed to be an Indigenous Australian Dreamtime legend.[1] However, Dr Martin Thomas, in his work "The artificial horizon: imagining the Blue Mountains",[2] clearly shows that the "aboriginal" legend is a fabrication created by a non-Aboriginal local Katoomba, Mel Ward, presumably to add interest to a local landmark. The story originated in the late 1920s or early 1930s and is unknown prior to that date. The Aboriginal traditional owners, the Gundungurra, have a legend that includes the Sisters rock formation. They are currently[when?] developing a website which will include these traditional stories.

Lovely modernist nude etching of a reclining woman entitled, "Joseph Had a Dream" by Ruth Weisberg. Dated 1967 and signed lower right. Presented in cream colored matting and a carved gilt wood frame. Image size: 14 x 18", overall dimensions: 20 x 26". Ruth Weisberg, an artist and professor, is the former Dean of Fine Arts at the University of Southern California since 1995. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.

Original oil titled Holland Church measuring 12 x 16 inches framed in a fine hand made gold leaf frame overall approx. 20 x 24. Provenance: the estate of the artists and Karges gallery estate stamped signed and numbered and titled and labeled on the reverse. A fine painting by this renowned artist.

Biography

Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI

Romona Valencia

A beautiful oil of an early California landscape of wild flowers lupine and poppies. Oil painting on canvas board signed lower right measuring approx. 12 x 16 inches. Framed in a contemporary gallery frame overall 20x24 inches. In excellent condition a fine early piece would be a fine addition to any collection.

Biography

Born in Oakland, California, Ramona Froyland, known as Mona, was a painter of still lifes, portraits, landscapes, marines and later in her life, Madonnas. Her parents were Mabel and Manuel Valencia, both artists who gave Ramona her early instruction. She later attended the California School of Fine Art and the Art Institute of Chicago. Ramona Valencia was a paternal descendant of General Gabriel Valencia, the first governor of Sonora, Mexico under Spanish rule, and the great granddaughter of a man who arrived in California in 1774 and became administrator of the Presidio in San Francisco where the family received many land grants. When she was six years old, in 1906, she and her family moved to San Jose because of the destruction of the San Francisco earthquake and fire. However, the family kept close ties to San Francisco where her father kept his studio. Beginning in the 1960s, Ramona Valencia taught art classes to children and adults from her studio in Castro Valley, California, and she died there on September 22, 1988. She was a member of the Hayward art Association and exhibited at Alameda County Fairs.

Original Vintage Conte Crayon Drawing of a Reclining Nude Woman by R. Chatfield monogramed lower right. Unframed. 25" L x 21" W

A fine impressionist painting of a soccer game goal save initialed lower right A.P. Oil on canvas measuring Approx. 36 x 40 in excellent condition framed in a quality gilt frame. Provenance: the estate of the artist. Biography SIMONPIETRI, Alfred H. (1916-2001). Painter. Born in Puerto Rico on June 20, 1916. While serving in the Army during World War Two, Simonpietri was in a plane crash. After the war he settled into a home in the Sunset District of San Francisco where he remained until his demise on December 2, 2001. A talented artist, he created hundreds of paintings, mostly nudes and still lifes. Biography provided courtesy of Edan Hughes Author Artists in California 1850-1940

A fine original oil painting signed lower left oil on canvas painted in his time studying in France measuring approx. 16 x 28 in excellent condition.

biography

Born in New York City in 1836, Ransome Holdredge came to California via the Isthmus of Panama in 1858 and worked as a draftsman at the Mare Island Naval Yard. His paintings of the 1860s and early 1870s were signed "Holdridge" and were done in the realistic style of the Hudson River School. During this period he maintained a studio in San Francisco's Donahoe-Kelly Bank Bldg and exhibited locally. In 1874 he and Hiram Bloomer held a joint sale of their paintings to finance European studies. He left in that year and spent about two years studying in France. His obituary states that he was a field artist for Scribner's publications and was with Major Reno's troops at the time of the Custer massacre in 1876. After his studies in France, he returned to San Francisco with a distinctly different style. Paintings done after that time show the influence of the Barbizon School and were signed "Holdredge." His works were in great demand during his lifetime, received rave reviews by the local press, and were often considered superior to those done by William Keith. Holdredge traveled extensively throughout the Northwest, Southwest, the Rockies and western Canada, often living for long periods of time among the various Indian tribes. Due to his malnutrition and alcoholism, his paintings done during the latter part of his life were not of good quality. Like his friend Jules Tavernier, he made considerable money as an artist but did not manage his money well. He died penniless at the Alameda County (CA) Infirmary in April 1899 and was buried at public expense. ASSOCIATIONS San Francisco Art Association (cofounder) Bohemian Club EXHIBITIONS California State Fair, 1881-83 Mechanics' Institute (SF), 1868, 1880, 1886 COLLECTIONS Bohemian Club Oakland Museum Society of California Pioneers Orange County Museum California Historical Society Nevada Museum (Reno) Bancroft Library (UC Berkeley) Crocker Museum (Sacramento) Oregon Historical Society Source: Edan Hughes,

