SIMONPIETRI, Alfred H. (1916-2001). Painter. Born in Puerto Rico on June 20, 1916. While serving in the Army during World War Two, Simonpietri was in a plane crash. After the war he settled into a home in the Sunset District of San Francisco where he remained until his demise on December 2, 2001. A talented artist, he created hundreds of paintings, mostly nudes and still lifes. Biography provided courtesy of Edan Hughes Author Artists in California 1850-1940
Quince Rudolph Galloway was born on August 16, 1912 in Alma, Arkansas. He was known for his realist, and sometimes impressionist, landscape, portrait and still life works. Galloway attended college in Arkansas. He moved to Oakland, California in 1931 where he studied art at the Fox-Morgan School. Soon after his move to Oakland he married fellow artist Janice Webster and settled in nearby San Leandro. For several years he studied in the San Leandro area with Robert Rischell and Van Waldron. Working in pastels, oils, acrylics, and watercolors he often painted realistic images of the landscape using strong light and shadows. Galloway was a member of the Oakland Art Association, San Leandro Art Association, and the Southwestern Art Association. He died in Oakland, California on September 21, 2003.
Chinese ceramics of the Song Dynasty (960-1279) constitute perhaps the foremost expression of ceramic art, not only in China but in the entire world. During the Song period, a unity of the essential components fundamental to the art: vessel shape, potting techniques, glaze, decoration, firing processes, and aesthetic theory were all combined in a high standard of excellence. In general, the shapes of Song Dynasty are simple and sedate by comparison to what preceded them and what was to follow. Likewise, the glazes tend to be monochromatic and subtle, a fluid, integral part of the form of the vessel they cover, with a depth of color and texture that invites the spectator to both touch and contemplate.
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Born in Hilo, Hawaii on May 15, 1861. During 1885 Hitchcock was a pupil of Virgil Williams at the School of Design in San Francisco. After returning to the Islands, he studied for four years with Jules Tavernier. He continued at the NAD for one year and in Paris at Académie Julian (1891-93). He had studios in Hilo and later Honolulu where he was a leader in the budding art scene. He made extended trips to the mainland and always spent time with old friends in San Francisco. Hitchcock died in war-torn Honolulu on Jan. 1, 1943. He is today one of Hawaii's most revered early artists. Member: Kilohana Art League; Salmagundi Club (NYC); Honolulu AA. Exh: Paris Salon, 1893; Gump's (SF); Alaska-Yukon Expo (Seattle), 1907; St Francis Hotel (SF), 1912 (solo); Panama-Calif. Expo (San Diego), 1915; Honolulu Academy of Arts, 1936 (retrospective); GGIE, 1939; NY World's Fair, 1939. In: Honolulu Academy of Arts; Boston Museum; Oakland Museum; Bishop Museum (Honolulu). Source: Edan Hughes, "Artists in California, 1786-1940"
Painter of landscapes and marines. inspired by the landscapes of Brabant Wallon. Deceased about 1945. Exhibited at the Triennial "Exposition of Antwerp "in 1901 ("Mill in Dordrecht"). Lived in Saint-Gilles at that time. Listed in BOTTOM II and "Two Centuries of Signatures of Artists of Belgium". ...
Born in Michigan on Aug. 2, 1885. By 1946 Near had moved to southern California and was painting around Joshua Tree. She died in Los Angeles on July 23, 1965. Her work includes landscapes of the High Sierra. Exh: Laguna Beach AA, 1960; Festival of Arts (Laguna Beach), 1961; Costa Mesa High School, 1962. Source: Edan Hughes,
Artist Biography Austrian sculptor was born in Vienna in 1865. His teachers were Karl Waschmann (1848-1905), known for his ivory sculptures and portrait plaquettes of contemporary celebrities, and Stefan Schwartz (1851-1924), who exhibited in Paris, including the Exposition Universelle of 1900 where he won a gold medal. Kauba’s intricate bronzes, imported to the United States between 1895 and 1912, were cast at the Roman Bronze Works. Kauba was part of the nineteenth-century tradition of polychrome bronze sculpture. There were several types of patinas on a single statue: he could render the color of buckskin, variously tinted shirts, blankets, feathers, as well as beaded moccasins. Reportedly, Kauba came to America around 1886. Inspired by the Western tales of German author Karl May, he traveled to the West and made sketches and models. Critics, however, pointed out inaccuracies of costume and other details. For instance, the guns that his “mid-nineteenth-century” figures use are models produced after 1898. Apparently he did all of his works back in Vienna. Besides the variety of color, Kauba’s bronzes show a great range of textures and his style is highly naturalistic. The sculptor loved ornament, some of which he rendered with coiled wire for reins, rope and feathers in headdresses. He successfully rendered figures in motion and often executed compositions with more than one figure. Berman (1974) illustrates non-Western subjects by Kaula, such as the pendants Where? and There (ca. 1910), a seated Scottish couple, impressive in the expressions and the details on patterned fabrics of both sitters. Another genre piece is Buster Brown, ca. 1910, and Nude on Vase shows Kauba’s versatility even further. The smooth skin contrasts with the stylistic, plant-like vase.
