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All Items : Archives : Fine Art : Contemporary item #1025757 (stock #371)
This is a beautiful work of art by this highly acclaimed western painter. Original oil on board signed lower left and framed in a quality gallery frame. The painting measures 6 x 12 inches overall framed size 10 x 16 inches. The condition is excellent. Hartwig is know for his scenes of Indian life in the old west. Hartwigs paintings are in major public and private collections

Biography

Heinie Hartwig became a painter of primarily western subjects although he also does landscapes and still lifes. The tone of his work is primarily romantic. He started painting in 1970, working on his art in the evenings, and a year later quit his job and began painting for a living. He had grown up in the Santa Clara Valley of California, and left for three years to spend time traveling through Europe with the Army. He was in Germany as the Berlin Wall went up and persuaded his wife, Eva, to leave East Germany to marry him. Returning to Santa Clara, he worked pouring concrete, and spent a lot of time running marathons. In 1964 he held the record for long distance running in Northern California. By 1991, he was in "Who's Who in American Art". Hartwig taught himself to paint by studying the "Old Masters." He was attracted to the charm and romance of classic art. He has managed to capture the light, color and style of those great artists. Though most of his work has a western theme, Hartwig is a versatile painter. Many of his paintings are landscapes and still lifes. Heinie Harwig's work has been compared to Albert Bierstadt and John Constable for its romanticism, European feel and composition.

All Items : Archives : Fine Art : Drawings : Pre 1900 item #1272512 (stock #666)
A beautiful masterfully drawn Standing Female Nude French c.1800. Drawing on blue gray hand made paper some age discoloration. Image 20"L x 12.5"W matted and framed in a quality gold frame overall 28" L x 21" W.
All Items : Archives : Fine Art : Pre 1930 item #1110250 (stock #479)
A beautiful Will Sparks original oil on canvas signed lower left provenance Karges Gallery Carmel Ca. The scene depicting adobes along a river in the evening. Measuring 16 x 24 in good condition some age craquelure.

Biography

Painter, etcher, and muralist, Will Sparks became one of California's premier artists, known for his mission and nocturnal adobe scenes. He was highly prolific, completing about three-thousand oil paintings. He was born in St. Louis, Missouri, and showed art talent as a youngster, selling his first painting when he was age twelve. He became a doctor, but his love of art prevailed. He attended the St. Louis School of Fine Arts and then went to New York and then Paris to the Academies Julian and Colarossi where he studied with Gerome, Harpignies, and Bouguereau. In Paris he earned money as an assistant to biologist Louis Pasteur for whom he made anatomical drawings. He was also much influenced by the Barbizon painters and Cezanne. He returned to St. Louis and in 1886 exhibited in the St. Louis Expo where he met Mark Twain whose stories of California inspired him to head West. He stayed briefly in Cincinnati and Denver and then California, where he did newspaper illustrations in Stockton and Fresno. In 1891, he settled in San Francisco, establishing a studio at 163 Sutter Street. He combined illustration work and writing for the San Francisco Evening Call with easel painting including all of the California missions. He was a member of the Bohemian Club, a free-spirited, fun loving group that lived "hand-to-mouth" for their art. He also painted in Arizona, and a painting Tucson was done in 1894. In 1904, he joined the faculty of the University of California, doing anatomy drawings for medical classes, and in 1907, he was a founder of the Del Monte Art Gallery. He died in San Francisco on March 30, 1937. His paintings are in the collections of the Huntington Library in San Marino and the Crocker Museum in Sacramento. Source: Edan Hughes,

All Items : Archives : Fine Art : Pre 1950 item #1132325 (stock #501)
A beautiful early 20 th century Dutch impressionist painting of a view of Amsterdam. Signed lower right G. Koopman oil on canvas Approx. 16 x 24 inches in a quality original frame. A beautiful painting with bold impressionist brush strokes.
All Items : Archives : Fine Art : Prints : Pre 1950 item #1110921 (stock #483)
Norman Lindsay original etching signed and titled numbered 20 0f 20 in pencil. A humorous court scene of a the king flirting with a lady and the expression of the jealous queen. An exquisite rich impression image measuring 23 x 30 cm on full sheet of laid paper in excellent condition some age yellowing and faint window matt line.

