Antiquarian Art Co.
All Items : Archives : Decorative Art : Pre 1910 item #490607 (stock #131)
A beautiful example with delicate sliver wire enclosure flower designs on a foil background. Meiji period c.1900 in excellent condition measuring 4.5 inches tall.
All Items : Archives : Fine Art : Pre 1900 item #1110565 (stock #482)
A fine original oil painting signed lower left oil on canvas painted in his time studying in France measuring approx. 16 x 28 in excellent condition.

biography

Born in New York City in 1836, Ransome Holdredge came to California via the Isthmus of Panama in 1858 and worked as a draftsman at the Mare Island Naval Yard. His paintings of the 1860s and early 1870s were signed "Holdridge" and were done in the realistic style of the Hudson River School. During this period he maintained a studio in San Francisco's Donahoe-Kelly Bank Bldg and exhibited locally. In 1874 he and Hiram Bloomer held a joint sale of their paintings to finance European studies. He left in that year and spent about two years studying in France. His obituary states that he was a field artist for Scribner's publications and was with Major Reno's troops at the time of the Custer massacre in 1876. After his studies in France, he returned to San Francisco with a distinctly different style. Paintings done after that time show the influence of the Barbizon School and were signed "Holdredge." His works were in great demand during his lifetime, received rave reviews by the local press, and were often considered superior to those done by William Keith. Holdredge traveled extensively throughout the Northwest, Southwest, the Rockies and western Canada, often living for long periods of time among the various Indian tribes. Due to his malnutrition and alcoholism, his paintings done during the latter part of his life were not of good quality. Like his friend Jules Tavernier, he made considerable money as an artist but did not manage his money well. He died penniless at the Alameda County (CA) Infirmary in April 1899 and was buried at public expense. ASSOCIATIONS San Francisco Art Association (cofounder) Bohemian Club EXHIBITIONS California State Fair, 1881-83 Mechanics' Institute (SF), 1868, 1880, 1886 COLLECTIONS Bohemian Club Oakland Museum Society of California Pioneers Orange County Museum California Historical Society Nevada Museum (Reno) Bancroft Library (UC Berkeley) Crocker Museum (Sacramento) Oregon Historical Society Source: Edan Hughes,

All Items : Archives : Decorative Art : Pre 1920 item #456871 (stock #065)
Japanese sterling silver overlay blue crackle glaze porcelain candlesticks c.1910. A beautiful set of export ware impressed under the glaze Japan measuring 6 inches tall and 4 inches wide at the base. The condition is excellent no damage or repairs. A fine addition to any collection or a beautiful accent to a table setting.
All Items : Archives : Decorative Art : Pre 1910 item #490612 (stock #134)
A beautiful example with delicate sliver wire enclosure flower designs on a foil background. Meiji period c.1900 in excellent condition measuring approx. 4.5 inches tall.
All Items : Archives : Regional Art : Pre 1950 item #919447 (stock #286)
A fine vintage Japanese netsuke of a noh mask devil artist signed a very fine carving. In excellent condition measuring approx. 2.5 inches or 6.5 centimeters long. A fine addition to any collection.
All Items : Archives : Fine Art : Pre 1920 item #1103218 (stock #465)
A fine Original early California watercolor painting by Susan S. Loosely or Sroufe her maiden name. Picturing a redwood forest with afternoon light framed in original arts and crafts period frame. In excellent condition measuring approx. 12 x 18 a fine and rare painting. Biography

The Sroufe family came to California in a prairie schooner in 1850 with the Gold Rush. On October 2, 1853 Susan was born in Petaluma. In 1870 the family settled in San Francisco where Susan showed a marked talent for drawing while a student in the public schools. She later studied art under some of the finest local artists and then for three years in Munich and Paris. While there she exhibited at the Paris Salon and received an honorable mention. After returning to San Francisco, the artist established a studio at 13 Pine Street. In 1892 she wed John R. Loosley and continued to be active in the local art sceSne. The earthquake and fire of 1906 destroyed her studio and many of her early works. After settling across the Golden Gate in Sausalito, she built a home at 141 San Carlos where she lived until her demise on Jan. 3, 1940. Her landscapes include local scenes and those painted on trips with her husband, a salesman, to Arizona and New Mexico. As well as oils and watercolors, she also excelled at wood carving and china painting. Exh: Mechanics' Inst. (SF), 1878-99; Calif. State Fair, 1880-1902; SFAA, 1885-97; Calif. State Bldg, World's Columbian Expo (Chicago), 1893; Calif. Midwinter Expo, 1894; Mark Hopkins Inst., 1898; Alaska Yukon Expo (Seattle), 1909; Sketch Club (SF), 1909; Sorosis Club, 1913. In: Sausalito (CA) Women's Club; CHS. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Decorative Art : Pre 1910 item #448467 (stock #042)
Sterling Cased Swiss enamel travel clock. A beautiful ornately decorated American sterling silver case opening to a fold out standing Swiss 8 day clock. In excellent condition one small bend in the closed edge of the case the clock runs well. A fine example would be a nice addition to any collection
All Items : Archives : Fine Art : Pre 1950 item #1190647 (stock #594)
A fine vintage photo of a Chinese Imperial temple photo by famed Jewish photographer Sam Sanzetti signed lower right a fine rich print measuring 12 x 17 inches. in good vintage condition,

