Catalog: Sold Items (421)

Original Dutch old master style antique watercolor and ink painting of wrestlers signed lower righ.t Langelaan Dr J.J. Langelaan (1851-1919) Amsterdam Holland studied at the Royal Academy Amsterdam Netherlands. Image 9"L x 7"W. Framed overall size 14.5" L x 12.5" W.

A fine 19th-century antique Bronze figure of a seated Buddha. Has a beautiful rich brown patina Dimensions 6.5ʺW × 4.0ʺD × 10.0ʺH In excellent antique

Fine Antique American Victorian drawing of a young boy, circa 1880. Image, 10"L x 16"H. Matted and in quality frame 20 X 26 overall. Wear to edges under the mat minor flaws to surface. In a quality gallery frame.

A beautiful original 18th - 19th century Qing dynasty Chinese painting on silk measuring approx. 36 x 48 inches painted on silk mounted to board in antique condition some foxing and damage overall a beautiful painting would enhance any interior.

English rosewood traveling secretary circa 1850. These pieces were custom made for British Officers stationed in India and were brought home and have been widely collected. This is a particularly interesting example with a carved top brass banding and a exotic interior with place for correspondence and storage for writing utensils etc. It is mounted to a quality rosewood stand making it a nice side or lamp table. In good antique condition a repaired age crack due to shrinkage of the wood on the top and some minor wear.

A fine antique bronze south east asian Buddha beautiful casting and patina measuring approx. 15 inches tall.

Antique Japanese tall Bronze vase with ornate dragon handles and floral and bird motif. In excellent condition measuring 9" x 17".

Fine porcelain cylindrical vase or brush pot circa 1860 hand painted with floral and bird motif. Measuring approx. 11 inches tall and 4 3/4 in diameter. In excellent condition this piece has a Chinese ministry of antiquities export stamp on the bottom. Japanese Imari porcelain was first produced in the Genroku period c.1700 It is characterised by the striking use of underglaze blue, red and gilt, and occasionally green enamels. When it came to the attention of the Chinese at Jindezhen that these wares were extremely popular in Europe, they began to produce Imari wares in competition with the Japanese. The first Chinese Imari pieces were produced during the latter half Kangxi period (1662-1722). As a generalisation the Chinese Imari pieces are much more finely potted and have a thinner and more even glaze. The Japanese glaze is often crackled and on the inside of vases the glaze is clearly seen to have run. Furthermore most Chinese Imari has a much finer quality underglaze blue.

A Japanese Ivory Netsuke of a reclining Daruma and child figure 19th century very large size with beautiful patina and wear a nice addition to any collection. Measuring 3.5 inches or 9 centimeters long. A nice addition to any collection.

A Beautiful antique French oil painting on canvas by the famed French artist Baron Jean Antoine Gudin.

English 19th century oil painting portrait of a Thoroughbred race horse in a paddock. Oil on canvas signed and dated indistinctly lower left. A fine quality painting measuring approx. 24x30 inches overall and framed in a quality contemporary gallery frame. The condition is excellent the canvas has been relined and there is some areas of in painting. A beautiful painting and a great decorative equestrian artwork.

An Antique Japanese Ivory Netsuke of a reclining Buddha with a rich patina and warm color great form. Measuring 4 cm or 1.5 inches in length.

A fine original oil painting on board 18 x 26 inches signed lower left J.W. Curtis and dated 1893. A scene of the Australian blue mountains and the famous three sisters mountain. excellent condition. A fine example of this important Australian artists work. Known for his paintings in black and white which he exhibited at the Victorian Academy of Arts, in the 1880s.

Biography

James Waltham Curtis (1839-1901) was an eminent Australian colonial artist whose work lives on as a tribute to Australia’s early days of European settlement. His approach is of technical, poetic and historical interest, emphasizing man’s battle with a primeval landscape and nature, his picturesque landscapes being fine examples of the late 19th century period which preceded the Heidelberg School. Curtis was an English painter and illustrator who it is believed, came to Australia during the Gold Rush. Curtis’ work plays an important part in the preservation of Australian history and is an excellent reminder of how life was in the latter part of the 19th century.

