Catalog: Sold Items (421)

Antique sterling silver overlay art nouveau perfume bottle. A beautiful example measuring approx. 4 inches tall in excellent condition some minor scratches to sliver clear glass nice heavy overlay. A fine addition to any collection.

A fine and rare Chinese Bronze portrait bust of a young woman. In excellent condition with a nice rich brown patina measuring approx. 5.5 in tall with rosewood stand 7 in. or 14 x 18 cm. A fine addition to any collection.

Han Dynasty Cocoon Jar (206 BC-220 AD). The distinctively plump, ovoid form of this jar, imitating the shape of a silkworm cocoon, has a fair amount of the original paint remaining on the body. Characteristic swirling cloud / scroll designs in reddish-pink and white cold-paint pigments decorate the surface. This jar is in very good, “as excavated” condition with no visible repairs, one chip to the rim of the mouth (see photos), as well as some burial dirt still attached. Authenticity guaranteed. Measures approx. 12 1/2” wide x 10 1/2” high x 8 1/2” thick. HISTORICAL BACKGROUND: During the time of Han Emperor Wudi (140-87 B.C.), fascination with the idea of the afterlife and the search for immortality reached a pinnacle. This preoccupation was given physical form in the distinct swirling decorations of painted Han earthenware vessels. Along with a variety of other earthenware objects such as domestic animals, soldiers, and attendant figures, richly decorated vessels of this kind were placed in the tomb and intended to serve the spirit of the deceased in the afterlife.

A pair of Japanese mixed metal vases or urns beautifully decorated with dragons winding around the body of the vases with designs of clouds inlayed in gold and silver metal with elephant head handles inset with gold metal eyes. Measuring approx. 5.5 inches tall in good antique condition. A fine pair of the finest quality would enhance any collection.

Vintage abstract painting of boats in a harbor by award winning artist Audrey Salkind. Salkind graduated from the Moore College of Art and Design in Philladelphia and continued her studies in Maryland as well. She has exhibited extensively throughout the Mid Atlantic and NY.

George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.

Watercolor painting of stone statues at Easter Island by Robert W. Daley member American Water Color Society. Daley became director of the Civic light Opera Company. He also enjoyed painting set designs and went on to create important murals throughout the western states. In 1952 at thirty years of age Robert headed for N Y C and built an art career as a watercolorist and mural painter. He was active and successful in winning top awards for his art including American Watercolor Society, American Academy of Arts and Letters. etc. With his love for the sea he spent several years as artist -in- residence on cruise ships M S Sagafjord and Vistafjord of Norwegian-American lines. Owner of his own gallery in Lenox Ma brought him in contact with hundreds of clients for his art. He was also a resident in Ft Lauderdale, Fl. While living in the south he created a mural for the Royal Palm Yacht Club in Boca Raton. I met Bob Daley at Tyringham Gallery and at an exhibition at his new studio in Windsor, Berkshire Hills, and Western Ma. He was working on his over-sized water color paintings of landscapes and floral designs. Condition is excellent measuring approx. 11" x 21".

Pastel titled Old Shipwreck, signed lower left Frederick Wagner (1864-1940). Wagner was an American Impressionist who studied at the Pennsylvania Academy of the Fine Arts from 1879 to 1884. He exhibited at the Pennsylvania Academy the Carnegie and the Corcoran as well as the National Academy of Design. Image, 9.5"L x 11"W. Framed 15.5" L x 18" W Complete written provenance accompanies this piece. Please View Our other inventory

Beautiful Egyptian street scene an Original oil painting on board signed lower right measuring approx. 20 x 24 in excellent condition. Biography LEONID GECHTOFF, 1883-1941 

Leonid Gechtoff was born in Odessa, Russia, in 1883, an only child of parents already in their forties and not particularly well off financially.  After his art school training in Russia, where he probably first met his close life-long friend David Burliuk, he and his parents fled from their homeland when he was in his twenties, rather than have him face possible conscription into the army. Cairo proved to be a haven for several years and Gechtoff painted many city and genre scenes of Egypt in his heavily impastoed style, bringing him acclaim in the Orientalist-enamored European art world as well.

