Catalog: Sold Items (421)

Thomas L Hunt American impressionist view of Gloucester harbor Mass. Oil on canvas board signed lower right. This painting was exhibited at the Laguna Beach Museum of Art impressionist show in 1986 . Measuring 14 x 17 framed in the original American Impressionist frame. In excellent condition.

Biography

Thomas L. Hunt was born in London, Ontario, Canada on February 11, 1882. He studied with his father John Powell Hunt and with Hugh H. Breckenridge. He resided in Laguna Beach, Hollywood and San Bernadino, California and maintained a studio in Laguna Beach, California. He was a founding member of the Laguna Beach Art Assn. and he was a member of the California Art Club and San Diego Art Guild. Examples of his paintings can be found in the Kansas City Museum, the Bowers Museum in Santa Ana, California and the Laguna Beach Museum of Art, Laguna Beach, California. He won First Prize at the California State Exposition in 1923, First Prize at the Laguna Beach Art Assn. in 1927 and 1935, and awards at the Pasadena Art Institute, 1933 and at the San Diego Fine Arts Guild in 1933. Thomas Hunt painted in Canada, Northern and Southern California and New England. Drawn to the seaside, he sought his preferred subject matter -- wharves and boats. He also painted beach scenes with crashing waves over rocks, cottages, snowy hillsides and village scenes. Known for his use of pure color, he creates paintings intended to sparkle and vibrate with scintilating light effects. His viewpoint and treatment of his subject matter is highly distinctive. A "Los Angeles Times" critic in 1931 summed up, "One is impressed, in fact, by the poetry of nature he has felt". Thomas Lorraine Hunt died in Santa Ana, California on April 17, 1938.

A fine Tiffany blue favrile art glass vase with beautiful blue iridescent color and stretched glass rim. Measuring Approx. 6 inches tall and 7 inches at the widest point. Signed on the pontil L.C.T. Favrile and numbered. In excellent condition.

Anasazi culture corrugated drinking vessel circa 1300 AD a grey pottery with smooth interior and handle with corrugated exterior design. Measuring approx. 5 inches tall in very good condition some minor chips on the rim. A fine piece of ancient Native American Pottery from a old collection found in the 1930s.

A beautiful Chinese silver and Champleve enamel or cloisonne bead necklace with silver dragon filigree snuff bottle. Antique and very beautiful measuring approx. 16 inches long circa 1910

This is a beautiful work of art by this highly acclaimed western painter. Original oil on board signed lower left and framed in a quality gallery frame. The painting measures 6 x 12 inches overall framed size 10 x 16 inches. The condition is excellent. Hartwig is know for his scenes of Indian life in the old west. Hartwigs paintings are in major public and private collections

Biography

Heinie Hartwig became a painter of primarily western subjects although he also does landscapes and still lifes. The tone of his work is primarily romantic. He started painting in 1970, working on his art in the evenings, and a year later quit his job and began painting for a living. He had grown up in the Santa Clara Valley of California, and left for three years to spend time traveling through Europe with the Army. He was in Germany as the Berlin Wall went up and persuaded his wife, Eva, to leave East Germany to marry him. Returning to Santa Clara, he worked pouring concrete, and spent a lot of time running marathons. In 1964 he held the record for long distance running in Northern California. By 1991, he was in "Who's Who in American Art". Hartwig taught himself to paint by studying the "Old Masters." He was attracted to the charm and romance of classic art. He has managed to capture the light, color and style of those great artists. Though most of his work has a western theme, Hartwig is a versatile painter. Many of his paintings are landscapes and still lifes. Heinie Harwig's work has been compared to Albert Bierstadt and John Constable for its romanticism, European feel and composition.

A fine vintage Navajo Indian Teec Nos Pos rug, woven by Bessie Little Pouch. Featuring a centering double diamond hooked medallion design with geometric accents on all sides, feather pairs in the center, within finely serrated surrounds and a split wing border. Woven in tan, beige, black, red, orange, white and gray. Measuring approx. 6 ft. 4 in. x 3ft. 10 inches in very fine condition.

The Teec Nos Pos style of Navajo weaving is a bold, exciting and elaborate design. Many believe this style developed from pictures of Persian rugs while others see no connection and believe that traders introduced this design to the Navajo People from designs on flour sacks. The name, which means "Cottonwoods in a Circle," comes from a settlement in the northeast corner of the Navajo Nation. Always surrounded by a wide border and filled with an exuberant variety of motifs, Teec Nos Pos style rugs are usually large, and therefore very expensive. An elaborate center is enhanced with stylized feathers and arrows. Steps and angular hooks extend from the points of diamonds and triangles, while zigags are abundant. The many, brightly colored yarns are used to create a visually stunning design in the Teec Nos Pos style.