An original woodblock print signed lower left and titled on mount "Caballo printed on Japan paper. This is a very rare graphic work by this important Mexican Modernist woman artist. Her auction records for painting are six figures. This print is In good condition paper is cut unevenly image size 5 x 7 inches slight light staining comes with archaival 16 x 20 matte. Biography María Izquierdo (October 30, 1902, San Juan de los Lagos – December 2, 1955, Mexico City) was a Mexican painter. She was born María Cenobia Izquierdo Gutiérrez in San Juan de los Lagos in the state of Jalisco;. After her father died, when she was five years old, she lived with her grandparents and aunt afterward in small towns of Aguascalientes, Torreón, and Saltillo. Both her grandma and aunt were devoted Catholics and much of her upbringing revolved around daily Catholic traditions. At age fourteen she had an arranged marriage to a senior army officer, Colonel Cándido Posadas, and bore three children by the time she was 17 years old. In 1920 her and her family moved to Mexico City from San Juan de los Lagos where she first began to develop into a professional artist. Always interested in art, Iqzuierdo spent much of her time alone teaching herself new art techniques. When she and her family moved to Mexico City in the 1920s, she acted on her passion and left Cándido Posadas. Today María Izquierdo is known for being the first Mexican female to have her artwork exhibited in the United States. She committed both her life and her career to painting art that displayed her Mexican roots and held her own amongst her famous Mexican male artist friends and contemporaries Diego Rivera, Jose Orozco, and David Siquerios.In December 1955 she died from a stroke in Mexico City.

Classical romantic allegorical painting by James Korn oil on canvas signed and dated Los Angeles 1928 lower left. A beautiful painting by listed California artist James Korn born 1873 at Braila Romania died in Los Angeles in 1961. James Korn is listed in Hughes artists in California he worked in Hollywood as artists. The painting is nicely framed has an old varnish that gives a antique look to the painting but if preferred it could be cleaned one minor touch up in the canvas. Overall a very nice decorative painting would be a nice addition to any interior.

English 19th century oil painting portrait of a Thoroughbred race horse in a paddock. Oil on canvas signed and dated indistinctly lower left. A fine quality painting measuring approx. 24x30 inches overall and framed in a quality contemporary gallery frame. The condition is excellent the canvas has been relined and there is some areas of in painting. A beautiful painting and a great decorative equestrian artwork.

A Beautiful original oil painting Robert William Wood of a Texas landscape with bluebonnet flowers and old homestead and oak trees. Oil on canvas measuring approx. 25x30 inches. Condition is excellent the canvas has been relined due to age cracking overall a fine example of this artists work ready to hang. Biography A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

A beautiful still life painting of fruit and a copper pot oil on board signed lower right and noted Southwest art association. In excellent condition measuring 17 x 25 inches framed size 22 x 30 inches. A beautiful original painting would make a fine decorative piece for any interior.

Biography

Quince Rudolph Galloway was born on August 16, 1912 in Alma, Arkansas. He was known for his realist, and sometimes impressionist, landscape, portrait and still life works. Galloway attended college in Arkansas. He moved to Oakland, California in 1931 where he studied art at the Fox-Morgan School. Soon after his move to Oakland he married fellow artist Janice Webster and settled in nearby San Leandro. For several years he studied in the San Leandro area with Robert Rischell and Van Waldron. Working in pastels, oils, acrylics, and watercolors he often painted realistic images of the landscape using strong light and shadows. Galloway was a member of the Oakland Art Association, San Leandro Art Association, and the Southwestern Art Association. He died in Oakland, California on September 21, 2003.

