Catalog: Sold Items (421)

Chinese carved spinach jade censer with intricate details of dragons and mythical beasts plus traditional Chinese decorative elements. A fine example with a deep green color in excellent condition measuring approx. 9 inches tall. A fine example would be a nice addition to any collection.

Traditional hand painted mandarin figures and floral and butterfly motif. An 19th century example c.1880 a dinner plate measuring approx. 9 5/8 inches in good antique condition some wear to enamels no chips or cracks. A nice addition to any group or a great decorative piece on its own.

A beautiful antique American portrait of a young girl circa. 1890 framed in a spectacular period frame. Oil painted on an oval canvas measuring 16x20 inches and overall framed size approx. 26 x 30 inches. The painting is signed lower right C. T. Webb and titled with the Childs name on the reverse. In very good condition some minor touch ups and the frame has some touch ups to the gold leaf liner. Overall a very fine and decorative antique painting.

Japanese Ivory Netsuke of a turtle finely carved artist signed in excellent condition. Measuring approx 2.5 inches long 6 centimeters. a fine addition to any collection.

Antique Navajo Indian silver and turquoise bracelet circa 1920s with interesting four directions and arrow design in excellent antique condition measuring approx. 2 inches at widest point. A fine example would be a nice addition to any southwest jewelry collection.

Japanese Arita Imari large bowl or charger Meiji period c.1900. A scalloped edge with beautiful hand painted bamboo and cherry blossom designs artist signed measuring 17 inches wide and 2.5 inches deep in excellent condition no damage, A fine example would be a nice decorative accent for any interior.

George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.

A fine vintage Japanese netsuke of a noh mask devil artist signed a very fine carving. In excellent condition measuring approx. 2.5 inches or 6.5 centimeters long. A fine addition to any collection.

A beautiful original oil painting of a young girl reading oil on board signed upper right and dated 1918. Exquisite detail and light a masterpiece by this famed artist. A fine addition to any collection. Biography

A native of St. Paul, Minnesota, Van Soelen trained in art at the St. Paul Institute from 1908 to 1911, and then attended the Pennsylvania Academy of Fine Art, 1911-1915. The Pennsylvania Academy awarded Van Soelen a Cresson Traveling Scholarship which enabled him to tour and study in Europe in 1913 and 1914. Shortly after launching his art career back in the United States, Van Soelen headed west, seeking relief from tuberculosis. After spending time in Utah and Nevada, he settled in Albuquerque, New Mexico in 1916. Working as a commercial illustrator, he also began to sell his fine art paintings. To acquaint himself with the people and landscapes of New Mexico, Van Soelen spent time in the small towns and ranches of the region. Early on, scenes of ranch life became his favorite subjects. Van Soelen married Virginia Carr in 1922 and the couple moved to Santa Fe before permanently settling in nearby Tesuque, New Mexico in 1926. Van Soelen's reputation grew rapidly throughout this time, but like other New Mexico's easel painters, most of his customers were in the East. In the 1930s he established a second studio in Cornwall, Connecticut to be closer to that market. Van Soelen painted in a detailed, realistic style with a slightly muted palette and strong draftsmanship. Though most famous for his ranch-life genre paintings, he also painted landscapes and formal portraits, and produced several popular lithographs on cowboy themes. In 1938 Van Soelen won a mural commission for the Post Office in Portales, New Mexico. He was a Fellow of the National Academy and exhibited in various juried exhibitions including the National Academy, the Metropolitan Museum of Art, and the Chicago Art Institute. In 1960 he was named Honorary Fellow in Fine Arts by the School of American Research.

A beautiful oil painting on board signed lower left of a Dramatic landscape. Titled on the reverse Twilight glow and with the University of Nebraska Museum label with inventory number 1029 Attributing this painting to Blakelock and a partial museum exhibition label. Measuring 6 x 8 inches framed in a quality presentation frame 13 x 15 inches overall. This is an absolutely stunningly powerful image by this renowned artist.