Chinese Chinoiserie lacquer box with scenes of temple houses and figures in landscape circa 1860. A beautifully all hand painted scene on a red lacquer background the box is made of wood and the clasp of brass. A fine example in very good antique condition.

An original oil depicting a Brigantine Ship sailing ship off the coast with other vessels and a lighthouse. Oil in board signed lower left in an original arts and crafts era frame. Measuring approx. 10 x 16 inches in excellent condition. A fine example of this artists work. Biography C. Myron Clark (1858-1925) was a painter of mountain landscapes in oil and watercolor, as well as ships (USS Constitution, 1906; Frigate in Tow). He worked mostly in Massachusetts, though his oil landscape of Mounts Skihist and Lilovet was painted north of Vancouver, British Columbia, Canada in 1921. His work is in the collection of the Peabody Museum in Salem, Massachusetts. A FINE EXAMPLE AND NICE ADDITION TO ANY COLLECTION.

Circle of Francois Boucher original oil painting on canvas c.18th century in good antique condition beautifully framed. Born in Paris, the son of a lace designer Nicolas Boucher, François Boucher was perhaps the most celebrated decorative artist of the 18th century, with most of his work reflecting the Rococo style. At the young age of 17, Boucher was apprenticed by his father to François Lemoyne, but after only three months he went to work for the engraver Jean-François Cars. Within three years Boucher had already won the elite Grand Prix de Rome, although he did not take up the consequential opportunity to study in Italy until four years later. On his return from studying in Italy in 1731, he was admitted to the Académie de peinture et de sculpture as a historical painter, and became a faculty member in 1734. His career accelerated from this point, as he advanced from professor to Rector of the Academy, becoming head of the Royal Gobelins Manufactory in 1755 and finally Premier Peintre du Roi (First Painter of the King) in 1765.

Original oil Floral with Chinese Hibiscus on art panel signed lower right W. Revell dated 1888. Measuring 7 x 9 inches

A very fine antique Japanese Ivory netsuke of a Buddhist monk and a Oni figure. Artist signed very fine intricate carving the Buddha has a gold pin third eye on his forehead. Measuring approx. 2 inches tall or 5 centimeters. Truly a masterfully carved piece.

A beautiful early 20 th century Dutch impressionist painting of a view of Amsterdam. Signed lower right G. Koopman oil on canvas Approx. 16 x 24 inches in a quality original frame. A beautiful painting with bold impressionist brush strokes.

A vintage circa 1900 miniature bronze portrait of a horse finely detailed casting artist monogram on back. Measuring approx. 4 inches tall in excellent condition.

Original antique oil painting on art board signed lower right measuring 12 x 16 . Beautiful colors and impressionist mood.

Artist Biography,

Landscape painter. Born on Aug. 26, 1865 in Stockton, CA when it was still a small frontier town. Mersfelder began drawing at an early age and in his teens moved to San Francisco where he studied for three years at the School of Design under Virgil Williams. While studying at that school, he often visited the nearby studio of William Keith who offered criticism. Mersfelder then moved to NYC where he had a studio for a few years. During his stay there, he exhibited at the first exhibition of the Society of American Artists. He also enjoyed the hospitality and criticism of George Inness and A. H. Wyant. He later exhibited in Philadelphia, Chicago, Boston, and Baltimore. He won a bronze medal at the Louisiana Purchase Expo (St Louis) of 1904 and was awarded the Klio Assn prize at the annual exhibition held at the AIC where 18 of his canvases were accepted by the jury. He had a studio in Portland, OR in 1889 before returning to San Francisco in 1891. He was active in the local art scene when not out on painting forays in northern California. The year 1915 was spent in San Diego. Mersfelder lived his final years in Berkeley, CA and died there on Oct. 23, 1937. Although he made no known European trips, his works bear evidence of strong influence by the French Barbizons. Many of his landscapes of the rugged, old oaks of California compare favorably with those painted by William Keith during his late period. Exh: Calif. State Fair, 1882; Mark Hopkins Inst., 1897; Gumps (SF), 1900. In: St Francis Hotel (mural, Mt Tamalpais); Oakland Museum; CHS. CSL; BC; Ber; AAA 1907; DR.

A fine antique portrait of a Horse in a stable with saddle. Oil on canvas signed lower left in original birds eye maple frame. Measuring approx. 26 x 34 inches a fine decorative original painting.

Original oil Marko Stupar modernist portrait of a woman colorful beautiful painting measuring 11 x 14 framed in a beautiful quality gallery frame overall size 14 x 16 a quality painting would enhance any collection.