Original oil on board by Drake Seaman of a young Navajo girl named Rita. Signed lower right and signed and titled on the reverse by the artist with the artists address in Arizona. Measuring image size 8 x 10 in excellent condition. Drake Seaman, Southwestern artist, was born 1935 and died December 2000. He was a resident of Williams, Arizona and painted in sumi ink, acrylics, and oil using brush and knife applications. Seaman's subject matter includes cowboys, horse, cattle and landscapes. He also painted murals with Ray Strong. One of Seaman's landscape murals is in a Seventh Day Adventist Church in Santa Barbara, California. A mural titled "Prodigal Son" is in St. Joseph's Catholic Church in Williams, Arizona. He studied at the Kachina Art School with Jay Datus. From 1969 to 1970, he was an instructor of landscape painting at Brroks Fine Arts Center in Santa Barbara. Two paintings are in the permanent collection at the Phippen Museum in Prescott, Arizona. Much of his collection resides with his wife in Williams, AZ. Seaman is believed to have associated with Flagstaff Activist Network (FAN) a conservationist group that supports preserving habitats and native cultures of the Southwest. Source: Katy Holditch "Who's Who in American Art", 1997-1998

Original oil Marko Stupar modernist portrait of a woman colorful beautiful painting measuring 11 x 14 framed in a beautiful quality gallery frame overall size 14 x 16 a quality painting would enhance any collection.

Biography

Born in 1936 in Yugoslavia, Stupar chose France as his permanent home in 1964 after completing his studies at the Beaux-Arts of Belgrade. Today we find that the art of Marko Stupar is totally integrated into the School of Paris. Although his work continues to be very personal, the graphic nature of his Slavic background is now uniquely combined with the subtlety found in Bonnard.Stupar has participated in juried exhibitions since 1966 when he won the Silver Medal at the Center of Diffusion of the Cote-d’Azur. He regularly participates in the Salon d’Automne, the Salon National des Beaux-Arts, the Salon des Artistes Français, and the Salon Comparaison. Among his other honors, Stupar has won both the Silver and Gold medals of the prestigious Salon des Artistes Français. One-man exhibitions of Stupar’s work have been held in cities all over the world including Paris, Geneva, Lyon, Osaka, Dusseldorf, Strasbourg, Zagreb, Annecy, Havre, New York, Philadelphia, Dallas, and Houston.

Fine western bronze of a cowboy bronco buster signed mounted on marble base in excellent condition.

Artist Biography Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba’s intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his “mid-nineteenth-century” figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba’s bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown, ca. 1910, and Nude on Vase shows Kauba’s versatility even further. The smooth skin contrasts with the stylistic, plant-like vase.

Fine original oil painting on canvas signed lower left J.B.Smith dated 1876 titled on the reverse on "Vale of Heath Wales" provenance Richard Green Gallery London. Measuring 18 x 14 inches. In excellent condition a couple of minor touchups. John Brandon Smith fl. 1848 - 1888 was a London landscape painter who exhibited from 1859 to 1884 at the Royal Academy. From 1860 to 1874 he exhibited at The British Institute and also at the Royal Society of Artists, Suffolk Street. Titles at the Royal Academy included View in Surrey 1860, On the Lledr, 1867 and Caldron Linn, Perthshire, 1874. He is most commonly known for his pictures of rivers and waterfalls.

An antique 19th century oil painting on tin depicting a European new world figure and a Native American Indian girl most likely John Smith and Pocahontas. Beautifully painted in excellent condition some age cracking and minor rubs on the extreme edges where frame would cover. Measuring approx. 10x8.5 inches a fine early American painting.

Fine antique portrait of a Thoroughbred race horse at the race track. Oil on canvas signed lower left Hillyard and dated 1894. Hillyard is a listed artist known for animal subjects. Measuring approx. 20x24 inches framed size 26x30 inches in excellent condition two very minor professional repairs to the canvas and minor stretcher lines showing. A beautiful antique equestrian painting would be a nice addition to any interior.

Original oil on canvas c.1932 "Portrait Schooner Danmark" By Christian Pedersen (1870-1950) renowned marine artist. The Danish Navy Schooner Danmark was visiting NY Worlds Fair in 1939. At the outbreak of World War II she was ordered to remain in US waters to avoid capture by the Germans. Loaned by Denmark she was used to train more than 5,000 US navy sailors. Returning to the US she was given a place of honor leading the NY 1964 Worlds Fair parade of tall ships. Canvas size 25"W x 17.5"H. framed 32.5" W x 24.5" H.

An fine Equestrian portrait of a thoroughbred and original oil painting on canvas laid on archival art board signed lower right Thad Leland measuring 16 x 20 inches in good vintage condition framed in a quality wood frame overall 24 x 28 in.