Landscape painter, illustrator. Born in Medoc, MO on January 9, 1879, Sayre worked in the lead and zinc mines and manufactured leather goods before settling on an art career. He remained a self-taught artist except for two months with J. Laurie Wallace in Omaha. His first creative job as an artist was an employee of and engraving company in Houston, TX. Ill with diphtheria, he moved to California in 1917. Traveling to California by train, he was enchanted with the Southwest desert and vowed to return which he did in 1919. For three years he lived in Arizona working for a mining company as a bookkeeper while painting in his leisure. Upon returning to California in 1922, he held his first art exhibition of 64 watercolors in San Francisco; later that year he exhibited at the Los Angeles County Museum of Art. In that year he moved to Los Angeles and two years later built a home and studio in Glendale where he remained for the rest of his life. Sayre is one of California’s best known painters of the deserts and the Southwest. Member: Pallete & Chisel Club of Chicago; Painters & Sculptors of Los Angeles (cofounder and President, 1929) Exhibited: Bohemian Club, 1922; Glendale Chamber of Commerce, 1922 (solo); Glendale Public Library, 1962 (retrospective) Works Held: Los Angeles County Museum of Art (Source: Hughes, Edan Milton, "Artists in California: 1786-1940," San Francisco: Hughes Publishing Company, 1989.)
Thomas L. Hunt was born in London, Ontario, Canada on February 11, 1882. He studied with his father John Powell Hunt and with Hugh H. Breckenridge. He resided in Laguna Beach, Hollywood and San Bernadino, California and maintained a studio in Laguna Beach, California. He was a founding member of the Laguna Beach Art Assn. and he was a member of the California Art Club and San Diego Art Guild. Examples of his paintings can be found in the Kansas City Museum, the Bowers Museum in Santa Ana, California and the Laguna Beach Museum of Art, Laguna Beach, California. He won First Prize at the California State Exposition in 1923, First Prize at the Laguna Beach Art Assn. in 1927 and 1935, and awards at the Pasadena Art Institute, 1933 and at the San Diego Fine Arts Guild in 1933. Thomas Hunt painted in Canada, Northern and Southern California and New England. Drawn to the seaside, he sought his preferred subject matter -- wharves and boats. He also painted beach scenes with crashing waves over rocks, cottages, snowy hillsides and village scenes. Known for his use of pure color, he creates paintings intended to sparkle and vibrate with scintilating light effects. His viewpoint and treatment of his subject matter is highly distinctive. A "Los Angeles Times" critic in 1931 summed up, "One is impressed, in fact, by the poetry of nature he has felt". Thomas Lorraine Hunt died in Santa Ana, California on April 17, 1938.
Émile Baes was born in Brussels in either 1879 or 1889. He studied with J. Stallaert at l’Académie des Beaux-Arts de Bruxelles. He completed his education with Bonnet and Cabanel in Paris. Baes worked as a painter, illustrator, and writer. He was known for his diverse subject matter including historical paintings, portraits, nudes and landscapes. Most noteworthy among his subject matter are femme fatale figures including Salomé, Messaline, and Cleopatra. The writings of Flaubert and the style and composition of Symbolism influenced the development of his work. Baes’ work exemplifies the Orientaliste compositional elements found in late nineteenth and early twentieth century Parisian work. In 1903 and 1904 he exhibited at the Salon de Bruxelles. Between 1928 and 1933 Baes exhibited at the Salon d’Automne in Paris. He exhibited at the Salon des Artistes Français from 1929 to 1938 and the Salon des Tuileries between 1933 and 1939. Baes wrote Les dieux sadiques, Princesesse d’ Amour. Baes died in Paris in 1954.