Gechtoff always felt most influenced by the work of Vincent van Gogh, however, and this led him to travel to Holland where Dutch-born van Gogh painted in his early years, though not in the colorful later style Gechtoff most admired. There he established good connections which led to gallery shows in Amsterdam, and at one he met his future Russian-born wife Etya while she was on vacation from her pre-medical studies in Germany. Her family was well-to-do and supportive of the young couple, so they were able to wed and settle in Holland initially for about a year, around 1917. Several Alpine landscapes indicate painting trips in more mountainous parts of Europe too. Both Leonid and his wife were fluent in several languages.

The Gechtoffs soon moved to Indonesia, then a major South Pacific colony under Dutch control, hoping that the warmer climate would be better for Etya's health. The lush volcanic landscapes were strongly appealing to the artist as well. They lived in Java for about two years, in 1918 and 1919, and enjoyed traveling and collecting throughout the region during painting trips.

By 1920 they were living in Manila, and in early 1921 they planned a visit to see two of Etya's brothers in Pennsylvania later that year.  Once in America, the Gechtoffs found themselves persuaded to stay and settle in Philadelphia, with both becoming US citizens.  Leonid's major patron and benefactor was either a member of the family of Dutch-born philanthropist Edward Bok or Bok himself. Along with inclusion in various group exhibitions, his work was featured in a solo show at the Philadelphia Art Alliance in the early 1930's.

Gechtoff had achieved substantial success throughout the 1920's from his landscape paintings near his home in Philadelphia, and had also purchased a summer home on Cape May, New Jersey, where he painted many coastal scenes.  Unfortunately, he made large investments in the stock market in the latter years of the decade, and these disappeared almost overnight in the Wall Street Crash of 1929. The family now included young Sonia, born in 1926, and soon her sister, born in 1933.

With their fortunes in decline, like so many artists in the Depression of the 1930's, they sold the Cape May house but still were able find suitable rentals at the shore for their summer sojourns, and otherwise still lived in downtown apartments in Philadelphia. Gechtoff's works began to depict wintry landscapes along with his bright rocky seascapes and still lifes.

Gechtoff continued vigorously painting in his vivid and distinctive style, a blending of post-Impressionism and expressionism, until his health became a problem in 1940, with the stress of high blood pressure and complications. He died in 1941 at the age of 58. His widow later moved to San Francisco and ran an influential exhibition space in San Francisco called the East-West Gallery, while daughter Sonia became a well-known artist currently living in New York City. 
Gechtoff is listed in the Archives of American Artists, part of the Smithsonian Institution.

Chinese Imperial yellow porcelain censer with frogs on lid and elephant handles. The pierced lid setting on a rounded form bowl on tripod legs impressed mark Daoguang period 1821-1850. In excellent condition no damage a fine addition to any collection.

Magnificent Chinese carved wood and polychrome figure of the Immortal Sage of Longevity. Finely detailed carving with painted enamel polychrome colors applied throughout probably from the first part of the 20th century. Measuring approx. 14.5 inches tall in excellent condition a fine addition to any collection.

Original Antique Watercolor British Portrait of "The Cutty Sark" signed lower right John Whitlock image 13"L x 18"W. Overall framed size 20" L x 24" W. Provenance imported from England by J Assenheim NY.

Fine pair of antique gilt bronze candle holders featuring a male and female figure each holding a urn with flowering buds ending in a candle holder. Measuring 13.5 inches tall in excellent condition.

Heintz Art Sterling on Copper bowl measuring 9.5 inches in diameter by 3 inches high. Impressed Heintz Art mark on bottom and made for Macy's co N.Y..

