A beautiful quality original watercolor marine painting of ships off the coast and braking waves by george howell gay signed lower right. Painted on a heavy watercolor paper laid on matte board measuring approx. 14 x24 inches framed in a quality gold leafed frame. In very good condition no tears or creases some areas of age discoloration and fading typical with watercolors of this age please view pictures.
george h. Gay was well known for his watercolor landscapes, seascapes and paintings of rivers and ships, mostly along the shores of new england. Gay also painted snowscapes, but these are scarcer. It is unusual to find an oil painting by this artist, as he worked mainly in watercolor. Some of his works display a tonalist aesthetic.
He was born in milwaukee, wisconsin on july 2, 1858, and lived in chicago and then in 1889, settled in bronxville, new york. Gay was a pupil of paul brown and henry elkins in chicago.
He is known to have exhibited at the national academy of design in 1890; boston art club, 1890-1900; and boston art club, 1897.
Shortly before his death in 1931, george gay's address in 1929 was known to be 100 kraft ave., bronxville, ny.
Khmer Sandstone head of Buddha or heavenly being Angkor Wat style circa late19th century. A beautiful original antique with a inspirational spiritual quality. Featuring a broad nose and lips elongated earlobes, and a stirated hairdress combed into a high chignon. Measuring approx. 13 inches tall with teak wood stand (minor crack) 18.5 inches tall. In
Good condition no repairs or restoration, some weathering due to age and losses to ear lobe. A beautiful piece would be a nice spiritual decorative accent to any home or interior.
Claude Buck self portrait of the artist c.1940 oil on board 16 x 20 inches. Provenance: the wife of the artist Leslie Buck.
A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes.
In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of hyperrealist* portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their Society for Sanity in Art* movement whose headquarters were in Chicago.
Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows.
In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design* where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money.
In New York, he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States.
A fine original watercolor painting of Pebble Beach Golf course 7th hole Carmel California by James March Phillips a renowned California watercolorist. Measuring approx. 12 x 20 inches in excellent condition beautifully framed.
James March Phillips was born in Fresno California in 1913. His art career began in the 1940's while attending Jean Turner Art Academy in San Francisco where is studied under such prominent artists as Louis J. Rogers, Alfred Owles, and J. Paget Fredricks. His paintings were sold in numerous galleries in the west during the 1940's and 1950's. In recent years his paintings have become quite valuable and have reached prices as high as $13,000 at San Francisco auction house Bonhams Butterfields. This is one of a pair please view the other listing of the 7th hole Pebble Beach.
Blue background with designs of fruits and vegetables very nice pair c.1910 with vintage carved wood stands. Measuring approx. 10 inches tall in good condition no damage some minor firing flaws. A nice pair of vases would be a nice decorative accent to any interior design plan.
Antique carved wood Buddha Burma circa 1850. Finely carved image of the Buddha seated on a lotus made from a hardwood with a rich deep brown patina. Measuring approx. 10 inches tall in excellent condition. This fine example would make a nice decorative and inspirational piece.
Mettlach stein number 1786, the St. Florian stein, is one of the most beautiful and skillfully crafted, etched and glazed steins produced by Villeroy & Boch during its "Golden Era", with artistry attributed to Otto Hupp. In excellent condition no damage or repairs
Pair of Roosters finely cast and intricately detailed life like made of solid sterling silver. Weighing 82 Troy ounces approx. 4 lbs. Measuring 12" L x 7"T x 7"W. Made in Peru.
Antique Japanese tall Bronze vase with ornate dragon handles and floral and bird motif. In excellent condition measuring 9" x 17".
A fine early English Oak Carved Tudor period bible box. With an antique hand written not on the inside lid stating. "Old Tudor Bible Box from Oddington Church Oxfordshire used for more than 100 years as a reading desk bought in Burford Aug 1509. In good antique condition replaced lock and comes with a later stand. Great for magazine storage a beautiful early period piece with exquisite patina.
Cattle By a Stream by Gregory Hollyer
A charming antique painting of a group of cattle watering by a lake.
Oil on wood panel signed lower left measuring 6x10 inches framed in a fine ornate gold leafed antique frame measuring overall approximately 11x15 inches. The condition is excellent. This painting would make a fine addition to any collection.
Exhibition Label on reverse reads.
Gregory Hollyer, Born London 1871 the son of W.P. Hollyer the celebrated painter of Scottish cattle and sheep and brother if Eva Hollyer the well known figure painter. Hollyer a pupil of Eugene Verboeckhoven in Brussels and Emile Van Marcke in Paris. His pictures appear in many of the principal exhibitions in the United States and foreign salons. Received gold medal of the first class, Liverpool 1889 and medal Hamburg 1905.
