Catalog: Sold Items (421)

A beautiful portrait of a beautiful young lady in an interior. Oil on Canvas signed lower right in excellent condition measuring 31 x 39 inches overall framed size 38 x 46 inches. Van Belle is a highly regarded Belgian - French painter this painting is illustrated in the book Figurative Paintings Paris and the Modernist Spirt by. Martin Wolpert pubilshed by Schiffer.

George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.

Claude Buck self portrait of the artist c.1940 oil on board 16 x 20 inches. Provenance: the wife of the artist Leslie Buck. Biography. A leading member of the avant-garde Symbolism* artists movement in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and "New Testament" writings from the Bible. Some of these early paintings had nude figures rendered in Classical* style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had Luminist* elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of hyperrealist* portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their Society for Sanity in Art* movement whose headquarters were in Chicago. Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows. In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design* where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money. In New York, he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States.

WILLIAM MALHERBE 1884 - 1951 A beautiful impressionist oil painting of a nude woman holding a sphere one can easily see the influence of Renoir in this example of this fine French-American artist. Oil on canvas monogramed lower right measuring Approx. 26 x 30 inches. Born in France, William Malherbe was influenced by the great Post Impressionist painters of his time, particularly Renoir and Bonnard. He is known for his still lifes, landscapes and figural paintings. In 1939, Malherbe arrived in the United States. He lived in New York City and on a farm in Vermont. He returned to France in 1948 and died there in 1951. Works by William Malherbe are in the collection of the Musee d'Art Moderne in Paris among other collections.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate designs of dancing boys and vines. Measuring Approx. 4.5 inches by 2 inches 12 x 5 cm. in very fine condition to chips or cracks. A museum quality example.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate incised designs of dancing children and vines. Measuring Approx. 7.5 inches by 3 inches, In very fine condition to chips or cracks. A museum quality example.

A beautiful Chinese porcelain vase with green tea dust glaze of beautiful color and form measuring Approximately 8 inches tall in excellent condition no chips cracks or restorations.

A beautiful original watercolor painting of a New York landscape by Harry Roseland signed lower right in excellent condition in quality frame site approx. 10x 14 inches. An investment quality work. Harry Roseland 1868-1950 Genre painting enjoyed tremendous popularity in nineteenth-century America. It was a style that allowed a painter to tell a story, evoke an emotion, tell a joke, or educate. Largely superseded in the twentieth century by changes in popular taste and improvements in photographic technology, genre painting nevertheless remains a strong sub current in popular taste. One of the most notable painters in this mode was Harry Roseland. Roseland, born in Brooklyn, New York in 1868, matured as an artist while waves of change were sweeping over the art world. Largely self-taught, he chose to paint what he saw. He received some education in art under J.B. Whittaker in Brooklyn, and at first painted some landscapes and still lifes, but his natural flair was for telling a story in his paintings. His subject matter was at first highly sentimental and heavily influenced by fashionable taste: smartly turned-out young women, old folks, and idealized farm scenes. He abandoned the mawkishness that is the downfall of so many self-educated artists when he found a topic that was close to home and yet largely unnoticed: the post-Civil War blacks who formed the underpinning of Northeastern society. Roseland's clever, skillful scenes of homely activities - such as checkers or letter-reading, were remarkably dispassionate and candid for the time, though to modern eyes they may seem condescending and dated. They capture with gentle humor of a way of life that existed through the first half of the twentieth century and has now vanished. Harry Roseland never left his native Brooklyn, dying in New York in 1950, but enjoyed a remarkable success as an artist in his chosen specialty, improving and maturing continually. The archetype of the independent American artist, he never traveled to Europe to study or observe, choosing to carve his own path. During his career as an artist he exhibited:Brooklyn Art Club, 1888 (gold),Boston, Mass., 1900 (medal), 1904 (gold),Charleston Expo, 1902 (medal), National Academy of Design, 1898 (prize),Brooklyn Society of Artists, 1930 (prize), American Art Society, Philadelphia, 1902 (medal), 1907 (gold),Pennsylvania Academy of the Fine Arts, Art Institute of Chicago. His memberships include: Brooklyn Arts Club,Brooklyn Society of Artists, Brooklyn Painters Society, Salmagundi Club. Public Collections representing the work of Harry Roseland: Brooklyn Institute of Arts and Science, Brooklyn Museums,Charleston Art Museum,Heckscher Museum, Long Island, New York.