A fine original watercolor painting of Pebble Beach Golf course 7th hole Carmel California by James March Phillips a renowned California watercolorist. Measuring approx. 12 x 20 inches in excellent condition beautifully framed.

biography

James March Phillips was born in Fresno California in 1913. His art career began in the 1940's while attending Jean Turner Art Academy in San Francisco where is studied under such prominent artists as Louis J. Rogers, Alfred Owles, and J. Paget Fredricks. His paintings were sold in numerous galleries in the west during the 1940's and 1950's. In recent years his paintings have become quite valuable and have reached prices as high as $13,000 at San Francisco auction house Bonhams Butterfields. This is one of a pair please view the other listing of the 7th hole Pebble Beach.

An ancient southeast Asian (Thailand) pottery bowl from the Ban Chiang culture, dating to approximately 500 B.C. A wonderful piece measuring approx 10" x 8.5" in excellent ancient condition a small hair line at the top edge. This a distinctive vessel with a bold form and individualistic style, the body rises from a rounded base. The piece is adorned with exuberant painted curvilinear forms This striking earthenware vase was produced at the site of Ban Chiang, Thailand, and is typical of works attributed to its later phases. A site of remarkable social complexity, Ban Chiang is considered the most important prehistoric settlement so far discovered in southeast Asia. It marks an important stage in human cultural, social and technological evolution, presenting the earliest evidence for farming and complex metallurgy in the entire region. Its long cultural sequence, size and economic status has no parallel in any other contemporary site. Representing a seminal point in the history of human development in its region, it is unusual for vessels of this type to survive undamaged and in such excellent condition.

A fine antique Gilt bronze Buddha Thailand 19th century. Fine casting of the Buddha seated in Mara Vijaya (calling the earth to witness) Gilt bronze over lacquer most all original gilding remains in good condition. Top of the head is a stupa-shaped "flame" or called usnisa, symbol of the realization of Nirvana or indicative of supreme knowledge. Measuring approx. 15 inches tall A fine example.

EMILE BAES "SUR LA PLAGE" oil on board, signed lower right in excellent condition. BELGUIM, C.1935 21.25 X 29 INCHES

Biography

Émile Baes was born in Brussels in either 1879 or 1889. He studied with J. Stallaert at l’Académie des Beaux-Arts de Bruxelles. He completed his education with Bonnet and Cabanel in Paris. Baes worked as a painter, illustrator, and writer. He was known for his diverse subject matter including historical paintings, portraits, nudes and landscapes. Most noteworthy among his subject matter are femme fatale figures including Salomé, Messaline, and Cleopatra. The writings of Flaubert and the style and composition of Symbolism influenced the development of his work. Baes’ work exemplifies the Orientaliste compositional elements found in late nineteenth and early twentieth century Parisian work. In 1903 and 1904 he exhibited at the Salon de Bruxelles. Between 1928 and 1933 Baes exhibited at the Salon d’Automne in Paris. He exhibited at the Salon des Artistes Français from 1929 to 1938 and the Salon des Tuileries between 1933 and 1939. Baes wrote Les dieux sadiques, Princesesse d’ Amour. Baes died in Paris in 1954.

Japanese Banko pottery art tea pot with beautiful enameled designs of cranes. Featuring a complex form with figured bamboo handle and a internal tea strainer impressed mark on bottom. Measuring approx. 6.5 inches tall from bottom to top of handle this piece is in excellent condition.

Banko pottery wares have been produced since the nineteenth century both for the domestic market and for export. Banko ware comes usually as teapots and has charming designs of a peculiar style. Some Banko pottery is unglazed while others can be very colorful and abundantly decorated with sculpture-like high reliefs in very imaginative shapes.