The Three Sisters

The Sisters were formed by erosion. The soft sandstone of the Blue Mountains is easily eroded over time by wind, rain and rivers and the cliffs surrounding the Jamison Valley are being slowly broken up. [edit]Aboriginal legends The commonly told legend of the Three Sisters is that three sisters (Meehni', 'Wimlah' and Gunnedoo') lived in the Jamison Valley as members of the Katoomba tribe). They fell in love with three men from a neighbouring tribe (the Nepean tribe), but marriage was forbidden by tribal law. The brothers were not happy to accept this law and so decided to use force to capture the three sisters. A major tribal battle ensued, and the sisters were turned to stone by an elder to protect them, but he was killed in the fighting and no one else could turn them back. This legend is claimed to be an Indigenous Australian Dreamtime legend.[1] However, Dr Martin Thomas, in his work "The artificial horizon: imagining the Blue Mountains",[2] clearly shows that the "aboriginal" legend is a fabrication created by a non-Aboriginal local Katoomba, Mel Ward, presumably to add interest to a local landmark. The story originated in the late 1920s or early 1930s and is unknown prior to that date. The Aboriginal traditional owners, the Gundungurra, have a legend that includes the Sisters rock formation. They are currently[when?] developing a website which will include these traditional stories.

Classical bronze figure of a Grecian woman with robe and sandals alongside a urn and disc. Signed Evrard for Victor Evrard French 1807-1877 sculptor known for works in bronze. The bronze in is in excellent condition with a nice original patina measuring approx. 19 inches tall a fine piece.

Original David Roberts lithograph of Jerusalem from the Mount of Olives, April 8th 1839, plate 6 from Volume I of The Holy Land engraved by Louis Haghe 1806-85 pub. 1842. Original hand colored deluxe edition. In good antique condition some age discoloration minor fading spotting. Framed matted actuall image 12" x 18" framed matted 21 x 27 framed size.

A beautiful masterfully drawn Standing Female Nude French c.1800. Drawing on blue gray hand made paper some age discoloration. Image 20"L x 12.5"W matted and framed in a quality gold frame overall 28" L x 21" W.

A pair of Japanese mixed metal vases or urns beautifully decorated with dragons winding around the body of the vases with designs of clouds inlayed in gold and silver metal with elephant head handles inset with gold metal eyes. Measuring approx. 5.5 inches tall in good antique condition. A fine pair of the finest quality would enhance any collection.

Japanese Imari vase Meiji period circa 1890 a large bulbous base with a long neck. Hand painted in traditional Imari design and colors with blossoms and landscape elements. A fine piece with 24k gold color highlights in excellent condition some roughness to the bottom edge. A fine addition to any collection.

Chinese antique jade and rosewood opium pipe circa 1890. A beautiful example with mottled jade bowl in the shape of a fist pipe damper and mouthpiece are also jade the pipe stem is rosewood. Measuring approx. 14.5 inches in length the bowl 2.5 in diameter. A fine example would make a nice addition to any collection.

Fine Antique miniature Bronze Portrait bust of a young man. Finely detailed bronze casting. Measuring 7.5" x 4 x 3.5 Inches. In excellent antique condition.

A rare antique Chinese finely hand carved white Jade seated Shakyamuni Buddha with exquisite detail form and surface. Measuring an impressive 10.5 in. or 27.5 cm. tall. In excellent condition A fine addition to any collection.

Antique carved wood Buddha Burma circa 1850. Finely carved image of the Buddha seated on a lotus made from a hardwood with a rich deep brown patina. Measuring approx. 10 inches tall in excellent condition. This fine example would make a nice decorative and inspirational piece.

A beautiful antique still life oil painting on canvas of wine grapes. Measuring Approximately 14 X 16 overall size. 21 X 23 INCHES. framed in a beautiful stenciled Italian frame. A nice decorative painting.