A beautiful and rare Washburn Mandolin Venetian style circa 1900 serial number 213922 with rosewood back and fine spruce top and elaborate decoration consisting of mother of pearl finger board tortoise and mother of pearl pick guard Ivory and marquetry bindings and original case. In virtually mint condition no restorations or damage. An investment quality instrument plays and sounds great.

A fine original oil painting of a race horse named Bagotstown by famed english sporting art painter George Paice 1854-1925. oil on canvas signed lower right and titled Bagotstown 1911. Measuring 14 x 18 in fine condition relined and cleaned. A fine example of equestrian art. Artist Biography: George Paice - Exhibited 1881 - 1897 Sporting, horse and dog painter who lived at 83 Warwick Street Pimlico in 1881 and 47 Croydon Grove, West Croydon, Surrey in 1885. He was the father of artist Phillip Stuart Paice. Exhibited 7 paintings at the Royal Academy and 4 at the Royal Society of British Artists. Most of his works still remain in private collections.

A fine California impressionist seascape by Paul Doughtery in oil on board signed lower right in excellent condition measuring 12 x 16 inches. Biography; Born in Brooklyn, New York, Paul Dougherty became a widely-known painter of dramatic marine scenes and desert landscapes although his family hoped he would become a lawyer. Following his father who was an attorney, he graduated from Brooklyn Polytechnic Institute in 1896 and New York Law School in 1898. But he changed professions to art and studied with Robert Henri and in Europe for five years from 1900 to 1905. Paul Dougherty then painted along the coast of Maine, and his paintings were compared to those of Winslow Homer. Of his success, John Sloan said: "Everything came to him; all his pictures sold, he won all the prizes. The rich delighted to honor him, and his wives were glamorous" (Falk). In 1907, he was elected a Member to the National Academy of Design in New York. He experimented with sculpture but settled on marine paintings, primarily focused on the ocean. Arthritis forced him to seek a milder climate, and in 1928, he began spending his winters in Arizona where he painted desert landscapes and mountains. In 1931, he moved to the Monterey Peninsula in California. His work is in the collections of the Metropolitan Museum of Art; the Joslyn Museum in Omaha; and the Fort Worth Museum in Texas as well as many other museums. Sources: Edan Hughes, "Artists in California, 1786-1940"

A beautiful Chinese porcelain vase exquisite hand painted details with scenes of court life and floral and geometric designs. In fine condition no chips or crack or damage.

A beautiful oil on board by Harold Christopher Davies of a nude in a landscape with two dogs. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 14 inches framed in a quality gallery frame overall size 13 x 17 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

A beautiful oil on board by Harold Christopher Davies of a a California impressionist landscape from his early days before he became a abstract modernist. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 7 inches framed in a quality gallery frame overall size 9.5 x 12.5 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

Chinese famille rose medallion umbrella stand circa 1890 hand painted in traditional motif of floral butterfly and Chinese court scenes. In excellent condition measuring approx. 25 inches tall.

A Tibetan Tara Buddha bronze with traces of gilt and old polychrome late 19 th early 20 th century measuring approx. 8 inches tall.

A beautiful 20 th. century carved serpentine jade censer with dragon finial and handles. Celadon green quality stone measuring approx. 8 inches tall in excellent condition.

A Tibetan Tara Buddha bronze and sliver with inset coral and turquoise 20 th century measuring approx. 8.5 inches tall. A fine example.