Thad Emory Leland by John Hovard 
 ◦ The paintings of Thad Leland reflect his enduring association with the horse including the cultural spectacle of the Peruvian Paso, polo horses and racing thoroughbreds. Working in pastels, oils, acrylics, and watercolors, Thad Leland left a beautiful legacy of the spirit and tradition of the horse, its cultural harness and how man interacts with this spirit. 
It all started for Leland when he was a boy in Michigan, exercising the fine horses of Detroit millionaires. He went home and sketched these horses, which began the lifelong journey to recreate the spirit and beauty of the horse. 
Thad Emory Leland was born in Detroit, Michigan, in 1914 and passed away in Pebble Beach, California, in 1987. He studied art at the Cranbrook Academy of Art in Michigan, received a B.A. in fine art from the University of Michigan where he studied with Sarkis Sarkisian and John Carroll. 
Before the war, he exhibited throughout Wisconsin and Michigan, and was awarded a mural commission for the New York World's Fair. After World War II he received a masters degree in fine art from Stanford University. In the early 60s, his diligence to study equestrians continued with his painting and sketching of polo events at Pebble Beach, thoroughbred racing at Bay Meadows and Golden Gate tracks, and western riding events at the Salinas Rodeo and Monterey County Fair. He became sought after for commissioned portraiture.

Indian Mogul painting on silk. Titled Shaw Jehan returns in Triumph. Image, 10"L x 7.5"W. Label from Indian gallery on verso. Matted Unframed. Please Take the Time to View the rest of our inventory.

Antique Italian oil painting portrait of a Cardinal by J. Rampollo signed lower left and titled on the reverse. The painting c.1890 is oil on board measuring approx. 10 in. by 15.5 inches. Framed in a beautiful antique gilt frame measuring 16.5 in. by 22.5 inches. The painting is in excellent condition the frame has some minor losses but shows very nicely and is ready to hang. J. Pampollo a highly skilled painter know for portraits of Cardinals and clergy.

Gustav Adolph "Dolph" Hensel was born in Germany and came to the U.S. in 1906. He was a Lutheran minister who settled in Wisconsin and later moved to San Francisco, where he was pastor of St. John's Reform Church until 1922. Hensel was also an artist who mainly painted portraits and religious genre. He spent three years as a missionary in Africa during the 1920s, and it may have been during this period that he painted this middle eastern scene. His nickname was "Dolph" and many of his paintings are signed 'D. Hensel," as in this example. Presented in the original frame canvas 12" x 14".

A fine pair of early American portraits of a Handsome young man and beautiful woman. Oil on canvas relined some minor restorations nicely framed Measuring 22 x 18 inches framed size 26.5 x 22.5 inches. A wonderful decorative pair would enhance any interior.

Original Besler Botanical engraving with period hand coloring c.1613 text on verso. Basilius Besler¹s magnificent engravings are the first large-folio natural history botanicals. His work, Hortus Eystettensis (Garden of Eichstätt), is man¹s earliest documentation of a specific garden and is the oldest of all of the great botanicals. Over 1,000 varieties of flowers are depicted in 367 exquisitely engraved and colored plates. Plate mark image 18.5"L x 15.25"W. overall sheet size 21"L x 16"W. Unframed. Condition: Good antique condition some age yellowing small hole upper left commensurate of age.

Beautiful Egyptian street scene an Original oil painting on board signed lower right measuring approx. 20 x 24 in excellent condition. Biography LEONID GECHTOFF, 1883-1941 

Leonid Gechtoff was born in Odessa, Russia, in 1883, an only child of parents already in their forties and not particularly well off financially.  After his art school training in Russia, where he probably first met his close life-long friend David Burliuk, he and his parents fled from their homeland when he was in his twenties, rather than have him face possible conscription into the army. Cairo proved to be a haven for several years and Gechtoff painted many city and genre scenes of Egypt in his heavily impastoed style, bringing him acclaim in the Orientalist-enamored European art world as well.

Gechtoff always felt most influenced by the work of Vincent van Gogh, however, and this led him to travel to Holland where Dutch-born van Gogh painted in his early years, though not in the colorful later style Gechtoff most admired. There he established good connections which led to gallery shows in Amsterdam, and at one he met his future Russian-born wife Etya while she was on vacation from her pre-medical studies in Germany. Her family was well-to-do and supportive of the young couple, so they were able to wed and settle in Holland initially for about a year, around 1917. Several Alpine landscapes indicate painting trips in more mountainous parts of Europe too. Both Leonid and his wife were fluent in several languages.

The Gechtoffs soon moved to Indonesia, then a major South Pacific colony under Dutch control, hoping that the warmer climate would be better for Etya's health. The lush volcanic landscapes were strongly appealing to the artist as well. They lived in Java for about two years, in 1918 and 1919, and enjoyed traveling and collecting throughout the region during painting trips.

