Antiquarian Art Co.
All Items : Archives : Decorative Art : Pre 1700 item #444636 (stock #010)
An exquisite Ming Dynasty Chinese c.1640 porcelain bowl. Hand painted blue and white underglaze with central decoration of a pair of Phoenixe birds surrounded by floral and leaf design. Measuring 10.5 inches in diameter and 2 inches deep. In excellent antique condition no restorations or damage some glaze crazing throughout. This bowl is attributed to the Binh Thuan shipwreck. The Binh Thuan shipwreck was excavated in early 2001, and the majority of the pieces from this wreck consisted of blue-and-white and overglazed enamel decorated Zhangzhou (Swatow) ceramics. There is a dusty dirt or sea residue on the bottom side and in the glaze crazing. A fine and rare piece would be a fine addition to any collection.
All Items : Archives : Regional Art : Pre 1910 item #1174460 (stock #571)
A fine Japanese Archaic style bronze vase Meiji period c.1899 signed on bottom. A beautiful piece in form and design with rich bronze patina. Measuring approx. 9.5 inches tall in good antique condition some minor scratches and soft dent. A fine addition to any collection.
All Items : Archives : Regional Art : Pre 1910 item #444839 (stock #020)
Antique Chinese Bronze censer planter or jardinière with dragon design motif friendly bat handles and tripod feet c. late 19th century. Measuring approximately 15 inches wide and 10 inches tall. In very good antique condition one foot has been re soldered and has a screw added from inside to reinforce. A beautiful look with a somewhat weathered patina and some green verdigris. The perfect planter for the Japanese maple on your deck or your favorite interior house plant.
All Items : Archives : Decorative Art : Pre 1940 item #562710 (stock #213)
Japanese Banko pottery art tea pot with beautiful enameled designs of cranes. Featuring a complex form with figured bamboo handle and a internal tea strainer impressed mark on bottom. Measuring approx. 6.5 inches tall from bottom to top of handle this piece is in excellent condition.

Banko pottery wares have been produced since the nineteenth century both for the domestic market and for export. Banko ware comes usually as teapots and has charming designs of a peculiar style. Some Banko pottery is unglazed while others can be very colorful and abundantly decorated with sculpture-like high reliefs in very imaginative shapes.

All Items : Archives : Decorative Art : Pre 1900 item #475277 (stock #093)
Beautiful Chinese hand painted Dragon motif porcelain box circa 19th century. A Fine example in excellent condition measuring approx. inches 3 inches in diameter and 1 1/4 inches tall would be a fine addition to any collection.
All Items : Archives : Decorative Art : Pre 1920 item #579867 (stock #242)
A fine and rare Chinese Bronze portrait bust of a young woman. In excellent condition with a nice rich brown patina measuring approx. 5.5 in tall with rosewood stand 7 in. or 14 x 18 cm. A fine addition to any collection.
All Items : Archives : Decorative Art : Pre 1920 item #456871 (stock #065)
Japanese sterling silver overlay blue crackle glaze porcelain candlesticks c.1910. A beautiful set of export ware impressed under the glaze Japan measuring 6 inches tall and 4 inches wide at the base. The condition is excellent no damage or repairs. A fine addition to any collection or a beautiful accent to a table setting.
All Items : Archives : Regional Art : Pre 1910 item #568625 (stock #218)
Japanese Imari porcelain Tea Caddy or ginger jar Meiji period circa 1900. Beautifully hand painted in traditional Imari design and colors. Measuring approx. 8 inches tall in excellent condition no chips or cracks or repairs. Measuring approx. 8 inches tall.
All Items : Archives : Regional Art : Pre 1940 item #1059654 (stock #399)
A fine vintage Ivory netsuke of a tiger and cub masterfully carved signed Hiroaki in excellent condition.
All Items : Archives : Fine Art : Pre 1960 item #483129 (stock #100)
A DRAMATIC VIEW OF THE POUNDING SURF AND WIND SWEPT CYPRESS TREES ALONG THE MONTEREY BIG SUR COAST. THE PAINTING IS OIL ON CANVAS BOARD FRAMED IN A QUALITY GALLERY FRAME MEASURING 20 X 24 INCHES FRAME SIZE 26.5 X 30.5 INCHES THE PAINTING IS IN EXCELLENT CONDITION A FINE ADDITION TO ANY COLLECTION OR A GREAT DECORATIVE PAINTING FOR ANY INTERIOR.

