Antiquarian Art Co.
All Items : Archives : Fine Art : Pre 1940 item #1052806 (stock #283)
Antiquarian Art Co.
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Ida Sedgwick Proper (1873 - 1957)

Rare original oil on canvas by signed lower right measuring 20 x 24 inches in good all original condition. Provenance: The Grandson of the artist.

Biography

Born in Bonaparte, Iowa, into a Baptist minister family, she attended Bethany College in Lindsborg, Kansas. Then at the Art Student's League in New York, she trained with William Merritt Chase, John Twachtmann, and Frank DuMond. In 1897, she began art studies in Munich and exhibited in European salons. From 1907 to 1911, she had a studio in New York. She is known for her Impressionist palette and diffused compositional elements.

All Items : Archives : Fine Art : Pre 1940 item #1090485 (stock #424)
August Ludecke-Cleve (1868-1957): A beautiful antique German impressionist Landscape of cows in a meadow with a view through the trees. Bold brush work and bright colors. This is a very good and large example of this artists work. Measuring approx. 32 x 43 inches in excellent condition. Provenance: Stanford Museum Sale. Artist Biography: August Ludecke-Cleve first studied at the Art Academy in Dusseldorf then at the Munich Academy. Before the second world war (his studio was bombed) he had exhibitions in Dusseldorf. Ludecke-Cleve was better known for his landscape paintings before the war but from the 1930's onwards cows and tulips became his trade mark.
All Items : Archives : Fine Art : Pre 1940 item #702639 (stock #274)
A W Best Navajo indian camp near bear mt. Arizona oil on canvas signed lower right measuring 8x10 inches framed in a hand carved 24k gold leaf frame approx. 16 x 18 overall. In excellent condition.

biography

Arthur William BEST 
1859 - 1935 Arthur William Best was born in Mount Pleasant, Canada on July 17, 1859. He and his brother Harry attended public school in Mount Pleasant and were members of a small band. Arthur played the cornet; Harry, the violin. When the band broke up in Oregon, the brothers learned to paint before moving to San Francisco in 1895. Arthur and his wife Alice established the Best Art School at 1625 California Street and a residence at 309 Broderick. He was a staff artist for the San Francisco Examiner (1904-06). Arthur was commissioned by Southern Pacific Railroad to paint pictures of the Southwest and Mexico for travel and tourist publicity in 1905. Many of his oils and watercolors were destroyed by the earthquake and fire of 1906. His landscapes include depictions of the Arizona desert, Grand Canyon and the Sierra Nevada. He died in Oakland on January 26, 1935. Member: San Francisco Art Ass'n; Berkeley League of Fine Arts; Bohemian Club. Exhibited: Oregon State Fair, 1891 (first prize); Mark Hopkins Art Institute, 1898, 1904; San Francisco Art Ass'n, 1904-16; San Francisco Artists Society, 1905; Berkeley Art Ass'n, 1908; California State Fairs (awards); Alaska-Yukon Expo (Seattle), 1909 (bronze medal); Del Monte Art Gallery, 1910, 1912; Sorosis Club, 1913. Works held: Oakland Museum; Phoenix Museum; University of Oregon; Charles M. Russell Gallery (Great Falls, MT); Santa Fe Railroad.

All Items : Archives : Decorative Art : Pre 1940 item #1008307 (stock #327)
A fine Japanese carved ivory artist signed dragon motif cribbage board. In its original fitted box originally sold by Kitashojik K. of Tokyo Japan. Measuring approx. 7 x 2 inches in very good condition some age yellowing and wear to the outside of the box. See pictures.
All Items : Archives : Regional Art : Pre 1940 item #918424 (stock #283)
A Japanese Ivory netsuke of a girl holding a Chicken fine carving artist signed measuring approx. 3.5 inches tall or 9 centimeters. A fine addition to any collection.
All Items : Archives : Fine Art : Paintings : Pre 1940 item #1053180 (stock #388)
EMILE BAES "SUR LA PLAGE" oil on board, signed lower right in excellent condition. BELGUIM, C.1935 21.25 X 29 INCHES

Biography

Émile Baes was born in Brussels in either 1879 or 1889. He studied with J. Stallaert at l’Académie des Beaux-Arts de Bruxelles. He completed his education with Bonnet and Cabanel in Paris. Baes worked as a painter, illustrator, and writer. He was known for his diverse subject matter including historical paintings, portraits, nudes and landscapes. Most noteworthy among his subject matter are femme fatale figures including Salomé, Messaline, and Cleopatra. The writings of Flaubert and the style and composition of Symbolism influenced the development of his work. Baes’ work exemplifies the Orientaliste compositional elements found in late nineteenth and early twentieth century Parisian work. In 1903 and 1904 he exhibited at the Salon de Bruxelles. Between 1928 and 1933 Baes exhibited at the Salon d’Automne in Paris. He exhibited at the Salon des Artistes Français from 1929 to 1938 and the Salon des Tuileries between 1933 and 1939. Baes wrote Les dieux sadiques, Princesesse d’ Amour. Baes died in Paris in 1954.