An original painting by famed Irish artist Roderic O'Conor a profile portrait of a Tahitian woman probably influenced by his friend Paul Gaugin as O'Conor did not travel to Tahiti. Watercolor on paper atlier stamp lower right and initialed lower left. measuring 8 x 12 inches in excellent condition. Provenance Crane Kalman gallery London sold in 1959 to James Costigan Esq. Biography

RODERIC O’CONOR An exact contemporary of Charles Gruppe, O’Conor is listed as both Irish and Irish-American (by Bénézit, in error). His place of birth was Roscommon, Ireland (on 17 October 1860). Regarded as Ireland’s most progressive painter of his time, O’Conor was close to both Gauguin and Armand Seguin in the Pont-Aven region, and he was wealthy enough to purchase paintings by Cézanne, Gauguin, Renoir, Manet, and others. O’Conor studied art in Dublin (1879-83), Antwerp (1883), then in Paris under Carolus-Duran and at the Académie Julian. He was working in Grèz-sur-Loing in the 1880s (Jacobs, 1985, p. 33), and began exhibiting his works at the Salon des Indépendants in 1890. Later he would take part in the Salon d’Automne. O’Conor first came to Brittany in 1890, and two years later he executed Yellow Landscape at Pont-Aven (Barnet Shine Collection, London). At Pont-Aven, O’Conor also did engravings. The Irishman befriended Gauguin there, also in 1892. The latter tried to persuade his “drinking buddy” O’Conor to accompany him to Tahiti. The Irish painter was certainly as avant-garde as Gauguin. Breton Peasant Knitting, already post-impressionistic, was painted in 1893, and The Farm at Lezaven, Finistère (National Gallery of Ireland), a year later. According to tradition, O’Conor inspired the character of Clutton, the failed artist in Somerset Maugham’s Of Human Bondage. The letters between Seguin and O’Conor were published in 1989, as Une vie de bohème. In the introduction, Denys Sutton describes how O’Conor served as Seguin’s “father confessor.” O’Conor’s friend Clive Bell (in Old Friends, 1956, p. 163), pointed out that O’Conor “seems to have known . . . most of the more interesting French painters of his generation — the Nabis for instance.” O’Conor’s use of bold color anticipates the Fauves and the German Expressionists. His knowledge of avant-garde painting had a direct impact on the formalist critics Roger Fry and Clive Bell. O’Conor influenced both Robert Vonnoh and Edward Potthast in Grèz, and he oriented Alden Brooks (1840-1931) to Vincent van Gogh’s innovative techniques. Brooks stated that O’Conor was “considered by all the one genius of the crowd.” (Hill, 1987, p. 14). He died at Neuil-sur-Layon on 18 March 1940.

A fine antique oil painting of Flowers in a Vase oil on panel signed lower left by Caroline Noette dated 1874. In original antique gilt wood and gesso frame. Painting 8 x 10 inches frame 13.5 x 15.5 inches. In excellent original antique condition.

Japanese Arita Imari large bowl or charger Meiji period c.1900. A scalloped edge with beautiful hand painted bamboo and cherry blossom designs artist signed measuring 17 inches wide and 2.5 inches deep in excellent condition no damage, A fine example would be a nice decorative accent for any interior.

A beautiful antique Italian original painting gouache on paper in an exquisite French matte and frame. Measuring Approx. 6x8 overall framed size 11x13 inches. In excellent condition one of a pair see #342 sold together or separate.

A beautiful antique Italian original painting gouache on paper in an exquisite French matte and frame. Measuring Approx. 6x8 overall framed size 11x13 inches. In excellent condition one of a pair see #341 sold together or separate.

A fine pair of early American portraits of a Handsome young man and beautiful woman. Oil on canvas relined some minor restorations nicely framed Measuring 22 x 18 inches framed size 26.5 x 22.5 inches. A wonderful decorative pair would enhance any interior.

