Antiquarian Art Co.
All Items : Archives : Regional Art : Pre 1900 item #1061644 (stock #403)
A rare natural Emerald crystal carved into a Chinese figural group of two immortals measuring approx. 8 inches tall in excellent condition beautiful color and quality 19th century Qing dynasty.
All Items : Archives : Regional Art : Pre 1910 item #702641 (stock #275)
Exquisite Japanese scalloped rim bowl finely decorated with scenes of demons and dragons artist signed in excellent condition no chips or cracks or restorations a fine example of Japanese Satsuma wear. Measuring 7 x 3.5 inches approx.
All Items : Archives : Fine Art : Pre 1900 item #1132383 (stock #501)
A fine antique portrait of a Horse in a stable with saddle. Oil on canvas signed lower left in original birds eye maple frame. Measuring approx. 26 x 34 inches a fine decorative original painting.
All Items : Archives : Regional Art : Asian : Indian Subcontinent : Pre 1837 VR item #1147594 (stock #521)
. A beautiful bronze head of the Buddha Thailand Sukhothai style. A serene face with elogated ears and a top unisa flame. in good antique condition beautiful patina circa 18th century. Display mounted on a teak wood stand overall approx. 26 inches the Buddha is approx. 18 overall height. A great large size would make a fine decorative addition to any interior or altar for worship.
All Items : Archives : Fine Art : Pre 1930 item #1324199 (stock #745)
Original antique oil painting view of a Spanish Interior with islamic influence Seville Spain. Signed lower right A. Liger titled Seville. Oil on canvas image 9"L x 7"W. overall 12 x 10 inches in excellent condition.
All Items : Archives : Fine Art : Pre 1950 item #580284 (stock #246)
Clyde Scott California impressionist seascape oil on board signed lower right measuring 12 x 16 inches framed in a one of a kind custom hand carved Bill Earl frame overall size 19x23 inches. A beautiful seascape with bold color and light showing the true mastery of this acclaimed artist’s talent. This painting is in excellent condition and ready to hang.

Biography

Born in Bedford, IA on Jan. 24, 1884. Scott studied at the Boston Art School and with Richard Andrews, Edward Kingsbury, and E. Felton Brown. From 1910 he worked in San Francisco for the Commercial Art Company while living across the bay in Mill Valley. Settling in Los Angeles about 1930, he was a special-effects artist at 20th Century Fox Studios from 1933 until retirement in 1950. He died in Los Angeles on Oct. 6, 1959. A skilled painter, his works include desert landscapes of the area around Palm Springs. Exh: PPIE, 1915 (bronze medal); Oakland Art Gallery, 1928, 1929, 1932, 1939; Wilshire Gallery (LA), 1929; Calif. State Fair, 1931 (3rd prize); Calif. Art Club, 1935-41; Painters & Sculptors (LA), 1935-52; Academy of Western Painters (LA), 1935-38; Hollywood Riviera Club, 1936 (1st prize); LACMA, 1937; Gardena High School, 1939 (1st prize); Laguna Beach AA, 1939 (1st prize); GGIE, 1939; Pomona College, 1939; SWA, 1940s; Ebell Club (LA), 1941, 1944; Chaffey College, 1944; CPLH, 1945; Hollywood Woman’s Club, 1949. In: Haggin Museum (Stockton); Gardena (CA) High School; Chaffey College; Santa Monica Municipal Collection; Clearwater High School. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Fine Art : Pre 1950 item #580285 (stock #247)
Frank Montague Moore Carmel or Monterey evening nocturne oil on board signed lower right F.M. Moore. A beautiful painting with a amazing sense of light. In excellent condition measuring 12 x 16 inches approx. overall size 19 x 23 inches. A fine painting by this highly acclaimed artists would be a nice addition to any collection.

Biography

Born in Taunton, England on Nov. 24, 1877. Moore studied at the Liverpool Art School and Royal Institute. In 1903 he immigrated to America and further studied with Henry Ward Ranger. By 1910 he was an established artist in NYC; in that year moved to Hawaii where he was purchasing agent for Hawaii Plantations and later served as director of the Honolulu Academy of Arts. In 1928 he sailed for California and worked briefly in Pasadena where he painted the Picture Bridge, a series of 41 murals in the Huntington Hotel. After a few months in San Francisco, he settled on the Monterey Peninsula. There he specialized in poetic depictions of the coast and other local scenery. Moore died in Carmel, CA on March 5, 1967. Member: Salmagundi Club; NY WC Club; AFA; Pasadena Society of Artists. Exh: Calif. WC Society, 1928; Nicholson Gallery (Pasadena), 1928; CGA; PAFA; St Louis Museum; GGIE, 1939; LACMA, 1942; Salmagundi Club, 1943; Santa Cruz, 1944; Society for Sanity in Art, CPLH, 1944 (1st prize and Logan medal); Carmel AA, 1945-46; NAD. In: Orange Co. (CA) Museum; USMC Headquarters (SF); Auckland (NZ) Museum; Honolulu Academy of Art. Source: Edan Hughes, "Artists in California, 1786-1940"

