A Japanese carved Ivory netsuke of Daikokuten artist signed in very fine condition measuring 6 cemtimeters or 2.5 inches tall.
is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called a Uchide Nokozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).
Antique Chinese Bronze censer planter or jardinière with dragon design motif friendly bat handles and tripod feet c. late 19th century. Measuring approximately 15 inches wide and 10 inches tall. In very good antique condition one foot has been re soldered and has a screw added from inside to reinforce. A beautiful look with a somewhat weathered patina and some green verdigris. The perfect planter for the Japanese maple on your deck or your favorite interior house plant.
A beautiful example with delicate sliver wire enclosure flower designs on a foil background. Meiji period c.1900 in excellent condition measuring 4.5
Japanese Bronze Flower vase with floral and leaf molded design Meiji period c.1900 artists signed. This stunningly beautiful work of Japanese art measures approximately 14 inches tall in excellent condition some variation in color of patina. A fine example would be a nice addition to any collection. Thank you for viewing.
An exquisite pair of Chinese export plates hand painted with a delicate floral design center and border with 24k gold highlights.
The plates measure approx. 7.5 inches in diameter and are in excellent condition no chips or cracks some wear to the gold decorations. A most beautiful example of Chinese export porcelain these would be a fine addition to any collection. Note I have some additional plates from this set.
Chinese carved malachite study of a foo dog or temple guardian. A beautiful grained gem quality stone
Measuring 2 x 1 3/8 inches in excellent condition a fine addition to any collection.
Frederick Heyn Carousel Horse c. 1910 with Old park paint with original horse hair tail and glass eyes mounted on display stand. A charming piece with great color and style. Measuring approximately 52 inches long and 39 High the stand raises it off the ground by a few additional inches. A great decorative and historical antique.
An exquisite gilt bronze Buddha Thailand circa 1840 in very fine condition measuring approx. 14 inches tall. A fine and beautiful image.
A fine antique portrait of a Horse in a stable with saddle. Oil on canvas signed lower left in original birds eye maple frame. Measuring approx. 26 x 34 inches a fine decorative original painting.
Beautiful glazed and hand painted large Weller planter or jardinière impressed with Louwelsa Weller pottery mark on bottom. Measuring approx. inches 11 high by 14 inches wide. A fine example in excellent conditioin would make a great decorative piece for home or office.
An fine Equestrian portrait of a thoroughbred and original oil painting on canvas laid on archival art board signed lower right Thad Leland measuring 16 x 20 inches in good vintage condition framed in a quality wood frame overall 24 x 28 in.
Thad Emory Leland by John Hovard
◦ The paintings of Thad Leland reflect his enduring association with the horse including the cultural spectacle of the Peruvian Paso, polo horses and racing thoroughbreds. Working in pastels, oils, acrylics, and watercolors, Thad Leland left a beautiful legacy of the spirit and tradition of the horse, its cultural harness and how man interacts with this spirit.
It all started for Leland when he was a boy in Michigan, exercising the fine horses of Detroit millionaires. He went home and sketched these horses, which began the lifelong journey to recreate the spirit and beauty of the horse.
Thad Emory Leland was born in Detroit, Michigan, in 1914 and passed away in Pebble Beach, California, in 1987. He studied art at the Cranbrook Academy of Art in Michigan, received a B.A. in fine art from the University of Michigan where he studied with Sarkis Sarkisian and John Carroll.
Before the war, he exhibited throughout Wisconsin and Michigan, and was awarded a mural commission for the New York World's Fair. After World War II he received a masters degree in fine art from Stanford University. In the early 60s, his diligence to study equestrians continued with his painting and sketching of polo events at Pebble Beach, thoroughbred racing at Bay Meadows and Golden Gate tracks, and western riding events at the Salinas Rodeo and Monterey County Fair. He became sought after for commissioned portraiture.
Exquisite Japanese scalloped rim bowl finely decorated with scenes of demons and dragons artist signed in excellent condition no chips or cracks or restorations a fine example of Japanese Satsuma wear. Measuring 7 x 3.5 inches approx.
A Japanese Ivory netsuke artist signed figure of Hotei or Buddha. A fine carving with nice details and color. A fine addition to any collection. Measuring approx. 2 1/4 inches tall or 6 centimeters.
A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 12 x 15 inchesA fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
Indian red sandstone archeological head of a mythological creature or beast c. 12-13 century. Finley carved detailed mystical eyes and traces of an elaborate headdress make this a very beautiful and decorative artifact. Mounted on a wood display stand measuring overall 12 inches tall 9inches wide and 7 inches tall without stand. Guaranteed authentic a fine addition to any collection. Thank you for viewing please browse my other fine antique items.
Chinese antique carved Zitan wood foo dogs of the finest quality. Tested and dated at Stanford University lab. Genuine antique Zitan wood. Measuring approx. 12 inches tall and weighing each approx. 10 lbs. Signed and dated in excellent condition some cracking due to age shrinkage otherwise pristine. A fine pair would make a nice addition to any fine asian collection.
A fine antique oil on canvase by Mauritz Frederik Hendrik De Haas picturing a sailing ship in the moonlight signed lower left in excellent condition measuring approx. 24 x 36 inches framed in a period frame.
One of the most famous 19th-century marine and landscape painters, especially of Long Island, Mauritz De Haas was born in Rotterdam, Holland where he studied at the Academy of Fine Arts. He also studied at The Hague, a pupil of Louis Meyer, and then specialized in watercolor in London.
In 1859, at the age of twenty seven he immigrated to the United States and set up a studio in New York. In his adopted homeland, he first became known for his European views and then for his scenes painted along the Northeast Coast. Among the latter were views of Long Island: Orient, Montauk, Peconic, Westhampton, Bridgehampton, and Southampton, as well as points along the Long Island Sound.
He painted Civil War naval scenes for Admiral Farragut. A brother, William Frederick De Haas, was also a distinguished artist.
De Haas felt a special affinity for Long Island because it resembled his native Holland in its terrain and ever-changing effects of light and atmosphere. He was determined to capture the full range of these effects, from bright sunshine reflected on the rippling waves of Long Island Sound to the cool moonlight shining on the beach at Southampton. According to one contemporary critic, he succeeded: "His pencil is equal facile whether portraying a storm on the coast, moonlight effects at sea, or brilliancy of the sunset hour." In painting moonlight scenes, the same source claimed, de Haas had "few equals."
A fine antique Japanese Ivory Netsuke of Fukurokuju the Buddha Scholar or Monk good wear and patina a very fine antique piece. Measuring 2.5 inches tall or 8 + centimeters.