Antique Tibetan painted box made of wood covered with yak leather and exquisitely painted and decorated with traditional Tibetan design elements in gilt lacquer. Measuring approx. 16x10x8 inches in excellent antique condition a fine decorative accent piece.

Mettlach stein number 1786, the St. Florian stein, is one of the most beautiful and skillfully crafted, etched and glazed steins produced by Villeroy & Boch during its "Golden Era", with artistry attributed to Otto Hupp. In excellent condition no damage or repairs

Fine antique portrait of a Thoroughbred race horse at the race track. Oil on canvas signed lower left Hillyard and dated 1894. Hillyard is a listed artist known for animal subjects. Measuring approx. 20x24 inches framed size 26x30 inches in excellent condition two very minor professional repairs to the canvas and minor stretcher lines showing. A beautiful antique equestrian painting would be a nice addition to any interior.

Traditional hand painted mandarin figures and floral and butterfly motif. An 19th century example c.1880 a dinner plate measuring approx. 9 5/8 inches in good antique condition some wear to enamels no chips or cracks. A nice addition to any group or a great decorative piece on its own.

Antique Chinese Bronze Foo Dog Censer or incense burner. Qing Dynasty 19th century original. Measuring 4.5" x 4.5 x 3.5 Inches. In excellent antique condition.

A fine Original Drawing with color by Alexandre Gabriel Decamps 1803-1860. A north African scene of a mosque and minaret signed with monogram lower right. In good antique condition some minor restored edge tears 1 cm each paper discoloration with age. Image measuring approx. 9.5 x 12.5 framed in a quality antique frame overall size 17 x 19.

Biography Decamps, Alexandre Gabriel 1803-60, French genre and historical painter, engraver, and lithographer. First known for his caricatures and illustrations, he turned to painting in thick impasto and strong color. One of his richest sources was the Middle East, which he depicted in vivid detail. His Good Samaritan and Night Patrol at Smyrna are in the Metropolitan Museum New York.

A fine antique portrait of a Horse in a stable with saddle. Oil on canvas signed lower left in original birds eye maple frame. Measuring approx. 26 x 34 inches a fine decorative original painting.

An original oil painting on canvas signed lower right Baxter and dated 1868. A beautiful portrait of two women. Measuring approx. 30 x 40 inches. Biography

Charles Baxter (March 1809 - 10 January 1879) was an English portrait and subject painter, known especially for his portraits of pretty young women. Baxter was born in Little Britain, London in 1809, the son of a book clasp maker, and started his career apprenticed to a bookbinder. However, he gave up this business to commence life as a professional painter, chiefly of miniatures and portraits. In 1834 he made the acquaintance of George Clint, from whom he received some valuable instruction, and in the same year exhibited for the first time at the Royal Academy. In 1839 he joined the Clipstone Street Society, and studied there along with Paul Falconer Poole, William Müller, Edward Duncan (1804-1882), Joseph John Jenkins (1811-1885), Francis William Topham (1808-18), and others, who afterwards became distinguished in the profession. He became a member of the Society of British Artists in 1842, and contributed to its exhibitions many of the poetic and rustic subjects and fancy portraits upon which his reputation chiefly rests. His female heads are especially characterised by refinement of expression and purity of colour.

"Eutoxeres Aquila" An original John Gould Hummingbird lithograph published in 1861 Beautifully hand colored with watercolor and added iridesence. Hallmandel and Walto printers London in good antique condition some age toning and light foxing. Slightly trimmed measuring approx. 14 x 21 overall size. A fine example of this important work one of the finest images. A Monograph of the Trochilidae, or Family of Humming-Birds Written by John Gould
Published by John Gould (London, England)
5 volumes and supplement, 1861-1887 John Gould (1804-1881) was a British ornithologist, artist, and successful businessman. Sometimes referred to as the "English Audubon," Gould had an illustrious career in which he served as official taxidermist to King George IV and established himself as Queen Victoria's favorite illustrator of birds. Gould was so devoted to the study of birds that he asked for his epitaph to read: "Here lies John Gould, the Bird Man." Though he chronicled a wide variety of bird species, from partridges to toucans, spanning all corners of the globe from Great Britain to Australia, Gould had a particular interest in hummingbirds. He developed a personal collection of 1500 mounted and 3000 unmounted specimens, containing at least 300 different species of hummingbird. A Monograph of the Trochilidae represents Gould's stunning effort to create a comprehensive guide to all the varieties of hummingbird with a high degree of accuracy, detail, and beauty.Gould's five volumes on the hummingbird contain 360 hand-colored lithographic illustrations. Gould would draw rough pencil or watercolor sketches of hummingbird specimens, which then served as guides for a team of artists (including his wife, Elizabeth). Gould also worked with lithographers, who used pure gold and silver leaf (applied underneath the watercolor) to achieve a lifelike illustration of the hummingbird's iridescent feathers.

