Antiquarian Art Co.
All Items : Archives : Regional Art : Pre 1900 item #918094 (stock #279)
A fine antique ivory Japanese Netsuke of a Shishi dog or Lion. Beautifully carved with a great patina. measuring approx. 4 x 4 centimeters or 1 3/4 inches. A nice addition to any collection.
All Items : Archives : Fine Art : Pre 2000 item #1103013 (stock #462)
A fine Cliff Fragua original sculpture "Spirt Woman" hand carved from a marble stone measuring approx. 15 inches tall.

Native American sculptor Cliff Fragua, of Jemez Pueblo, New Mexico, IACA Artist of the Year for 2005, has learned the secret of stone through his cultural and ancestral teachings. "My connection with the stone involves spirituality and reverence for the spirit that dwells within. It has been on this earth much longer than man and for this reason the stone becomes the teacher, it is simply what my ancestors believe. I am the mediator between the stone and the tools: the stone and the viewer." "I visualize what the stone wants to become and I strive to help it emerge." Cliff Fragua's sculptures are featured in such public locations as the Albuquerque Sunport International Airport, the National Statuary Hall in Washington DC and in permanent collections throughout the country.

All Items : Archives : Decorative Art : Pre 1837 VR item #1025747 (stock #363)
A fine antique caddy in all original condition finish and interior compartments sugar or mixing bowl and brass feet all complete. In good condition some minor restorations to the banding.
All Items : Archives : Regional Art : Pre 1910 item #491258 (stock #140)
A beautiful example of this exquisite art form in a floral vase on tinted silver foil background. Measuring approx. 6 inches tall 15.5 cm. In excellent condition no damage. A fine example would be a nice addition to any collection
All Items : Archives : Regional Art : Pre 1900 item #1168424 (stock #565)
A fine Antique Chinese carved hong mu rosewood statue of a seated emperor or high official. Intricately carved with the finest details of dragons and decorative carved chair. Of the finest quality measuring Approx. 15 inches tall in good antique condition some minor losses to dragon on right arm of chair.
All Items : Archives : Fine Art : Pre 1900 item #1047851 (stock #376)
A Beautiful antique French oil painting on canvas by the famed French artist Baron Jean Antoine Gudin.
All Items : Archives : Regional Art : Pre 1910 item #1155006 (stock #540)
A beautiful large Japanese Imari porcelain center bowl or platter very large size measuring approx. 17 inches long. Hand painted underglaze in traditional Imari color and incredible design motif circa 1900 . In very good condition one minor firing flaw. A fine addition to any collection.
All Items : Archives : Decorative Art : Pre 1900 item #486706 (stock #120)
Fine porcelain cylindrical vase or brush pot circa 1860 hand painted with floral and bird motif. Measuring approx. 11 inches tall and 4 3/4 in diameter. In excellent condition this piece has a Chinese ministry of antiquities export stamp on the bottom. Japanese Imari porcelain was first produced in the Genroku period c.1700 It is characterised by the striking use of underglaze blue, red and gilt, and occasionally green enamels. When it came to the attention of the Chinese at Jindezhen that these wares were extremely popular in Europe, they began to produce Imari wares in competition with the Japanese. The first Chinese Imari pieces were produced during the latter half Kangxi period (1662-1722). As a generalisation the Chinese Imari pieces are much more finely potted and have a thinner and more even glaze. The Japanese glaze is often crackled and on the inside of vases the glaze is clearly seen to have run. Furthermore most Chinese Imari has a much finer quality underglaze blue.
All Items : Archives : Fine Art : Pre 1940 item #1140997 (stock #508)
An original conte crayon drawing of a male nude by Couse framed in a quality 24k gold leaf frame. Provenance the estate of the artist with estate stamp on the reverse. Eanger Irving Couse (1866–1936) was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Couse/Sharp Historic Site, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties. In 1911 Couse was elected to the National Academy of Design.[3] He also became active in the Taos art colony. In 1915, Couse was one of the six founding members of the Taos Society of Artists, and was elected first president. Another founding member was the artist J. H. Sharp, who adapted a chapel near Couse's house as a studio. Later Sharp built a combined house and studio on the land. The adjacent properties are recognized jointly as the Couse/Sharp Historic Site, and are preserved and operated by the Couse Foundation. Among Couse's works in public galleries are Elkfoot (National Gallery, Washington); The Forest Camp (Brooklyn Museum of Art); The Tom-Tom Maker (Lotos Club, New York); Medicine Fires (Montclair Gallery, New Jersey); and Shapanagons, a Chippewa Chief (Detroit Museum of Art).
All Items : Archives : Decorative Art : Pre 1900 item #512488 (stock #173)
Japanese Imari vase Meiji period circa 1890 a large bulbous base with a long neck. Hand painted in traditional Imari design and colors with blossoms and landscape elements. A fine piece with 24k gold color highlights in excellent condition some roughness to the bottom edge. A fine addition to any collection.
All Items : Archives : Fine Art : Pre 1940 item #499287 (stock #151)
Dedrick Brandt Stuber California impressionist painting of Mission Capistrano garden court and arches. Oil on canvas board signed lower left. A beautiful painting by this highly regarded artist. Measuring 16x20 inches in excellent condition framed in a custom hand carved 24k gold leaf frame.