By 1920 they were living in Manila, and in early 1921 they planned a visit to see two of Etya's brothers in Pennsylvania later that year.  Once in America, the Gechtoffs found themselves persuaded to stay and settle in Philadelphia, with both becoming US citizens.  Leonid's major patron and benefactor was either a member of the family of Dutch-born philanthropist Edward Bok or Bok himself. Along with inclusion in various group exhibitions, his work was featured in a solo show at the Philadelphia Art Alliance in the early 1930's.

Gechtoff had achieved substantial success throughout the 1920's from his landscape paintings near his home in Philadelphia, and had also purchased a summer home on Cape May, New Jersey, where he painted many coastal scenes.  Unfortunately, he made large investments in the stock market in the latter years of the decade, and these disappeared almost overnight in the Wall Street Crash of 1929. The family now included young Sonia, born in 1926, and soon her sister, born in 1933.

With their fortunes in decline, like so many artists in the Depression of the 1930's, they sold the Cape May house but still were able find suitable rentals at the shore for their summer sojourns, and otherwise still lived in downtown apartments in Philadelphia. Gechtoff's works began to depict wintry landscapes along with his bright rocky seascapes and still lifes.

Gechtoff continued vigorously painting in his vivid and distinctive style, a blending of post-Impressionism and expressionism, until his health became a problem in 1940, with the stress of high blood pressure and complications. He died in 1941 at the age of 58. His widow later moved to San Francisco and ran an influential exhibition space in San Francisco called the East-West Gallery, while daughter Sonia became a well-known artist currently living in New York City. 
Gechtoff is listed in the Archives of American Artists, part of the Smithsonian Institution.

A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 12 x 15 inchesA fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

A beautiful painting by this highly recognized early California painter depicting a wooded landscape with cows and oaks. Done in a impressionist style oil on board signed lower left. Measuring approx. 10x12 inches framed in a one of a kind custom carved and gilt frame 16.5 x 19 inches overall. A fine example would make a nice addition to any collection.

Biography

Carl Henrik Jonnevold (1856-1955) was born in Norway on June 1, 1856. He immigrated to the United States in the 1880s and is known to have painted in the Northwest before moving to California in 1887. Settling in San Francisco, he maintained a studio at 1617 California Street. He was a self-taught painter except for brief study in the galleries of Paris in 1908. While in France, he was greatly influenced by the Barbizon painters and their dark palette. Returning to California, he continued to paint the beauty of northern California in the Barbizon style. Often working in late afternoon when shadow prevails, he produced hundreds of attractive tree and meadow scenes which he exhibited in local galleries. By the time of the stock market crash in 1929, Jonnevold was poverty stricken and living alone at his small studio at 560 Kearny Street. In that year he was sentenced to two months in jail for aiming a gun at his landlord. Jonnevold disappeared from San Francisco about 1930. A letter at the Oakland Museum gives his date of death as June 9, 1955 but does not state where. Member: San Francisco Art Ass'n. Exhibited: Alaska-Yukon Expo (Seattle), 1909 (bronze medal); California State Fairs (premiums). Works held: Oakland Museum; California Historical Society; De Young Museum. Courtesy Edan Hughes

Beautiful American oil painting of a portrait of a young girl with a parrot. American school 19th century. Measuring 8 x10 inches overall framed size 10.5" x 12.5". Original antique frame. In excellent condition oil on canvas laid down on board some minor flaws to frame.

A fine original oil painting a Portrait of the thoroughbred Race horse Portlaw by Guy Crosley c. 1930 measuring 18 x 24 in excellent condition. Exhibited at the Historical Korner & Wood galleries of Cleveland. A fine decorative painting would enhance any decor.

A beautiful original oil painting of a young girl reading oil on board signed upper right and dated 1918. Exquisite detail and light a masterpiece by this famed artist. A fine addition to any collection. Biography