Biography

Born in New York City, Ralph Blakelock earned a reputation for nocturnal, misty scenes, especially moonlit landscapes, large oak trees, and Indian encampments. He also did a small number of floral still lifes. His work has a mysterious quality, which some associated with the type of music he habitually played on the piano during interludes from his painting. Towards the end of his career, his paintings became increasingly haunting, a reflection of his insanity brought on by horrible poverty and his inability to support his family of nine children. He was both a late exponent of the Hudson River School of painting and also of the American West. He also foreshadowed the romantic, visionary, and modern tendencies that marked the turn of the 19th to 20th centuries. This romanticism, especially of escapism, was increasingly pronounced towards the end of his career. Blakelock was the son of a prominent English-born, New York physician, and first took medical studies, but his love of music and art led him away from medicine. He graduated from the College of the City of New York, studied briefly at Cooper Union, and at the Free Academy of the City of New York. In 1867, he first exhibited at the National Academy of Design to which he was ultimately elected, after he was incarcerated for insanity. During this time, he painted a series of New York City scenes, primarily of un-glamorous areas such as his work, Shanties, New York City. He also painted in Hudson River Style and was in locations that included the Adirondacks and the White Mountain. It is thought he learned this style during his brief and only art education at Cooper Union. Primarily self taught, he declined his father's offer to pay for more extensive art schooling, and instead, at age 22, embarked on a three-year (1869-1972) horseback tour of the West. He lived with plains Indians, painting pictures of their villages, and traveled and painted through the Rockies and the Sierra Nevadas. In San Francisco and Oakland, he painted city scenes, the tree landscapes, and coastal views, and then he headed south to Mexico. These western paintings were also in the Hudson River style, although they were rough and more painterly. Returning to New York, he developed what became his signature expression: quiet, moody, nocturnal scenes accented with bright colors depicting light, and trees silhouetted against the sky. He had a labor-intensive technique, which was building up of multi layers of thick paint, scraping some away, and "adding more to build a complex tonality". (Zellman 420) It is said that his real travels were introspective from which he created these moody, dark landscapes, and they did not satisfy the current public taste for uplifting Hudson River style painting. Ahead of popular taste, his work was overlooked, and crooked dealers took advantage of him. With the desperation of trying to support his huge family, he sold his work cheaply. Ironically, many years after his death, his work became so valuable that forgers, including a dealer who changed the signature on canvases of Blakelock's artist daughter, Marian, to that of her father, sold paintings at very high prices by using his signature. Norman Geske, Director Emeritus of the Sheldon Memorial Art Gallery in Lincoln, Nebraska, became the authenticator of Blakelock's work, and has seen many, many illegitimate so-called Blakelocks. Under Geske's direction, a catalogue raisonne has been published that classifies paintings with Blakelock's signature into three categories according to their degree of perceived authenticity. In 1899, the artist had a mental breakdown and spent the last twenty years of his life in an asylum in Middleton, New York. He died on August 9, 1919. However, his work had already begun increasing in value, and by 1916 was bringing as high as $20,000. Of Blakelock's career, Norman Geske wrote: "Considered in the context of American landscape painting in the second half of the nineteenth century, Ralph Albert Blakelock can be seen first as a late exponent of the Hudson River School, second as a highly personal contributor to the painting of the American West, and third and most important, as part of the romantic, visionary, and modern tendencies that marked the turn of the century."(16)

A fine Original early California watercolor painting by Susan S. Loosely or Sroufe her maiden name. Picturing a redwood forest with afternoon light framed in original arts and crafts period frame. In excellent condition measuring approx. 12 x 18 a fine and rare painting. Biography

The Sroufe family came to California in a prairie schooner in 1850 with the Gold Rush. On October 2, 1853 Susan was born in Petaluma. In 1870 the family settled in San Francisco where Susan showed a marked talent for drawing while a student in the public schools. She later studied art under some of the finest local artists and then for three years in Munich and Paris. While there she exhibited at the Paris Salon and received an honorable mention. After returning to San Francisco, the artist established a studio at 13 Pine Street. In 1892 she wed John R. Loosley and continued to be active in the local art sceSne. The earthquake and fire of 1906 destroyed her studio and many of her early works. After settling across the Golden Gate in Sausalito, she built a home at 141 San Carlos where she lived until her demise on Jan. 3, 1940. Her landscapes include local scenes and those painted on trips with her husband, a salesman, to Arizona and New Mexico. As well as oils and watercolors, she also excelled at wood carving and china painting. Exh: Mechanics' Inst. (SF), 1878-99; Calif. State Fair, 1880-1902; SFAA, 1885-97; Calif. State Bldg, World's Columbian Expo (Chicago), 1893; Calif. Midwinter Expo, 1894; Mark Hopkins Inst., 1898; Alaska Yukon Expo (Seattle), 1909; Sketch Club (SF), 1909; Sorosis Club, 1913. In: Sausalito (CA) Women's Club; CHS. Source: Edan Hughes, "Artists in California, 1786-1940"