All Items : Archives : Regional Art : Pre 1940 item #917668 (stock #277)
A Fine Japanese Ivory Netsuke of a man with a cane and lantern finely carved by an expert artist signed on foot. Measuring approx. 2.5 inches or 6 centimeters tall in very fine condition. A great example would be a nice addition to any collection. Please view my other netsuke here in Trocadero and at my ebay site.
All Items : Archives : Fine Art : Pre 1940 item #506201 (stock #161)
Original oil titled Holland Church measuring 12 x 16 inches framed in a fine hand made gold leaf frame overall approx. 20 x 24. Provenance: the estate of the artists and Karges gallery estate stamped signed and numbered and titled and labeled on the reverse. A fine painting by this renowned artist.

Biography

Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI

All Items : Archives : Fine Art : Paintings : Pre 1940 item #1061647 (stock #404)
Thomas L Hunt American impressionist view of Gloucester harbor Mass. Oil on canvas board signed lower right. This painting was exhibited at the Laguna Beach Museum of Art impressionist show in 1986 . Measuring 14 x 17 framed in the original American Impressionist frame. In excellent condition.

Biography

Thomas L. Hunt was born in London, Ontario, Canada on February 11, 1882. He studied with his father John Powell Hunt and with Hugh H. Breckenridge. He resided in Laguna Beach, Hollywood and San Bernadino, California and maintained a studio in Laguna Beach, California. He was a founding member of the Laguna Beach Art Assn. and he was a member of the California Art Club and San Diego Art Guild. Examples of his paintings can be found in the Kansas City Museum, the Bowers Museum in Santa Ana, California and the Laguna Beach Museum of Art, Laguna Beach, California. He won First Prize at the California State Exposition in 1923, First Prize at the Laguna Beach Art Assn. in 1927 and 1935, and awards at the Pasadena Art Institute, 1933 and at the San Diego Fine Arts Guild in 1933. Thomas Hunt painted in Canada, Northern and Southern California and New England. Drawn to the seaside, he sought his preferred subject matter -- wharves and boats. He also painted beach scenes with crashing waves over rocks, cottages, snowy hillsides and village scenes. Known for his use of pure color, he creates paintings intended to sparkle and vibrate with scintilating light effects. His viewpoint and treatment of his subject matter is highly distinctive. A "Los Angeles Times" critic in 1931 summed up, "One is impressed, in fact, by the poetry of nature he has felt". Thomas Lorraine Hunt died in Santa Ana, California on April 17, 1938.

All Items : Archives : Fine Art : Pre 1940 item #490719 (stock #136)
An exquisite painting with a atmospheric feeling of a foggy overcast day done in a Monet like manner. Oil on canvas relined and cleaned provenance: The estate of the artist William Karges galleries a private collection. A fine work by this highly recognized artist.

Biography

Born in San Francisco to a family of artists, Cuneo studied at the Mark Hopkins Institute with Arthur Mathews, before attending the Academie Colarossi in Paris from 1911-1913. Upon his return to California, Cuneo’s works were well received at the Panama Pacific International Exhibition in 1915, and was involved in every major art exhibition in the San Francisco area from 1916-1939. Also during these years Cuneo was the subject of numerous one-man shows, including those in Rome, Los Angeles, London, and Paris. Called “the Painter of San Francisco,” at the inaugural exhibition of the San Francisco Museum of Art in 1935, Cuneo had the most number of paintings displayed by any early California artist. In that same exhibition, his painting California Hills won the Museum’s Purchase Prize award. A pure impressionist early in his career, Cuneo’s style constantly evolved throughout his life, as he was always seeking and assimilating new methods of representation.

All Items : Archives : Fine Art : Pre 1940 item #1089944 (stock #423)
A original oil painting of the The Copenhagen (København) was a Danish sailtraining vessel rigged as a five-masted steel auxiliary barque(1921–1929). It was, according to Alan Villiers, the largest and finest sailing vessel in the world at the time it vanished. Oil on canvas signed lower right indistinctly and titled measuring 17 X 25 image framed size approx. 23 X 31. In good antique condition some age cracking. A nice historical decorative painting.
All Items : Archives : Fine Art : Pre 1940 item #1168341 (stock #562)
An original oil painting on canvas still life of peaches and grapes signed lower right a beautiful painting in good condition. Thomas Nash painter. Nash appears to have been an itinerant artist. He was in southern California in 1879 when he painted a series of Kern River scenes. From there, he traveled north to Oregon where he did several views of the Columbia River. By 1880 he was sketching around the Colorado River in the Calico Mountain region. In 1894 he painted scenes of Michigan, and during the years 1903-13 he painted up and down the California coast. Nash's few extant works are from the brush of an accomplished painter.
All Items : Archives : Decorative Art : Pre 1940 item #562710 (stock #213)
Japanese Banko pottery art tea pot with beautiful enameled designs of cranes. Featuring a complex form with figured bamboo handle and a internal tea strainer impressed mark on bottom. Measuring approx. 6.5 inches tall from bottom to top of handle this piece is in excellent condition.