Biography

Born in 1936 in Yugoslavia, Stupar chose France as his permanent home in 1964 after completing his studies at the Beaux-Arts of Belgrade. Today we find that the art of Marko Stupar is totally integrated into the School of Paris. Although his work continues to be very personal, the graphic nature of his Slavic background is now uniquely combined with the subtlety found in Bonnard.Stupar has participated in juried exhibitions since 1966 when he won the Silver Medal at the Center of Diffusion of the Cote-d’Azur. He regularly participates in the Salon d’Automne, the Salon National des Beaux-Arts, the Salon des Artistes Français, and the Salon Comparaison. Among his other honors, Stupar has won both the Silver and Gold medals of the prestigious Salon des Artistes Français. One-man exhibitions of Stupar’s work have been held in cities all over the world including Paris, Geneva, Lyon, Osaka, Dusseldorf, Strasbourg, Zagreb, Annecy, Havre, New York, Philadelphia, Dallas, and Houston.

Gustav Adolph "Dolph" Hensel was born in Germany and came to the U.S. in 1906. He was a Lutheran minister who settled in Wisconsin and later moved to San Francisco, where he was pastor of St. John's Reform Church until 1922. Hensel was also an artist who mainly painted portraits and religious genre. He spent three years as a missionary in Africa during the 1920s, and it may have been during this period that he painted this middle eastern scene. His nickname was "Dolph" and many of his paintings are signed 'D. Hensel," as in this example. Presented in the original frame canvas 12" x 14".

An original oil on canvas of a early American trotter horse and buggy by Thomas Kirby Van Zandt oil on canvas signed and dated measuring approx. 24 x 30 in good antique condition.

Biography

Van Zandt, born in New Scotland, Albany County, New York in 1814, was a well-known painter of the horses of wealthy New Yorkers, including Leland Stanford. The Stanford Museum has a half dozen of T.K. Van Zandt's work in its collection. In 1859 he was awarded a silver medallion for "Best Animal Painting in Oil" by the New York State Agricultural Society. His son, William Garrett Van Zandt, was also known for his equine subjects. A second son, Bleecker (1855-1915) was a sculptor. Thomas Kirby Van Zandt died in 1886.

A fine vintage African Dan mask. a beautiful piece of fine form and carving and patina. Provenance From The Late Phillip Kirkeby Collection. Custom display mount overall 15.5 inches the mask is 9 inches in length in excellent condition a fine addition to any collection.

A beautiful masterfully drawn Standing Female Nude French c.1800. Drawing on blue gray hand made paper some age discoloration. Image 20"L x 12.5"W matted and framed in a quality gold frame overall 28" L x 21" W.

Etta Near Fine California impressionist oil painting oil on canvas signed lower right. A beautiful scene of eucalyptus trees in the rain. measuring 20 x 30 inches in very good condition. A great painting by this rare seldom scene artist. Biography

Born in Michigan on Aug. 2, 1885. By 1946 Near had moved to southern California and was painting around Joshua Tree. She died in Los Angeles on July 23, 1965. Her work includes landscapes of the High Sierra. Exh: Laguna Beach AA, 1960; Festival of Arts (Laguna Beach), 1961; Costa Mesa High School, 1962. Source: Edan Hughes,

Antique brass balance scale with elaborate design of Serpent or Dolphin Fish motif. Complete with weights set in solid brass base. Dimensions 8" L x 18" W x 24" H

A beautiful ethereal Laguna beach seascape at sunset with incredible tonality and use of light. Oil on board signed lower left and dated 1956 measuring 12 x 16 inches and framed in a quality gallery frame measuring overall 20 x 24 inches in excellent condition. A fine example of this remarkable American Artists work.

Biography

A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohion, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and In the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his asssociation with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979.

A beautiful Verlys glass charger or large bowl with cranes and japanes coy fish signed in the center measuring an impressive 13 1/4inches or 34 cm. in diameter the three dimensional glass moulded with opalescent cranes. In excellent condition a beautiful example of this fine French art glass.

Verlys Glass History

In 1920, the Societe Holophane Français was set up as a subsidiary of the USA Holophane Company in a glassworks near Rouen in Northern France to make vehicle headlights. By 1925, they had expanded into making art glass vases and bowls. They created a separate department for these products, and named it "Verlys". Initially the pieces were blown vessels with several layers of glass, smooth on the outside with internal decoration. From 1933 onward, Verlys focused on high quality press-mould glass. They produced clear, frosted, opalescent and colored items with designs typical of Lalique-style glass of the 1930s.