An original woodblock print signed lower left and titled on mount "Caballo printed on Japan paper. This is a very rare graphic work by this important Mexican Modernist woman artist. Her auction records for painting are six figures. This print is In good condition paper is cut unevenly image size 5 x 7 inches slight light staining comes with archaival 16 x 20 matte. Biography María Izquierdo (October 30, 1902, San Juan de los Lagos – December 2, 1955, Mexico City) was a Mexican painter. She was born María Cenobia Izquierdo Gutiérrez in San Juan de los Lagos in the state of Jalisco;. After her father died, when she was five years old, she lived with her grandparents and aunt afterward in small towns of Aguascalientes, Torreón, and Saltillo. Both her grandma and aunt were devoted Catholics and much of her upbringing revolved around daily Catholic traditions. At age fourteen she had an arranged marriage to a senior army officer, Colonel Cándido Posadas, and bore three children by the time she was 17 years old. In 1920 her and her family moved to Mexico City from San Juan de los Lagos where she first began to develop into a professional artist. Always interested in art, Iqzuierdo spent much of her time alone teaching herself new art techniques. When she and her family moved to Mexico City in the 1920s, she acted on her passion and left Cándido Posadas. Today María Izquierdo is known for being the first Mexican female to have her artwork exhibited in the United States. She committed both her life and her career to painting art that displayed her Mexican roots and held her own amongst her famous Mexican male artist friends and contemporaries Diego Rivera, Jose Orozco, and David Siquerios.In December 1955 she died from a stroke in Mexico City.

A beautiful painting by this highly recognized early California painter depicting a wooded landscape with cows and oaks. Done in a impressionist style oil on board signed lower left. Measuring approx. 10x12 inches framed in a one of a kind custom carved and gilt frame 16.5 x 19 inches overall. A fine example would make a nice addition to any collection.

Biography

Carl Henrik Jonnevold (1856-1955) was born in Norway on June 1, 1856. He immigrated to the United States in the 1880s and is known to have painted in the Northwest before moving to California in 1887. Settling in San Francisco, he maintained a studio at 1617 California Street. He was a self-taught painter except for brief study in the galleries of Paris in 1908. While in France, he was greatly influenced by the Barbizon painters and their dark palette. Returning to California, he continued to paint the beauty of northern California in the Barbizon style. Often working in late afternoon when shadow prevails, he produced hundreds of attractive tree and meadow scenes which he exhibited in local galleries. By the time of the stock market crash in 1929, Jonnevold was poverty stricken and living alone at his small studio at 560 Kearny Street. In that year he was sentenced to two months in jail for aiming a gun at his landlord. Jonnevold disappeared from San Francisco about 1930. A letter at the Oakland Museum gives his date of death as June 9, 1955 but does not state where. Member: San Francisco Art Ass'n. Exhibited: Alaska-Yukon Expo (Seattle), 1909 (bronze medal); California State Fairs (premiums). Works held: Oakland Museum; California Historical Society; De Young Museum. Courtesy Edan Hughes

A fine antique Japanese bronze Ikebana planter in the motif of bamboo in excellent condition a large size great for bonsai tree etc. measuring approx. 19 x 14 x 6 inches. Signed on bottom.

Original Favuist style oil of a house near Fresno Ca. oil on canvas board by Harold Christopher Davies signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 10 X 14 inches. In excellent condition unframed.

A Japanese Ivory netsuke of a girl holding a Chicken fine carving artist signed measuring approx. 3.5 inches tall or 9 centimeters. A fine addition to any collection.

Charles Harmon California impressionist redwoods. A bold impressionist painting of California redwood country titled Gateway to Glendale Humbolt County. Oil on canvas board signed lower right. In excellent condition measuring approx. 10x12 inches. A fine example would be a nice addition to any collection.