A native of St. Paul, Minnesota, Van Soelen trained in art at the St. Paul Institute from 1908 to 1911, and then attended the Pennsylvania Academy of Fine Art, 1911-1915. The Pennsylvania Academy awarded Van Soelen a Cresson Traveling Scholarship which enabled him to tour and study in Europe in 1913 and 1914. Shortly after launching his art career back in the United States, Van Soelen headed west, seeking relief from tuberculosis. After spending time in Utah and Nevada, he settled in Albuquerque, New Mexico in 1916. Working as a commercial illustrator, he also began to sell his fine art paintings. To acquaint himself with the people and landscapes of New Mexico, Van Soelen spent time in the small towns and ranches of the region. Early on, scenes of ranch life became his favorite subjects. Van Soelen married Virginia Carr in 1922 and the couple moved to Santa Fe before permanently settling in nearby Tesuque, New Mexico in 1926. Van Soelen's reputation grew rapidly throughout this time, but like other New Mexico's easel painters, most of his customers were in the East. In the 1930s he established a second studio in Cornwall, Connecticut to be closer to that market. Van Soelen painted in a detailed, realistic style with a slightly muted palette and strong draftsmanship. Though most famous for his ranch-life genre paintings, he also painted landscapes and formal portraits, and produced several popular lithographs on cowboy themes. In 1938 Van Soelen won a mural commission for the Post Office in Portales, New Mexico. He was a Fellow of the National Academy and exhibited in various juried exhibitions including the National Academy, the Metropolitan Museum of Art, and the Chicago Art Institute. In 1960 he was named Honorary Fellow in Fine Arts by the School of American Research.

A fine pair of antique portrait miniatures of a man and woman signed Dubbison and dated 1823 oil on Ivory in leather cases. In very good antique condition the lady has a restored hairline crack to her left. measuring approx. 3 x 4 inches. a beautiful pair.

"Summer at the 18th Pebble Beach "

A fine original watercolor painting of Pebble Beach Golf course Carmel California by James March Phillips a renowned California watercolorist. Measuring approx. 12 x 20 inches in excellent condition beautifully framed.

biography

James March Phillips was born in Fresno California in 1913. His art career began in the 1940's while attending Jean Turner Art Academy in San Francisco where is studied under such prominent artists as Louis J. Rogers, Alfred Owles, and J. Paget Fredricks. His paintings were sold in numerous galleries in the west during the 1940's and 1950's. In recent years his paintings have become quite valuable and have reached prices as high as $13,000 at San Francisco auction house Bonhams Butterfields. This is one of a pair please view the other listing of the 7th hole Pebble Beach.

Original antique oil painting on art board signed lower right measuring 12 x 16 . Beautiful colors and impressionist mood.

Artist Biography,

Landscape painter. Born on Aug. 26, 1865 in Stockton, CA when it was still a small frontier town. Mersfelder began drawing at an early age and in his teens moved to San Francisco where he studied for three years at the School of Design under Virgil Williams. While studying at that school, he often visited the nearby studio of William Keith who offered criticism. Mersfelder then moved to NYC where he had a studio for a few years. During his stay there, he exhibited at the first exhibition of the Society of American Artists. He also enjoyed the hospitality and criticism of George Inness and A. H. Wyant. He later exhibited in Philadelphia, Chicago, Boston, and Baltimore. He won a bronze medal at the Louisiana Purchase Expo (St Louis) of 1904 and was awarded the Klio Assn prize at the annual exhibition held at the AIC where 18 of his canvases were accepted by the jury. He had a studio in Portland, OR in 1889 before returning to San Francisco in 1891. He was active in the local art scene when not out on painting forays in northern California. The year 1915 was spent in San Diego. Mersfelder lived his final years in Berkeley, CA and died there on Oct. 23, 1937. Although he made no known European trips, his works bear evidence of strong influence by the French Barbizons. Many of his landscapes of the rugged, old oaks of California compare favorably with those painted by William Keith during his late period. Exh: Calif. State Fair, 1882; Mark Hopkins Inst., 1897; Gumps (SF), 1900. In: St Francis Hotel (mural, Mt Tamalpais); Oakland Museum; CHS. CSL; BC; Ber; AAA 1907; DR.