Banko pottery wares have been produced since the nineteenth century both for the domestic market and for export. Banko ware comes usually as teapots and has charming designs of a peculiar style. Some Banko pottery is unglazed while others can be very colorful and abundantly decorated with sculpture-like high reliefs in very imaginative shapes.

All Items : Archives : Fine Art : Pre 1940 item #1265982 (stock #645)
Pastel titled Old Shipwreck, signed lower left Frederick Wagner (1864-1940). Wagner was an American Impressionist who studied at the Pennsylvania Academy of the Fine Arts from 1879 to 1884. He exhibited at the Pennsylvania Academy the Carnegie and the Corcoran as well as the National Academy of Design. Image, 9.5"L x 11"W. Framed 15.5" L x 18" W Complete written provenance accompanies this piece. Please View Our other inventory
All Items : Archives : Fine Art : Pre 1940 item #505875 (stock #160)
William Adam Carmel California hidden garden oil painting on canvas board framed in an original arts and crafts period frame. Signed lower right in excellent condition measuring approx. 12 x 16 inches a fine example of this sought after artists work.

Biography

William ADAM 1846 - 1931 William Constable Adam (1846-1931) was born in Tweedmouth, England on August 29, 1846. He studied under Delecluse in Paris, Brydall and Greenlees in Glasgow, and in Buenos Aires before immigrating to Boston in 1893. After moving to California in 1898, he soon settled in Pacific Grove on the Monterey Peninsula. Known as "Professor" Adam, he gave art lessons in his rose-covered cottage at 450 Central Avenue. With a bright and colorful palette of both oil and watercolor, he specialized in views of the Monterey area such as sand dunes, cottage and garden scenes, and the local flora. Adam died in Pacific Grove on October 17, 1931. Member: Boston Art Club; Lowell (MA) Art Club; Glasgow Art Club. Exhibited: Royal Scottish Academy; California State Fairs (medals); Del Monte Art Gallery (Monterey), 1907-12; Berkeley Art Ass'n, 1908; Sorosis Club, 1913; California Artists, Golden Gate Park Museum, 1916; Rabjohn & Morcom Gallery (San Francisco), 1916. Works held: City of Monterey Collection; Santa Cruz City Museum; Silverado Museum (St Helena, CA); Shasta State Historical Monument.

All Items : Archives : Fine Art : Pre 1940 item #1140997 (stock #508)
An original conte crayon drawing of a male nude by Couse framed in a quality 24k gold leaf frame. Provenance the estate of the artist with estate stamp on the reverse. Eanger Irving Couse (1866–1936) was an American artist and a founding member and first president of the Taos Society of Artists. He is noted for paintings of Native Americans, New Mexico, and the American Southwest. His house and studio in Taos have been preserved as the Couse/Sharp Historic Site, which is listed on the National Register of Historic Places and the New Mexico Register of Cultural Properties. In 1911 Couse was elected to the National Academy of Design.[3] He also became active in the Taos art colony. In 1915, Couse was one of the six founding members of the Taos Society of Artists, and was elected first president. Another founding member was the artist J. H. Sharp, who adapted a chapel near Couse's house as a studio. Later Sharp built a combined house and studio on the land. The adjacent properties are recognized jointly as the Couse/Sharp Historic Site, and are preserved and operated by the Couse Foundation. Among Couse's works in public galleries are Elkfoot (National Gallery, Washington); The Forest Camp (Brooklyn Museum of Art); The Tom-Tom Maker (Lotos Club, New York); Medicine Fires (Montclair Gallery, New Jersey); and Shapanagons, a Chippewa Chief (Detroit Museum of Art).
All Items : Archives : Regional Art : Pre 1940 item #917776 (stock #278)
A fine Japanese Ivory netsuke of a Noh Drama character artist signed measuring approx. 2.5 inches 6 cm. tall in excellent condition.
All Items : Archives : Fine Art : Pre 1940 item #989005 (stock #312)
A beautiful oil on board by Harold Christopher Davies of a a California impressionist landscape from his early days before he became a abstract modernist. Provenance the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 10 x 7 inches framed in a quality gallery frame overall size 9.5 x 12.5 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982