A fine Original early California watercolor painting by Susan S. Loosely or Sroufe her maiden name. Picturing a redwood forest with afternoon light framed in original arts and crafts period frame. In excellent condition measuring approx. 12 x 18 a fine and rare painting. Biography

The Sroufe family came to California in a prairie schooner in 1850 with the Gold Rush. On October 2, 1853 Susan was born in Petaluma. In 1870 the family settled in San Francisco where Susan showed a marked talent for drawing while a student in the public schools. She later studied art under some of the finest local artists and then for three years in Munich and Paris. While there she exhibited at the Paris Salon and received an honorable mention. After returning to San Francisco, the artist established a studio at 13 Pine Street. In 1892 she wed John R. Loosley and continued to be active in the local art sceSne. The earthquake and fire of 1906 destroyed her studio and many of her early works. After settling across the Golden Gate in Sausalito, she built a home at 141 San Carlos where she lived until her demise on Jan. 3, 1940. Her landscapes include local scenes and those painted on trips with her husband, a salesman, to Arizona and New Mexico. As well as oils and watercolors, she also excelled at wood carving and china painting. Exh: Mechanics' Inst. (SF), 1878-99; Calif. State Fair, 1880-1902; SFAA, 1885-97; Calif. State Bldg, World's Columbian Expo (Chicago), 1893; Calif. Midwinter Expo, 1894; Mark Hopkins Inst., 1898; Alaska Yukon Expo (Seattle), 1909; Sketch Club (SF), 1909; Sorosis Club, 1913. In: Sausalito (CA) Women's Club; CHS. Source: Edan Hughes, "Artists in California, 1786-1940"

An exqusite example of Japanese imari in a coverd bowl with intricate hand painted designs of dragons pheonix birds shishi and roosters artists signed "Kutani". Richly embelished with 24k gold decorations. In excellent condition no chips or cracks some minor glaze crazing in interior of lid overall the condition is incredible. Measuring approx 10.5inches wide by 5 inches tall a masterpiece of museum quality.

A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 23 x 28 inches framed size 32 x 40 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982

Original painting Seven Angels tempera and oil on embossed gold paper. By Carlo Facchinetti Italian (1870-1951). Signed and titled with artists address in Florence Italy on verso. image 7" in diameter. Presented in an Italian carved 24k gold leafed frame.

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Claude Lacaze Original painting cubist nudes oil on canvas in excellent condition measuring approx. 14 x 20 Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions: Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

An Ancient Greek Pottery Ewer Mycenaean era polychrome designs of mythological lions c. 1000 BC.-1030 Measures approx. 7.5 inches tall in good antique condition.

A beautiful landscape of a clearing storm over the French country side. A fine impressionist painting contrasting the storm clouds with the sunlight on the landscape. Oil on board signed lower right measuring approx 13 x 19 inches framed in a quality gallery frame 17 x 23 inches overall. A fine painting by a listed and highly regarded French and Belgian painter.

Biography

Painter of landscapes and marines. inspired by the landscapes of Brabant Wallon. Deceased about 1945. Exhibited at the Triennial "Exposition of Antwerp "in 1901 ("Mill in Dordrecht"). Lived in Saint-Gilles at that time. Listed in BOTTOM II and "Two Centuries of Signatures of Artists of Belgium". ...

AFTER NIKOLAI IVANOVICH LIBERIKH (1828-1883), A RUSSIAN BRONZE OF A BEAR STANDING ON HIND LEGS with signature and with a plaque engraved in Russian "Killed by the Emperor near / Lisin 9 March 1865" Height 21 1/4 in. 54 cm Condition: excellent some age discoloration an early 20th century casting. Provenance: Private Collection Stanford Ca. Dimensions: Approx. 21" x 10" x 9"

A beautiful and rare large Chinese Ceramic foo dogs or temple lions. Date from the 19th century with a deep green glaze. In very good condition no damage or restoration an measuring and impressive 24 inches tall by 12 x 8 inches. An interior decorators dream.

A fine Japanese Archaic style bronze vase Meiji period c.1899 signed on bottom. A beautiful piece in form and design with rich bronze patina. Measuring approx. 9.5 inches tall in good antique condition some minor scratches and soft dent. A fine addition to any collection.

A fine original oil painting on canvas by Clifford Park Baldwin titled "A Sailing Sunday" . Measuring 16 x 20 inches in a quality gallery frame.

Biography

Painter, illustrator. Born in Cincinnati, OH on Feb. 14, 1889. Baldwin moved to southern California in 1911 and had homes in Montrose and Carlsbad. He studied painting locally with Jean Mannheim, Paul Lauritz, and George Demont Otis. While on the staff of the Southwest Museum from 1933-41, he illustrated the books Gypsum Cave and Navajo Weaving. Baldwin died in Oceanside, CA on July 3, 1961. Member: Painters & Sculptors of LA; Carlsbad-Oceanside Art Club. Exh: Eagle Rock Artists, 1931. In: Southwest Museum (LA). Eagle Rock Sentinel, 10-2-1931; CA&A; AAA 1933; Sam; SCA; AAW; WWAA 1938-62; WWPC 1951.

A beautiful Chinese porcelain vase with green tea dust glaze of beautiful color and form measuring Approximately 8 inches tall in excellent condition no chips cracks or restorations.