This rare engraving depicts the siege of Szczecin (Stettin), situated on the river Oder (north to the left), at that time part of Swedish Pomerania. A combined allied force of Poles, Austrains and Brandenburgians, under General Jean-Luis des Souches, invested the fortress on the 19th (29th) of September 1659. The besieged Swedish forces, under Major General Paul Wirtz, defended doggedly and eventually the besiegers gave up on the 6th (16th) November 1659. Plate 106 Background: In 1648, the Peace of Westphalia brought to an end the Thirty Years’ War and at the same time thwarted Sweden’s ambitions to control Baltic trade. Sweden was intent on gaining control of the whole of the Baltic trade (Dominium Maris Baltici) and the enormous customs duties deriving from it. All that was missing was control of the major ports on the southern coast of the Baltic or, alternatively, the Oresund, the gateway to the Baltic. A pre-emptive strike against Poland would isolate Prussia (east & west) forcing it to concede control of its ports, or at least pay Sweden a substantial amount of its income for ‘protection’. In July 1655 Karl X Gustav, King of Sweden, declared war and invaded the Commonwealth of Poland and Lithuania, giving rise to the 2nd Northern War, known in Poland as ‘The Deluge’. The Commonwealth was already weakened by fighting on two front; In the Ukraine it was attempting to suppress a war of independence whilst in the east Russian forces were overrunning Lithuania and Belarus. By superior tactical use of infantry and artillery, within the space of 4 months Karl X Gustav had overrun the whole of the area of present day Poland and forced the Polish King, Jan II Casmir, to flee the Country. All but a handful of the major stronghold gave up with just token resistance, the notable exceptions being Gdansk, Przemysl, Zamosc and Czestochowa. Two years later 'having conquered the Country but not the people' Karl X Gustav recieved information that the Danes had declared war on Sweden. Leaving some of his forces to hold various strongholds in Poland Karl X Gustav took 6000 of his most seasoned troops and marched to Denmark. This engravings comes from the book: De Rebus a Carolo Gustavo Sueciae Rege Gestis Commentariorum Libri Septem elegantissimis Tabulis Aeneis exornati (Sieben Bucher von denen Thaten Carl Gustavs Konigs in Schweden) Author: Pufendorf. S. Von, Published: Nuremberg, Christoph Riegel Date: 1696 The book is an account of the life and deeds of Charles Gustav during his reign as King of Sweden from 1654 to 1660. Engraver: ? Drawn by: Dahlbergh. Erik von, Condition: Very good ready for framing. Color: Uncoloured Size (h x w) 16.5" x 14" or 35 x 41.5 cm (approx. sheet size) Technique: Copper plate Scarce Samuel Pufendorf (1632-94): A German jurist and historian, he is especially noted as an early theorist of international law. In his later years, he served as royal historiographer at Stockholm and Berlin. Erik Dahlbergh (1625-1703): A Swedish field marshal, military engineer and cartographer, Count Dahlbergh was the author of a number of topographical works including the maps and plans in a famous account of the military exploits of the Swedish King, Charles X Gustav by Samuel Pufendorf. From July 1656 he served with the Swedish forces as military engineer and his engravings are that much more valuable in that they were made as an 'eyewitness'. The engravings are scarce and have great historic as well as artistic value showing as they do plans and elevations of towns & castles as well as the costumes of the period.

Baccarat Crystal Roosters by Georges Chevalier c. 1950 with Baccarat acid etched stamp on bottom. Chevalier, A graduate of the École Nationale des Arts Décoratifs, in Paris, began working with Baccarat in 1916 ending his career there in the early 1970s. A journey, a life made of light. His designs earned the Crystalworks a place at the forefront of the history of the decorative arts. Both In excellent condition acid etched stamp is lightly worn. Measures 18" L x 5" W x 14.5" H. Original retail price was $14,000 each. From a Palo Alto Ca. Estate collection.

Ming Dynasty porcelain wine storage jar with hand painted dragon motif. A large vessel in very good antique condition. Measuring approx. 14 inches tall and 10 inches at widest point.

A beautiful buzzer bell ringer button for calling servant or hotel desk call button. Fine example in very good condition original wire very pretty stone. Measuring approx. 2 1/4 inches long.

Antique Tibetan Snuff or Scent Bottle Copper silver with Turquoise Coral. Measuring approx. 2"L x 1.5"W.

