Catalog: Sold Items (421)

A fine Chinese carved Ivory Snuff bottle depicting an Elephant with a Empress. Finely carved with great detail the inside is well hollowed. Measuring approx. 3 inches tall in excellent condition. A fine addition to any collection.

A rare antique Chinese finely hand carved white Jade seated Shakyamuni Buddha with exquisite detail form and surface. Measuring an impressive 10.5 in. or 27.5 cm. tall. In excellent condition A fine addition to any collection.

A antique 19th century English Royal Navy Blunderbuss gun percussion cap c. 1860 all original in good antique condition.

An antique sterling silver repousse Crown for a Spanish colonial santo figure of Holy Mary, Hallmarked 925 in excellent condition. measuring approx. 4 x 3.5 x 2 1/4 inches.

A Japanese Ivory netsuke of a girl holding a Chicken fine carving artist signed measuring approx. 3.5 inches tall or 9 centimeters. A fine addition to any collection.

Japanese Bronze jardinière or planter Meiji period circa 1890s with a molded crane design. In excellent condition with a beautiful patina. Measuring 8.5 inches tall and 7.5 inches in diameter. Would be a great decorative piece for plants or floral arrangement.

Original oil titled Holland Church measuring 12 x 16 inches framed in a fine hand made gold leaf frame overall approx. 20 x 24. Provenance: the estate of the artists and Karges gallery estate stamped signed and numbered and titled and labeled on the reverse. A fine painting by this renowned artist.

Biography

Painter, illustrator, printmaker and muralist, Jesse Arms was born in Chicago, IL on May 27, 1883. She began her studies at the Art Institute of Chicago, and continued with J. C. Johansen and Charles Woodbury. In 1911 she obtained employment with Herter Looms in NYC and assisted Herter with the mural in the St Francis Hotel in San Francisco. Upon returning to Chicago in 1915, she married Cornelis Botke. The Botkes moved to Carmel CA in 1919. After an extended trip to Europe, in 1927 they settled on a ranch in Santa Paula, CA where she remained until her death on Oct. 2, 1971. She made a career of bold, decorative paintings of birds both in oil and watercolor, and often used gold leaf in her paintings. From about 1917 her work won many awards both in Chicago and Southern California. Member: Calif. Art Club; Calif. WC Society; Nat'l Ass'n of Women Artists; Carmen AA; Chicago Society of Etchers. Exhibited: AIC NAD; PAFA; LACMA; CPLH; Springville (Utah) High School, 1928; GGIE, 1939; Paris Salon. Awards: Cahn prize, AIC, 1918, Shaffer prize, 1926, Carpenter prize, Chicago Society for Sanity in Art, 1938. Works held: Art Institute of Chicago; Pennsylvania Academy of Fine Arts; Municipal Gallery, Chicago; Mills College, Oakland; San Diego Museum. Murals: I Magnin Co. of Los Angeles; Woodrow Wilson High School in Oxnard, CA; Noyes Hall at the Univ. of Chicago; Kellogg Factory, Battle Creek, MI

A vintage circa 1900 miniature bronze portrait of a horse finely detailed casting artist monogram on back. Measuring approx. 4 inches tall in excellent condition.

An Antique Pre Columbian Mayan sub culture pottery bowl c. A.D. 800-1000 Macaracas style central America. A round shaped bowl with lobed rim painted with images of birds on a museum stand. Measuring approx. 6 inches in diameter.

A beautiful antique carved Tibetan Ivory Vaishravana Buddha with exquisite intricate carved detail measuring 5 Inches OR 12 CM tall. AND 3.5 inches 9 CM. wide

Beautiful rare Quianlong 18th century porcelain large bowl or charger exquisite Floral motif in soft enamels. Measuring approx. 14 inches in diameter and 2 inches deep. In excellent condition no chips or cracks with wear to the enamels. A fine early example would be a fine addition to any collection.

Chinese Ivory carved reclining beauty or doctors model circa 1900 measuring approx. 6.5 inches in length 16.5 cm. In excellent condition yellowing from age this piece would make a fine addition to any Ivory collection.

Charles Dorman Robinson impressionist seascape A beautiful atmospheric seascape painting of a sunset with ships off the coast of San Francisco. Oil painting on artist board framed in the original arts and crafts era frame signed lower right. In excellent condition some very minor touch ups in the sky area professionally cleaned and re-varnished. A fine example of this highly acclaimed artists work.

Biography

Charles Robinson was born in East Monmouth, Maine, and his father, David Robinson, was a theatre producer for Gold Rush mining towns and constructed the first theatres and plays for stage productions in San Francisco. In 1850, his family moved to San Francisco where he was educated in the public schools and grew up sketching harbor scenes. He took lessons at the age of seven from Charles Nahl, a painter of mining genre and landscape, and earned a diploma at age 13 from the Mechanics' Institute for best marine drawing for a juvenile. From 1861 to 1873, he lived in Vermont because the family was forced out of San Francisco by threats resulting from his father being on the Vigilance Committee. On the East Coast, he became the pupil of marine artists William Bradford and M.F.H. De Haas as well as Impressionist George Inness. He was also much influenced by Albert Bierstadt and James Hamilton. He lived in Clinton, Iowa from 1873 to 1874 to court and marry Kathryn Wright, and then returned to San Francisco. He first worked as a retoucher of photos, and he and his wife wrote and did illustrations for "Overland Monthly" and "Century" magazine. By 1876, Robinson was exhibiting regularly as a painter, and in 1880 began making trips to Yosemite Valley. He was also in Paris between 1899 and 1901 and offered the Paris Exposition in 1900 a painting of Yosemite that was 50 x 380 feet and weighed five tons. When the committee rejected the panorama, he cut it into pieces, which he sold for passage money home. In the earthquake and fire of 1906, many of his paintings were destroyed in a warehouse where he had thought they would be safe. In 1921, a fire in his home destroyed twenty years worth of Yosemite paintings. He died May 8, 1933 in San Rafael, California. Source: Edan Hughes,

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate designs of dancing boys and vines. Measuring Approx. 4.5 inches by 2 inches 12 x 5 cm. in very fine condition to chips or cracks. A museum quality example.

George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.

Anasazi culture corrugated drinking vessel circa 1300 AD a grey pottery with smooth interior and handle with corrugated exterior design. Measuring approx. 5 inches tall in very good condition some minor chips on the rim. A fine piece of ancient Native American Pottery from a old collection found in the 1930s.

An original portrait of a beautiful woman oil on canvas signed lower right and dated 1929 in excellent condition.

Biography

Charles Ward Traver was a painter born in Ann Arbor MI on Oct 10 1880. Traver was a resident of Los Angeles in the late 1890's. In 1927 he was in New York City and visited Los Angeles again in 1932. He also lived in Wuanita Hot Springs, Colorado. He was an illustrator for Land Of Sunshine magazine and did covers for Saturday Evening Post. He studied in Germany at the Royal Academy of Munich with Carl Von Marr and Henry Snell. Exhibition venues include the Society of Independent Artists in 1917. There is discrepancy in his birth date information, with both 1880 and 1889 given.

Fine porcelain large bowl with profusely hand painted decorations in traditional Imari colors and motifs. A impressive size measuring 11 3/4 inches in diameter and 4.5 inches high in excellent condition. A fine piece would make a great addition to any collection.