Biography

Charles Henry Harmon (1859-1936) was born on December 23, 1859 in Mansfield, Ohio. He moved to San Jose, California with his family in 1874 and at an early age was apprenticed to local portrait painter Louis Lussier. He later spent one year working in a local photography studio re-touching negatives. His youth was spent visiting the art galleries of San Francisco and, with no formal training, he began sketching and painting in 1883 in the beautiful Santa Clara Valley. He painted many landscapes of that area and made trips to the remotest parts of the Sierra and the Monterey Peninsula where he painted many coastal scenes. He began exhibiting in San Jose in the 1880s. By the turn of the century, his works were handled exclusively by Gump's and he was recognized as one of California's foremost painters. In 1905 he established a studio in Denver and for seven years concentrated on the rugged landscape of the Rocky Mountains. While there, the Santa Fe, Western Pacific, and Colorado Midland railroads commissioned him to paint scenes along their routes. After his time in Colorado, he returned to San Jose where he remained for the rest of his life. Harmon died there on October 14, 1936 and is buried in Oak Hill Cemetery. Exhibited: Mark Hopkins Institute, 1897-98; Gump's (San Francisco), 1899; Berkeley League of Fine Arts; California Artists, Golden Gate Park Museum, 1915; Stanford Art Gallery, 1923; Rosicrucian Art Gallery, 1949 and Triton Museum, 1971 (retrospectives). Works held: San Jose Civic Auditorium; Clarke Museum (Eureka); California State Library; Denver Public Library; Santa Fe Railway. Source : Edan Hughes Artists in California.

An antique Japanese Ivory Netsuke 19th century carving of a Oni and Dragon lots of wear and patina from years of use a very fine example.

A beautiful oil on board by Harold Christopher Davies of a a California impressionist landscape from his early days before he became a abstract modernist. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 7 inches framed in a quality gallery frame overall size 9.5 x 12.5 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

Japanese Fukagawa Imari porcelain floral vase signed on bottom. A beautifully hand painted and colorful large example measuring approx. 12.5 inches by 9 1/4 inches wide in excellent condition no damage.

Exquisite Japanese scalloped rim bowl finely decorated with scenes of demons and dragons artist signed in excellent condition no chips or cracks or restorations a fine example of Japanese Satsuma wear. Measuring 7 x 3.5 inches approx.

A fine oil on board by Dennis Henry Osborne a cubist style modernist feel to this depiction of a fishing trawler at dry dock. Signed lower left with gallery label on reverse.

biography

Born in Portsmouth, England in 1919, Dennis H. Osborne spent three and a half years as a prisoner of war in Italy and Germany. After the war he pursued his art studies in England and exhibited at the Royal Academy. In 1952 he emigrated to Canada but returned to the United Kingdom to take up the post of Head of the Art Department in Portadown Technical College. For many years prior to his retirement he was Head of the Art Department at Lisnagarvey High School, Lisburn.

A fine Chinese Ming dynasty period large storage jar with dragon design the top has loops to tie the wooden top for long term storage. Beautiful museum quality example large in size and fine in form measuring approx. 35.5 inches.

Original oil Marko Stupar modernist portrait of a woman colorful beautiful painting measuring 11 x 14 framed in a beautiful quality gallery frame overall size 14 x 16 a quality painting would enhance any collection.

Biography

Born in 1936 in Yugoslavia, Stupar chose France as his permanent home in 1964 after completing his studies at the Beaux-Arts of Belgrade. Today we find that the art of Marko Stupar is totally integrated into the School of Paris. Although his work continues to be very personal, the graphic nature of his Slavic background is now uniquely combined with the subtlety found in Bonnard.Stupar has participated in juried exhibitions since 1966 when he won the Silver Medal at the Center of Diffusion of the Cote-d’Azur. He regularly participates in the Salon d’Automne, the Salon National des Beaux-Arts, the Salon des Artistes Français, and the Salon Comparaison. Among his other honors, Stupar has won both the Silver and Gold medals of the prestigious Salon des Artistes Français. One-man exhibitions of Stupar’s work have been held in cities all over the world including Paris, Geneva, Lyon, Osaka, Dusseldorf, Strasbourg, Zagreb, Annecy, Havre, New York, Philadelphia, Dallas, and Houston.

A beautiful example with delicate sliver wire enclosure depicting a Dragon on a sliver foil background. Meiji period c.1900 in excellent condition measuring approx. 6.5 inches tall. A masterpiece work of cloisonné art.

A beautiful African carved ivory figure of a nursing mother west Africa with beautiful patina measuring approx. 13 inches in length. A fine investment quality antique.

A beautiful Chinese silk embroidered robe circa 1900-1920 This amazing robe is composed of a deep cobalt blue silk ground embroidered on both sides with extensive use of the forbidden stitch technique featuring butterflies, peonies, and other flora. The collar and edges of the garment is overlaid with decorative collars further embroidered with urns vases and flowers. The garment is fastened on the front with silk buttons. The robe is in excellent condition a few minor loose threads on the embroidery overall a fairly large robe measuring 59 inches across and 44 inches long.