Biography

Sioma Lifshitz arrived in Shanghai on a freighter from Vladivostock in 1922. The 20 years old energetic Russian jew had no money but lot’s of dreams and soon started to work in a photography studio under the name of Sam Sanzetti. It took him 5 years to open in own studio in 1927, becoming one of the most famous photographer in Shanghai. The studio was first located on 73 Nanking Road (today 73 Nanjing Dong Lu), near the Bund and just behind the Palace hotel (today Swatch Art Peace Hotel). Construction on the Cathay Hotel (today Peace Hotel) was on-going at that time very and the opening in 1929 certainly also helped his business. The central position in the business center allowed him to become the photographer of the rich and famous in Shanghai, surely meeting with other successful business people of the time. His office later moved to 39 Peking Road (today Beijing Dong Lu) as reported in 1938 Shanghai Dollar Directory. Some of his photographs clearly remind of the calendar ads from the Carl Crowe company located very close on 81 JinKe lu and both men hanging around in similar circles probably worked with each other at some point. Sam Sanzetti left Shanghai in 1957 to immigrate to Israel leaving a Chinese wife and a stepdaughter behind and remade his life in his new country. He had fun memories of Shanghai as explained in an interview with an Israeli Newspaper years later. However he was never able to come back to Shanghai before his death in 1986.

All Items : Archives : Regional Art : Pre 1910 item #1090492 (stock #425)
A beautiful Chinese Cloisonne Tea pot of very large size featuring gilt bronze handle and top with exquisite foo dog images in cloisonne design. In excellent condition measuring approx. 13 tall and 16 inches at its widest point.
All Items : Archives : Fine Art : Pre 1900 item #1166446 (stock #560)
An original painting by famed Irish artist Roderic O'Conor a profile portrait of a Tahitian woman probably influenced by his friend Paul Gaugin as O'Conor did not travel to Tahiti. Watercolor on paper atlier stamp lower right and initialed lower left. measuring 8 x 12 inches in excellent condition. Provenance Crane Kalman gallery London sold in 1959 to James Costigan Esq. Biography

RODERIC O’CONOR An exact contemporary of Charles Gruppe, O’Conor is listed as both Irish and Irish-American (by Bénézit, in error). His place of birth was Roscommon, Ireland (on 17 October 1860). Regarded as Ireland’s most progressive painter of his time, O’Conor was close to both Gauguin and Armand Seguin in the Pont-Aven region, and he was wealthy enough to purchase paintings by Cézanne, Gauguin, Renoir, Manet, and others. O’Conor studied art in Dublin (1879-83), Antwerp (1883), then in Paris under Carolus-Duran and at the Académie Julian. He was working in Grèz-sur-Loing in the 1880s (Jacobs, 1985, p. 33), and began exhibiting his works at the Salon des Indépendants in 1890. Later he would take part in the Salon d’Automne. O’Conor first came to Brittany in 1890, and two years later he executed Yellow Landscape at Pont-Aven (Barnet Shine Collection, London). At Pont-Aven, O’Conor also did engravings. The Irishman befriended Gauguin there, also in 1892. The latter tried to persuade his “drinking buddy” O’Conor to accompany him to Tahiti. The Irish painter was certainly as avant-garde as Gauguin. Breton Peasant Knitting, already post-impressionistic, was painted in 1893, and The Farm at Lezaven, Finistère (National Gallery of Ireland), a year later. According to tradition, O’Conor inspired the character of Clutton, the failed artist in Somerset Maugham’s Of Human Bondage. The letters between Seguin and O’Conor were published in 1989, as Une vie de bohème. In the introduction, Denys Sutton describes how O’Conor served as Seguin’s “father confessor.” O’Conor’s friend Clive Bell (in Old Friends, 1956, p. 163), pointed out that O’Conor “seems to have known . . . most of the more interesting French painters of his generation — the Nabis for instance.” O’Conor’s use of bold color anticipates the Fauves and the German Expressionists. His knowledge of avant-garde painting had a direct impact on the formalist critics Roger Fry and Clive Bell. O’Conor influenced both Robert Vonnoh and Edward Potthast in Grèz, and he oriented Alden Brooks (1840-1931) to Vincent van Gogh’s innovative techniques. Brooks stated that O’Conor was “considered by all the one genius of the crowd.” (Hill, 1987, p. 14). He died at Neuil-sur-Layon on 18 March 1940.

All Items : Archives : Regional Art : Pre 1910 item #1088195 (stock #418)
A fine antique carved Ivory figure of a fisherman with pole and a pipe in excellent condition measuring approx. 10 inches tall without stand.
All Items : Archives : Fine Art : Pre 1930 item #446005 (stock #030)
A early Western Landscape of Buffalo by a creek by Julius Rorphuro a true authentic western cowboy artist. Oil on canvas signed lower left measuring 16x24 inches framed size 22.5 x 30.5 inches. A quality painting in excellent condition in original fine quality gold leafed frame. A great historical work of art by a interesting Historical Artist. . Works by this artist are quite rare.

