Catalog: Sold Items: Fine Art (179)

Original David Roberts lithograph of Jerusalem from the Mount of Olives, April 8th 1839, plate 6 from Volume I of The Holy Land engraved by Louis Haghe 1806-85 pub. 1842. Original hand colored deluxe edition. In good antique condition some age discoloration minor fading spotting. Framed matted actuall image 12" x 18" framed matted 21 x 27 framed size.

A fine pair of antique portrait miniatures of a man and woman signed Dubbison and dated 1823 oil on Ivory in leather cases. In very good antique condition the lady has a restored hairline crack to her left. measuring approx. 3 x 4 inches. a beautiful pair.

Original French watercolor painting. A botanical floral study of bluebells from a French porfolio of artwork dating from 1847. Image 7"w. x 10"L. Presented in an exquisite French mat and gilt wood frame measuring overall 20" L x 17" W.

Original French master classical figural watercolor and ink drawing. Image 10"L x 8"W. archival framed and matted overall size 16 x 18 inches.

Original oil painting "Sail Boat Moonlight Nocturne " By Michael Dancer (1927-2002) Dancer a California impressionist artist had affiliations with prominent galleries. Including Montecito Fine Arts, Linda McAdoo Gallery in Santa Fe, Nelson Rockefeller Gallery in Palm Springs, and the Bluebird Gallery in Laguna Beach. Awards include 3rd prize in the Taos Impressionist Show. California Art Club Gold Medal for Landscape. Image 5"H x 7"W. Framed size 8 x 10 overall.

Lovely modernist nude etching of a reclining woman entitled, "Joseph Had a Dream" by Ruth Weisberg. Dated 1967 and signed lower right. Presented in cream colored matting and a carved gilt wood frame. Image size: 14 x 18", overall dimensions: 20 x 26". Ruth Weisberg, an artist and professor, is the former Dean of Fine Arts at the University of Southern California since 1995. Weisberg is well known for her paintings reflecting upon the cycle of life; the continuity of generations. The artist also has long held interests in preservation, extinction and survival. Since her arrival in Los Angeles in 1969, Ruth Weisberg has been a formidable influence and mentor to decades of artists in this city and beyond. Her first major survey in Los Angeles was in 1979 at the Los Angeles Municipal Art Gallery. She was the first artist exhibited at The Women’s Building (Judy Chicago was simultaneously presented with a solo exhibition to inaugurate that venue). With more than 80 solo exhibitions and nearly 200 group exhibitions internationally, Weisberg is the first living painter to have been afforded a solo exhibition at the Norton Simon Museum of Art in 2008-2009. Weisberg also holds that distinction at The Huntington Library Ruth Weisberg has executed many ambitious large-scale works, including the 94-foot mixed-media painting “The Scroll,” which was exhibited at the Skirball Cultural Center. She painted the 29-foot mural “New Beginnings: One Hundred Years of Jewish Immigration” as part of a commission from the UJA Federation. The mural was installed in the headquarters’ entrance in New York City. Ruth Weisberg’s work is included in the permanent collections of over 60 museums, including the Metropolitan Museum, National Gallery of Art in Washington, D.C., Whitney Museum of American Art, Portland Art Museum, Los Angeles County Museum of Art, Getty Research Institute, Norton Simon Museum, Art Institute of Chicago, Detroit Institute of Arts, Biblioteque Nationale in Paris, and the Instituto Nationale per la Grafica in Rome, among many others.

Fred Wagner Pastel of a bay landscape with sail boats in the distance. Archival framed.

A beautiful antique still life oil painting on canvas of wine grapes. Measuring Approximately 14 X 16 overall size. 21 X 23 INCHES. framed in a beautiful stenciled Italian frame. A nice decorative painting.

Original oil Floral with Chinese Hibiscus on art panel signed lower right W. Revell dated 1888. Measuring 7 x 9 inches

Indian Mogul painting on silk. Titled Shaw Jehan returns in Triumph. Image, 10"L x 7.5"W. Label from Indian gallery on verso. Matted Unframed. Please Take the Time to View the rest of our inventory.

San Francisco Bay Area Modernist watercolor ink painting by Harold Christopher Davies, signed lower right. Provenance: Estate of the artist and Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, Oakland Art Gallery, Birmingham Museum, Southampton Museum, University of Long Island Museum, Parrish Art Museum, Hoover Gallery (San Francisco), Haggin Museum and Huntsville Museum. Image, 6"L x 4.5"W. Matted and framed. Minor wear.

Eugène Fromentin (1820 - 1876) original oil on canvas signed lower left by famed French artist. Measuring approx. 15.5 x 16 inches in ornate original frame. A beautiful antique painting.

Engravings of annual jousting contest on river Seine in Paris by Jacques Callot in 1630. On the left, the Nesles tower. On the right, the Louvre and the tour du Bois. Etching Dimensions: unframed: 6 1/2 x 13 3/8" (16.51 x 33.97 cm.)