All Items : Archives : Fine Art : Pre 1900 item #1315134 (stock #734)
Fine Antique American Victorian drawing of a young boy, circa 1880. Image, 10"L x 16"H. Matted and in quality frame 20 X 26 overall. Wear to edges under the mat minor flaws to surface. In a quality gallery frame.
All Items : Archives : Decorative Art : Pre 1920 item #578493 (stock #231)
A beautiful Tiffany Favrile art glass large center bowl with engraved grape leaf designs signed LCT Favrile on bottom. A gold color with peacock blue hues accent this ribbed form bowl. Measuring approx. 12 inches across and 3 inches in depth in excellent condition no chips or cracks some minor use wear to center and bottom edge. A magnificent example of American art glass c. 1910.
All Items : Archives : Fine Art : Pre 1920 item #1132093 (stock #500)
James E. Stuart Yosemite Valley indian camp with El Capitan and Bridal veil falls A fine original oil painting on canvas 20 x 24 inches painted 1914 by in excellent all original condition in a quality gallery frame. James Everett Stuart 1852 - 1941 Eight year old James Everett Stuart arrived in California with his parents in 1860. He attended school in San Francisco and studied art with Thomas Hill and William Keith. His early work reflected the mood and mystery of the French Barbizon school. He painted plein air throughout the west and Alaska. He held a special fascination with Yellowstone. Prior to his death at age 88, he maintained a studio in San Francisco near Union Square for nearly thirty years. He was a member of the Bohemian Club, and many of his paintings were hung on the walls of fellow member's homes. His work also adorned the walls of the White House. His work has been exhibited by the historical societies of Oregon, Washington, and Montana.
All Items : Archives : Furnishings : Architectural : Decorations : Pre 1900 item #1062045 (stock #411)
A fine antique French ink well set of gilt bronze and a black marble base adorned with a bronze bust of a Roman soldier signed Richaud & Cie Measuring approximately 16 inches long and 12 inches high in excellent condition.
All Items : Archives : Fine Art : Pre 1940 item #702639 (stock #274)
A W Best Navajo indian camp near bear mt. Arizona oil on canvas signed lower right measuring 8x10 inches framed in a hand carved 24k gold leaf frame approx. 16 x 18 overall. In excellent condition.

biography

Arthur William BEST 
1859 - 1935 Arthur William Best was born in Mount Pleasant, Canada on July 17, 1859. He and his brother Harry attended public school in Mount Pleasant and were members of a small band. Arthur played the cornet; Harry, the violin. When the band broke up in Oregon, the brothers learned to paint before moving to San Francisco in 1895. Arthur and his wife Alice established the Best Art School at 1625 California Street and a residence at 309 Broderick. He was a staff artist for the San Francisco Examiner (1904-06). Arthur was commissioned by Southern Pacific Railroad to paint pictures of the Southwest and Mexico for travel and tourist publicity in 1905. Many of his oils and watercolors were destroyed by the earthquake and fire of 1906. His landscapes include depictions of the Arizona desert, Grand Canyon and the Sierra Nevada. He died in Oakland on January 26, 1935. Member: San Francisco Art Ass'n; Berkeley League of Fine Arts; Bohemian Club. Exhibited: Oregon State Fair, 1891 (first prize); Mark Hopkins Art Institute, 1898, 1904; San Francisco Art Ass'n, 1904-16; San Francisco Artists Society, 1905; Berkeley Art Ass'n, 1908; California State Fairs (awards); Alaska-Yukon Expo (Seattle), 1909 (bronze medal); Del Monte Art Gallery, 1910, 1912; Sorosis Club, 1913. Works held: Oakland Museum; Phoenix Museum; University of Oregon; Charles M. Russell Gallery (Great Falls, MT); Santa Fe Railroad.

