Catalog: Sold Items (421)

A beautiful Chinese porcelain vase with green tea dust glaze of beautiful color and form measuring Approximately 8 inches tall in excellent condition no chips cracks or restorations.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate incised designs of dancing children and vines. Measuring Approx. 7.5 inches by 3 inches, In very fine condition to chips or cracks. A museum quality example.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate designs of dancing boys and vines. Measuring Approx. 4.5 inches by 2 inches 12 x 5 cm. in very fine condition to chips or cracks. A museum quality example.

WILLIAM MALHERBE 1884 - 1951 A beautiful impressionist oil painting of a nude woman holding a sphere one can easily see the influence of Renoir in this example of this fine French-American artist. Oil on canvas monogramed lower right measuring Approx. 26 x 30 inches. Born in France, William Malherbe was influenced by the great Post Impressionist painters of his time, particularly Renoir and Bonnard. He is known for his still lifes, landscapes and figural paintings. In 1939, Malherbe arrived in the United States. He lived in New York City and on a farm in Vermont. He returned to France in 1948 and died there in 1951. Works by William Malherbe are in the collection of the Musee d'Art Moderne in Paris among other collections.

Claude Buck self portrait of the artist c.1940 oil on board 16 x 20 inches. Provenance: the wife of the artist Leslie Buck. Biography. A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of hyperrealist* portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their Society for Sanity in Art* movement whose headquarters were in Chicago. Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows. In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design* where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money. In New York, he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States.

George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.

A beautiful portrait of a beautiful young lady in an interior. Oil on Canvas signed lower right in excellent condition measuring 31 x 39 inches overall framed size 38 x 46 inches. Van Belle is a highly regarded Belgian - French painter this painting is illustrated in the book Figurative Paintings Paris and the Modernist Spirt by. Martin Wolpert pubilshed by Schiffer.

A fine antique Japanese Ivory Netsuke of a Buddha and a Shishi or Foo lion by his side. Meiji era circa 1890 in very nice condition some wear and a very nice patina. Measuring 4 centimeters or 1 3/4 inches tall. A very fine example.

An antique Japanese Ivory Netsuke 19th century carving of a Oni and Dragon lots of wear and patina from years of use a very fine example.

A Japanese carved Ivory netsuke of Daikokuten artist signed in very fine condition measuring 6 cemtimeters or 2.5 inches tall. Daikoku is variously considered to be the god of wealth, or of the household, particularly the kitchen. He is recognised by his wide face, smile, and a flat black hat. He is often portrayed holding a golden mallet called a Uchide Nokozuchi, otherwise known as a magic money mallet, and is seen seated on bales of rice, with mice nearby (mice signify plentiful food).

A very fine antique Japanese Ivory netsuke of a Buddhist monk and a Oni figure. Artist signed very fine intricate carving the Buddha has a gold pin third eye on his forehead. Measuring approx. 2 inches tall or 5 centimeters. Truly a masterfully carved piece.

A fine vintage Japanese netsuke of a noh mask devil artist signed a very fine carving. In excellent condition measuring approx. 2.5 inches or 6.5 centimeters long. A fine addition to any collection.

A Japanese Ivory netsuke artist signed figure of Hotei or Buddha. A fine carving with nice details and color. A fine addition to any collection. Measuring approx. 2 1/4 inches tall or 6 centimeters.

A Japanese Ivory Netsuke of a reclining Daruma and child figure 19th century very large size with beautiful patina and wear a nice addition to any collection. Measuring 3.5 inches or 9 centimeters long. A nice addition to any collection.

A Japanese Ivory netsuke of a girl holding a Chicken fine carving artist signed measuring approx. 3.5 inches tall or 9 centimeters. A fine addition to any collection.

An Antique Japanese Ivory Netsuke of a reclining Buddha with a rich patina and warm color great form. Measuring 4 cm or 1.5 inches in length.

A fine antique Japanese Ivory Netsuke of Fukurokuju the Buddha Scholar or Monk good wear and patina a very fine antique piece. Measuring 2.5 inches tall or 8 + centimeters.

A fine antique ivory Japanese Netsuke of a Shishi dog or Lion. Beautifully carved with a great patina. measuring approx. 4 x 4 centimeters or 1 3/4 inches. A nice addition to any collection.