A beautiful original oil painting by renowned California impressionist Angel Espoy oil on canvas signed lower right.In very good condition. An investment quality art work. Biography Known for paintings that evidence his great love of the sea, Angel Espoy did work that includes seascapes and maritime subjects; however, he was also an accomplished painter of California's rolling hills of poppies and lupines. He was born in Villa Nueva, Spain on October 2, 1879. He left home at age eighteen to work as a first mate in the Spanish merchant marines. While in that capacity, he acquainted himself with every detail of the clipper ships he later painted. His desire to paint took him to Barcelona where he studied with Joaquin Sorolla. Following his father's tobacco interests in the Philippines, he made many trips there at the turn of the century. Two years were spent in Havana where he began to earn his living as an artist by painting designs on furniture. Destitute, he made his way to New York City in 1904. After a return to his native land, he moved to San Francisco in 1914. There he supported himself for seven years making cartoons for movies while painting on weekends with Manuel Valencia, Carl Jonnevold, and John Califano. In 1922 he moved to southern California and from that time was able to subsist by the sale of his paintings. Espoy died in Seal Beach, CA on January 31, 1963. He was a member of the Los Angeles Art Association and exhibited at Barker Bros Galleries in Los Angeles. Works held: Los Angeles City Hall; Oakland Museum; Loyola University. Source: "Artists in California, 1786-1940" by Edan Milton Hughes

A fine Chinese carved Ivory Snuff bottle depicting an Elephant with a Empress. Finely carved with great detail the inside is well hollowed. Measuring approx. 3 inches tall in excellent condition. A fine addition to any collection.

A beautiful African carved ivory figure of a nursing mother west Africa with beautiful patina measuring approx. 13 inches in length. A fine investment quality antique.

A beautiful African carved ivory figure of a seated female and child west Africa with beautiful patina measuring approx. 12.5 inches in length. A fine investment quality antique.

A beautiful Japanese Ivory carving of a tiger attacking a Hippo. Finely carved details measuring approximately 3.5 inches long in excellent condition

A Beautiful original oil painting Robert William Wood of a Texas landscape with bluebonnet flowers and old homestead and oak trees. Oil on canvas measuring approx. 25x30 inches. Condition is excellent the canvas has been relined due to age cracking overall a fine example of this artists work ready to hang. Biography A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

A large Chinese carved Ivory figure of the god of longevity, Shou Lao. Carved from one whole tusk an antique item in very fine condition artist signed. Measuring approx. 14 inches tall a fine example of Chinese art. Shou Lao is depicted in the traditional manner as an old man with a long white beard and a high, bald forehead holding his gnarled staff in one hand and the peach of immortality in the other, also a symbol of longevity.

An exquisite Chinese carved Ivory figure of a beautiful maiden. Hand carved from one ivory tusk artist signed on the bottom measuring Approximately 14 inches tall in excellent condition.

A fine California Impressionist painting of a view of Mt. Tam with lupine and poppies in the fore ground a small cabin to the left. Oil on canvas signed lower right measuring Approx. 15 x 20 inches in excellent condition but for some age cracking. Biography : Manuel Valencia was born in Marin County, California on October 30, 1856 on the family hacienda called Rancho San Jose, which is now Hamilton Field. A member of one of California's earliest families, Manuel was named after his grandfather who came to California with the Anza Party in 1774 and became administrator of the Presidio in San Francisco. The Valencia’s were given many land grants in the San Francisco Bay area and a street near Mission Dolores is named in honor of his family. Manuel attended Santa Clara College and then established a studio in San Francisco. He began painting when he was quite young and remained a self-taught artist except for a few lessons with Jules Tavernier locally and in Mexico City. The earthquake and subsequent fires in 1906 caused the Valencia’s to move down the peninsula to San Jose, however he commuted daily to his San Francisco studio and worked as a staff artist for the "San Francisco Chronicle" and as an illustrator for the Salvation Army Newspaper. A prolific painter, Valencia is best known for his landscapes and historic scenes of Northern California, which often included nocturnal adobes, missions and pueblos. Following an operation, he died in Sacramento on July 6, 1935. His ashes were scattered on Mount Tamalpais. Source: Edan Hughes, Artists in California, 1786-1940

A fine Japanese carved ivory artist signed dragon motif cribbage board. In its original fitted box originally sold by Kitashojik K. of Tokyo Japan. Measuring approx. 7 x 2 inches in very good condition some age yellowing and wear to the outside of the box. See pictures.