A rare natural Emerald crystal carved into a Chinese figural group of two immortals measuring approx. 8 inches tall in excellent condition beautiful color and quality 19th century Qing dynasty.

A beautiful example with delicate sliver wire enclosure flower designs on a foil background. Meiji period c.1900 in excellent condition measuring 4.5 inches tall.

Original Favuist style oil of a house near Fresno Ca. oil on canvas board by Harold Christopher Davies signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image 10 X 14 inches. In excellent condition unframed.

Claude Buck still life of a rope and sea shells 1966 oil in masonite signed and dated lower left. Measuring Approx. 28x48 inches in excellent condition. A masterful painting by this remarkable American artist. Provenance; the artist’s wife Leslie Buck.

Biography

A leading member of the avant-garde symbolist artists in Chicago, Claude Buck moved there from his birth place of New York City in 1919. He was known for his "fantastic, sometimes disturbing images with allegorical and literary themes" (Kennedy 97) drawn from writings of Edgar Allen Poe, operas by Richard Wagner, classical mythology and New Testament writings from the Bible. Some of these early paintings had nude figures rendered in classical style to express abstract themes developed through dream-like landscapes and disregard of relative scale or relatedness between the figures. These paintings had luminist elements achieved with light-toned paints worked with transparent glazes. In the 1920s to earn money by gaining public favor and also expressing his increasing disdain for modernism, Buck did a number of "hyper-real" portraits, figures and still lifes. These proved popular and aligned him with the opponents of abstraction and their "Sanity in Art" movement whose headquarters were in Chicago. Buck taught drawing and painting at the Chicago Academy of Fine Art from 1921 to 1926, and at the Art Institute, where he took over classes of George Bellows. In New York City before coming to Chicago, Buck had a reputation as a radical artist. He took his first art training from his father, William R. Buck, from the time he was ages three to fourteen, and then until he was twenty-two, he studied at the National Academy of Design where he was nicknamed "Kid Hassam" because his painting reminded viewers of that of Claude Hassam. Buck worked as a scene painter in the theatre and at the Willet Stained Glass company, and in 1914 began portrait commissions to earn money. In New York he founded a group named the Introspectives, which reflected his own problems with melancholy during that period. Members, holding their first exhibition at the Whitney Studio in 1917, were artists who expressed their personal feelings and experiences and included Raymond Jonson and Emil Armin. In this phase of his career, Buck was focused on Old World styles of Leonardo da Vinci, Ralph Blakelock and Albert Pinkham Ryder. In 1929, the Arts Council of New York voted him one of the top one-hundred painters in the United States. In 1949, Buck and his wife, Leslie, moved to California to a studio-home in the Santa Cruz Mountains, and ten years later they settled in Santa Barbara where he died on August 4, 1974. In California, he was a member of the Carmel Art Association, the Santa Cruz Art League that he served as President in 1953,and the Santa Barbara Art Association. His paintings are in the collections of the Santa Cruz Public Library; the Santa Cruz City Museum as well as the Spencer Museum in Lawrence, Kansas; the Brigham Young University Museum; and the Museum of Elgin, Illinois.

A fine 19th-century antique Bronze figure of a seated Buddha. Has a beautiful rich brown patina Dimensions 6.5ʺW × 4.0ʺD × 10.0ʺH In excellent antique

A fine oil on board by Dennis Henry Osborne a cubist style modernist feel to this depiction of a fishing trawler at dry dock. Signed lower left with gallery label on reverse.

biography

Born in Portsmouth, England in 1919, Dennis H. Osborne spent three and a half years as a prisoner of war in Italy and Germany. After the war he pursued his art studies in England and exhibited at the Royal Academy. In 1952 he emigrated to Canada but returned to the United Kingdom to take up the post of Head of the Art Department in Portadown Technical College. For many years prior to his retirement he was Head of the Art Department at Lisnagarvey High School, Lisburn.