Lindsay is widely regarded as one of Australia's greatest artists, producing a vast body of work in different media, including pen drawing, etching, watercolour, oil and sculptures in concrete and bronze. A large body of his work is housed in his former home at Faulconbridge, New South Wales, now the Norman Lindsay Gallery and Museum, and many works reside in private and corporate collections. His art continues to climb in value today. In 2002, a record price was attained for his oil painting Spring's Innocence, which sold to the National Gallery of Victoria for A$333,900.

All Items : Archives : Fine Art : Sculpture : Pre 1930 item #1233984 (stock #619)
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A fine figural nude bronze by Hans Dietzsch-Sachsenhausen signed and dated 1921. measuring 17 inches tall in excellent condition. Sachsenhausen (1810-1926) a noted German sculpture with many important public statuary in city centers in Germany and other Countries.
All Items : Archives : Fine Art : Pre 1970 item #1008324 (stock #329)
A beautiful modernist composition oil on paper by Harold Christopher Davies a well listed California modernist The Provenance is from the estate of the artist and Hoover Gallery of San Francisco. Measuring approx. 23 x 28 inches framed size 32 x 40 inches. A fine example of this artists work. Harold Christopher Davies was a painter with whom art came first and commercialism last. Though he was a remarkably passionate and somewhat prolific artist, he resisted gallery representation until the age of eighty-four, just one year before his death. Davies began his formal art education at the age of fourteen, enrolling in the Corcoran Art Institute in Washington, D.C. Later he continued his studies at the San Francisco Institute of Art. An abstract expressionist, his style was directly influenced by Cezanne, Gorky and de Kooning. Being a man of intense dedication to his art, he kept extensive notebooks and sketchbooks in which he developed his own artistic and aesthetic philosophy, often through his candid critiques of other artist’s works. Painting, for Davies, was not a means of earning his living. Though he exhibited frequently at various local colleges and museums, he never sought public recognition of his talent. He believed fame compromised the integrity of an artist’s work. Davies earned his living as a businessman, eventually owning and operating his own chemical company. He lived a life of balancing his monetary obligations with the true love of his life: painting. After living in a variety of cities around the United States, Davies moved to Inverness, California in 1969 where he was free to devote all his time to his art. MEMBER: Oakland Art League San Francisco Art Association Huntsville (Ala.) Art Association EXHIBITED: San Francisco Art Association, 1921-1931 Oakland Art Gallery, 1931 Birmingham Museum, 1951 Southampton Museum, 1959 University of Long Island Museum, 1964 Parrish Art Museum, 1964, 1966, 1967 Hoover Gallery (San Francisco), 1975 Fresno Art Center, 1976 (Solo) Haggin Museum 1982 Huntsville Museum, 1982
All Items : Archives : Fine Art : Pre 1900 item #986816 (stock #296)
George Bacon Wood fishing dory on the beach oil on board signed lower left. This painting was exhibited at the Salmagundi Club in New York in 1897. In excellent condition measuring Approx. 7 x 9 with liner 8 x 10 inches. overall size 12 x 14. Biography, George B. Wood, Jr. was born into a Quaker family in Philadelphia on January 6, 1832. He studied at the Pennsylvania Academy of the Fine Arts under Christian Schussele and probably saw the Exhibition of English Art there in February 1858. The exhibition laid out the work of those English painters that were following the precepts of the English painter and critic, John Ruskin. Wood as well as many of his contemporaries from Philadelphia were deeply influenced by the Ruskinian ideal and began to paint according to the precepts of "Truth in Art". Wood's neighbor and friend in Germantown, Pennsylvania, William Trost Richards, was one of the leaders of the movement and probably encouraged Wood to paint to this heightened perception of physical reality. Wood began exhibiting at the Pennsylvania Academy as early as 1858 and at the National Academy of Design by 1861. The American Ruskinians organized by 1863 with a house organ called The New Path, which was published from 1863 to 1865. His artist friends and their writings probably led to Wood's acceptance of the style and ideals of Ruskinian painting. Wood spent the Civil War years painting mainly in the area surrounding Philadelphia, but judging from the titles of his paintings, he also took a few longer trips. In 1866 he rented a studio in central Philadelphia, and the following year he moved downtown. At about this time he began summering (and even spending an occasional winter in the early 1870s) in the Adirondacks near Elizabethtown, New York. By 1870 he was married and well established as an artist. Wood exhibited at the Pennsylvania Academy from 1858 to 1869 and again from 1876 to 1887. He also exhibited at the National Academy of Design from 1861 to 1885 and the Brooklyn Academy of Art in 1886. A member of the Philadelphia Sketch Club and the Philadelphia Artists' Fund Society, he was generally part of the artist community in that city. By the seventies, Wood had turned from landscapes to documenting Philadelphia streets and interiors, but at the end of the decade added photography to his arts. In 1883 Wood traveled abroad, recording the sights in carefully rendered watercolors. Some of these sketches served as sources for later, more highly finished work he submitted to the Pennsylvania Academy in 1884 and 1887.
All Items : Archives : Fine Art : Pre 1950 item #1056806 (stock #390)
Original oil on canvas of cattle in a landscape signed lower left in excellent condition measuring 32 x 36 inches. Provenance: The Closson Art Galleries Cincinnati Ohio