Heriberto Juárez Castañeda" This "El Toro" the bull bronze sculpture is by important artist Heriberto Juárez. He's considered one of Mexico's most important contemporary artist. This bronze measures Approx. 9 inches in length mounted on a white marble base artist signed in the work. A great example of this artists work It would be a very nice addition to any collection of Mexican art. Heriberto Juárez was born in San Juan Teotihuacan, State of Mexico, and it was precisely there, land of pyramid builders and legendary sculptors, where he took his first lessons on artistic pottery, sculpture and drawing which helped him acquire the knowledge and skills he materializes in his work perform on chromium plated iron and tin, onyx, marble, bronze... The quality, strength, expressive ability and good taste found in his work have taken him through important galleries and museums around the world and have made him worthy of recognition as one of the prominent artists who have collaborated most different cultural fields in Mexico.

A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 23 x 28 inches framed size 32 x 40 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

A beautiful and rare large Chinese Ceramic foo dogs or temple lions. Date from the 19th century with a deep green glaze. In very good condition no damage or restoration an measuring and impressive 24 inches tall by 12 x 8 inches. An interior decorators dream.

A beautiful original oil on canvas board signed lower left and titled on reverse "Pirates Cove" in excellent all original condition with original frame measuring 20 x 24 inches. BIOGRAPHY Born in Los Angeles, CA on Oct. 1, 1881, the son of Esiquia and Miguel de Villa. His parents came to Los Angeles from Baja California in 1846 when the area was still part of Mexico. Raised in an artistic milieu, his mother was an amateur singer and his father an artist with a studio on the Plaza. Villa studied locally under Louise Garden-MacLeod at the School of Art & Design in 1905, and later taught there after studying for one year in England and Germany. He established a studio in Los Angeles and worked as a commercial artist and illustrator for the Santa Fe Railroad for 40 years. He died in Los Angeles on May 7, 1952. Equally facile with oil, watercolor, pastel, and charcoal, he produced scenes of the Old West, Indians, missions, and the Mexican vaqueros. Villa's most famous work is the emblem of the Santa Fe Railroad, The Chief. Exh: Alaska-Yukon Expo (Seattle), 1909; PPIE, 1915 (gold medal for mural); Royar’s Frame Shop (LA), 1934; El Paseo Inn (LA), 1935; Foundation of Western Art (LA), 1935; Ebell Gallery (LA), 1937; Associated Artists (LA), 1941. In: Citizen's Trust & Savings Bank, LA (mural); LACMA; Fort Worth Museum; Santa Fe Railroad; New Rialto Theatre, Phoenix, AZ (mural); Orange Co. (CA) Museum.

A Beautiful antique S Kirk and Sons sterling silver covered urn with heavy chased repousse a floral finial and ram head finial handles monogramed with a letter P measuring approx. 9.5 inches tall marked 11 oz. In very fine condition.

"Village Du Moyen Age" An original oil painting on canvas signed lower right by this highly regarded abstract modernist artist. Provenance the Dalzel Hatfield gallery exhibited in a 1960s exhibit at the famed L.A. Ambassador Hotel. In very fine condition measuring approx. 25 x 35 inches. Biography, Jun Dobashi was born in Tokyo in 1910. He studied at the art academy there in 1933 but was in Paris in 1938-39. Dobashi returned once more to France to stay from 1953 to 1969, which is why he is usually perceived as a Franco-Japanese artist. Jun Dobashi's work is abstract and close to European Informel Art. Not just a painter, Dobashi also earned a reputation as a lithographer. His work was first exhibited in Paris in 1954. Dobashi was awarded the Prix du Dôme séléctionné in 1956. Between 1960-69 Dobashi's work was exhibited regularly at the Fricker Gallery. In 1961, Jun Dobashi was given a solo show at the Redfern Gallery in London. Between 1956-60 Dobashi showed work regularly at the Salon du Mai and was presented as representative of the École de Paris at an exhibition mounted by the Galerie Charpentier in 1960. Jun Dobashi died in Tokyo in 1975.

A fine pair of antique portrait miniatures of a man and woman signed Dubbison and dated 1823 oil on Ivory in leather cases. In very good antique condition the lady has a restored hairline crack to her left. measuring approx. 3 x 4 inches. a beautiful pair.

A fine antique bronze Chinese bronze buddha with very fine details in the hand mudra postures. Measuring approx. 8 inches tall a fine example.