Catalog: Sold Items (421)

A Charming Japanese Ivory okimono study of a Man a boy and a turtle. Approx. 5 inches tall in very good condition one small age crack on the back of the base.

A beautiful example with delicate sliver wire enclosure flower designs on a foil background. Meiji period c.1900 in excellent condition measuring approx. 4.5 inches tall.

This rare engraving depicts the siege of Szczecin (Stettin), situated on the river Oder (north to the left), at that time part of Swedish Pomerania. A combined allied force of Poles, Austrains and Brandenburgians, under General Jean-Luis des Souches, invested the fortress on the 19th (29th) of September 1659. The besieged Swedish forces, under Major General Paul Wirtz, defended doggedly and eventually the besiegers gave up on the 6th (16th) November 1659. Plate 106 Background: In 1648, the Peace of Westphalia brought to an end the Thirty Years’ War and at the same time thwarted Sweden’s ambitions to control Baltic trade. Sweden was intent on gaining control of the whole of the Baltic trade (Dominium Maris Baltici) and the enormous customs duties deriving from it. All that was missing was control of the major ports on the southern coast of the Baltic or, alternatively, the Oresund, the gateway to the Baltic. A pre-emptive strike against Poland would isolate Prussia (east & west) forcing it to concede control of its ports, or at least pay Sweden a substantial amount of its income for ‘protection’. In July 1655 Karl X Gustav, King of Sweden, declared war and invaded the Commonwealth of Poland and Lithuania, giving rise to the 2nd Northern War, known in Poland as ‘The Deluge’. The Commonwealth was already weakened by fighting on two front; In the Ukraine it was attempting to suppress a war of independence whilst in the east Russian forces were overrunning Lithuania and Belarus. By superior tactical use of infantry and artillery, within the space of 4 months Karl X Gustav had overrun the whole of the area of present day Poland and forced the Polish King, Jan II Casmir, to flee the Country. All but a handful of the major stronghold gave up with just token resistance, the notable exceptions being Gdansk, Przemysl, Zamosc and Czestochowa. Two years later 'having conquered the Country but not the people' Karl X Gustav recieved information that the Danes had declared war on Sweden. Leaving some of his forces to hold various strongholds in Poland Karl X Gustav took 6000 of his most seasoned troops and marched to Denmark. This engravings comes from the book: De Rebus a Carolo Gustavo Sueciae Rege Gestis Commentariorum Libri Septem elegantissimis Tabulis Aeneis exornati (Sieben Bucher von denen Thaten Carl Gustavs Konigs in Schweden) Author: Pufendorf. S. Von, Published: Nuremberg, Christoph Riegel Date: 1696 The book is an account of the life and deeds of Charles Gustav during his reign as King of Sweden from 1654 to 1660. Engraver: ? Drawn by: Dahlbergh. Erik von, Condition: Very good ready for framing. Color: Uncoloured Size (h x w) 16.5" x 14" or 35 x 41.5 cm (approx. sheet size) Technique: Copper plate Scarce Samuel Pufendorf (1632-94): A German jurist and historian, he is especially noted as an early theorist of international law. In his later years, he served as royal historiographer at Stockholm and Berlin. Erik Dahlbergh (1625-1703): A Swedish field marshal, military engineer and cartographer, Count Dahlbergh was the author of a number of topographical works including the maps and plans in a famous account of the military exploits of the Swedish King, Charles X Gustav by Samuel Pufendorf. From July 1656 he served with the Swedish forces as military engineer and his engravings are that much more valuable in that they were made as an 'eyewitness'. The engravings are scarce and have great historic as well as artistic value showing as they do plans and elevations of towns & castles as well as the costumes of the period.

A beautiful example of this exquisite art form in a floral vase on tinted silver foil background. Artist signed measuring approx. 5 inches tall 13 cm. In excellent condition no damage. A fine example would be a nice addition to any collection.

A fine antique domed top mahogany stationary box with banded inlay and a ornate brass handle. In good antique condition with a beautiful rich patina some minor restorations to the banding. Measuring approx. 9.5 x 6.5 x 5.5 inches. A fine decorative antique accent piece.

Japanese signed Satsuma pottery censer hand painted in cobalt blue background with figural and traditional Satsuma design. In excellent condition with no damage. Measuring approx. inches by inches

Indian Mogul painting on silk. Titled Shaw Jehan returns in Triumph. Image, 10"L x 7.5"W. Label from Indian gallery on verso. Matted Unframed. Please Take the Time to View the rest of our inventory.

San Francisco Bay Area Modernist watercolor ink painting by Harold Christopher Davies, signed lower right. Provenance: Estate of the artist and Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, Oakland Art Gallery, Birmingham Museum, Southampton Museum, University of Long Island Museum, Parrish Art Museum, Hoover Gallery (San Francisco), Haggin Museum and Huntsville Museum. Image, 6"L x 4.5"W. Matted and framed. Minor wear.

Antique Tibetan Snuff or Scent Bottle Copper silver with Turquoise Coral. Measuring approx. 2"L x 1.5"W.

John Wright Oakes (1820 - 1887) A fine oil painting titled a brook near Devonshire oil on canvas relined signed lower center. A dense wooded area with a stream and a figure on a bridge.