Biography

Thomas Corwin Lindsay, born in Cincinnati, Ohio, was a well-known painter of landscapes, animal subjects and occasional portraits. He studied in Dusseldorf, Germany, in the 1860s, but lived and worked most of his life in his native city where he opened a studio in 1856 or 1857. He taught several pupils from his studio, and was a founding member of the Cincinnati Art Club, which became the Men's Art Club. Most of his landscapes were painted in Pennsylvania, up-state New York, the White Mountains of New Hampshire or other Eastern states. He exhibited at the Cincinnati Industrial Exposition, from 1870-83; Pogue's, in 1875; and the Art Institute of Chicago, Illinois, in 1896. His work is in the collection of the Cincinnati Art Museum. Jim Lawrence, a relative of the artist, provides the following: According to the U.S. Census for 1900, Thomas Corwin Lindsay was born on July 1838 in Ohio and not 1839 as so often is recorded. In 1900, he was living in Cincinnati with his wife and son and working as an artist. His parents Thomas Lindsay and Elizabeth Lawrence were both born in Pennsylvania, his father in Cumberland County and his mother in Philadelphia.

All Items : Archives : Fine Art : Pre 1950 item #1201143 (stock #598)
A fine oil on board by Dennis Henry Osborne a cubist style modernist feel to this depiction of a fishing trawler at dry dock. Signed lower left with gallery label on reverse.

biography

Born in Portsmouth, England in 1919, Dennis H. Osborne spent three and a half years as a prisoner of war in Italy and Germany. After the war he pursued his art studies in England and exhibited at the Royal Academy. In 1952 he emigrated to Canada but returned to the United Kingdom to take up the post of Head of the Art Department in Portadown Technical College. For many years prior to his retirement he was Head of the Art Department at Lisnagarvey High School, Lisburn.

All Items : Archives : Fine Art : Pre 1940 item #1052806 (stock #283)
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Ida Sedgwick Proper (1873 - 1957)

Rare original oil on canvas by signed lower right measuring 20 x 24 inches in good all original condition. Provenance: The Grandson of the artist.

Biography

Born in Bonaparte, Iowa, into a Baptist minister family, she attended Bethany College in Lindsborg, Kansas. Then at the Art Student's League in New York, she trained with William Merritt Chase, John Twachtmann, and Frank DuMond. In 1897, she began art studies in Munich and exhibited in European salons. From 1907 to 1911, she had a studio in New York. She is known for her Impressionist palette and diffused compositional elements.