An Ancient Greek Pottery Ewer Mycenaean era polychrome designs of mythological lions c. 1000 BC.-1030 Measures approx. 7.5 inches tall in good antique condition.

A beautiful example from the Meiji period c. 1900 green foil background with flying cranes over ocean waves. Measuring approx. 5 inches tall 12.5 centimeters. In excellent condition no damage to this piece. There is some seperation in the foil under the enamel this is in the making or firing and is not damage see pictures. A fine and beautiful example.

Sterling silver overlay porcelain tea service tea pot sugar and creamer. All in excellent condition without chips or cracks featuring a beautiful art nouveau silver overlay design. The tea pot measures approx. 8 in. by 8 in. the service is probably Lennox but it unmarked.

A beautiful original Nels Hagerup oil painting of a sail boat off the coast of San Francisco ocean beach. In excellent all original condition canvas size measuring 18x24 inches in the original antique frame. A fine example of this noted artists work.

biography

Nels Hagerup (1864-1922) was born in Christiania, Norway in 1864 into a family that included the composer Edward Hagerup Grieg. Nels Hagerup studied at the Christiania Art School, Royal Academy in Berlin, and in Copenhagen with Carl Locher. After sailing to the West Coast as a merchant seaman in 1882, he settled in Portland, Oregon. There he was an instructor of drawing at the Bishop Scott Academy (now called Hill Academy) and was a founder of the Portland Art Association. About 1892 he moved to San Francisco where he remained. He worked there as a stevedore on the waterfront and later established a home and studio in the Sunset District at 1224 46th Avenue within walking distance of the ocean. Hagerup painted nearly 6,000 oils of sand dunes, ships and marine scenes. One of his more important works is the 16' x 18' mural in the Assembly Room of the San Francisco Merchants' Exchange Building. Hagerup was a master of atmospheric seascapes. He died of a heart attack in his studio on March 13, 1922. Exhibited: Lewis & Clark Expo (Portland), 1905 (gold medal); Alaska-Yukon Expo (Seattle), 1909 (gold medal); California Historical Society, 1963 (retrospective). Works held: California Historical Society; San Bruno (CA) Public Library.

A fine Ban Chiang pottery bowl in very good condition no restorations original polychrome decorations. Measuring approx. 5 inches tall a museum quality piece.

A fine vintage photo of a Chinese Imperial temple photo by famed Jewish photographer Sam Sanzetti signed lower right a fine rich print measuring 12 x 17 inches. in good vintage condition,

Biography

Sioma Lifshitz arrived in Shanghai on a freighter from Vladivostock in 1922. The 20 years old energetic Russian jew had no money but lot’s of dreams and soon started to work in a photography studio under the name of Sam Sanzetti. It took him 5 years to open in own studio in 1927, becoming one of the most famous photographer in Shanghai. The studio was first located on 73 Nanking Road (today 73 Nanjing Dong Lu), near the Bund and just behind the Palace hotel (today Swatch Art Peace Hotel). Construction on the Cathay Hotel (today Peace Hotel) was on-going at that time very and the opening in 1929 certainly also helped his business. The central position in the business center allowed him to become the photographer of the rich and famous in Shanghai, surely meeting with other successful business people of the time. His office later moved to 39 Peking Road (today Beijing Dong Lu) as reported in 1938 Shanghai Dollar Directory. Some of his photographs clearly remind of the calendar ads from the Carl Crowe company located very close on 81 JinKe lu and both men hanging around in similar circles probably worked with each other at some point. Sam Sanzetti left Shanghai in 1957 to immigrate to Israel leaving a Chinese wife and a stepdaughter behind and remade his life in his new country. He had fun memories of Shanghai as explained in an interview with an Israeli Newspaper years later. However he was never able to come back to Shanghai before his death in 1986.

A beautiful original 18th - 19th century Qing dynasty Chinese painting on silk measuring approx. 36 x 48 inches painted on silk mounted to board in antique condition some foxing and damage overall a beautiful painting would enhance any interior.

English 19th century oil painting portrait of a Thoroughbred race horse in a paddock. Oil on canvas signed and dated indistinctly lower left. A fine quality painting measuring approx. 24x30 inches overall and framed in a quality contemporary gallery frame. The condition is excellent the canvas has been relined and there is some areas of in painting. A beautiful painting and a great decorative equestrian artwork.

A Japanese Bronze Water dropper Suiteki in the form of a Samurai Helmet. Meiji period c. 1900 measuring 3 1/4 L x 3 W x 2.5 H. in excellent condition nice patina.