All Items : Archives : Decorative Art : Pre 1700 item #1340236 (stock #773)
This rare engraving depicts the siege of Szczecin (Stettin), situated on the river Oder (north to the left), at that time part of Swedish Pomerania. A combined allied force of Poles, Austrains and Brandenburgians, under General Jean-Luis des Souches, invested the fortress on the 19th (29th) of September 1659. The besieged Swedish forces, under Major General Paul Wirtz, defended doggedly and eventually the besiegers gave up on the 6th (16th) November 1659. Plate 106 Background: In 1648, the Peace of Westphalia brought to an end the Thirty Years’ War and at the same time thwarted Sweden’s ambitions to control Baltic trade. Sweden was intent on gaining control of the whole of the Baltic trade (Dominium Maris Baltici) and the enormous customs duties deriving from it. All that was missing was control of the major ports on the southern coast of the Baltic or, alternatively, the Oresund, the gateway to the Baltic. A pre-emptive strike against Poland would isolate Prussia (east & west) forcing it to concede control of its ports, or at least pay Sweden a substantial amount of its income for ‘protection’. In July 1655 Karl X Gustav, King of Sweden, declared war and invaded the Commonwealth of Poland and Lithuania, giving rise to the 2nd Northern War, known in Poland as ‘The Deluge’. The Commonwealth was already weakened by fighting on two front; In the Ukraine it was attempting to suppress a war of independence whilst in the east Russian forces were overrunning Lithuania and Belarus. By superior tactical use of infantry and artillery, within the space of 4 months Karl X Gustav had overrun the whole of the area of present day Poland and forced the Polish King, Jan II Casmir, to flee the Country. All but a handful of the major stronghold gave up with just token resistance, the notable exceptions being Gdansk, Przemysl, Zamosc and Czestochowa. Two years later 'having conquered the Country but not the people' Karl X Gustav recieved information that the Danes had declared war on Sweden. Leaving some of his forces to hold various strongholds in Poland Karl X Gustav took 6000 of his most seasoned troops and marched to Denmark. This engravings comes from the book: De Rebus a Carolo Gustavo Sueciae Rege Gestis Commentariorum Libri Septem elegantissimis Tabulis Aeneis exornati (Sieben Bucher von denen Thaten Carl Gustavs Konigs in Schweden) Author: Pufendorf. S. Von, Published: Nuremberg, Christoph Riegel Date: 1696 The book is an account of the life and deeds of Charles Gustav during his reign as King of Sweden from 1654 to 1660. Engraver: ? Drawn by: Dahlbergh. Erik von, Condition: Very good ready for framing. Color: Uncoloured Size (h x w) 16.5" x 14" or 35 x 41.5 cm (approx. sheet size) Technique: Copper plate Scarce Samuel Pufendorf (1632-94): A German jurist and historian, he is especially noted as an early theorist of international law. In his later years, he served as royal historiographer at Stockholm and Berlin. Erik Dahlbergh (1625-1703): A Swedish field marshal, military engineer and cartographer, Count Dahlbergh was the author of a number of topographical works including the maps and plans in a famous account of the military exploits of the Swedish King, Charles X Gustav by Samuel Pufendorf. From July 1656 he served with the Swedish forces as military engineer and his engravings are that much more valuable in that they were made as an 'eyewitness'. The engravings are scarce and have great historic as well as artistic value showing as they do plans and elevations of towns & castles as well as the costumes of the period.
All Items : Archives : Fine Art : Pre 1950 item #1175020 (stock #574)
An original woodblock print signed lower left and titled on mount "Caballo printed on Japan paper. This is a very rare graphic work by this important Mexican Modernist woman artist. Her auction records for painting are six figures. This print is In good condition paper is cut unevenly image size 5 x 7 inches slight light staining comes with archaival 16 x 20 matte. Biography María Izquierdo (October 30, 1902, San Juan de los Lagos – December 2, 1955, Mexico City) was a Mexican painter. She was born María Cenobia Izquierdo Gutiérrez in San Juan de los Lagos in the state of Jalisco;. After her father died, when she was five years old, she lived with her grandparents and aunt afterward in small towns of Aguascalientes, Torreón, and Saltillo. Both her grandma and aunt were devoted Catholics and much of her upbringing revolved around daily Catholic traditions. At age fourteen she had an arranged marriage to a senior army officer, Colonel Cándido Posadas, and bore three children by the time she was 17 years old. In 1920 her and her family moved to Mexico City from San Juan de los Lagos where she first began to develop into a professional artist. Always interested in art, Iqzuierdo spent much of her time alone teaching herself new art techniques. When she and her family moved to Mexico City in the 1920s, she acted on her passion and left Cándido Posadas. Today María Izquierdo is known for being the first Mexican female to have her artwork exhibited in the United States. She committed both her life and her career to painting art that displayed her Mexican roots and held her own amongst her famous Mexican male artist friends and contemporaries Diego Rivera, Jose Orozco, and David Siquerios.In December 1955 she died from a stroke in Mexico City.
All Items : Archives : Regional Art : Pre 1940 item #1059654 (stock #399)
A fine vintage Ivory netsuke of a tiger and cub masterfully carved signed Hiroaki in excellent condition.
All Items : Archives : Fine Art : Pre 1940 item #1052806 (stock #283)
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Ida Sedgwick Proper (1873 - 1957)

Rare original oil on canvas by signed lower right measuring 20 x 24 inches in good all original condition. Provenance: The Grandson of the artist.

Biography

Born in Bonaparte, Iowa, into a Baptist minister family, she attended Bethany College in Lindsborg, Kansas. Then at the Art Student's League in New York, she trained with William Merritt Chase, John Twachtmann, and Frank DuMond. In 1897, she began art studies in Munich and exhibited in European salons. From 1907 to 1911, she had a studio in New York. She is known for her Impressionist palette and diffused compositional elements.

All Items : Archives : Regional Art : Pre 1910 item #1154540 (stock #534)
A magnificent large Japanese Imari porcelain bowl exquisite in size and quality beautiful painted court scenes and traditional Imari decorations with 24k gold highlights. overall size 18 inches in diameter and 4 inches deep or 46 x 10 cm. A fine example would be a nice addition to any interior or collection.
All Items : Archives : Regional Art : Pre 1700 item #1160258 (stock #555)
Korean Silla period, 6th century A.D., glazed Pottery Pedestal bowl with pierced decoration on the pedestal traces of celadon color glaze on the interior measuring approx. 6 inches tall ,or 16cm. A beautiful example in excellent condition it would be a fine addition to any collection.