Chinese crackle glazed robins egg blue vase 19th century. A beautiful tall slender form with long neck in excellent condition a minor chip on the bottom under the foot. Measuring approx. 14 inches tall a fine example.

Original oil Floral with Chinese Hibiscus on art panel signed lower right W. Revell dated 1888. Measuring 7 x 9 inches

John Wright Oakes (1820 - 1887) A fine oil painting titled a brook near Devonshire oil on canvas relined signed lower center. A dense wooded area with a stream and a figure on a bridge.

A Dutch painting school of Jan Vermeer of an interior scene Picturing a woman at work in a traditional 17th century kitchen. Oil on oak panel beautifully painted framed in a gilt decorative frame. A fine decorative painting would be a nice addition to any collection.

A fine antique bronze Chinese bronze buddha with very fine details in the hand mudra postures. Measuring approx. 8 inches tall a fine example.

Beautiful antique Tibetan silver torquoise coral pendant scent or snuff bottle. Beautiful quality antique piece. Has two loops to wear as a pendant top has been glued to stay on. Measuring 2.5" long 1 3/4" wide and 1" deep.

An exquisite example with a floral design motif on a gold foil background. Made with silver wire and I believe the box binding is sliver although tarnished. Measuring 4 x 3 x 2 1/4 inches in excellent condition no damage. This would be a fine addition to and collection.

William Keith California Landscap at evening sunset through California Oaks with cows at a distant watering hole. A dramatic moody classic Keith painting oil on canvas signed lower right William Keith and lower left SF for San Francisco. Measuring 18x14 inches framed in a modern gold leaf gallery frame 26x32 inches overall. A fine example of this important early California and American painter such an influential artist and teacher he is sometimes referred to the Dean of California Artists. Works by Keith have sold for as much as $121,000 at auction.

Artist Biography.

Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper’s" magazine. In 1858 (or 1859) he visited California for "Harper’s" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad commissioned him to do landscape paintings along its route about 1868. In 1869-70 he studied in Dusseldorf, Germany; in 1871-72, he shared a studio in Boston with William Hahn; and in 1872, he returned to California. A nature lover, he found there was “scarcely a mountain in three-fourths of California where he had not kept vigil for days as a time, studying every detail of color, flower, rock, forge, shadow, and sunshine.” Keith became Thomas Hill’s rival in monumental landscapes, saying, “I’d be satisfied if I could reach the power and success of Tom Hill.” When George Inness visited California in 1890, he worked in Keith’s studio for many weeks, and they made sketching trips together. The result for Keith was an influenced style reflecting the subjective rather than the spectacular. His "Majesty of the Oaks" painting sold at auction in New York City in 1903 for $2,300., and about the same time "Glory of the Heaven" sold at auction in San Francisco for $12,000. Of medium height with unruly curly hair, Keith had his studio next to the live oaks on the Berkeley campus where it was the center of the university-oriented California culture. The 1906 earthquake and fire destroyed 2,000 of Keith’s works.

“The Love Letter” by A.V. Hugenett 1902 oil on canvas of a beautiful young woman holding a love letter and a bouquet of flowers. Signed and dated top right in excellent condition measuring an impressive 30x40 inches framed in a toned gold frame some minor restoration overall size approx. 40 x 50 inches. A stunning decorative painting would make a fine addition to any collection.