Japanese Satsuma pottery vase with cobalt blue background and beautifully hand painted with the finest detailed images of flowering branches and nesting birds. Artist signed on bottom in excellent condition measuring approx. 5 in. tall 4 in. wide or 13 x 11 cm. An exquisite example of this sought after art form.
A beautiful piece with traditional enameled hand painted designs. Measuring and impressive 17 inches tall in excellent condition. A nice decorative piece for any interior design.
An original oil painting on canvas signed lower right Baxter and dated 1868. A beautiful portrait of two women. Measuring approx. 30 x 40 inches.
Charles Baxter (March 1809 - 10 January 1879) was an English portrait and subject painter, known especially for his portraits of pretty young women. Baxter was born in Little Britain, London in 1809, the son of a book clasp maker, and started his career apprenticed to a bookbinder. However, he gave up this business to commence life as a professional painter, chiefly of miniatures and portraits. In 1834 he made the acquaintance of George Clint, from whom he received some valuable instruction, and in the same year exhibited for the first time at the Royal Academy. In 1839 he joined the Clipstone Street Society, and studied there along with Paul Falconer Poole, William Müller, Edward Duncan (1804-1882), Joseph John Jenkins (1811-1885), Francis William Topham (1808-18), and others, who afterwards became distinguished in the profession. He became a member of the Society of British Artists in 1842, and contributed to its exhibitions many of the poetic and rustic subjects and fancy portraits upon which his reputation chiefly rests. His female heads are especially characterised by refinement of expression and purity of colour.
An original oil on canvas Arthur B. Davies titled Heaven and Earth 12 x 16 with letter of provenance.
Born in Utica, New York, Arthur Davies gained a reputation for ethereal figure paintings, ones that expressed lightness and mysticism. He was also a principal organizer of the 1913 Armory Show that revolutionized American art by introducing modernism to the viewing public.
He attended the Chicago Academy of Design and from 1879 to 1882, traveled in the West, to Colorado and Mexico City where he worked as a drafting civil engineer. He briefly attended the Chicago Art Institute, and in 1885 moved to New York City where he studied at the Art Students League and Gotham Art Students League. He supported himself as a billboard painter, engineering draftsman, and magazine illustrator.
In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He particularly studied the Dutch realist painters, the Maris brothers. He settled in Congers, New York and from there traveled extensively throughout the United States.
He developed a style that combined the visionary with Symbolism with elements of Tonalism, Art Nouveau, and Cubism and became increasingly interested in expressing a feeling of lightness in figural compositions.
He also did printmaking, having begun in the 1880s and producing some two-hundred graphic works between 1916 and his death in 1928.
A fine pair of the finest hand carved wood duck decoys. A mating pair of green wing teal. Made from cedar artist signed Dan Heiman in very fine condition. Carved from a cedar log found at Big Bear California artist information written on bottom.
"Dioclmasters Ensifurs" An original John Gould Hummingbird lithograph published in 1861 Beautifully hand colored with watercolor and added iridesence. Hallmandel and Walton printers London in good antique condition some age toning and light foxing. Slightly trimmed measuring approx. 14 x 21 overall size. A fine example of this important work one of the finest images. A Monograph of the Trochilidae, or Family of Humming-Birds Written by John Gould
Published by John Gould (London, England)
5 volumes and supplement, 1861-1887 John Gould (1804-1881) was a British ornithologist, artist, and successful businessman. Sometimes referred to as the "English Audubon," Gould had an illustrious career in which he served as official taxidermist to King George IV and established himself as Queen Victoria's favorite illustrator of birds. Gould was so devoted to the study of birds that he asked for his epitaph to read: "Here lies John Gould, the Bird Man." Though he chronicled a wide variety of bird species, from partridges to toucans, spanning all corners of the globe from Great Britain to Australia, Gould had a particular interest in hummingbirds. He developed a personal collection of 1500 mounted and 3000 unmounted specimens, containing at least 300 different species of hummingbird. A Monograph of the Trochilidae represents Gould's stunning effort to create a comprehensive guide to all the varieties of hummingbird with a high degree of accuracy, detail, and beauty.Gould's five volumes on the hummingbird contain 360 hand-colored lithographic illustrations. Gould would draw rough pencil or watercolor sketches of hummingbird specimens, which then served as guides for a team of artists (including his wife, Elizabeth). Gould also worked with lithographers, who used pure gold and silver leaf (applied underneath the watercolor) to achieve a lifelike illustration of the hummingbird's iridescent feathers.
A Japanese carved Ivory netsuke of Daikokuten artist signed in very fine condition measuring 6 cemtimeters or 2.5 inches tall.
is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called a Uchide Nokozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).