Antiquarian Art Co.
All Items : Archives : Decorative Art : Pre 1940 item #1008307 (stock #327)
A fine Japanese carved ivory artist signed dragon motif cribbage board. In its original fitted box originally sold by Kitashojik K. of Tokyo Japan. Measuring approx. 7 x 2 inches in very good condition some age yellowing and wear to the outside of the box. See pictures.
All Items : Archives : Furnishings : Architectural : Decorations : Pre 1900 item #1062045 (stock #411)
A fine antique French ink well set of gilt bronze and a black marble base adorned with a bronze bust of a Roman soldier signed Richaud & Cie Measuring approximately 16 inches long and 12 inches high in excellent condition.
All Items : Archives : Fine Art : Pre 1960 item #485816 (stock #111)
A beautiful ethereal Laguna beach seascape at sunset with incredible tonality and use of light. Oil on board signed lower left and dated 1956 measuring 12 x 16 inches and framed in a quality gallery frame measuring overall 20 x 24 inches in excellent condition. A fine example of this remarkable American Artists work.

Biography

A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohion, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

All Items : Archives : Fine Art : Pre 1930 item #968603 (stock #301)
A beautiful portrait of a beautiful young lady in an interior. Oil on Canvas signed lower right in excellent condition measuring 31 x 39 inches overall framed size 38 x 46 inches. Van Belle is a highly regarded Belgian - French painter this painting is illustrated in the book Figurative Paintings Paris and the Modernist Spirt by. Martin Wolpert pubilshed by Schiffer.
All Items : Archives : Fine Art : Pre 1960 item #1271064 (stock #660)
Watercolor painting of stone statues at Easter Island by Robert W. Daley member American Water Color Society. Daley became director of the Civic light Opera Company. He also enjoyed painting set designs and went on to create important murals throughout the western states. In 1952 at thirty years of age Robert headed for N Y C and built an art career as a watercolorist and mural painter. He was active and successful in winning top awards for his art including American Watercolor Society, American Academy of Arts and Letters. etc. With his love for the sea he spent several years as artist -in- residence on cruise ships M S Sagafjord and Vistafjord of Norwegian-American lines. Owner of his own gallery in Lenox Ma brought him in contact with hundreds of clients for his art. He was also a resident in Ft Lauderdale, Fl. While living in the south he created a mural for the Royal Palm Yacht Club in Boca Raton. I met Bob Daley at Tyringham Gallery and at an exhibition at his new studio in Windsor, Berkshire Hills, and Western Ma. He was working on his over-sized water color paintings of landscapes and floral designs. Condition is excellent measuring approx. 11" x 21".
All Items : Archives : Fine Art : Pre 1930 item #1302238 (stock #715)
Original Antique Watercolor British Portrait of "The Cutty Sark" signed lower right John Whitlock image 13"L x 18"W. Overall framed size 20" L x 24" W. Provenance imported from England by J Assenheim NY.
All Items : Archives : Regional Art : Pre 1910 item #491258 (stock #140)
A beautiful example of this exquisite art form in a floral vase on tinted silver foil background. Measuring approx. 6 inches tall 15.5 cm. In excellent condition no damage. A fine example would be a nice addition to any collection
All Items : Archives : Fine Art : Contemporary item #1061650 (stock #405)
A Beautiful work of art by this highly regarded California painter Patricia K. Jones. Oil on canvas signed lower right measuring 8 x 10 inches framed in a quality gallery frame overall size 14 x 16 inches in excellent condition. A nice addition to any collection. Biography Patricia is especially drawn to the familiar objects and sights that we usually take for granted. In her paintings, she strives to translate the essence of the everyday, the ordinary and the overlooked into works of art. This approach has allowed her to reach out to a wide audience, and today her paintings can be found in private collections in the U.S. and Europe. Education and Background: Bohemian House of Fine Arts: Carmel, California ,2001-2004 Russian Impressionism , 2003 Landscape Painting - Tuscany, Italy ,Academy of Russian Realism: St. Petersburg, Russia, 2002 Landscape Painting en Plein Air, California Academy of Painters: Provence, France, 2001 Painting in the Lavender Fields, Sauveterre-de-Bearn, France, 1999 Painting the Colors of Southwest France, Pacific Art League and Palo Alto Art Center: Palo Alto 1995-2002 Plein Air Oil Painting, Figure Drawing, Still Life and Portrait Painting, Scottsdale Artists School, Scottsdale, Arizona 2006, 2008 Workshops in Still Life Painting, Stanford University : Florence, Italy, 1995 Drawing in the Renaissance City Stanford University: MBA - 1976 Member, Oil Painters of America Member, American Impressionist Society
All Items : Archives : Regional Art : Pre 1920 item #1007716 (stock #324)
An exquisite Chinese carved Ivory figure of a beautiful maiden. Hand carved from one ivory tusk artist signed on the bottom measuring Approximately 14 inches tall in excellent condition.
All Items : Archives : Fine Art : Pre 1970 item #1107550 (stock #473)
"Summer at the 18th Pebble Beach "