A beautiful Japanese Art nouveau carved wood urn or vase stand finely carved details of Iris flowers measuring approx. 28 inches tall. A fine decorative piece.

A fine original antique photograph of the Oxford tennis team photo by J Soame stamped lower right framed and archival matted image approx. 11 x 14 inches.

Fine antique Japanese carved wood and gilt lacquer Buddha and shrine 19th century. Professional repair to the back of shrine otherwise very fine condition. Measuring 9 inches tall and 3.5 inches wide.

A beautiful example with subtle blue enamel hues and a pair of crane with flowers. Meiji period c. 1900 in fine condition no damage an exquisite miniature measuring approx. 3 5/8 inches tall 10 centimeters, a fine addition to any collection.

An exquisite Japanese Ivory carved figure of a woman merchant carrying baskets and Noh masks finest detailed carving signed Ta Naka.

Japanese Imari porcelain Tea Caddy or ginger jar Meiji period circa 1900. Beautifully hand painted in traditional Imari design and colors. Measuring approx. 8 inches tall in excellent condition no chips or cracks or repairs. Measuring approx. 8 inches tall.

A fine antique Navajo Indian rug centering a cross-filled complementary stepped diamond medallion, with four-corner Hooked diamond accents, solid color banded border, in beige dark brown, red, white and grey brown. Measuring approx. 7 ft. 3 in. by 4 ft.6 in. A fine antique native American textile in excellent antique condition.

Provenance

From the collection of American pop culture legend Andy Warhol sold at the sale of Warhol’s estate at Sotheby’s in New York on April, 28, 1988 lot # 2479 Warhol was an avid and knowledgeable collector of fine art, furniture, jewelry and decorative objects. Over time, his 27-room Manhattan townhouse was filled to overflowing with the fruits of his obsessions. Exquisite Art Deco furniture and American folk art vied for space with Navajo Indian blankets and Empire sofas. After Warhol's death, Sotheby's auction house was given the daunting task of inventorying the contents of the townhouse and selling them at what has become a series of legendary auctions, which Time magazine characterized as "the most extensive estate sale in history, and the glitziest."

A beautiful example from the Meiji period c. 1900 green foil background with flying cranes over ocean waves. Measuring approx. 5 inches tall 12.5 centimeters. In excellent condition no damage to this piece. There is some seperation in the foil under the enamel this is in the making or firing and is not damage see pictures. A fine and beautiful example.

An exqusite example of Japanese imari in a coverd bowl with intricate hand painted designs of dragons pheonix birds shishi and roosters artists signed "Kutani". Richly embelished with 24k gold decorations. In excellent condition no chips or cracks some minor glaze crazing in interior of lid overall the condition is incredible. Measuring approx 10.5inches wide by 5 inches tall a masterpiece of museum quality.

A fine Japanese Archaic style bronze vase Meiji period c.1899 signed on bottom. A beautiful piece in form and design with rich bronze patina. Measuring approx. 9.5 inches tall in good antique condition some minor scratches and soft dent. A fine addition to any collection.

A beautiful example of this exquisite art form in a floral vase on tinted silver foil background. Artist signed measuring approx. 5 inches tall 13 cm. In excellent condition no damage. A fine example would be a nice addition to any collection.

A fine Antique Japanese bronze censer Meiji period artist or makers signed. A incredibly finely detailed casting with dragons and shishi dogs and traditional Japanese design elements. Measuring approx. 21 inches tall in good condition some repairs or re-soldering to the handles and base supports causing some discolorations to the patina. All in all this is a remarkable piece at a very reasonable price.

Emille Galle art nouveau art glass miniature vase circa 1890s. A frosted clear glass with a lavender color etched and wheel cut floral motif signed Galle. In excellent condition no chips or cracks some residue in interior. Measuring approx. 2.5 inches tall a fine addition to any collection.