A fine original oil by Christian Jorgensen a view of Yosemite Valley with Half Dome in the distance. Oil on Canvas signed lower right in excellent original condition framed in a period art nouveau frame. Measuring 20 x 24 canvas size. Biography. Born in Oslo, Norway on Oct. 7, 1860 Christian Jorgensen moved to San Francisco with his mother in 1870. He showed artistic promise at an early age, and when the School of Design opened in 1874, he was among the first to enroll. At 14 he was greatly influenced at that school by Virgil Williams, who was both teacher and father figure. Jorgensen later became an instructor at the School of Design and served as assistant director from 1881-83. He then established a studio at 131 Post Street where he continued teaching, and by the mid-1880s was a successful landscape painter. For five years he and his wife, Angela, traveled by horse and buggy to the sites of the 21 California missions and during this period he produced 80 watercolor studies of the missions and a complete set of oils. In 1899, he pitched a tent in Yosemite, and after several months, obtained a permit to build a studio-home there and continued painting there during the warm months for 19 years. (His home in Yosemite is now used as headquarters for the government rangers.) In 1905 he built a boulder home in Carmel (this later became the Hotel La Playa) where he and Angela lived for a few years; most of his time was spent at the family home in Piedmont, CA. The Jorgensens made trips to Italy (1892-94), Mexico (1907), the Grand Canyon (1910) and New England (1916). Jorgensen enjoyed a long career and continued painting until his death in Piedmont on June 24, 1935. Exhibitions: San Francisco Art Association, 1884-1905; Mechanics' Institute (SF), 1884-97; California State Fair, 1886-96 (medals); Bohemian Club, 1899-1922; Cosmos Club (Washington, DC), 1906; Sequoia Club (SF), 1907; Del Monte Art Gallery (Monterey), 1907-09; Rabjohn & Marcom Gallery (SF), 1908; Alaska-Yukon Expo (Seattle), 1909; Courvoisier Gallery (SF), 1909; Kanst Gallery (LA), 1915. Collections: California Historical Society, Bohemian Club; Athletic Club (Oakland); Sonoma Mission; Mechanics' Inst. Library (SF); Orange Co. (CA) Museum; Yosemite Museum. Source: Edan Hughes, "Artists in California, 1786-1940"

Eugène Fromentin (1820 - 1876) original oil on canvas signed lower left by famed French artist. Measuring approx. 15.5 x 16 inches in ornate original frame. A beautiful antique painting.

Charles Harmon California impressionist redwoods. A bold impressionist painting of California redwood country titled Gateway to Glendale Humbolt County. Oil on canvas board signed lower right. In excellent condition measuring approx. 10x12 inches. A fine example would be a nice addition to any collection.

Biography

Charles Henry Harmon (1859-1936) was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill Cemetery. Exhibited: Mark Hopkins Institute, 1897-98; Gump's (San Francisco), 1899; Berkeley League of Fine Arts; California Artists, Golden Gate Park Museum, 1915; Stanford Art Gallery, 1923; Rosicrucian Art Gallery, 1949 and Triton Museum, 1971 (retrospectives). Works held: San Jose Civic Auditorium; Clarke Museum (Eureka); California State Library; Denver Public Library; Santa Fe Railway. Source : Edan Hughes Artists in California.

A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 23 x 28 inches framed size 32 x 40 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

Vivyan Seward view of Half Dome from Yosemite valley oil on canvas signed lower right measuring approx. 18x14 inches framed in a quality gallery frame 20x24 inches overall size. A beautiful impressionist painting with figures in the foreground and a hint of valley fog. In excellent condition ready to hang.

Biography

Born in Northwood, England on June 18, 1902. "Vic" Seward came to the U.S. as a child. He studied at the AIC before moving to Los Angeles in the 1920s. He worked there as an illustrator for the Examiner until moving to San Francisco where he established a studio. His work appeared in Popular Mechanics and World Book Encyclopedia. In his leisure he painted oils and watercolors of landscapes and seascapes. He died in San Francisco on Sept. 9, 1993. Exh: Berkeley Coop Gallery, 1970s; Visitacion Valley Arts Festival (SF), 1987 (1st prize); Press Club (SF), 1987. Source: Edan Hughes, "Artists in California, 1786-1940"

F Grayson Sayer California impressionist landscape near Palm Springs Ca. Oil on canvas board signed lower left corner in excellent condition measuring 8x10 inches framed in a quality gallery frame overall size approx. 16x18 inches.

Biography

Landscape painter, illustrator. Born in Medoc, MO on January 9, 1879, Sayre worked in the lead and zinc mines and manufactured leather goods before settling on an art career. He remained a self-taught artist except for two months with J. Laurie Wallace in Omaha. His first creative job as an artist was an employee of and engraving company in Houston, TX. Ill with diphtheria, he moved to California in 1917. Traveling to California by train, he was enchanted with the Southwest desert and vowed to return which he did in 1919. For three years he lived in Arizona working for a mining company as a bookkeeper while painting in his leisure. Upon returning to California in 1922, he held his first art exhibition of 64 watercolors in San Francisco; later that year he exhibited at the Los Angeles County Museum of Art. In that year he moved to Los Angeles and two years later built a home and studio in Glendale where he remained for the rest of his life. Sayre is one of California’s best known painters of the deserts and the Southwest. Member: Pallete & Chisel Club of Chicago; Painters & Sculptors of Los Angeles (cofounder and President, 1929) Exhibited: Bohemian Club, 1922; Glendale Chamber of Commerce, 1922 (solo); Glendale Public Library, 1962 (retrospective) Works Held: Los Angeles County Museum of Art (Source: Hughes, Edan Milton, "Artists in California: 1786-1940," San Francisco: Hughes Publishing Company, 1989.)