Fine Antique American Victorian drawing of a young boy, circa 1880. Image, 10"L x 16"H. Matted and in quality frame 20 X 26 overall. Wear to edges under the mat minor flaws to surface. In a quality gallery frame.

A fine antique Chinese carved zitan wood statue of Buddha or a Bodhisattva beautiful patina and fine carved details. Finest quality one solid piece of rare Zitan wood measuring approx. 16.5 inches tall or 42 cm. A fine addition to any collection.

Eugène Fromentin (1820 - 1876) original oil on canvas signed lower left by famed French artist. Measuring approx. 15.5 x 16 inches in ornate original frame. A beautiful antique painting.

A fine antique Japanese Ivory Netsuke of a Buddha and a Shishi or Foo lion by his side. Meiji era circa 1890 in very nice condition some wear and a very nice patina. Measuring 4 centimeters or 1 3/4 inches tall. A very fine example.

A beautiful masterfully drawn Standing Female Nude French c.1800. Drawing on blue gray hand made paper some age discoloration. Image 20"L x 12.5"W matted and framed in a quality gold frame overall 28" L x 21" W.

Etta Near Fine California impressionist oil painting oil on canvas signed lower right. A beautiful scene of eucalyptus trees in the rain. measuring 20 x 30 inches in very good condition. A great painting by this rare seldom scene artist. Biography

Born in Michigan on Aug. 2, 1885. By 1946 Near had moved to southern California and was painting around Joshua Tree. She died in Los Angeles on July 23, 1965. Her work includes landscapes of the High Sierra. Exh: Laguna Beach AA, 1960; Festival of Arts (Laguna Beach), 1961; Costa Mesa High School, 1962. Source: Edan Hughes,

Original Russian oil painting view of the Trinity Church, St. Petersburg, Russia in the distance. Titled and signed in Russian on verso. Image, 12"L x 9"H. Presented in a quality gallery frame 16" L x 1.5" W x 14" H.

A beautiful Japanese Art nouveau carved wood urn or vase stand finely carved details of Iris flowers measuring approx. 28 inches tall. A fine decorative piece.

California Impressionist landscape path with trees by Karl Eugen Neuhaus original oil on canvas signed lower left. Measuring approx. 28 x 30 inches. A fine example of this highly regarded artists work. Biography

Known as a California Impressionist influenced by Tonalism and also an early modernist painter, Karl Neuhaus was also an active lecturer and teacher. Neuhaus was born in Barmen (Wuppertal), Germany, in 1879. He apprenticed with a house painter while studying at the Royal Art School in Kassel, graduating in 1899. He proceeded to the Berlin Royal Institute for Applied Arts where he studied under Otto Eckmann, Max Koch and Carl Brunner. Neuhaus moved to San Francisco, California, in 1904 where he established a studio across a hallway from William Keith. While living in San Francisco he exhibited with the San Francisco Art Association and became a member of the Bohemian Club. After the San Francisco Earthquake in 1906 he relocated to the Monterey peninsula, in the town of Pacific Grove. There he was one of the founders of the Del Monte Art Gallery, which was the first gallery in the United States to show exclusively work by California artists. Between 1907 and 1909 he taught at the San Francisco Institute of Art, and from 1908 to 1949 he taught at the University of California, Berkeley. At the University of California, Berkeley he also served as the first chairman of the Department of Art between 1923 and 1925. During the 1915 Panama-Pacific International Exposition Neuhaus served as Chairman of the Advisory Committee for the West and was also an exhibitor. As a California landscapist he was known for his painted scenes of Mendocino, the Sacramento Valley, Santa Barbara, Monterey, and San Luis Obispo. He contributed to the art community by lecturing all over the state and was also known as a writer. During his career his work was exhibited at the Oakland Museum in 1981, and the Del Monte Gallery from 1907-14. Karl Neuhaus died in Berkeley, California in 1963.