Biography

Known primarily as a California landscape painter of pastoral scenes, Dedrick Stuber also painted marine and mountain views. He was born in New York City and studied at the Art Students League and with Julian Onderdonk and Clinton Peters. In 1920, he moved to California, settling in Los Angeles and exhibiting his work there through 1940. However, he was likely there earlier because a painting titled "Silver Mining" in a private collection was thought to have been done in 1915. He did his "plein air" landscapes at sunrise when it was cool and shady. He also painted in Arizona, having done at least one landscape in 1926 according to a Butterfield Auction. He was a member of the Painters and Sculptors of Los Angeles and the Laguna Beach Art Association, and his work is in the Pasadena Art Museum. He died in Los Angeles on August 18, 1954. Source: Edan Hughes, "Artists in California"

All Items : Archives : Fine Art : Pre 1950 item #484562 (stock #108)
A beautiful Southwest landscape titled Canyon Rocks oil on canvas signed lower left. Measuring approx. 16x20 inches in original frame 21x26 inches overall. In excellent condition a fine painting.

biography

Known for decorative oil landscapes, John Macpherson was a native of Philadelphia and a student of the Pennsylvania Academy of Fine Arts. He was a long-time exhibitor in eastern exhibitions. He married Beatrice Edgerly, artist and writer, and they built studios in Pennsylvania and Mystic, Connecticut, and helped organize the Mystic Art Association. In 1937, he opened a studio in Tucson, Arizona and later helped organize the Southern Arizona School of Art. A member of the Naval Hospital Corps during World War II, he also originated and directed the art school for patients at the Naval Hospital at Pearl Harbor. Macpherson died in 1982 in Stroudsburg, Pennsylvania.

All Items : Archives : Fine Art : Pre 1910 item #1104093 (stock #468)
An original Portrait of a Cavalier or noble man oil on canvas signed lower right and dated 1911. Measuring 10 x 12 inches in a fine antique frame overall 16 x 18. in excellent condition a fine example of this important American artists portrait work.

Biography

Born in Ogdenburg, Germany, Henry Raschen became one of America's leading painters of Indian portraits and figures in the 19th and early 20th centuries and was the first California artist to be committed to Indian themes. He also painted still lifes and landscapes, the latter with skillful play of light and shadow. In 1868, he and his family emigrated to Fort Ross, California where they spent one year and then settled in San Francisco. He took early art lessons at the San Francisco Art Association under Charles Nahl and Virgil Williams and also studied with noted figure painter of altar pieces, Joseph Harrington. Feeling the need for more extensive training, he went to Munich in the late 1870s and became part of the numerous California artists then studying in Munich at that time. There he became friends and a painting companion of William Merritt Chase, and he also traveled in Italy and France. In 1883, he settled in San Francisco and for the next eight years went with landscape painter Carl Von Perbandt on excursions among Indian tribes of California and the Southwest, and he gained much attention for the life-like quality of his paintings. From 1890 to 1894, he lived and had his studio in Munich where he was a successful painter and teacher, and after returning to San Francisco, won the gold medal at the Munich Exposition of 1898. He went on an expedition with Army General Nelson A. Miles when Miles and his troops captured Apache Chief Geronimo at Skeleton Canyon, Arizona, 30 miles northeast of Douglas. Many years later in Oklahoma, Raschen sketched Geronimo whom he visited in prison at Fort Sill. In the early 20th century, a key person in establishing Raschen as a major artist in San Francisco was Mrs. Phoebe Hearst, mother of publisher William Randolph Hearst. In 1906, damage from the earthquake and fire caused him to move across the bay to Oakland where he painted until his death in 1937. Source: Edan Hughes,