Original Favuist style oil of a house near Fresno Ca. oil on canvas board by Harold Christopher Davies signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 10 X 14 inches. In excellent condition unframed.

A fine epic size original oil by this renowned artist measuring 24 x 40 oil on canvas signed lower right in excellent condition.

Biography

Alexander Dzigurski traveled widely in the United States , painting in the Rocky Mountains, Grand Tetons, Glacier National Park, New England and along the coasts. Dzigurski started his career in his native Yugoslavia by decorating the interior of churches, which he continued in the U.S. after he and his family had fled from Tito's communist regime via Italy. By 1952 he could afford to travel and paint landscapes, settling in California. He Studied at the School of Art, Belgrade and the Academy of Art, Munich, Germany. He was a member of various organizations including: Fine Art Institute of Los Angeles; American Artists Professional League; and Society of Western Artists. His work has been exhibited in the following museums: Belgrade Art Museum, Yugoslavia; Ford Museum, Detroit; and Boston Museum of Fine Arts.

Circle of Francois Boucher original oil painting on canvas c.18th century in good antique condition beautifully framed. Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style. At the young age of 17, Boucher was apprenticed by his father to François Lemoyne, but after only three months he went to work for the engraver Jean-François Cars. Within three years Boucher had already won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until four years later. On his return from studying in Italy in 1731, he was admitted to the Académie de peinture et de sculpture as a historical painter, and became a faculty member in 1734. His career accelerated from this point, as he advanced from professor to Rector of the Academy, becoming head of the Royal Gobelins Manufactory in 1755 and finally Premier Peintre du Roi (First Painter of the King) in 1765.

A beautiful landscape of a clearing storm over the French country side. A fine impressionist painting contrasting the storm clouds with the sunlight on the landscape. Oil on board signed lower right measuring approx 13 x 19 inches framed in a quality gallery frame 17 x 23 inches overall. A fine painting by a listed and highly regarded French and Belgian painter.

Biography

Painter of landscapes and marines. inspired by the landscapes of Brabant Wallon. Deceased about 1945. Exhibited at the Triennial "Exposition of Antwerp "in 1901 ("Mill in Dordrecht"). Lived in Saint-Gilles at that time. Listed in BOTTOM II and "Two Centuries of Signatures of Artists of Belgium". ...

Exquisite Original Vintage Italian Oil painting Still Life with Table Setting signed lower right. Displayed in a fine antique Italian frame. Image 24"L x 40"W. overall size 31" L x 47" W.

A fine antique oil painting of Flowers in a Vase oil on panel signed lower left by Caroline Noette dated 1874. In original antique gilt wood and gesso frame. Painting 8 x 10 inches frame 13.5 x 15.5 inches. In excellent original antique condition.

Vintage abstract painting of boats in a harbor by award winning artist Audrey Salkind. Salkind graduated from the Moore College of Art and Design in Philladelphia and continued her studies in Maryland as well. She has exhibited extensively throughout the Mid Atlantic and NY.

A fine oil on board by Dennis Henry Osborne a cubist style modernist feel to this depiction of a fishing trawler at dry dock. Signed lower left with gallery label on reverse.

biography

Born in Portsmouth, England in 1919, Dennis H. Osborne spent three and a half years as a prisoner of war in Italy and Germany. After the war he pursued his art studies in England and exhibited at the Royal Academy. In 1952 he emigrated to Canada but returned to the United Kingdom to take up the post of Head of the Art Department in Portadown Technical College. For many years prior to his retirement he was Head of the Art Department at Lisnagarvey High School, Lisburn.

A beautiful early 20 th century Dutch impressionist painting of a view of Amsterdam. Signed lower right G. Koopman oil on canvas Approx. 16 x 24 inches in a quality original frame. A beautiful painting with bold impressionist brush strokes.

WILLIAM MALHERBE 1884 - 1951 A beautiful impressionist oil painting of a nude woman holding a sphere one can easily see the influence of Renoir in this example of this fine French-American artist. Oil on canvas monogramed lower right measuring Approx. 26 x 30 inches. Born in France, William Malherbe was influenced by the great Post Impressionist painters of his time, particularly Renoir and Bonnard. He is known for his still lifes, landscapes and figural paintings. In 1939, Malherbe arrived in the United States. He lived in New York City and on a farm in Vermont. He returned to France in 1948 and died there in 1951. Works by William Malherbe are in the collection of the Musee d'Art Moderne in Paris among other collections.