A 18th century Dutch painting school of Jan Vermeer of an interior scene Picturing a woman at work in a traditional 17th century kitchen. Oil on oak panel signed lower right P.V. Ameyden beautifully painted framed in a gilt decorative frame. Measuring approx. 12.5 in. by 14.5 in. framed size 16.5 x 18.5 inches. A fine decorative painting would be a nice addition to any collection.

A fine antique mahogany Georgian knife box now fitted for stationary. An exquisite example with a rich patina inlaid with herring bone banding and star designs. This knife box is in very good antique condition some minor restorations. Measuring approx. 15 x 9 1/4 x 9 inches overall. A fine decorative piece would make a nice addition to any collection.

A fine antique bronze Chinese bronze buddha with very fine details in the hand mudra postures. Measuring approx. 8 inches tall a fine example.

A fine original antique photograph of the Oxford tennis team photo by J Soame stamped lower right framed and archival matted image approx. 11 x 14 inches.

A fine figural nude bronze by Hans Dietzsch-Sachsenhausen signed and dated 1921. measuring 17 inches tall in excellent condition. Sachsenhausen (1810-1926) a noted German sculpture with many important public statuary in city centers in Germany and other Countries.

A fine original watercolor by James David Smillie of a street view in Nice France signed lower right and titled and dated Nice Feb. 1893 lower left. On the reverse is an exhibit label from a exhibit at the American Watercolor Society. A fine example of this important American Artist. Measuring approx 8 x 12 image and framed in a fine gold leafed period frame overall 16 x 20. Provenance Hirschel Adler Gallery New York

Biography

A native of New York and the son of an engraver, James David Smillie earned his early reputation for his etching skills but later for watercolor landscapes. He began etching at age 8, learning from his father, James Smillie (1807-1885). At age 14, he did a set of plates illustrating John Milton's epic poem, Paradise Lost. He had a job as a bank note engraver, and then he and his father had a business, collaborating as engravers with a specialty of bank-notes. They also did the engravings for the 1857 Mexican Boundary Survey Report. James David Smillie helped organize the New York Etching Club, and he was the U.S. representative to supply examples of American etchers' work to the Painters-Etchers Society of London. Although he continued working with etching, drypoint, aquatint and lithography, in 1865, he began doing landscape painting and was especially interested in mountain scenery. Smillie traveled in California in the Sierra Nevada Mountains, in Colorado in the Rocky Mountains, and in the eastern United States in the Catskills and Adirondacks. From these trips he did illustrations that were published in 1872 in the magazine Picturesque America. In 1881, Smillie got married, and the couple had two sons. By 1884, he was in France, and spent much time there doing prints of landscapes, figures, portraits and cityscapes. Between 1888 and 1896, he produced a set of drypoint floral still-life prints. James David Smillie founded the American Watercolor Society and served as president and treasurer. He also taught classes at the National Academy of Design in 1868 and from 1894 to 1903.

A Beautiful and rare Song Dynasty 960-1279 A.D. Celadon tea bowl of very delicate form featuring intricate designs of dancing boys and vines. Measuring Approx. 4.5 inches by 2 inches 12 x 5 cm. in very fine condition to chips or cracks. A museum quality example.

A fine antique Navajo Indian rug centering a cross-filled complementary stepped diamond medallion, with four-corner Hooked diamond accents, solid color banded border, in beige dark brown, red, white and grey brown. Measuring approx. 7 ft. 3 in. by 4 ft.6 in. A fine antique native American textile in excellent antique condition.

Provenance

From the collection of American pop culture legend Andy Warhol sold at the sale of Warhol’s estate at Sotheby’s in New York on April, 28, 1988 lot # 2479 Warhol was an avid and knowledgeable collector of fine art, furniture, jewelry and decorative objects. Over time, his 27-room Manhattan townhouse was filled to overflowing with the fruits of his obsessions. Exquisite Art Deco furniture and American folk art vied for space with Navajo Indian blankets and Empire sofas. After Warhol's death, Sotheby's auction house was given the daunting task of inventorying the contents of the townhouse and selling them at what has become a series of legendary auctions, which Time magazine characterized as "the most extensive estate sale in history, and the glitziest."