Biography

Julius Jacques Rorphuro, (1861-1928). Born in Kuttlesheim, Alsace, France on June 6, 1861. Rorphuro studied at the French Academy of Arts before immigrating to America in 1874. He had further art training in Mentado, MN and Lyons, IA. At 17 he began driving cattle in the Black Hills and for ten years led the life of a cowboy in the Indian territories of Montana, Wyoming, Nebraska, Texas, and Kansas. Upon settling in San Francisco about 1888, he often spent summers in Fresno where he had relatives. Rorphuro died in Fresno on May 20, 1928. His known works include landscapes, horses, and western subjects. He exhibited at the Mechanics' Institute in San Francisco in 1889 and 1891, as well as the Fresno County Fair in 1892, and the World's Columbian Exposition in Chicago in 1893. He has works in the Oakland Museum and the Nevada Museum in Reno. Courtesy: Edan Milton Hughes, Artists in California, 1786-1940, 2002, page 954.

All Items : Archives : Decorative Art : Pre 1910 item #511606 (stock #168)
Japanese bronze Ichibana bowl circa 1900 signed with a rich dark patina and relief design of Japanese figures gathering blossoms for ichibana floral arrangement shishi dog feet and elephant handles. In excellent condition measuring approx. 11” wide 8” deep and 3.5” tall.
All Items : Archives : Regional Art : Pre 1920 item #900935 (stock #255)
An exquisite carved Ivory image of Guanyin with the Buddha atop all hand carved from a very large tusk Measuring 5.5 in diameter 15 inches tall and 18 inches tall with stand. Signed with carved symbol on bottom. A fine example would make a nice addition to any collection.
All Items : Archives : Decorative Art : Pre 1920 item #577728 (stock #228)
Gorham Sterling silver art nouveau floral design bowl elaborate monogrammed initials GER in center marked sterling with Gorham mark and number. In excellent condition some minor scratches measuring approx. 5.5 inches by 1.5 inches.
All Items : Archives : Fine Art : Pre 1950 item #580285 (stock #247)
Frank Montague Moore Carmel or Monterey evening nocturne oil on board signed lower right F.M. Moore. A beautiful painting with a amazing sense of light. In excellent condition measuring 12 x 16 inches approx. overall size 19 x 23 inches. A fine painting by this highly acclaimed artists would be a nice addition to any collection.

Biography

Born in Taunton, England on Nov. 24, 1877. Moore studied at the Liverpool Art School and Royal Institute. In 1903 he immigrated to America and further studied with Henry Ward Ranger. By 1910 he was an established artist in NYC; in that year moved to Hawaii where he was purchasing agent for Hawaii Plantations and later served as director of the Honolulu Academy of Arts. In 1928 he sailed for California and worked briefly in Pasadena where he painted the Picture Bridge, a series of 41 murals in the Huntington Hotel. After a few months in San Francisco, he settled on the Monterey Peninsula. There he specialized in poetic depictions of the coast and other local scenery. Moore died in Carmel, CA on March 5, 1967. Member: Salmagundi Club; NY WC Club; AFA; Pasadena Society of Artists. Exh: Calif. WC Society, 1928; Nicholson Gallery (Pasadena), 1928; CGA; PAFA; St Louis Museum; GGIE, 1939; LACMA, 1942; Salmagundi Club, 1943; Santa Cruz, 1944; Society for Sanity in Art, CPLH, 1944 (1st prize and Logan medal); Carmel AA, 1945-46; NAD. In: Orange Co. (CA) Museum; USMC Headquarters (SF); Auckland (NZ) Museum; Honolulu Academy of Art. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Decorative Art : Pre 1930 item #542852 (stock #194)
Antique sterling silver overlay art nouveau perfume bottle. A beautiful example measuring approx. 4 inches tall in excellent condition some minor scratches to sliver clear glass nice heavy overlay. A fine addition to any collection.
All Items : Archives : Fine Art : Pre 1960 item #483129 (stock #100)
A DRAMATIC VIEW OF THE POUNDING SURF AND WIND SWEPT CYPRESS TREES ALONG THE MONTEREY BIG SUR COAST. THE PAINTING IS OIL ON CANVAS BOARD FRAMED IN A QUALITY GALLERY FRAME MEASURING 20 X 24 INCHES FRAME SIZE 26.5 X 30.5 INCHES THE PAINTING IS IN EXCELLENT CONDITION A FINE ADDITION TO ANY COLLECTION OR A GREAT DECORATIVE PAINTING FOR ANY INTERIOR.

Artist Biography

Born in Illinois, Oliver Barrett, a landscape painter, moved to Los Angeles in 1921 and then settled in Glendale. He was inspired by the natural beauty of the desert and mountains around his home. In 1946, he authored a book, "The Fascinating Art of Landscape Painting". He died in 1970 in Glendale. Biography Edan Hughes artists in California.