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Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper’s" magazine. In 1858 (or 1859) he visited California for "Harper’s" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad commissioned him to do landscape paintings along its route about 1868. In 1869-70 he studied in Dusseldorf, Germany; in 1871-72, he shared a studio in Boston with William Hahn; and in 1872, he returned to California. A nature lover, he found there was “scarcely a mountain in three-fourths of California where he had not kept vigil for days as a time, studying every detail of color, flower, rock, forge, shadow, and sunshine.” Keith became Thomas Hill’s rival in monumental landscapes, saying, “I’d be satisfied if I could reach the power and success of Tom Hill.” When George Inness visited California in 1890, he worked in Keith’s studio for many weeks, and they made sketching trips together. The result for Keith was an influenced style reflecting the subjective rather than the spectacular. His "Majesty of the Oaks" painting sold at auction in New York City in 1903 for $2,300., and about the same time "Glory of the Heaven" sold at auction in San Francisco for $12,000. Of medium height with unruly curly hair, Keith had his studio next to the live oaks on the Berkeley campus where it was the center of the university-oriented California culture. The 1906 earthquake and fire destroyed 2,000 of Keith’s works.
Biography>Born in Ravenna, Ohio, Anna Althea Hills was a prominent California landscape painter who was also remembered as a civic leader in Laguna Beach. In addition to painting in her native state, she was active in Arizona. She was raised in Olivet, Michigan, and attended Olivet College. She studied at the Art Institute of Chicago, Cooper Union in New York, and privately with Arthur Dow. After further study at the Academie Julian in Paris and traveling throughout Europe for four years, she moved to Laguna Beach in 1913 and was painting in Arizona as early as 1914. The landscape of the West inspired her to adopt a light, colorful Impressionist palette. In spite of a severe spinal injury, she took adventurous painting trips into remote mountain areas. She also supervised a Sunday School for ten years, and was a six-year president of the Laguna Beach Art Association and helped raise funds to build the existing museum. Her early works of genre and interiors were much darker than her later California landscapes and marine scenes. She combined watercolor and oil and painted in a decorative style. Sources: Edan Hughes, Artists in California, 1786-1940
Fredrick Wagner was born in Valley Forge, Pennsylvania in 1864. He received a scholarship to study art at the Pennsylvania Academy of the Fine Arts under Thomas Eakins and in 1884 was made chief Demonstrator of Anatomy there. In 1885, Wagner left the Academy to make a painting tour of San Antonio, Texas, and then went on to Los Angeles, California, where he painted a number of landscapes and portraits. He returned to Philadelphia as an illustrator for the Philadelphia Press until 1902, and then moved to Norristown, Pennsylvania to paint full time. In 1912, Wagner opened a Philadelphia studio and taught classes in outdoor painting at Addingham, and later, at the Pennsylvania Academy's summer school in Chester Springs. His reputation grew, and he took on additional classes at his studio in the Fuller Building. In 1913, Wagner exhibited in the now famous Armory Show in New York City. He exhibited frequently at the Pennsylvania Academy's annual exhibitions, and in 1914, was awarded the Fellowship Prize. He was awarded Honorable Mentions from the Pittsburgh International, the Philadelphia Art Club, and the Carnegie Institute in 1922. His paintings are in the collections of the Cleveland Museum; St. Louis Museum, MO; Fort Wayne Museum, IN; Kalamazoo Museum, MI; Rochester Museum, NY; Worcester Art Museum, MA, and the Reading Museum, PA. Fred Wagner died in Philadelphia in 1940.
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Ida Sedgwick Proper (1873 - 1957)
Rare original oil on canvas by signed lower right measuring 20 x 24 inches in good all original condition. Provenance: The Grandson of the artist.
Born in Bonaparte, Iowa, into a Baptist minister family, she attended Bethany College in Lindsborg, Kansas. Then at the Art Student's League in New York, she trained with William Merritt Chase, John Twachtmann, and Frank DuMond. In 1897, she began art studies in Munich and exhibited in European salons. From 1907 to 1911, she had a studio in New York. She is known for her Impressionist palette and diffused compositional elements.
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Born in Portsmouth, England in 1919, Dennis H. Osborne spent three and a half years as a prisoner of war in Italy and Germany. After the war he pursued his art studies in England and exhibited at the Royal Academy. In 1952 he emigrated to Canada but returned to the United Kingdom to take up the post of Head of the Art Department in Portadown Technical College. For many years prior to his retirement he was Head of the Art Department at Lisnagarvey High School, Lisburn.