A fine Ban Chiang pottery bowl in very good condition no restorations original polychrome decorations. Measuring approx. 5 inches tall a museum quality piece.

Chinese carved malachite figural study of a sage or scholar fisherman seated on a large fish and holding another in one hand. Comes with a sliver wire inlaid rosewood stand. Measuring approx. 2.5 x 3 inches in excellent condition. A fine detailed carving a nice addition to any collection.

German faience stein or tankard 18th century with hand painted Chinoisorie decoration in blue on a white body tin glaze. Mounted with a pewter lid and thumb lift engraved with initals and dated 1795. An exquisite example measuring 11 1/4 inches tall and 4 1/4 in diameter. In excellent antique condition one minor repaired chip on the bottom near base( see photo). A rare and fine addition to any collection.

Sterling Tea Pot Hester Bateman London 1780 A beautiful Georgian silver teapot by Hester Bateman Of oval form with beaded rims and the sides and shoulder and lid decorated with bright cut and wheelwork decorations. The front side with a period monogram centered in a continious ribbon tied floral swag and drape garland. In excellent condition the lid hinge is a bit loose and the silver finial is probably a 19th century replacement. Measuring approx. 5 3/4 inches tall 11 inches excellent clear hallmarks overall weight 15 oz 10dwts.

Hester Bateman 1708 - 1794 Hester Batemans's long career began after the death of her husband John Bateman(1704-1760. John was a chainmaker in London, but little is known about him. After his death, Hester began to build the business, entering her first silver mark in 1761 and continuing to expand the business and went on to be one of the best known of the female silversmiths working in London during the 18th century.

A fine antique shoushan stone carving of the laughing Buddha or hotei a beautiful piece in excellent condition with carved hong mu rosewood stand measuring Approximately 11 inches wide and 8 inches tall.

. A beautiful bronze head of the Buddha Thailand Sukhothai style. A serene face with elogated ears and a top unisa flame. in good antique condition measuring approx. 15 inches tall with mounted stand overall 22 inches.

Fred Wagner Pastel of a bay landscape with sail boats in the distance. Archival framed.

Norman Lindsay original etching signed and titled numbered 20 0f 20 in pencil. A humorous court scene of a the king flirting with a lady and the expression of the jealous queen. An exquisite rich impression image measuring 23 x 30 cm on full sheet of laid paper in excellent condition some age yellowing and faint window matt line.

Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze. A large body of his work is housed in his former home at Faulconbridge, New South Wales, now the Norman Lindsay Gallery and Museum, and many works reside in private and corporate collections. His art continues to climb in value today. In 2002, a record price was attained for his oil painting Spring's Innocence, which sold to the National Gallery of Victoria for A$333,900.

A Japanese Banko monkey form art pottery tea pot with a beautiful glazed design robe. An absolutely charming work of this unique Japanese art pottery factory. Measuring approx. 6 inches tall in excellent condition.

A fine vintage Ivory netsuke of a girl reading signed Hi Chiyo measuring approx. 2 inches in length in excellent condition. of the finest quality.

Original Antique 16th century Mamluk empire spice jar. Hand painted cobalt blue design glazed potter jar. Used in the early spice trade with Venice and the Islamic empires. Measuring 10.5 x 7.5 inches.

Original antique carved sandstone seated Buddha circa 1500-1700, carved in meditation with crossed legs and arms in the "Bhumisparsa Mudra", set in an arched recess, with two monkey bodhisattvas at his side. Presented displayed on modern wood stand. Dimensions 16.5" W x 22.75" H x 5.25" D - measurements including stand.

A fine Japanese cloisonne vase with silver wire a beautiful design of cranes and flowers in excellent condition no damage measuring approx. 12 inches tall. A fine addition to any collection.