All Items : Archives : Fine Art : Paintings : Watercolor : Pre 1980 item #1342065 (stock #778)
Amazing original watercolor by Stan Glover of Bowen's Wharf Newport Rhode Island painted with incredible detailed realism. Signed on verso and dated 1980 with original bill of sale from NY gallery. Image measuring 15" x 20" Matted size 20" x 25". In excellent condition unframed.
All Items : Archives : Fine Art : Pre 1920 item #1091463 (stock #430)
A fine original oil by Christian Jorgensen a view of Yosemite Valley with Half Dome in the distance. Oil on Canvas signed lower right in excellent original condition framed in a period art nouveau frame. Measuring 20 x 24 canvas size. Biography. Born in Oslo, Norway on Oct. 7, 1860 Christian Jorgensen moved to San Francisco with his mother in 1870. He showed artistic promise at an early age, and when the School of Design opened in 1874, he was among the first to enroll. At 14 he was greatly influenced at that school by Virgil Williams, who was both teacher and father figure. Jorgensen later became an instructor at the School of Design and served as assistant director from 1881-83. He then established a studio at 131 Post Street where he continued teaching, and by the mid-1880s was a successful landscape painter. For five years he and his wife, Angela, traveled by horse and buggy to the sites of the 21 California missions and during this period he produced 80 watercolor studies of the missions and a complete set of oils. In 1899, he pitched a tent in Yosemite, and after several months, obtained a permit to build a studio-home there and continued painting there during the warm months for 19 years. (His home in Yosemite is now used as headquarters for the government rangers.) In 1905 he built a boulder home in Carmel (this later became the Hotel La Playa) where he and Angela lived for a few years; most of his time was spent at the family home in Piedmont, CA. The Jorgensens made trips to Italy (1892-94), Mexico (1907), the Grand Canyon (1910) and New England (1916). Jorgensen enjoyed a long career and continued painting until his death in Piedmont on June 24, 1935. Exhibitions: San Francisco Art Association, 1884-1905; Mechanics' Institute (SF), 1884-97; California State Fair, 1886-96 (medals); Bohemian Club, 1899-1922; Cosmos Club (Washington, DC), 1906; Sequoia Club (SF), 1907; Del Monte Art Gallery (Monterey), 1907-09; Rabjohn & Marcom Gallery (SF), 1908; Alaska-Yukon Expo (Seattle), 1909; Courvoisier Gallery (SF), 1909; Kanst Gallery (LA), 1915. Collections: California Historical Society, Bohemian Club; Athletic Club (Oakland); Sonoma Mission; Mechanics' Inst. Library (SF); Orange Co. (CA) Museum; Yosemite Museum. Source: Edan Hughes, "Artists in California, 1786-1940"
All Items : Archives : Fine Art : Pre 1930 item #968603 (stock #301)
A beautiful portrait of a beautiful young lady in an interior. Oil on Canvas signed lower right in excellent condition measuring 31 x 39 inches overall framed size 38 x 46 inches. Van Belle is a highly regarded Belgian - French painter this painting is illustrated in the book Figurative Paintings Paris and the Modernist Spirt by. Martin Wolpert pubilshed by Schiffer.
All Items : Archives : Fine Art : Pre 1950 item #1088531 (stock #419)
Original oil on board by Drake Seaman of a young Navajo girl named Rita. Signed lower right and signed and titled on the reverse by the artist with the artists address in Arizona. Measuring image size 8 x 10 in excellent condition. Drake Seaman, Southwestern artist, was born 1935 and died December 2000. He was a resident of Williams, Arizona and painted in sumi ink, acrylics, and oil using brush and knife applications. Seaman's subject matter includes cowboys, horse, cattle and landscapes. He also painted murals with Ray Strong. One of Seaman's landscape murals is in a Seventh Day Adventist Church in Santa Barbara, California. A mural titled "Prodigal Son" is in St. Joseph's Catholic Church in Williams, Arizona. He studied at the Kachina Art School with Jay Datus. From 1969 to 1970, he was an instructor of landscape painting at Brroks Fine Arts Center in Santa Barbara. Two paintings are in the permanent collection at the Phippen Museum in Prescott, Arizona. Much of his collection resides with his wife in Williams, AZ. Seaman is believed to have associated with Flagstaff Activist Network (FAN) a conservationist group that supports preserving habitats and native cultures of the Southwest. Source: Katy Holditch "Who's Who in American Art", 1997-1998
All Items : Archives : Fine Art : Pre 1950 item #1267037 (stock #648)
Original Painting by Zhāng Shūqí (Chinese: 张书旗; 1901-1957) a Chinese painter from Zhejiang, noted for painting flowers and birds. He studied at Shanghai under Liu Haisu. For a time he taught at the National Center University. From 1942 to 1946, he lived in the United States. After that, he returned to China for a time, but ultimately settled in the US.His works are in the Gallery of Victoria Museum, the Ashmolean Museum and Stanford Museum. Image 9.5"L x 12"W. framed in a gilt bamboo frame 16" L x 19" W. Provenance a Stanford collection estate stamped lower right. Please view our other catalog offerings.
All Items : Archives : Fine Art : Pre 1900 item #1141446 (stock #509)
Fine original oil painting on canvas signed lower left J.B.Smith dated 1876 titled on the reverse on "Vale of Heath Wales" provenance Richard Green Gallery London. Measuring 18 x 14 inches. In excellent condition a couple of minor touchups. John Brandon Smith fl. 1848 - 1888 was a London landscape painter who exhibited from 1859 to 1884 at the Royal Academy. From 1860 to 1874 he exhibited at The British Institute and also at the Royal Society of Artists, Suffolk Street. Titles at the Royal Academy included View in Surrey 1860, On the Lledr, 1867 and Caldron Linn, Perthshire, 1874. He is most commonly known for his pictures of rivers and waterfalls.
All Items : Archives : Fine Art : Pre 1920 item #490723 (stock #137)
Charles Dorman Robinson impressionist seascape A beautiful atmospheric seascape painting of a sunset with ships off the coast of San Francisco. Oil painting on artist board framed in the original arts and crafts era frame signed lower right. In excellent condition some very minor touch ups in the sky area professionally cleaned and re-varnished. A fine example of this highly acclaimed artists work.