A fine original watercolor painting of Pebble Beach Golf course Carmel California by James March Phillips a renowned California watercolorist. Measuring approx. 12 x 20 inches in excellent condition beautifully framed.

biography

James March Phillips was born in Fresno California in 1913. His art career began in the 1940's while attending Jean Turner Art Academy in San Francisco where is studied under such prominent artists as Louis J. Rogers, Alfred Owles, and J. Paget Fredricks. His paintings were sold in numerous galleries in the west during the 1940's and 1950's. In recent years his paintings have become quite valuable and have reached prices as high as $13,000 at San Francisco auction house Bonhams Butterfields. This is one of a pair please view the other listing of the 7th hole Pebble Beach.

All Items : Archives : Fine Art : Pre 1960 item #473079 (stock #082)
California Impressionist landscape of a field of wildflowers by Helen Glieforst a listed California woman impressionist painter. A beautiful and very decorative art work with a soft impressionist feeling. Oil on masonite board measuring an impressive 24 x 30 inches framed in a quality gallery frame measuring overall 31 x 37 inches.

Biography

Helen Glieforst Impressionist Landscape Born in Crete, Nebraska on February 10, 1903, Helen Gleiforst moved with her family shortly thereafter to San Diego, California. In 1918 her family relocated to Eugene, Oregon, and in 1920 Helen attended the University of Oregon. Because of her father's health, the family returned to Southern California. She married realtor Fred Gleiforst in 1923 and settled in Beverly Hills. It was in the late 1920s that she began to paint and draw. Her teachers included Nicolai Fechin, George Melcher, and John Hubbard Rich. Her instruction with Dedrick Stuber influenced her landscapes and Nell Walker Warner influenced her floral paintings. By the mid-1930s she had established a local reputation as an artist. She became a frequent exhibitor at one man shows in local venues. In the 1950s she had an exhibit at Stanford University. With her husband's retirement in 1960 she began to travel throughout California where she painted many of her landscapes. She stopped her artistic work in the 1980s because of poor health. The full extent of her output became evident after her death when an heir discovered over 500 paintings stored in her home. These works show the strong impressionistic expression of her work that was characteristic of the early plein-air painters of California. Gleiforst died in Los Angeles, California on May 28, 1997. Exhibited: Ebell Society; Beverly Hills & Westwood Women's Clubs; Clearwater Jr. High School, 1936.

All Items : Archives : Regional Art : Pre 1910 item #1174460 (stock #571)
A fine Japanese Archaic style bronze vase Meiji period c.1899 signed on bottom. A beautiful piece in form and design with rich bronze patina. Measuring approx. 9.5 inches tall in good antique condition some minor scratches and soft dent. A fine addition to any collection.
All Items : Archives : Fine Art : Pre 1940 item #702636 (stock #273)
F Grayson Sayer California impressionist landscape near Palm Springs Ca. Oil on canvas board signed lower left corner in excellent condition measuring 8x10 inches framed in a quality gallery frame overall size approx. 16x18 inches.

Biography

Landscape painter, illustrator. Born in Medoc, MO on January 9, 1879, Sayre worked in the lead and zinc mines and manufactured leather goods before settling on an art career. He remained a self-taught artist except for two months with J. Laurie Wallace in Omaha. His first creative job as an artist was an employee of and engraving company in Houston, TX. Ill with diphtheria, he moved to California in 1917. Traveling to California by train, he was enchanted with the Southwest desert and vowed to return which he did in 1919. For three years he lived in Arizona working for a mining company as a bookkeeper while painting in his leisure. Upon returning to California in 1922, he held his first art exhibition of 64 watercolors in San Francisco; later that year he exhibited at the Los Angeles County Museum of Art. In that year he moved to Los Angeles and two years later built a home and studio in Glendale where he remained for the rest of his life. Sayre is one of California’s best known painters of the deserts and the Southwest. Member: Pallete & Chisel Club of Chicago; Painters & Sculptors of Los Angeles (cofounder and President, 1929) Exhibited: Bohemian Club, 1922; Glendale Chamber of Commerce, 1922 (solo); Glendale Public Library, 1962 (retrospective) Works Held: Los Angeles County Museum of Art (Source: Hughes, Edan Milton, "Artists in California: 1786-1940," San Francisco: Hughes Publishing Company, 1989.)