All Items : Archives : Fine Art : Pre 1910 item #513286 (stock #177)
“The Love Letter” by A.V. Hugenett 1902 oil on canvas of a beautiful young woman holding a love letter and a bouquet of flowers. Signed and dated top right in excellent condition measuring an impressive 30x40 inches framed in a toned gold frame some minor restoration overall size approx. 40 x 50 inches. A stunning decorative painting would make a fine addition to any collection.
All Items : Archives : Fine Art : Pre 1920 item #536097 (stock #190)
A beautiful quality original watercolor marine painting of ships off the coast and braking waves by george howell gay signed lower right. Painted on a heavy watercolor paper laid on matte board measuring approx. 14 x24 inches framed in a quality gold leafed frame. In very good condition no tears or creases some areas of age discoloration and fading typical with watercolors of this age please view pictures.

biography

george h. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of new england. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic. He was born in milwaukee, wisconsin on july 2, 1858, and lived in chicago and then in 1889, settled in bronxville, new york. Gay was a pupil of paul brown and henry elkins in chicago. He is known to have exhibited at the national academy of design in 1890; boston art club, 1890-1900; and boston art club, 1897. Shortly before his death in 1931, george gay's address in 1929 was known to be 100 kraft ave., bronxville, ny.

All Items : Archives : Decorative Art : Pre 1920 item #1146829 (stock #518)
A fine Tiffany blue favrile art glass vase with beautiful blue iridescent color and stretched glass rim. Measuring Approx. 6 inches tall and 7 inches at the widest point. Signed on the pontil L.C.T. Favrile and numbered. In excellent condition.
All Items : Archives : Regional Art : Pre 1920 item #988848 (stock #310)
A beautiful Chinese porcelain vase exquisite hand painted details with scenes of court life and floral and geometric designs. In fine condition no chips or crack or damage.
All Items : Archives : Fine Art : Pre 1920 item #444691 (stock #015)
Julian Rix trees by a pond signed lower right oil on board. A dramatic painting with an impressionist style measuring 11x14 inches framed in a modern gold leaf gallery frame 16x19 inches overall. A fine example of this important American and California artist. A painting by Rix sold for $108,000 at Christies auction 4/25/05.

Artist Biography.

Known for poetic landscapes, often sunset, illuminated by atmospheric light, Julian Walbridge Rix was early in his career an active painter in California and then on the East Coast. He was born in Peacham, Vermont on December 30, 1850 and moved with his family to San Francisco in 1853. Because of his mother's death, he went back to Peacham four years later to live with his grandmother and graduating from Peacham Academy in 1868. He returned to San Francisco where he was apprenticed to a trading firm and later worked in a paint store painting signs and doing decorative work. Primarily self-taught, he was briefly a pupil of Virgil Williams at the School of Design. He became close friends with Amédée Joullin and Jules Tavernier, and when the latter established an art colony in Monterey in 1876, Rix was one of the "Bohemians" who followed him there. His studio in Monterey was in the French Hotel, but in 1879 he returned to San Francisco and shared a studio with Tavernier at 729 Montgomery Street. The art market in San Francisco during this period was not a healthy one which prompted Rix to move to Paterson, New Jersey in 1880 and subsequently establish a studio in New York City. This milieu was what he seemed to need to find artistic success. His work was exhibited at the National Academy of Design during the 1880s. He studied art briefly in Europe during 1889 and upon his return, he found that his watercolor and oil paintings were in great demand in the East. He maintained an active interest and participation in the San Francisco art scene and in 1883 sent back 200 paintings for a successful solo show. In 1888 his illustrations appeared in "Picturesque California." Rix returned to California for several months in 1901 and painted the valleys and mountains near Monterey and Santa Barbara. A handsome man with a New England accent and blond sideburns, he never married and was called the Adonis of the profession. Following a kidney operation, Rix died in New York City on November 24, 1903 and was buried in the cemetery plot of a patron-friend in Paterson, New Jersey. Source: "Artists in California, 1786 to 1940" by Edan Milton Hughes