Biography

Charles Robinson was born in East Monmouth, Maine, and his father, David Robinson, was a theatre producer for Gold Rush mining towns and constructed the first theatres and plays for stage productions in San Francisco. In 1850, his family moved to San Francisco where he was educated in the public schools and grew up sketching harbor scenes. He took lessons at the age of seven from Charles Nahl, a painter of mining genre and landscape, and earned a diploma at age 13 from the Mechanics' Institute for best marine drawing for a juvenile. From 1861 to 1873, he lived in Vermont because the family was forced out of San Francisco by threats resulting from his father being on the Vigilance Committee. On the East Coast, he became the pupil of marine artists William Bradford and M.F.H. De Haas as well as Impressionist George Inness. He was also much influenced by Albert Bierstadt and James Hamilton. He lived in Clinton, Iowa from 1873 to 1874 to court and marry Kathryn Wright, and then returned to San Francisco. He first worked as a retoucher of photos, and he and his wife wrote and did illustrations for "Overland Monthly" and "Century" magazine. By 1876, Robinson was exhibiting regularly as a painter, and in 1880 began making trips to Yosemite Valley. He was also in Paris between 1899 and 1901 and offered the Paris Exposition in 1900 a painting of Yosemite that was 50 x 380 feet and weighed five tons. When the committee rejected the panorama, he cut it into pieces, which he sold for passage money home. In the earthquake and fire of 1906, many of his paintings were destroyed in a warehouse where he had thought they would be safe. In 1921, a fire in his home destroyed twenty years worth of Yosemite paintings. He died May 8, 1933 in San Rafael, California. Source: Edan Hughes,