A fine pair of early American portraits of a Handsome young man and beautiful woman. Oil on canvas relined some minor restorations nicely framed Measuring 22 x 18 inches framed size 26.5 x 22.5 inches. A wonderful decorative pair would enhance any interior.

Original Dutch old master style antique watercolor and ink painting of wrestlers signed lower righ.t Langelaan Dr J.J. Langelaan (1851-1919) Amsterdam Holland studied at the Royal Academy Amsterdam Netherlands. Image 9"L x 7"W. Framed overall size 14.5" L x 12.5" W.

A fine antique oil on canvase by Mauritz Frederik Hendrik De Haas picturing a sailing ship in the moonlight signed lower left in excellent condition measuring approx. 24 x 36 inches framed in a period frame. One of the most famous 19th-century marine and landscape painters, especially of Long Island, Mauritz De Haas was born in Rotterdam, Holland where he studied at the Academy of Fine Arts. He also studied at The Hague, a pupil of Louis Meyer, and then specialized in watercolor in London. In 1859, at the age of twenty seven he immigrated to the United States and set up a studio in New York. In his adopted homeland, he first became known for his European views and then for his scenes painted along the Northeast Coast. Among the latter were views of Long Island: Orient, Montauk, Peconic, Westhampton, Bridgehampton, and Southampton, as well as points along the Long Island Sound. He painted Civil War naval scenes for Admiral Farragut. A brother, William Frederick De Haas, was also a distinguished artist. De Haas felt a special affinity for Long Island because it resembled his native Holland in its terrain and ever-changing effects of light and atmosphere. He was determined to capture the full range of these effects, from bright sunshine reflected on the rippling waves of Long Island Sound to the cool moonlight shining on the beach at Southampton. According to one contemporary critic, he succeeded: "His pencil is equal facile whether portraying a storm on the coast, moonlight effects at sea, or brilliancy of the sunset hour." In painting moonlight scenes, the same source claimed, de Haas had "few equals."

A fine original oil by Christian Jorgensen a view of Yosemite Valley with Half Dome in the distance. Oil on Canvas signed lower right in excellent original condition framed in a period art nouveau frame. Measuring 20 x 24 canvas size. Biography. Born in Oslo, Norway on Oct. 7, 1860 Christian Jorgensen moved to San Francisco with his mother in 1870. He showed artistic promise at an early age, and when the School of Design opened in 1874, he was among the first to enroll. At 14 he was greatly influenced at that school by Virgil Williams, who was both teacher and father figure. Jorgensen later became an instructor at the School of Design and served as assistant director from 1881-83. He then established a studio at 131 Post Street where he continued teaching, and by the mid-1880s was a successful landscape painter. For five years he and his wife, Angela, traveled by horse and buggy to the sites of the 21 California missions and during this period he produced 80 watercolor studies of the missions and a complete set of oils. In 1899, he pitched a tent in Yosemite, and after several months, obtained a permit to build a studio-home there and continued painting there during the warm months for 19 years. (His home in Yosemite is now used as headquarters for the government rangers.) In 1905 he built a boulder home in Carmel (this later became the Hotel La Playa) where he and Angela lived for a few years; most of his time was spent at the family home in Piedmont, CA. The Jorgensens made trips to Italy (1892-94), Mexico (1907), the Grand Canyon (1910) and New England (1916). Jorgensen enjoyed a long career and continued painting until his death in Piedmont on June 24, 1935. Exhibitions: San Francisco Art Association, 1884-1905; Mechanics' Institute (SF), 1884-97; California State Fair, 1886-96 (medals); Bohemian Club, 1899-1922; Cosmos Club (Washington, DC), 1906; Sequoia Club (SF), 1907; Del Monte Art Gallery (Monterey), 1907-09; Rabjohn & Marcom Gallery (SF), 1908; Alaska-Yukon Expo (Seattle), 1909; Courvoisier Gallery (SF), 1909; Kanst Gallery (LA), 1915. Collections: California Historical Society, Bohemian Club; Athletic Club (Oakland); Sonoma Mission; Mechanics' Inst. Library (SF); Orange Co. (CA) Museum; Yosemite Museum. Source: Edan Hughes, "Artists in California, 1786-1940"

A fine Cliff Fragua original sculpture "Spirt Woman" hand carved from a marble stone measuring approx. 15 inches tall.

Native American sculptor Cliff Fragua, of Jemez Pueblo, New Mexico, IACA Artist of the Year for 2005, has learned the secret of stone through his cultural and ancestral teachings. "My connection with the stone involves spirituality and reverence for the spirit that dwells within. It has been on this earth much longer than man and for this reason the stone becomes the teacher, it is simply what my ancestors believe. I am the mediator between the stone and the tools: the stone and the viewer." "I visualize what the stone wants to become and I strive to help it emerge." Cliff Fragua's sculptures are featured in such public locations as the Albuquerque Sunport International Airport, the National Statuary Hall in Washington DC and in permanent collections throughout the country.