All Items : Archives : Fine Art : Pre 1900 item #1106752 (stock #471)
A fine original oil painting on board 18 x 26 inches signed lower left J.W. Curtis and dated 1893. A scene of the Australian blue mountains and the famous three sisters mountain. excellent condition. A fine example of this important Australian artists work. Known for his paintings in black and white which he exhibited at the Victorian Academy of Arts, in the 1880s.

Biography

James Waltham Curtis (1839-1901) was an eminent Australian colonial artist whose work lives on as a tribute to Australia’s early days of European settlement. His approach is of technical, poetic and historical interest, emphasizing man’s battle with a primeval landscape and nature, his picturesque landscapes being fine examples of the late 19th century period which preceded the Heidelberg School. Curtis was an English painter and illustrator who it is believed, came to Australia during the Gold Rush. Curtis’ work plays an important part in the preservation of Australian history and is an excellent reminder of how life was in the latter part of the 19th century.

The Three Sisters

The Sisters were formed by erosion. The soft sandstone of the Blue Mountains is easily eroded over time by wind, rain and rivers and the cliffs surrounding the Jamison Valley are being slowly broken up. [edit]Aboriginal legends The commonly told legend of the Three Sisters is that three sisters (Meehni', 'Wimlah' and Gunnedoo') lived in the Jamison Valley as members of the Katoomba tribe). They fell in love with three men from a neighbouring tribe (the Nepean tribe), but marriage was forbidden by tribal law. The brothers were not happy to accept this law and so decided to use force to capture the three sisters. A major tribal battle ensued, and the sisters were turned to stone by an elder to protect them, but he was killed in the fighting and no one else could turn them back. This legend is claimed to be an Indigenous Australian Dreamtime legend.[1] However, Dr Martin Thomas, in his work "The artificial horizon: imagining the Blue Mountains",[2] clearly shows that the "aboriginal" legend is a fabrication created by a non-Aboriginal local Katoomba, Mel Ward, presumably to add interest to a local landmark. The story originated in the late 1920s or early 1930s and is unknown prior to that date. The Aboriginal traditional owners, the Gundungurra, have a legend that includes the Sisters rock formation. They are currently[when?] developing a website which will include these traditional stories.

All Items : Archives : Decorative Art : Pre 1910 item #491256 (stock #139)
A beautiful example of this exquisite art form in a floral vase on tinted silver foil background. Artist signed measuring approx. 5 inches tall 13 cm. In excellent condition no damage. A fine example would be a nice addition to any collection.
All Items : Archives : Decorative Art : Pre 1837 VR item #1025748 (stock #364)
A fine pair of early covered vegetable servers rare multi colored design. Both in excellent condition one minor chip to underside of one top.
All Items : Archives : Fine Art : Pre 1950 item #1056806 (stock #390)
Original oil on canvas of cattle in a landscape signed lower left in excellent condition measuring 32 x 36 inches. Provenance: The Closson Art Galleries Cincinnati Ohio

Biography

Thomas Corwin Lindsay, born in Cincinnati, Ohio, was a well-known painter of landscapes, animal subjects and occasional portraits. He studied in Dusseldorf, Germany, in the 1860s, but lived and worked most of his life in his native city where he opened a studio in 1856 or 1857. He taught several pupils from his studio, and was a founding member of the Cincinnati Art Club, which became the Men's Art Club. Most of his landscapes were painted in Pennsylvania, up-state New York, the White Mountains of New Hampshire or other Eastern states. He exhibited at the Cincinnati Industrial Exposition, from 1870-83; Pogue's, in 1875; and the Art Institute of Chicago, Illinois, in 1896. His work is in the collection of the Cincinnati Art Museum. Jim Lawrence, a relative of the artist, provides the following: According to the U.S. Census for 1900, Thomas Corwin Lindsay was born on July 1838 in Ohio and not 1839 as so often is recorded. In 1900, he was living in Cincinnati with his wife and son and working as an artist. His parents Thomas Lindsay and Elizabeth Lawrence were both born in Pennsylvania, his father in Cumberland County and his mother in Philadelphia.

All Items : Archives : Regional Art : Pre 1900 item #1022510 (stock #338)
A fine antique bronze Chinese bronze buddha with very fine details in the hand mudra postures. Measuring approx. 8 inches tall a fine example.