Artist Biography

Born in Illinois, Oliver Barrett, a landscape painter, moved to Los Angeles in 1921 and then settled in Glendale. He was inspired by the natural beauty of the desert and mountains around his home. In 1946, he authored a book, "The Fascinating Art of Landscape Painting". He died in 1970 in Glendale. Biography Edan Hughes artists in California.

All Items : Archives : Decorative Art : Pre 1920 item #477056 (stock #097)
Blue background with designs of fruits and vegetables very nice pair c.1910 with vintage carved wood stands. Measuring approx. 10 inches tall in good condition no damage some minor firing flaws. A nice pair of vases would be a nice decorative accent to any interior design plan.
All Items : Archives : Fine Art : Pre 1940 item #1140997 (stock #508)
An original conte crayon drawing of a male nude by Couse framed in a quality 24k gold leaf frame. Provenance the estate of the artist with estate stamp on the reverse. Eanger Irving Couse (1866–1936) was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Couse/Sharp Historic Site, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties. In 1911 Couse was elected to the National Academy of Design.[3] He also became active in the Taos art colony. In 1915, Couse was one of the six founding members of the Taos Society of Artists, and was elected first president. Another founding member was the artist J. H. Sharp, who adapted a chapel near Couse's house as a studio. Later Sharp built a combined house and studio on the land. The adjacent properties are recognized jointly as the Couse/Sharp Historic Site, and are preserved and operated by the Couse Foundation. Among Couse's works in public galleries are Elkfoot (National Gallery, Washington); The Forest Camp (Brooklyn Museum of Art); The Tom-Tom Maker (Lotos Club, New York); Medicine Fires (Montclair Gallery, New Jersey); and Shapanagons, a Chippewa Chief (Detroit Museum of Art).
All Items : Archives : Decorative Art : Pre 1910 item #444637 (stock #011)
English Majolica leaf pattern plates Victorian c. 1890. A set of seven measuring approximately 8 inches in diameter all in good condition some surface wear to one plate and minor wear and scratching overall really in nice shape. A great way to serve desert or that special salad or decorate a wall or cupboard.
All Items : Archives : Fine Art : Pre 1940 item #989005 (stock #312)
A beautiful oil on board by Harold Christopher Davies of a a California impressionist landscape from his early days before he became a abstract modernist. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 7 inches framed in a quality gallery frame overall size 9.5 x 12.5 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
All Items : Archives : Decorative Art : Pre 1900 item #499577 (stock #155)
Antique Tibetan painted box made of wood covered with yak leather and exquisitely painted and decorated with traditional Tibetan design elements in gilt lacquer. Measuring approx. 16x10x8 inches in excellent antique condition a fine decorative accent piece.
All Items : Archives : Decorative Art : Pre 1910 item #490613 (stock #135)
A beautiful example with delicate sliver wire enclosure depicting a Dragon on a sliver foil background. Meiji period c.1900 in excellent condition measuring approx. 6.5 inches tall. A masterpiece work of cloisonné art.
All Items : Archives : Fine Art : Pre 1940 item #988962 (stock #311)
A beautiful oil on board by Harold Christopher Davies of a nude in a landscape with two dogs. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 14 inches framed in a quality gallery frame overall size 13 x 17 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
All Items : Archives : Pre 1900 item #1151131 (stock #526)
A rare Barbizon landscape oil painting by 19th century American woman artist lived in New Orleans died in 1891. Oil on canvas measuring Approx. 20 x 30 inches framed in fine antique gilt frame.