F Grayson Sayer California impressionist landscape near Palm Springs Ca. Oil on canvas board signed lower left corner in excellent condition measuring 8x10 inches framed in a quality gallery frame overall size approx. 16x18 inches.

Biography

Landscape painter, illustrator. Born in Medoc, MO on January 9, 1879, Sayre worked in the lead and zinc mines and manufactured leather goods before settling on an art career. He remained a self-taught artist except for two months with J. Laurie Wallace in Omaha. His first creative job as an artist was an employee of and engraving company in Houston, TX. Ill with diphtheria, he moved to California in 1917. Traveling to California by train, he was enchanted with the Southwest desert and vowed to return which he did in 1919. For three years he lived in Arizona working for a mining company as a bookkeeper while painting in his leisure. Upon returning to California in 1922, he held his first art exhibition of 64 watercolors in San Francisco; later that year he exhibited at the Los Angeles County Museum of Art. In that year he moved to Los Angeles and two years later built a home and studio in Glendale where he remained for the rest of his life. Sayre is one of California’s best known painters of the deserts and the Southwest. Member: Pallete & Chisel Club of Chicago; Painters & Sculptors of Los Angeles (cofounder and President, 1929) Exhibited: Bohemian Club, 1922; Glendale Chamber of Commerce, 1922 (solo); Glendale Public Library, 1962 (retrospective) Works Held: Los Angeles County Museum of Art (Source: Hughes, Edan Milton, "Artists in California: 1786-1940," San Francisco: Hughes Publishing Company, 1989.)

A fine original oil painting of a race horse named Bagotstown by famed english sporting art painter George Paice 1854-1925. oil on canvas signed lower right and titled Bagotstown 1911. Measuring 14 x 18 in fine condition relined and cleaned. A fine example of equestrian art. Artist Biography: George Paice - Exhibited 1881 - 1897 Sporting, horse and dog painter who lived at 83 Warwick Street Pimlico in 1881 and 47 Croydon Grove, West Croydon, Surrey in 1885. He was the father of artist Phillip Stuart Paice. Exhibited 7 paintings at the Royal Academy and 4 at the Royal Society of British Artists. Most of his works still remain in private collections.

A fine figural nude bronze by Hans Dietzsch-Sachsenhausen signed and dated 1921. measuring 17 inches tall in excellent condition. Sachsenhausen (1810-1926) a noted German sculpture with many important public statuary in city centers in Germany and other Countries.

Eugène Fromentin (1820 - 1876) original oil on canvas signed lower left by famed French artist. Measuring approx. 15.5 x 16 inches in ornate original frame. A beautiful antique painting.

A beautiful antique Italian original painting gouache on paper in an exquisite French matte and frame. Measuring Approx. 6x8 overall framed size 11x13 inches. In excellent condition one of a pair see #341 sold together or separate.

A fine vintage Ivory netsuke of a tiger and cub masterfully carved signed Hiroaki in excellent condition.

A fine original oil by Christian Jorgensen a view of Yosemite Valley with Half Dome in the distance. Oil on Canvas signed lower right in excellent original condition framed in a period art nouveau frame. Measuring 20 x 24 canvas size. Biography. Born in Oslo, Norway on Oct. 7, 1860 Christian Jorgensen moved to San Francisco with his mother in 1870. He showed artistic promise at an early age, and when the School of Design opened in 1874, he was among the first to enroll. At 14 he was greatly influenced at that school by Virgil Williams, who was both teacher and father figure. Jorgensen later became an instructor at the School of Design and served as assistant director from 1881-83. He then established a studio at 131 Post Street where he continued teaching, and by the mid-1880s was a successful landscape painter. For five years he and his wife, Angela, traveled by horse and buggy to the sites of the 21 California missions and during this period he produced 80 watercolor studies of the missions and a complete set of oils. In 1899, he pitched a tent in Yosemite, and after several months, obtained a permit to build a studio-home there and continued painting there during the warm months for 19 years. (His home in Yosemite is now used as headquarters for the government rangers.) In 1905 he built a boulder home in Carmel (this later became the Hotel La Playa) where he and Angela lived for a few years; most of his time was spent at the family home in Piedmont, CA. The Jorgensens made trips to Italy (1892-94), Mexico (1907), the Grand Canyon (1910) and New England (1916). Jorgensen enjoyed a long career and continued painting until his death in Piedmont on June 24, 1935. Exhibitions: San Francisco Art Association, 1884-1905; Mechanics' Institute (SF), 1884-97; California State Fair, 1886-96 (medals); Bohemian Club, 1899-1922; Cosmos Club (Washington, DC), 1906; Sequoia Club (SF), 1907; Del Monte Art Gallery (Monterey), 1907-09; Rabjohn & Marcom Gallery (SF), 1908; Alaska-Yukon Expo (Seattle), 1909; Courvoisier Gallery (SF), 1909; Kanst Gallery (LA), 1915. Collections: California Historical Society, Bohemian Club; Athletic Club (Oakland); Sonoma Mission; Mechanics' Inst. Library (SF); Orange Co. (CA) Museum; Yosemite Museum. Source: Edan Hughes, "Artists in California, 1786-1940"

A fine Antique Chinese carved hong mu rosewood statue of a seated emperor or high official. Intricately carved with the finest details of dragons and decorative carved chair. Of the finest quality measuring Approx. 15 inches tall in good antique condition some minor losses to dragon on right arm of chair.